15 resultados para Restrepo Santamaría, Margaritainés, 1952-2008 - Premios

em Helda - Digital Repository of University of Helsinki


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L Amour de loin: The semantics of the unattainable in Kaija Saariaho s opera Kaija Saariaho (born 1952) is one of the most internationally successful Finnish composers there has ever been. Her first opera L Amour de loin (Love from afar, 1999-2000) has been staged all over the world and has won a number of important prizes. The libretto written for L Amour de loin by Amin Malouf (born 1949) sets the work firmly in the culture of courtly love and the troubadours, which flourished in Occitania in the South of France during the Middle Ages. The male lead in the opera is the troubadour Jaufré Rudel, who lived in the twelfth century and is known to have taken part in the Second Crusade in 1147-1148. This doctoral thesis L Amour de loin: The semantics of the unattainable in Kaija Saariaho s opera, which comes within the field of musicology and opera research, examines the dimensions of meaning contained in Kaija Saariaho s opera L Amour de loin. This hermeneutic-semiotic study is the first doctoral thesis dealing with Saariaho to be completed at the University of Helsinki. It is also the first thesis-level study of Saariaho s opera to be completed anywhere in the world. The study focuses on the libretto and music of the opera, that is to say the dramatic text (L Amour de loin 1980), and examines on the one hand the dimensions of meaning produced by the dramatic text and on the other, the way in which they fix the dramatic text in a historical and cultural context. Thus the study helps to answer questions about the dimensions of meaning contained in the dramatic text of the opera and how they can be interpreted. The most important procedural viewpoint is Lawrence Kramer s hermeneutic window (1990), supplemented by Raymond Monelle s semiotic theory of musical topics (2000, 2006) and the philosophical concept of Emmanuel Levinas (1996, 2002) in which the latter acts as an instrument for semantic interpretation to build up an analysis. The analytical section of the study is built around the three characters in the opera, Jaufré Rudel, Clémence the Countess of Tripoli, and the Pilgrim. The study shows that the music of Saariaho, who belongs to the third generation of Finnish modernists, has become distanced from the post-serial aesthetic towards a more diatonic form of expression. There is diatonicity, for instance, in the sonorous individuality of the male lead, which is based on the actual melodies of the historical Jaufré Rudel. The use of outside material in this context is exceptional in the work of Saariaho. At the same time, Saariaho s opera contains a wealth of expressive devices she has used in her earlier work. It became apparent during the study that, as a piece of music, L Amour de loin is a many layered and multi-dimensional work that does not unambiguously represent any single stylistic trend or aesthetic. Despite the composer s post-serial background and its abrasive relationship with opera, L Amour de loin is firmly attached to the tradition of western opera. The analysis based on the theory of musical topics that was carried out in the study, shows that topics referring to death and resurrection, used in opera since the seventeenth century, appear in L Amour de loin. The troubadour topic, mainly identified with the harp, also emerges in the work. The study also shows that the work is firmly attached to the tradition of western opera in other aspects, too, such as the travesti or trouser role played by the Pilgrim, and the idea of deus ex machina derived from Ancient Greek theatre. The study shows that the concept of love based on the medieval practices of courtly love, and the associated longing for another defined by almost 1,000 years of western culture, are both manifested in the semantics of Kaija Saariaho s opera which takes its place in the contemporary music genre.

