908 resultados para Educación popular
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Koven, M. (2007). Most Haunted and the Convergence of Traditional Belief and Popular Television. Folklore. 118(2), pp.183-202. RAE2008
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Koven, M. (2003). Folklore Studies and Popular Film and Television: A Necessary Critical Survey. Journal of American Folklore. 116(460), pp.176-195. RAE2008
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“Hacia una educación intercultural: diversidad y convivencia en un centro de Pamplona” es un trabajo que hace un recorrido por la sociedad multicultural actual y pretende acercar la experiencia multicultural vivida en un colegio del barrio de San Jorge de Pamplona. Este trabajo se centra en la interculturalidad como realidad social y la educación intercultural como elementos fundamentales para convivir desde la comunicación y el intercambio cultural. Ante los cambios sociales producidos en España debido a la inmigración, la escuela se ha visto inmersa en un proceso de cambio. La educación intercultural encuentra una respuesta positiva ante esta nueva realidad y, mediante el trabajo, podemos hacernos una idea de cómo se está viviendo este cambio y qué supone para el sistema educativo.
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Las personas somos seres sociales, las relaciones con otros y otras nos construyen. Vivir con los demás puede generar conflictos y dificultades, generando malestar en agresores/as, víctimas y espectadores/as. Existen múltiples factores de riesgo favorecedores de conductas que dificultan la convivencia, las investigaciones sobre este fenómeno coinciden en que son los factores socio familiares los más influyentes, los estilos de comunicación familiar, el contexto social en el que se habita, los medios de comunicación. Como futuros/as docentes no podemos ser ajenos/as a estas influencias sociales y al protagonismo que tiene la escuela en la aparición de estos comportamientos, es necesario acercarse a estas dificultades de convivencia, identificar las conductas e interrogarnos sobre estrategias que pueden disminuir el mal clima escolar y estos comportamientos que también influyen en el aprendizaje.
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Sermon by William Fairfield Warren.
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Popular culture is a powerful, shaping force in the lives of teenagers between the ages of fourteen through eighteen in the United States today. This dissertation argues the importance of popular fiction for adolescent spiritual formation and it investigates that importance by exploring the significance of narrative for theology and moral formation. The dissertation employs mythic and archetypal criticism as a tool for informing the selection and critique of narratives for use in adolescent spiritual development and it also incorporates insights gained from developmental psychology to lay the groundwork for the development of a curriculum that uses young adult fiction in a program of spiritual formation for teenagers in a local church setting. The dissertation defends the power of narrative in Christian theology and concludes that narrative shapes the imagination in ways that alter perception and are important for the faith life of teenagers in particular. I go on to argue that not all narratives are created equal. In using literary myth criticism in concert with theology, I use the two disciplines’ different aims and methods to fully flesh out the potential of theologies intrinsic to works meant for a largely secular audience. The dissertation compares various works of young adult fiction (M.T. Anderson’s Feed and Terry Pratchett’s Nation in dialogue with a theology of creation; Marcus Zusak’s I am the Messenger and Jerry Spinelli’s Stargirl in dialogue with salvation and saviors; and the four novels of Stephanie Meyer’s Twilight saga in dialogue with a theology of hope (eschatology). The dissertation explores how each theme surfaces (even if only implicitly) from both literary and theological standpoints. The dissertation concludes with a sample four-week lesson plan that demonstrates one way the theological and literary critique can be formed into a practical curriculum for use in an adolescent spiritual development setting. Ultimately, this dissertation provides a framework for how practitioners of young adult formation can select, analyze, and develop materials for their teenagers using new works of popular young adult fiction. The dissertation comes to the conclusion that popular fiction contains a wealth of material that can challenge and shape young readers’ own emerging theology.
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We propose a new technique for efficiently delivering popular content from information repositories with bounded file caches. Our strategy relies on the use of fast erasure codes (a.k.a. forward error correcting codes) to generate encodings of popular files, of which only a small sliding window is cached at any time instant, even to satisfy an unbounded number of asynchronous requests for the file. Our approach capitalizes on concurrency to maximize sharing of state across different request threads while minimizing cache memory utilization. Additional reduction in resource requirements arises from providing for a lightweight version of the network stack. In this paper, we describe the design and implementation of our Cyclone server as a Linux kernel subsystem.
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“History, Revolution and the British Popular Novel” takes as its focus the significant role which historical fiction played within the French Revolution debate and its aftermath. Examining the complex intersection of the genre with the political and historical dialogue generated by the French Revolution crisis, the thesis contends that contemporary fascination with the historical episode of the Revolution, and the fundamental importance of history to the disputes which raged about questions of tradition and change, and the meaning of the British national past, led to the emergence of increasingly complex forms of fictional historical narrative during the “war of ideas.” Considering the varying ways in which novelists such as Charlotte Smith, William Godwin, Mary Robinson, Helen Craik, Clara Reeve, John Moore, Edward Sayer, Mary Charlton, Ann Thomas, George Walker and Jane West engaged with the historical contexts of the Revolution debate, my discussion juxtaposes the manner in which English Jacobin novelists inserted the radical critique of the Jacobin novel into the wider arena of history with anti-Jacobin deployments of the historical to combat the revolutionary threat and internal moves for socio-political restructuring. I argue that the use of imaginative historical narrative to contribute to the ongoing dialogue surrounding the Revolution, and offer political and historical guidance to readers, represented a significant element within the literature of the Revolution crisis. The thesis also identifies the diverse body of historical fiction which materialised amidst the Revolution controversy as a key context within which to understand the emergence of Scott’s national historical novel in 1814, and the broader field of historical fiction in the era of Waterloo. Tracing the continued engagement with revolutionary and political concerns evident in the early Waverley novels, Frances Burney’s The Wanderer (1814), William Godwin’s Mandeville (1816), and Mary Shelley’s Valperga (1823), my discussion concludes by arguing that Godwin’s and Shelley’s extension of the mode of historical fiction initially envisioned by Godwin in the revolutionary decade, and their shared endeavour to retrieve the possibility enshrined within the republican past, appeared as a significant counter to the model of history and fiction developed by Walter Scott in the post-revolutionary epoch.
