40 resultados para Autorrealización (Psicología)
Resumo:
The article retraces the career of the famous hypnotist Onofroff and particularly his visit to Buenos Aires, where his activity, in 1895, provoked many discussions and some public embarrassment. In this context Daro, using a pseudonym, published his crnica La esfinge. We reproduce La esfinge, transcribing the original text of La Nacin, with annotations identifying the literary and theosophical sources Daro used when he wrote it.
Resumo:
En este artculo tratamos, por medio de Suenan timbres de Luis Vidales, el idiotismo de la sociedad tradicionalista tecnificada de principios de siglo XX en Colombia. Estudio que realizamos desde el concepto de idiotismo de Vidales, en estrecha relacin con el de cultura de vieta de Rafael Gutirrez Girardot, para plantear la burla del poeta a la sociedad capitalista, que cuestiona la presencia de la Iglesia catlica y la poltica conservadora en todos los estadios de la vida nacional.
Resumo:
This Artistic research project was created in order to test how to put into practice approaches between Contemporary Art and University daily life. In this particular case, between Action Art and the students at the Early Childhood Education University in Alicante. The generalized lack of awareness about changes which took place in Art in the XX century, demonstrates the lack of interest on the part of students about Contemporary Art, and therefore, it is still remarkable, the distance between Art and life. Thus, as artists and teachers, the chance to carry out specific experiments is open within everyday educational life. Therefore, through Action Art a communicative interaction is possible to be achieved as an active learning process and, in such way, change the usual existing relationships in a predetermine context, creating this way, future Contemporary Art consumers and transmitters.
Resumo:
Conceptual art and communicator role has influenced the work of Chilean architect Alfredo Jaar, which has been proposed report, with other codes [verbal and nonverbal], global events influencing contemporary society. His early training as an architect has driven innovation in the design of artistic space , using the message to convey to the viewer the reason for his work for more than three decades, highlights the artistic composition with various material resources whose purpose lies in conceptualizing various topics relevant in considering the role of artistic communication. Jaars style is the sum of his own life experience in relation to the contradictions of the world today, which is exposed and from the perspective of postmodernism from the exploitation of the notion of space as an open stage for visual and expressiveness beyond national borders, societies and cultures of the world.
Resumo:
A new kind of photographic representation, called movement-image is proposed and discussed to record the visual experience of the journey through urban highways. It consists of performing long exposure photographic shots while the track is traversed, thus registering a time-panorama which includes landscape signs and inner spaces of the ways involved. This proposal is linked to the limitations of representing these expressways, if they are understood as structures of instrumental origin, where the resulting experience comes from moving at high speed through the territory. In al almost all cases the aesthetic approach or urban integration with the city and landscape are excluded. In this sense, although such structures may be an opportunity to collect, build and colonize the urban landscape, the lack of adequate representation of the phenomenon causes a difficulty in its understanding and transformation. The options for representation using photography is assumed, knowing its own particular tradition in the use of long exposures, for the expression of the mobile, and the multiple visual attention, divided or weakened.
Resumo:
This research is set in the context of todays societies, in which the corporate visual symbology of a business, corporation or institution constitutes an essential way to transmit its corporate image. Traditional discursive procedures can be discovered in the development of these signs. The rhetorical strategies developed by the great classical authors appear in the logo-symbols expressing the corporate values of todays companies. Thus, rhetoric is emerging once again in the sense it had many centuries ago: A repertory of rules that, paradoxically, standardizes the deviations of language and whose control is synonymous with power. The main objective of this study is to substantiate the rhetorical construction of logos using as a model of analysis the classical process of creating discourse. This involves understanding logos as persuasive discourses addressed to a modern audience. Our findings show that the rhetorical paradigm can be considered as a creative model for the construction of an original logo consistent with a companys image.
Resumo:
The goal of this study is to identify cues for the cognitive process of attention in ancient Greek art, aiming to find confirmation of its possible use by ancient Greek audiences and artists. Evidence of cues that trigger attentions psychological dispositions was searched through content analysis of image reproductions of ancient Greek sculpture and fine vase painting from the archaic to the Hellenistic period - ca. 7th -1st cent. BC. Through this analysis, it was possible to observe the presence of cues that trigger orientation to the work of art (i.e. amplification, contrast, emotional salience, simplification, symmetry), of a cue that triggers a disseminate attention to the parts of the work (i.e. distribution of elements) and of cues that activate selective attention to specific elements in the work of art (i.e. contrast of elements, salient color, central positioning of elements, composition regarding the flow of elements and significant objects). Results support the universality of those dispositions, probably connected with basic competencies that are hard-wired in the nervous system and in the cognitive processes.
Resumo:
In 1990, Juan Antonio Ramrez made known his iconological paranoiac method to the academic world. It is a system devised to study Dals work, born of happy matrimony between the catalonian artists critical paranoiac method and the first iconographic school of Warburg and Panofsky. What, at first sight, seemed to be an extravagant methodology with little academic credibility, turned out to be, by going forward in time, an effective research method when analyzing Dalis initial works. It is no wonder that, at the beginning of XXI century, this hybridization between Dals and Panofskys methods, were regarded as a strange and nonsensical idea. Nevertheless, twenty years after, blatant examples have been noted, which endorse the advantages of this new system for iconographic study. As usual, this new contribution by Juan Antonio Ramirez to art history methodology is called upon to have a successful future survival, in forthcoming generations. This article, attempts to analyze this method, inquiring into the validity, effectiveness and practical utility.
Resumo:
El arte, en sus diferentes campos, desarrolla un tipo de discurso que nada tiene que ver con el de otros mbitos. Se vale de combinaciones de elementos diversos, normalmente pertenecientes a lenguajes convencionales, para elaborar un enunciado nico y nuevo, donde una idea encuentra finalmente su forma. El contenido y la estructura se fusionan en un punto indisoluble. En este artculo se plantean las bsquedas de paradigmas clsicos de la forma artstica y una reflexin al respecto desde el mbito de las Artes Visuales. Se parte de la consideracin que durante muchos siglos se tena de la representacin o imitacin de la realidad no solo como vehculo de la expresin sino como la finalidad del arte. Se continua por el foco que la Transgresin de Dad estableci en aquellas formas artsticas que buscan una conmocin emocional para que la creacin alcance los territorios ntimos del receptor. Por ltimo, se explica el fundamental hallazgo de Duchamp de sealar que es el propio discurso de la obra el que proporciona un nuevo pensamiento al mundo.
Resumo:
En el presente artculo introducimos el concepto de recuperacin mutua y proponemos las prcticas creativas como herramientas eficientesde recuperacin de personas tanto con problemas de salud mental como con algn tipo de diversidad funcional. Frente al concepto clsico de arte-terapia nosotros proponemos el concepto de prctica creativa como ms compatible con el modelo de recuperacin mutua. Para ello, en primer lugar realizamos un breve repaso crtico a la relacin del arte con la locura. Seguidamente, presentamos los conceptos hermanos de recuperacin y recuperacin mutua en el marco de lo que se ha venido a denominar las health humanities. Para finalizar, describimos dos prcticas creativas que en la actualidad estn siendo evaluadas en Espaa en el contexto de un proyecto de investigacininternacional en recuperacin mutua: Los seminarios creativos con personas con trastorno mental grave en el Museo de Arte Contemporneo de Sevilla y el grupo de teatro con personas con diversidad funcional de la Asociacin Sndrome de Down-Sevilla