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Education for a Technological Society. Public School Curriculum Construction, 1945-1952. The subject of my research is the significance of technology in the construction process of the public school curriculum during the years 1945-1952. During the period the war reparation and rebuilding placed demands and actions to rationalise and dramatise industry and agriculture. Thereby the ambitions of building a technological country and the reformation of curriculum took place simultaneously. Fordistian terms of reference, of which the principles were mass production, rationalisation and standardisation, a hierarchical division of labour and partition of assignments, provided a model for the developing curriculum. In the research the curriculum is examined as an artefact, which shapes socio-technically under the influence of social and technical factors. In the perspective of socio-technical construction the artefact is represented by the viewpoints of members of relevant social groups. The groups give meaning to the curriculum artefact, which determines the components of the curriculum. The weakness of the curriculum was its ineffectiveness, which was due to three critical problems. Firstly, the curriculum was to be based on scientific work, which meant the development of schools through experiments and scientific research. Secondly, the civilised conseption in the curriculum was to be composed of theoretical knowledge, as well as practical skills. Practical education was useful for both the individual and society. Thirdly, the curriculum was to be reformed in a way that the individuality of the pupil would be taken into account. It was useful for the society that talents and natural abilities of every pupil were observed and used to direct the pupil to the proper place in the social division of labour, according to the "right man in a right place" principle. The solutions to critical problems formed the instructions of the public school curriculum, which described the nature and content of education. Technology and its development were on essential part of the whole school curriculum process. The quality words connected to the development of technology - progress, rationality and effectiveness - were also suitable qualifiers and reasons for the reform of the curriculum. On the other hand, technology set a point of comparison and demand for the development of all phases of education. The view of technology was not clearly deterministic - it was also possible to shape technological society with the help of education. The public school curriculum process indicates how originally the principles of technological systems were shaped to the language of education and accepted in educational content.

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The dissertation focuses on the development of music education in Estonian kindergartens and the factors influencing it, analysed in the historical perspective relying on post-positivist paradigm. The study is based on the factors and subjects’ views on kindergarten music education from 1905 to 2008, recorded in written sources or ascertained by means of questionnaire and interview. The dissertation deals with music’s functions, music education in retrospective, factors influencing child’s musical aptitude and development and teacher’s role in it through the prism of history. The formation of Estonian kindergarten music education and the phenomenon of its development have been researched by stages: the first manifestations of music in kindergarten in 1905 - 1940; the formation of the concept of music education in 1941 - 1967 and the application of a unified system in 1968 - 1990. The work also outlines innovative trends in music education at the end of the last millennium and the beginning of this century, in 1991 - 2008. The study relies on a combined design and an analysis of historical archival material and empirical data. The empirical part of the study is based on the questionnaire (n=183) and interviews (n=18) carried out with kindergarten music teachers. The data has been analysed using both qualitative and quantitative methods. The subject of the research is the content and activity types of kindergarten music education and the role of music teacher in their implementation. The study confirmed that fundamental changes took place in Estonian kindergarten music education due to the change in political power in the 1940s. Following the example of the Soviet system of education, music in kindergarten became an independent music educational orientation and the position of a professionally trained music teacher was established (1947). It was also confirmed that in the newly independent Estonian Republic under the influence of innovative trends a new paradigm of music education arose from the traditional singing-centred education towards the more balanced use of music activity types (attaching importance to the child-centred approach, an increase in the number and variety of activity types). The most important conclusions made in the dissertation are that there has been improvement and development deriving from contemporary trends in the clear concept that has evolved in Estonian kindergarten music education over a century; professionally trained music teachers have had a crucial role in shaping it; and kindergarten music education is firmly positioned as a part of preschool education in Estonian system of education. Key words: early childhood music education, history of music education, kindergarten music education, early childhood music teachers

