996 resultados para Teatro francês


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Este estudo, de natureza teórica/aplicada, contempla os estudos (sócio) linguísticos, (sócio) terminológicos, do léxico e da tradução especializada. Tem como objeto de estudo um corpus de textos submetidos à tradução/versão juramentada francês-português e um corpus de textos originalmente redigidos em francês da Suíça. O objetivo é observar as aproximações e distanciamentos existentes entre o primeiro e o segundo conjunto terminológico. A problemática situa-se na verificação da confrontação desse material: será que os particularismos lexicais do francês suíço determinariam uma dificuldade relevante no trabalho do tradutor brasileiro, cuja formação privilegia o francês da França? Nossos resultados revelam diferenças significativas de uso e perigosos falsos cognatos. A metodologia para o levantamento dos particularismos na variante suíça presentes em documentos civis ou escolares privilegia os termos cognatos e aqueles com o status de ‘statalismes’ (romandismos institucionais).

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In this article we address the search for equivalents in the elaboration of a model dictionary for sworn translators of terms used in bylaws, in the Portuguese-French translation direction. We present, specifically, some cases in which the morphological similarity between the two languages can lead to errors, for example false cognates.

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In this study we analyse a body of documents in sworn translation from and to Portuguese in relation to French and Italian. Our objective has been to check the textual typology most requested for sworn translation in these languages and to outline a profile of the terminology recurrent in these types of text. We also present examples of interlinguistic terminological equivalence which become apparent when one translates some of the types of text in our corpus. The data presented here was obtained by the LexTraJu-O lexical project of sworn translation, of which the research is developed in the São José do Rio Preto campus of UNESP with the objective of obtaining resources for the improvement of the Translation Courses of this institution and of making a contribution to translation studies on the theme of sworn translation.

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Neste artigo, temos o objetivo de discutir questões relativas aos graus de equivalência que podem existir entre termos de duas línguas diferentes e sobre como consideramos que esses equivalentes devam ser tratados em um dicionário bilíngue dirigido ao trabalho de tradutores. Mais especificamente, exporemos casos que ocorreram em nossa pesquisa sobre termos de estatutos sociais em português e em francês, que constituem entradas de um dicionário bilíngue para tradutores juramentados que estamos elaborando com termos fundamentais desse tipo de documento.

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This article brings brief comparison of Brazilian bankruptcy law between the French law of societies in difficulties. In this way, an analysis of the legal provisions of the two countries, to the end see if both aim at the preservation of the company, respectively, Law Recovery and Bankruptcy no. 11.101/05, in Code de Commerce - French commercial code, chapter Des difficultés des enterprises.

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This is an article about a decisive moment in the formation of Western modern literature. We are talking about Lessing’s criticism of the excessive influence of neoclassical French theatre on German theatrical production. Lessing considered that the aristocratic model imported from France did not correspond to German society’s context at all – society which had already been marked by an incipient bourgeois mode of life. So the German critic dedicated his theoretical efforts to affirm the necessity and to raise possibilities about a literary production which had more consonance with what he considered to be the German Zeitgeist. It is in Shakespeare’s work that Lessing found his answer, and this fact will unleash the appearing of the Sturm und Drang movement and will consequently give birth to an incipient bourgeois literature. So we analyze here the way this Shakespearian influence happens and its relevance in the formation of a bourgeois literature.

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Hoffmann wrote several fairy tales, including "Princess Brambilla" (1821), which has an remarkable pictorial component: when it was published, the text went along with eight illustrations by Carl Friedrich Thiele, which were derived from original prints made by the Frenchman Jacques Callot. While Callot images portray the Italian theater of the Commedia dell'Arte, Thiele's works follow the plot of the narrative, representing the characters of Hoffmann, who disguise themselves because of the carnival that is taking place in Rome. The costumes and masks worn by the characters however do not ensure them full secrecy. Instead of a complete undercover, they lead to double meanings and double identities so that narrative levels and artistic references overlap and create an effect similar to a set of a polyphonic orchestra (which is a metaphor implied in the very subtitle, where the narrative is called a Capriccio).

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We briefl y present here a dramatic work of the French Symbolist poet Jules Laforgue – Le Concile Féerique. During the analysis, we see collages of Fleurs de bonne volonté poems, conceived in a dialogued and original way, showing us, mostly, in the work of the French poet, the modernity and the persistence of poetry.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This article is a theoretical and practical portrait of a non-formal educational activities aimed to examine the transformations experienced by young people in a state of social vulnerability participating in social discussions in a form of theater of the oppressed - the theater-forum. The technique of theater-forum was held as a methodology able to establish a critical space action / reflection / action on the social reality experienced by these young people. The discussions postulates in some theatrical performances were analyzed critically and scored from theoretical frameworks of contemporary thinkers (Bauman, Augé, Boal,Bock, Aguiar, Ozella). We conclude that this action re-signified social problems (violence, drug involvement, hyperconsumerism, poverty, cultural capital etc.) Among these young people. In general, the young through a collective construction could experience new processes of subjectivity and open to possible changes and social transformations criticism in your life.

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This article is a theoretical and practical portrait of a non-formal educational activities aimed to examine the transformations experienced by young people in a state of social vulnerability participating in social discussions in a form of theater of the oppressed - the theater-forum. The technique of theater-forum was held as a methodology able to establish a critical space action / reflection / action on the social reality experienced by these young people. The discussions postulates in some theatrical performances were analyzed critically and scored from theoretical frameworks of contemporary thinkers (Bauman, Augé, Boal) and analysts sociohistorical (Bock, Aguiar, Ozella). We conclude that this action re-signified social problems (violence, drug involvement, hyper-consumerism, poverty, cultural capital etc.) among these young people. In general, the young through a collective construction could experience new processes of subjectivity and open to possible changes and social transformations criticism in your life.

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Within the scope of Literary Studies, theory, criticism, and historiography about the literature produced in the Middle Ages developed considerably from 1940 on, with the works of Ernst Curtius, Mikhail Bakhtin, and Erich Auerbach. In spite of the progress made, some specific aspects remain in the shadow, with incursions which were punctual though meaningful: that is the case of the critic fortunes about women‟s literary production in that period. Rosvita was a canoness and lived in the Benedictine convent of Gandersheim (Germany), in the 10th century A.D. Coming under Terence‟s influence, she wrote theater plays in Latin in which she figuratively presented theological issues in order to spread the Christian doctrine. The martyrdom issue deserved to be put in relief and was the focal point of the play Wisdom, which took place at the time of the Roman emperor Adrian. This paper analyzes that dramatic text discussing, at the end, how the categories of symbol, enigma, allegory, and mystery are organized by the author as expressive resources and structural elements.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)