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Accounts of the Knock Apparition, academic and devotional, always start by relating that the Virgin Mary, St Joseph, and St John the Evangelist appeared to fifteen people on a rainy Thursday evening at the south gable of Knock chapel, Co. Mayo, on 21 August 1879. They usually mention that the Land War was in progress. Despite the fact Knock supposedly receives one and a half million visitors a year, until three decades ago no scholar had examined accounts of the apparition. Recent work has sought to define the Knock Apparition in light of the Land War, the ‘devotional revolution’, which took place in Irish Catholicism in the quarter century prior to the apparition, and the influence of the parish priest, Archdeacon Bartholomew Cavanagh. This thesis acknowledges these factors, but contends that the single greatest force in shaping accounts of the apparition was Canon Ulick Joseph Bourke, one of the three priests on the commission of investigation into Knock. Furthermore, this thesis proves that Bourke’s role as a central figure in influencing the later Gaelic revival has been overlooked by scholars of cultural nationalism. By examining Bourke’s cultural nationalism and views on antiquity and language, as well as his politics and reaction to the Land War, this thesis argues that Bourke sought to create an orthodox version of the apparition which could be reconciled to his views on Irish Catholic identity, while serving as a bulwark against threats to the temporal power of the clergy. In addition to influencing accounts of the apparition through his role in interviewing the witnesses and recording their testimony, Bourke further shaped the narrative of the apparition by controlling its dissemination, to the extent that all accounts of Knock are based on a text largely created by him.
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The marginalization of popular culture in radical scholarship on Palestine and Israel is symptomatic of the conceptual limits that still define much Middle East studies scholarship: namely, the prevailing logic of the nation-state on the one hand and the analytic tools of classical Marxist historiography and political economy on the other. This essay offers a polemic about the form that alternative scholarly projects might take through recourse to questions of popular culture. The authors argue that close allention to the ways that popular culture "articulates" with broader political, social, and economic processes can expand scholarly understandings of the terrain of power in Palestine and Israel, and hence the possible arenas and modalities of struggle. © 2004 by the Institute for Palestine Studies. All rights reserved.
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A lo largo de la licenciatura de Matemáticas (que terminamos el curso pasado), el rigor ha sido la característica predominante: siempre se ha demostrado todo lo afirmado o utilizado. Este hecho hizo que no concibiéramos unas matemáticas sin demostraciones. Con este enfoque de las matemáticas iniciamos nuestro periodo de prácticas (correspondientes a la asignatura "Prácticas de la Enseñanza" de quinto curso) y nos enfrentamos por primera vez con la realidad educativa: no todo lo que se le explica a los alumnos debe ser objeto de demostración. Mediante esta comunicación pretendemos compartir nuestras reflexiones sobre el valor de la demostración en las matemáticas de la Enseñanza Secundaria.
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El objetivo general de la investigación es describir y caracterizar el razonamiento inductivo empleado por estudiantes de tercero y cuarto de Educación Secundaria Obligatoria en la resolución de problemas que pueden ser modelizados mediante una progresión aritmética de números naturales cuyo orden sea 1 o 2. El principal aporte teórico de este trabajo es la elaboración de un modelo de razonamiento inductivo que ha permitido describir el proceso seguido por los estudiantes. El procedimiento para la identificación y descripción de las estrategias en la resolución de problemas en los que se puede utilizar el razonamiento inductivo es un aporte metodológico destacado. Los 359 estudiantes participantes resolvieron una prueba individual escrita compuesta por seis problemas. El análisis de las producciones de los estudiantes permite obtener resultados sobre los pasos de razonamiento inductivo que emplean y las estrategias que utilizan.
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Con el modelo presentado para caracterizar la corriente Pensamiento Numérico hemos hecho una aproximación a las estructuras numéricas que se estudian en Secundaria Obligatoria, tratando de ajustarnos al marco conceptual propuesto en el Currículo de Matemáticas. Como resultado de esta exploración se abren vias de reflexión muy sugerentes para pensar los viejos conceptos de la aritmética con ideas nuevas y potentes Los apuntes aquí presentados son una primera reflexión, explorada y desarrollada con cierto detalle, en algún caso, y sólo con ideas generales, en otros. Se trata de una línea de investigación emergente en nuestro país, con resultados contrastados en otras comunidades, que aquí proponemos a debate público y como materia de trabajo para profesores e investigadores interesados.