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The number of Finnish pupils attending special education has increased for more than a decade (Tilastokeskus 1999, 2000, 2001, 2003, 2004, 2005a, 2006b, 2007b, 2008b, 2008e, 2009b; Virtanen ja Ratilainen 1996). In the year 2007 nearly third of Finnish comprehensive school pupils took part in special needs education. According to the latest statistics, in the autumn of 2008 approximately 47 000 pupils have been admitted or transferred to special education and approximately 126 000 pupils received part-time special education during the 2007 - 2008 academic year. (Tilastokeskus 2008b, 2009b.) The Finnish special education system is currently under review. The Reform, both in legislation and in practice, began nationwide in the year 2008 (e.g. Special education strategy document, November 2007 and the development project Kelpo). The aim of the study was the statistical description of the Finnish special education system and on the other hand to gain a deeper understanding about the Finnish special education system and its quantitative increase, by analysis based on the nationwide statistical information. Earlier studies have shown that the growth in special education is affected by multiple independent variables and cannot be solely explained by the pupil characteristics. The statistical overview and analysis have been carried out in two parts. In the first part, the description and analysis were based on statistical time series from the academic year 1979 -1980 until 2008. While, in the second, more detailed description and analysis, based on comparable time series from 1995 to 2008 and from 2001-2002 to 2007-2008, is presented. Historical perspective was one part of this study. There was an attempt to find reasons explaining the observed growth in the special needs education from late 1960s to 2008. The majority of the research was based on the nationwide statistics information. In addition to this, materials including educational legislation literature, different kind of records of special education and preceding studies were also used to support the research. The main results of the study, are two statistical descriptions and time series analysis of the quantitative increase of the special needs education. Further, a summary of the plausible factors behind the special education system change and its quantitative increase, is presented. The conclusions coming from the study can be summarised as follows: the comparable statistical time series analysis suggests that the growth in special education after the year 1999 could be a consequence of the changes in the structure of special education and that new group of pupils have been directed to special needs education. Keywords: Special education, comprehensive school, description, statistics, change

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The dissertation focuses on the recognition of the problems of uneven regional development in Finland in the 1950s, and the way the idea of controlling this development was introduced to Finnish politics. Since it is often stated that Finnish regional policy only began in the mid-1960s, the period at hand is considered to fall in the time before regional policy. However, various ideas, plans and projects of regional development as well as different aims of development were brought forward and discussed already in the 1950s. These give an interesting perspective to the ideas of later regional development. In the 1950s, many Finnish politicians became more conscious of the unavoidable societal change. The need for overall modernisation of the society made it reasonable to expect a growing level of unemployment and eagerness to migration. The uneven distribution of well-being was also feared to cause discontent and political changes. International experience proved interfering in the regional development possible when using the argument of public interest ; the measures taken increased the level of well-being, helped sustain societal balance, and supported national economy. Many of the development projects of the 1950s focused on Northern Finland, the natural resources of which were considered an important reserve and the political climate of which was regarded unstable. After the late 1940s, regional development was discussed frequently both on the national and the regional level. Direct and indirect support was given to less developed areas and the government outlined thorough investigations in order to relieve the regional problem. Towards the end of the decade, the measures taken were already often connected to the idea of equality. In the 1950s the conflicts within and between the largest Finnish political parties significantly affected the decisions of regional development. There are three case studies in this qualitative research based on the narrative method. The case studies clarify the characteristics of the 1950s regional development. In the first one, the representatives of the northern region and the state first discuss the location of a state-run nitrogen fertilizer factory and later the location of a new university. In the second, the aims and perspectives of private entrepreneurs and the state collide due to ideas of statist industrialisation projects and later due to an idea of a tax relief targeting northern industry. In the third case, the main role is given to the changing rural areas, in relation to which societal development and urbanisation were often measured. The regional development of the 1950s laid groundwork for the new, more established regional policy. The early problem solving actions were aimed both at the prevailing situation and the future and thus showed the way for the upcoming actions. Regional development policy existed already before regional policy.

