La difficulté de définir le commencement dans la Logique de Hegel

Ce mémoire est constitué d’une analyse du texte intitulé « Quel doit être le point de départ de la science ? » situé en ouverture de la Science de la logique. Partant de l’affirmation de Hegel selon laquelle le commencement de la Logique est inanalysable et indéfinissable, nous rapprochons la notion de définition de celle de spekulativer Satz et proposons d’étudier le concept de commencement en distinguant une perspective épistémologique d’une perspective ontologique. Cette distinction permettra de mettre en évidence la possibilité de définir le commencement d’une façon positive si l’on tient compte du choix (Entschluss) et de l’ordre qui émergent de l’abandon de la perspective épistémologique. Cette définition s’appuie sur la présence dans le texte d’un registre prescriptif et permet de rendre compte du fait que le commencement doit être à la fois absolu et unilatéral. Si la difficulté posée par cette définition demeure, c’est en raison de la nature même du commencement, où tout manque, même la stabilité d’une définition, sans pour autant que cette instabilité ne soit conforme au mouvement inhérent à la proposition spéculative.

A living laboratory proposition for revitalising regional Australia

A strong Small and Medium Enterprises (SMEs) sector is said to underpin a competitive advantage of the Australian regions that are struggling to grow the economy, distribute the growth fairly, and in the process not degrade the environment. The concept of Regional Innovation Systems that draws on industrial cluster theory has gained currency as an umbrella framework for enabling the SMEs sector. However, there are significant gaps between research and innovation of such ‘one-size-fits-all’ approach. This paper responds to this gap and proposes a Living Laboratory – an open multidisciplinary and multi-stakeholder action research platform where innovations can be co-created, tested, and evaluated in the every-day environment of SME – as a way to strengthen the SMEs sector in regional Australia.

The Hollywood effect : a comparative study of costume in Australia and the Proposition

This paper compares costuming practices in Baz Luhrmann’s Australia (2008) and John Hillcoat’s The Proposition (2005) and argues that high production values, such as in the blockbuster Australia, are not neutral mechanisms of production, but powerful prescriptive elements which do not result in a successful representation of cultural specificity. Australia is a typical blockbuster, it employs a large number of extras, it features compelling landscape shots, has been shot across four different locations and sets, and, importantly, is an international production with the 20th Century Fox. The film’s costumes were designed by Catherine Martin, who received an Oscar nomination in 2009. While global exposure of fashion in film and through celebrities’ endorsements has consolidated a historical synergy between the fashion industry and Hollywood, the Australian film and fashion industries have had a very limited exchange. Baz Luhrmann’s film is Australia’s first instance of promo-costuming and use of tie-in labels (Ferragamo, R.M.Williams, Prada, Paspaley). Catherine Martin thoroughly researched 1930s women’s wear, indigenous and stockmen’s clothing, and set up to make all costumes with a large team of costumiers and seamstresses, striving for authenticity. The Proposition won its costume designer Margot Wilson an AFI in 2005 for best costume, but compared to Australia the story, location and costumes are far harsher. Filmed around Winton in far west Queensland, the director John Hillcoat and Director of Photography Benoit Delhomme were insistent about realism, and emphasising the harshness of the Australian landscape. The realism of the costumes was derived from the fabrics and manufacturing, as well as the way they were shot, with the actors often wearing two or three layers of heavy wool during days of shooting in 50 degree heat, and the details of making and breaking down. The implication is that both films are culturally specific as they both deal with an Australian story. However, Australia is clearly produced according to a Hollywood blockbuster model, and closely matches Hollywood’s narrative and aesthetic characteristics, while The Proposition is a more modest film that eschews these conventions of beauty and glossed history. Despite its western genre-orientation, The Proposition is more successful than Australia when it comes to costuming, because its costumes are not only functional to the narrative, but, in Roland Barthes’ words, they also fulfil a prestation. This prestation highlights the social and cultural conflicts on which colonial Australia was founded, instead of gilding, and gliding, over them.

Unpacking the Australian Curriculum HPE - proposition 5 : include a critical inquiry approach

Overview • AC HPE and critical thinking • Interrelated propositions: Examples • Inquiry approach and questions • Summary and our challenge

Insight into the pain customer : how to improve the value proposition for community pharmacy

1. Shoppers Profiles- Are Grocery Shoppers any different to Pharmacy Shoppers? 2. Awaking the Sleeping Giants- Supermarkets push into OTC Medicines 3. Price versus Value for Money- What’s the Difference? Value and Perceived Quality 4. Consumer Decision Making Process- The Pharmacists ‘Trump’ Card

A new proposition on the martingale representation theorem and on the approximate hedging of contingent claim in mean-variance criterion

In this work we revisit the problem of the hedging of contingent claim using mean-square criterion. We prove that in incomplete market, some probability measure can be identified so that becomes -martingale under .This is in fact a new proposition on the martingale representation theorem. The new results also identify a weight function that serves to be an approximation to the Radon-Nikodým derivative of the unique neutral martingale measure.

Didactical reflections about some proofs of the pythagorean proposition

This theoretical paper presents some dimensions considered in the literature to analyze proof in the teaching and learning of mathematics. In order to show how different types of proofs can be used with students of different levels, we use these dimensions to analyze four proofs of the Pythagorean proposition.

