Zeitschrift des Rheinischen Vereins für Denkmalpflege und Heimatschutz 13. Jahrg. (1919)- 26. Jahrg. (1933)

Mode of access: Internet.

69 Stations of the Kisokaido, #26, Mochizuki, Travellers in the Moonlight

Ando Hiroshige; 9 1/4 in.x 1 ft. 2 49/64 in.; woodcut, oban, ink and color on paper

Ausstellung von Werken französischer Kunst des XVIII. Jahrhunderts : Königliche Akademie der Künste Berlin, vom 26. Januar bis 6. März 1910.

Mode of access: Internet.

A arte na educacão da mulher. Conferência lida pelo autor, a convite da Sociedade de belas artes do pôrto, na oficina do insigne escultor António Teixeira Lopes, em 26 de abril de 1914.

Mode of access: Internet.

O direito fundamental à igualdade no contexto da identidade sexual no Brasil: um estudo da situação jurídico-constitucional com ênfase no exame da suposta inconstitucionalidade por omissão do legislador civil

This dissertation analyses the Brazilian Supreme Court’s judgement in the Non-compliance Action of the Fundamental Precept 132/RJ and in the Direct Action of Unconstitutionality 4277/DF, which created in the country the same-sex civil union. In This decision, the STF interpreted according to the constitution Article 1.723 of the Civil Code, invoking several fundamentals reaffirmed in the Constitution. From all these laws invoked by the Supreme Court to support the pretorian creation, the content of consitutional Law regarding equality is the only that corresponds, and it is sufficient to evidence the necessity of the creation, by legislator, of the institute for civil rights, since the Constitution forbids distinctions that is not expressly provided for in the Constitution (Art. 3º, IV, of Federal Constitution). In this way, Article 226, § 3º is not an exception capable of satisfying the condition of the consitutional foresight because although it protect, according its content only the civil union “between the man and the woman”, it is not able to forbid the creation, by legislator, of another kinds of families, including the same-sex civil union. As such, the reasoning, now legitimate according to the legislator, is not support the creation of institute by Constitutional Court, because the Court may enforce the Law, interpreting in the purviews allowed by the legal text and its constitutionality. In regard to the civil union of individuos of the same sex, the Court could not deduce that such union was implied by Law, like the interpretation according to the Constitution given by judges, on grounds of semantic purviews of the words man and woman, existents in both articles. The Court could not created it either, exceeding the legal system role. So, upon the institute creation, the STF, exceeded two limits: the interpretation and Law enforcement.

Analyse de la structure participative de la compréhension chez Gadamer sous la conduite de l'oeuvre d'art

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Publics, visibilité et reconnaissance en art contemporain : étude du cas de Ai Weiwei

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.

Analyse de la structure participative de la compréhension chez Gadamer sous la conduite de l'oeuvre d'art

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Valorization of cultural diversity throught Good Practices Dissemination on Art Mediation: sharing experiencies

In this article, as part of the Erasmus+ project “Divercity”, we focus on the collection and analysis of good practices in Spain and other countries in Europe. The project revolves around the development of methods that valorize cultural diversity and in this respect, identifying and sharing best practices on diversity and inclusion through artistic mediation inside museums, culture institutions, our urban walks, forms an mandatory stage of the research process.

La situación de los museos españoles ante la crisis. El patrimonio implicado

La crisis como coyuntura y tránsito a una nueva situación, y el cambio social que parece conllevar, lejos de ser un fenómeno exclusivamente actual, viene acompañando a los museos españoles desde décadas atrás, debido a indecisiones, faltas de planificación, cambios políticos y de estrategias de funcionamiento. Pero será a partir de la Transición democrática, y la década de 1980, en que comenzará a fraguarse la llamada “burbuja” de los museos, que estalla bajo el “efecto Guggenheim” a finales del siglo XX, seguida de la merma de presupuestos oficiales para el sostenimiento del sistema museístico que trae como consecuencia la tan mencionada “crisis” económica desde aproximadamente 2008. El artículo examina esta situación y advierte de que el momento delicado que viven los museos en la actualidad es ocasión para replantearse su futuro y adaptarse a una nueva realidad cambiante. El Museo Etnológico de Navarra “Julio Caro Baroja” constituye un caso de adaptación a tales circunstancias.

Crisis y creación. Las ambivalentes relaciones germano-españolas en la producción cinematográfica de la primera mitad del siglo veinte

Las épocas de crisis político-social propician en especial medida la creación y el afianzamiento de determinados auto y heteroestereotipos. Esta afirmación resulta concluyente cuando se analiza cómo las distintas fases políticas de España a lo largo de la historia han condicionado de manera definitiva su imagen en el extranjero, en especial en Alemania. Las imágenes y estereotipos románticos creados a partir de la Guerra de la Independencia (1808-1814) sirvieron durante la primera mitad del siglo veinte de instrumento de manipulación propagandística que debía contribuir a ensalzar la ejemplaridad del aliado español. Este artificio político, que buscaba la simpatía ideológica con el sistema de valores nacionalsocialista, se valió de manera particular de las producciones cinematográficas hispano-alemanas para lograr su objetivo.