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Grave sculpture as interpreter of life and death. Grave sculptures done by Heikki Häiväoja, Kain Tapper and Matti Peltokangas 1952-2002. The thoughts of Philippe Ariès and Erwin Panofsky on western funeral art constitute the starting point of this study. These scholars speak about the 20th century as a period of decline regarding western funeral art. The reason for this situation lies, according to them, in the fact that death has been rejected and become a private affair in modern society. Especially Panofsky sees an important reason for the decay of funeral art also in the separation of death from religion. In this study, I approach the view of Ariès and Panofsky from the angle of Finnish funeral art. The subject of the study is grave sculptures of three Finnish sculptors: Heikki Häiväoja, Kain Tapper and Matti Peltokangas, from 1952 to 2002. (The analysis of the grave sculptures has been performed with the Iconology of Erwin Panofsky. The analysis has been deepened by the ideas of a graveyard as a semiotic text according to Werner Enninger and Christa Schwens. In order to confirm their argumentation, they analyse the graveyard text with the model of communicative functions of Roman Jakobson and verify that the graveyard is a cultural text according to Juri Lotman.) Results of the study In the grave sculptures of the sculptors, different worldviews appear alongside Christian thoughts indicating a new stage in the tradition of funeral art. In the grave sculptures characterised as Christian, the view of life after death is included. In these memorials the direction of life is prospective, pointing to the life beyond. Death is a border, beyond which one is unable to see. Nevertheless the border is open or marked by the cross. On this open border, death is absence of pain, glory and new unity. In memorials with different worldviews, the life beyond is a possibility which is not excluded. Memorials interpret life retrospectively; life is a precious memory which wakens grief and longing. Many memorials have metaphysical and mystic features. In spite of democratization the order and valuation of social classes appear in some memorials. The old order also materializes in the war memorials relating the same destiny of the deceased. Different burial places, nevertheless, do not indicate social inequality but are rather signs of diversity. The sculptors' abstract means of modern funeral art deepen the handling of the subject matter of death and reveal the mystery of it. Grave sculptures are a part of Finnish and sacral modern art, and there is an interaction between funeral art and modern art. Modern art acquires a new dimension, when grave sculptures become a part of its field. Grave sculptures offer an alternative to anonymous burying. The memorial is a sign of the end of life; it gives death significance and publicity and creates a relation to the past of the society. In this way, grave sculptures are a part of the chain of memory of the western funeral art, which extends throughout Antiquity until ancient Egypt. (In this study I have spoken of funeral art as a chain of memory using the thoughts of Danièle Hervieu-Léger.) There are no signs of decay in the grave sculptures, on the contrary the tradition of funeral art continues in them as a search for the meaning of life and death and as an intuitive interpretation of death. As such, grave sculptures are part of the Finnish discussion of death.

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The four scientific articles comprising this doctoral dissertation offer new information on the presentation and construction of addiction in the mass media during the period 1968 - 2008. Diachronic surveys as well as quantitative and qualitative content analyses were undertaken to discern trends during the period in question and to investigate underlying conceptions of the problems in contemporary media presentations. The research material for the first three articles consists of a sample of 200 texts from Finland s biggest daily newspaper, Helsingin Sanomat, from the period 1968 - 2006. The fourth study examines English-language tabloid material published on the Internet in 2005 - 2008. A number of principal trends are identified. In addition to a significant increase in addiction reporting over time, the study shows that an internalisation of addiction problems took place in the media presentations under study. The phenomenon is portrayed and tackled from within the problems themselves, often from the viewpoint of the individuals concerned. The tone becomes more personal, and technical and detailed accounts are more and more frequent. Secondly, the concept of addiction is broadened. This can be dated to the 1990s. The concept undergoes a conventionalisation: it is used more frequently in a manner that is not thought to require explanation. The word riippuvuus (the closest equivalent to addiction in Finnish) was adopted more commonly in the reporting at the same time, in the 1990s. Thirdly, the results highlight individual self-governance as a superordinate principle in contemporary descriptions of addiction. If the principal demarcation in earlier texts was between us and them , it is now focused primarily on the individual s competence and ability to govern the self, to restrain and master one's behaviour. Finally, in the fourth study investigating textual constructions of female celebrities (Amy Winehouse, Britney Spears and Kate Moss) in Internet tabloids, various relations and functions of addiction problems, intoxication, body and gender were observed to function as cultural symbols. Addiction becomes a sign, or a style, that represents different significations in relation to the main characters in the tabloid stories. Tabloids, as a genre, play an important role by introducing other images of the problems than those featured in mainstream media. The study is positioned within the framework of modernity theory and its views on the need for self-reflexivity and biographies as tools for the creation and definition of the self. Traditional institutions such as the church, occupation, family etc. no longer play an important role in self-definition. This circumstance creates a need for a culture conveying stories of success and failure in relation to which the individual can position their own behaviour and life content. I propose that addiction , as a theme in media reporting, resolves the conflict that emanates from the ambivalence between the accessibility and the individualisation of consumer society, on the one hand, and the problematic behavioural patterns (addictions) that they may induce, on the other.