Evaluation of methodologies to determine vegetable oil species present in oil mixtures: Proposition of an approach to meet the EU legislation demands for correct vegetable oils labelling

Refined vegetable oils are widely used in the food industry as ingredients or components in many processed food products in the form of oil blends. To date, the generic term 'vegetable oil' has been used in the labelling of food containing oil blends. With the introduction of new EU Regulation for Food Information (1169/2011) due to take effect in 2014, the oil species used must be clearly identified on the package and there is a need for development of fit for purpose methodology for industry and regulators alike to verify the oil species present in a product. The available methodologies that may be employed to authenticate the botanical origin of a vegetable oil admixture were reviewed and evaluated. The majority of the sources however, described techniques applied to crude vegetable oils such as olive oil due to the lack of refined vegetable oil focused studies. Nevertheless, DNA based typing methods and stable isotopes procedures were found not suitable for this particular purpose due to several issues. Only a small number of specific chromatographic and spectroscopic fingerprinting methods in either targeted or untargeted mode were found to be applicable in potentially providing a solution to this complex authenticity problem. Applied as a single method in isolation, these techniques would be able to give limited information on the oils identity as signals obtained for various oil types may well be overlapping. Therefore, more complex and combined approaches are likely to be needed to identify the oil species present in oil blends employing a stepwise approach in combination with advanced chemometrics. Options to provide such a methodology are outlined in the current study.

Les mécanismes de l'interprétation dans la chanson populaire (d'expression francophone) proposition d'une méthode d'analyse

Pour montrer comment s'articulent les mécanismes de l'interprétation dans la chanson populaire, nous nous sommes inspirée [inspirés] de travaux de sociologues qui se sont penchés sur la chanson depuis une vingtaine d'années (Authelain, Buxton, Calvet, Giroux, Hennion, Frith, Middleton) ou sur le marché des biens symboliques (Bourdieu), ainsi que de la sémiologie musicale de Jean-Jacques Nattiez. Comme lui, nous avons identifié un processus poïétique, un niveau neutre et un processus esthésique dans la pratique de la chanson, processus qui se dédoublent dans la chanson populaire selon le point d'ancrage de l'analyse: la partition (la trace, constituant un premier"niveau neutre") puis la chanson interprétée (ou résultat musical, qui constitue un second"niveau neutre"). Nous avons par la suite identifié les différents lieux où entre en jeu l'interprétation: chez les exécutants (musiciens et interprètes) qui actualisent la partition, produisant ainsi la chanson interprétée; dans le processus de production/promotion, où s'élaborent l'image de marque de l'artiste et les discours promotionnels; chez le public où l'interprétation apparaît aussi sous ses deux facettes, c'est-à-dire l'exécution possible par les auditeurs/spectateurs, mais surtout la lecture que propose le discours critique. Un exemple précis, l'album D'instinct (1995) de l'auteur/compositeur/interprète Richard Séguin, nous a permis de mettre à l'épreuve ce modèle ainsi qu'une méthode d'analyse qui permet à la fois de se pencher sur une chanson et sur la chanson. Dans un premier temps, nous avons analysé une chanson à partir de la partition puis de la chanson interprétée (sous forme de chanson, d'album, de vidéoclip et de spectacle), sans tenir compte des discours que l'on tient sur cette chanson. Dans un deuxième temps, notre attention s'est portée sur la chanson, analysant l'objet"chanson" transformé par les discours, puis les discours eux-mêmes. Ces analyses nous ont permis de nous pencher sur l'interprétation, d'abord comme exécution (de la partition), et surtout comme lecture, puis de schématiser le réseau des discours, promotionnels et critiques, qui circulent entre l'artiste (et sa musique) et l'auditeur/spectateur. Notre recherche s'intéresse ainsi de façon nouvelle à la chanson populaire et la méthode d'analyse que nous proposons permet de tenir compte de la spécificité de son objet: une approche multidisciplinaire s'imposait pour étudier un phénomène pluridimensionnel comme la chanson. Aussi, les résultats de nos analyses confirment que le modèle et la méthode sont opératoires, mais surtout, ils laissent entrevoir de nombreuses possibilités d'analyses nouvelles d'une/de la chanson, analyses qui permettraient d'en saisir le caractère stylistique, les qualités esthétiques, etc. et même, il nous semble qu'ils pourraient s'avérer tout aussi opératoires appliqués à d'autres corpus."--Résumé abrégé par UMI

Enterprise architecture model: an approach proposition. A case study of information systems in the hospitality industry

This paper discusses the role of enterprise architecture representation, in the context of ERP (Enterprise Resource Planning) information systems, as an instrument for an organization to reflect on itself and develop its business strategies and respective alignment with Information Systems. The paper proposes a representation model of enterprise architecture, as a tool for recommending good practices, and it emerges from a case study undertaken in the context of and investigation on advantages and limitations of ERP systems in the hospitality industry. The proposed approach is also inspired on other academic or market propositions suitable for the objectives of the investigation. It consists on a set of items representing the steps that must be taken by top managers and IS managers.

Developing sustainable value proposition: A case study from manufacturing industry

Increasing pressures to reduce costs, inprove productivity, and lower the environmental impact are forcing suppliers to present evidences of the monetary and societal value they create for the customers and society around. The extant academic literature on the practical activities related to topic is still sparse and this study addresses the gap by developing sustainable customer value proposition for Valmet’s recycled fibre line solution for the Chinese market. The research is based on literature review and single case study method. Theoretically the study is connected to the emerging literature of customer value and life cycle engineering, and to the research of sustainable development in the field of marketing. For exloiting empirical evidences, in-depth supplier interviews and customer survey were conducted. The results suggest that selling of recycled fibre line solution requires tangible and credible evidence of the value and utility which is delivered for the customer. In addition to the economic benefits also societal benefits should be included in the value proposition that are the focus of attention in China. Still, the role of discovered benefits may be contradictory until they are communicated to appropriate decision makers. Managerially the study contributes to the customer value management and quantification knowledge and practices in Valmet’s organization.