Of Marx and Makers: an Historical Perspective on Generative Justice

In Marxist frameworks “distributive justice” depends on extracting value through a centralized state. Many new social movements—peer to peer economy, maker activism, community agriculture, queer ecology, etc.—take the opposite approach, keeping value in its unalienated form and allowing it to freely circulate from the bottom up. Unlike Marxism, there is no general theory for bottom-up, unalienated value circulation. This paper examines the concept of “generative justice” through an historical contrast between Marx’s writings and the indigenous cultures that he drew upon. Marx erroneously concluded that while indigenous cultures had unalienated forms of production, only centralized value extraction could allow the productivity needed for a high quality of life. To the contrary, indigenous cultures now provide a robust model for the “gift economy” that underpins open source technological production, agroecology, and restorative approaches to civil rights. Expanding Marx’s concept of unalienated labor value to include unalienated ecological (nonhuman) value, as well as the domain of freedom in speech, sexual orientation, spirituality and other forms of “expressive” value, we arrive at an historically informed perspective for generative justice. 

The art of building trust via e-communication channels: Post-acquisition integration as a special context

This study discusses the importance of establishing trust in post-acquisition integration context and how the use of e-channels facilitates or inhibits this process. The objective of this study is to analyze how the use of electronic communication channels influences the post-acquisition integration process in terms of trust establishment and overall integration efficiency, developing a framework as a result. Three sub-objectives are introduced: to find out the building blocks of trust in M&A’s, to analyse how the use of e-channels influence the process of trust establishment in post-acquisition integration context, and to define the consequences trust and use of e-channels have for the process. The theoretical background of the study includes literature and theories relating to trust establishment in post-acquisition integration context and how the use of e-channels influences the process of trust development on a general level. The empirical research is conducted as a single case study, based on key informant interviews. The interview data was collected between October 2015 and January 2016. Altogether nine interviews were realised; six with representatives from the acquiring firm and three with target firm members. Thematic analysis was selected as the main method for analysing and processing the qualitative data. This study finds that trust has an essential role in post-acquisition integration context, facilitating the integration process in various different ways. Hence, identifying the different building blocks of trust is important in order for members of the organisations to be better able establish and maintain trust. In today’s international business, the role of electronic communication channels has also increased in importance significantly and it was confirmed that these pose both challenges and possibilities for the development of interpersonal trust. One of the most important underlying factors influencing the trust levels via e-communication channels is the level of user’s comfort in using the different e-channels. Without sufficient and meaningful training, the communication conducted via these channels in inhibited in a number of ways. Hence, understanding the defining characteristics of e-communication together with the risks and opportunities related to the use of these can have far-reaching consequences for the post-acquisition integration process as a whole. The framework based on the findings and existing theory introduces the most central factors influencing the trust establishment together with the positive and negative consequences these have for the integration process. Moreover, organizational level consistency and the existence of shared guidelines on appropriate selection of communication channels according to the nature of the task at hand are seen as important

Contenido de la información que sobre arte contemporáneo se emite a través de los medios digitales El Comercio de Ecuador y El País de España

A diferencia de hace algunos años atrás, ahora se puede acceder a noticias sobre el arte contemporáneo, de varias regiones del mundo, a través de medios digitales. El arte en esta época no tiene linderos y sus prácticas fundamentadas en mecanismos múltiples de producción requieren de un acompañamiento de los medios para que el público se mantenga en contacto con las distintas corrientes y el quehacer de los artistas contemporáneos. Nos interesa definir el contenido de la información que sobre arte contemporáneo se difunde en dos medios digitales: El Comercio de Ecuador y El País de España, que, de acuerdo con la experiencia del autor de esta investigación, son diarios referentes de los dos países, en el tratamiento del arte contemporáneo al superar en su agenda cultural a otros medios. La observación permite contrastar entre los periódicos seleccionados las formas de utilización de las herramientas multimedios y los temas que preferentemente se publican relacionados con el arte contemporáneo.

Concepciones de oralidad de los estudiantes de las carreras de licenciatura en lengua castellana, inglés y francés, finanzas y comercio internacional, economía y optometría de la Universidad de La Salle

Bogotá (Colombia) : Universidad de La Salle. Facultad de Ciencias de La Educación. Licenciatura en Lengua Castellana, Inglés y Francés