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Magnetic susceptibility measurements were performed on freshly fallen Almahata Sitta meteorites. Most recovered samples are polymict ureilites. Those found in the first four months since impact, before the meteorites were exposed to rain, have a magnetic susceptibility in the narrow range of 4.92 ± 0.08 log 10-9 Am2/kg close to the range of other ureilite falls 4.95 ± 0.14 log 10-9 Am2/kg reported by Rochette et al. (2009). The Almahata Sitta samples collected one year after the fall have similar values (4.90 ± 0.06 log 10-9 Am2/kg), revealing that the effect of one-year of terrestrial weathering was not severe yet. However, our reported values are higher than derived from polymict (brecciated) ureilites 4.38 ± 0.47 log 10-9 Am2/kg (Rochette et al. 2009) containing both falls and finds confirming that these are significantly weathered. Additionally other fresh-looking meteorites of non-ureilitic compositions were collected in the Almahata Sitta strewn field. Magnetic susceptibility measurements proved to be a convenient non-destructive method for identifying non-ureilitic meteorites among those collected in the Almahata Sitta strewn field, even among fully crusted. Three such meteorites, no. 16, 25, and 41, were analyzed and their composition determined as EH6, H5 and EL6 respectively (Zolensky et al., 2010). A high scatter of magnetic susceptibility values among small (< 5 g) samples revealed high inhomogeneity within the 2008 TC3 material at scales below 1-2 cm.

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Tässä pro gradu -tutkielmassa tarkastellaan yliopiston yhteiskunnallista vuorovaikutusta koskevaa julkista keskustelua. Aineisto koostuu viiden levikiltään Suomen suurimpien joukkoon kuuluvan sanomalehden yliopiston yhteiskunnallista vuorovaikutusta käsittelevistä pääkirjoituksista ajalta 1.1.2008–31.12.2009. Pääkirjoituksia on aineistossa yhteensä 110. Tutkielman tarkoituksena on täydentää politiikan tutkimuksen alalla laiminlyötyä koulutuspolitiikan tutkimusta paneutuen yliopiston yhteiskunnallista roolia koskeviin merkityksiin, jotka nousivat aktiiviseen julkiseen keskusteluun yliopistolain uudistuksen myötä. Tutkimuskysymyksenä on, minkälaisia representaatioita yliopiston roolista yhteiskunnassa suomalaiset sanomalehdet välittivät pääkirjoituksissaan uuden yliopistolain säätämistä edeltäneessä uutisoinnissaan? Tutkielmassa eritellään pääkirjoituksista löytyviä yliopiston yhteiskunnallista roolia koskevia merkitysjärjestelmiä eli diskursseja käyttäen menetelmänä Teun van Dijkin diskurssianalyysia. Yliopiston roolia koskevia representaatioita tarkastellaan Jürgen Habermasin tiedon intressien teoriaan peilaten. Muita keskeisiä teoreetikkoja ovat Gerard Delanty, Henry Etzkowitz, Helga Nowotny, Jean-Francois Lyotard, Andy Green ja Marek Kwiek. Yliopiston kolmannen tehtävän korostumista pohjustetaan historiallisella kuvauksella modernin yliopiston synnystä ja yliopistoinstituution kehityksestä Euroopassa ja tarkemmin Suomessa. Työssä käydään myös läpi tutkimusta, joka pureutuu kansallisvaltion ja yliopistoinstituution historiallisen siteen purkautumiseen ja yliopiston toiminnan legitimiteetin uudelleenmäärittelyyn. Lisäksi nostetaan esiin näkemyksiä tiedon tuotannon monopolin irtautumisesta yliopistolta yhä suuremmalle joukolle toimijoita. Analyysia taustoitetaan myös uuden yliopistolain ja sen taustalla olleen ylikansallisen koulutuspolitiikan konsensuksen kautta. Pääkirjoituksissa esiintyneitä yliopiston yhteiskunnallisen roolin saamia merkityksiä tarkastellaan ensin lehtikohtaisesti, minkä jälkeen pääkirjoitusten sisältämistä representaatioista muodostetaan diskursseja. Aineistosta muodostui viisi diskurssia: globaalin selviämistaistelun diskurssi, lokaalin identiteetin diskurssi, maineenrakennuksen diskurssi, panos-tuotos-diskurssi ja myyttisen humboldtilaisuuden diskurssi. Yliopisto representoitiin alueellisen identiteetinrakennuksen ja integraation välineenä ja sellaiseksi alueen integraation välineeksi, jolle valtio on prosessin laidalla oleva tukiverkko. Alueen integraation välineeksi representoitu yliopisto esitettiin samalla globaalille huipulle tähtäämisen myötä legitimoituvaksi instituutioksi. Yliopisto representoitiin siis glokaalin huipulle nousun välineenä. Pääkirjoituksissa epäpolitisoitiin yliopiston ja alueen välinen yhteys sekä yliopiston ja elinkeinoelämän välinen yhteys. Globaalin selviämistaistelun ja myyttisen humboldtilaisuuden välinen merkityskamppailu kulki läpi aineiston. Yliopisto representoitiin teknisen tiedon intressin mukaisesti välineeksi globaalin kilpailukyvyn nostamiseksi. Toisaalta yliopisto esitettiin myös myyttisen humboldtilaiseksi puhdasta tutkimusta tekeväksi ympäröivästä yhteiskunnasta eristäytyneeksi instituutioksi. Aineistossa ei representoitu yliopistoa emansipatorista tiedon intressiä toteuttavana instituutiona vaihtoehtona teknisen tiedon intressin mukaisille representaatioille. Myöskään kommunikatiivisen tiedon intressin mukainen yliopisto ei tullut aineistossa esiin. Aineistossa annettiin vastoin tutkimuskirjallisuuden näkemyksiä yliopistolle legitiimin tiedon monopolin haltijan rooli. Pääkirjoituksissa representoitiin valtiovallan, yksityisen sektorin ja tiedeyhteisön yliopistoa koskevia intressejä. Kansalaisyhteiskunnan ja yliopiston välistä vuorovaikutusta aineisto ei nostanut esiin. Keskeisimmäksi jatkotutkimuksen aiheeksi identifioitiin tämän myötä yliopiston ja kansalaisyhteiskunnan toimijoiden välisen vuorovaikutuksen tarkastelu.

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Tutkielman tavoitteena on selvittää miten taloustaantuma vaikutti asuntosijoittamisen kiinnostavuuteen ja asuntomarkkinoilla käytävään keskusteluun vuonna 2008. Tuolloin Suomen talous taantui voimakkaasti ja nopeasti yllättäen myös ennusteita laativat asiantuntijat. Ekonomistien lausunnoista puuttui yhdenmukaisuus ja tarkkuus. Ne myös saattoivat muuttua merkittävästi lyhyellä aikavälillä. Taantumassa sijoitusviestintä on varovaista ja tarkasti muotoiltua. Sijoittajat uskovat mielellään muiden sijoittajien mielipiteitä ja käsityksiä vaikkei niiden taustalla olisikaan aina todennettua faktatietoa. Asiantuntijoiden tilastoihin halutaan uskoa vaikka niitä kohtaan koetaan epäilyksiä. Toisaalta asuntosijoittamisen kannattavuuteen ja taloudelliseen tuottoon halutaan uskoa vaikka asiantuntijat voisivat todistaa toisin. Tutkimus toteutettiin kvalitatiivisena tapaustutkimuksena jota analysoitiin Greimasin aktanttimallia mukaillen. Tutkimusaineisto koostui 14 Helsingin Sanomissa julkaistuista asuntosijoittamiseen liittyvistä artikkelista sekä 13 Taloussanomien keskustelupalstalla julkaistusta mielipidekirjoituksesta. Viestien merkityksiä käytiin läpi semioottisesti määrittelemällä eri aktanteille rooleja. Tarinassa sijoittajasubjektin objektina on asunto, jonka avulla pyritään saavuttamaan mahdollisimman suuri rahallinen tuotto. Lähettäjiä ovat muun muassa tilastojen laatijat ja sijoitusneuvojat. Kaikki optimaalisen sijoituspäätöksen tekemiseen vaikuttavat aktantit käydään tarkemmin läpi tutkimuksen loppupuolella.

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Kyykäärme (Vipera berus) on Suomen ainoa myrkkykäärme, ja sitä esiintyy lähes koko maassa Pohjois-Lappia lukuun ottamatta. Kyy on yleensä helposti tunnistettavissa selän tummasta sahalaitakuviosta. Käärme ei ole perusluonteeltaan hyökkäävä, vaan pyrkii ensisijaisesti pakenemaan. Koira kuitenkin pääsee monesti yllättämään kyyn ennen kuin käärme ehtii paeta, jolloin se puolustautuessaan saattaa purra rajusti. Kaikki puremat eivät sisällä myrkkyä, vaan noin kolmasosa puremista on ns. kuivapuremia. Kyynpuremia raportoidaan eniten maalis- ja lokakuun välisenä aikana. Kyynpuremasta aiheutuvat oireet ovat koiralla vaihtelevia, ja eläimen voinnin kehittymisen ennustaminen ensioireiden perusteella on vaikeaa. Oireet vaihtelevat paikallisesta turvotuksesta henkeä uhkaavaan monielinvaurioon. Koiralla kuolleisuuden on raportoitu olevan 3,5 – 4 %. Kyynmyrkyn koostumusta ei vielä tarkalleen tunneta, mutta sen pääkomponentin muodostavat suurimolekyyliset proteiinit ja polypeptidit, joista osalla on entsymaattista aktiivisuutta. Lisäksi osalla myrkyn komponenteista vaikuttaisi olevan suoraa toksista vaikutusta kohdekudokseen, esimerkiksi munuaisiin. Keskeisintä kyynpureman patofysiologiassa on myrkyn sytotoksisen komponentin ja proteolyyttisten entsyymien aiheuttama verisuonten endoteelivaurio, jonka seurauksena suonet alkavat vuotaa. Kehittyvä voimakas kudosturvotus on kyynpureman tyypillisin oire, ja se ilmaantuu aina kahden tunnin sisällä puremasta, mikäli purema on sisältänyt myrkkyä. Nesteiden siirtyminen verisuoniston ulkopuolelle johtaa nopeasti hypovolemiaan ja shokkiin. Tärkeiden sisäelinten verenkierto heikkenee, jolloin solut kärsivät hapen ja ravinteiden puutteesta. Myrkky stimuloi myös sytokiinien tuotantoa ja vapautumista elimistöstä. Näiden farmakologisesti aktiivisten aineiden vapautuminen pahentaa systeemioireita, aiheuttaa lihasspasmeja ja on pääasiallisesti kyynpuremasta aiheutuvan voimakkaan kivun taustalla. Kyynmyrkyn sisältämät vieraat proteiinit voivat aiheuttaa myös anafylaktisen reaktion. Tutkimusosan aineisto koostuu 12 koirasta, joita hoidettiin kyynpureman takia Yliopistollisen Eläinsairaalan teho-osastolla vuosina 2007 – 2008. Koirista 10 toipui kotiutuskuntoon ja kaksi jouduttiin lopettamaan komplikaatioiden takia. Tutkimuksessa tarkasteltiin potilaiden virtsa- ja seeruminäytteistä määritettyjä munuaisten toimintaa kuvaavia laboratorioarvoja ja verrattiin lopetettujen koirien arvoja selvinneiden koirien vastaaviin. Tarkoituksena oli selvittää, onko selvinneiden ja lopetettujen välillä havaittavissa eroja, ja että onko tiettyjen laboratoriomääritysten perusteella mahdollista sanoa jotakin potilaan selviytymisennusteesta. Tuloksissa todettiin eroja selvinneiden ja lopetettujen koirien välillä. Virtsasta mitatut munuaisten solutuhoa kuvaavat entsyymiaktiivisuudet (AFOS/C ja GGT/C) sekä virtsan proteiinit kreatiniiniin suhteutettuna olivat lopetetulla selvästi korkeammat kuin selvinneillä koirilla. Myös seeruminäytteissä todettiin eroja. Tulosten perusteella vaikuttaakin siltä, että lopetetuilla koirilla vauriot munuaisissa olivat pahemmat kuin selvinneillä koirilla. Tutkimuksen aineisto oli kuitenkin niin pieni, että tuloksia voidaan pitää ainoastaan suuntaa antavina.