Michel Lepeletier y la educaci??n com??n

Resumen tomado de la publicaci??n

Los maestros mexicanos en tiempos de Fern??ndez de Lizardi (1776-1827)

Resumen tomado de la publicaci??n

Michel de Montaigne.

Ejemplar fotocopiado

La dialéctica saber-poder en Michel Foucault : un instrumento de reflexión crítica sobre la escuela.

Resumen tomado del autor. Resumen en castellano e inglés

Implicaciones del problema del poder en Michel Foucault para la teoría social contemporánea : el caso de la sociología de la educación.

Resumen basado en el del autor

El Padre Manuel Martínez (1774-1827) : plan de estudios y arreglo de las universidades, año 1824.

Acercar la figura y la obra del Padre Manuel Martínez. El Padre Manuel Martínez dio un gran paso en la enseñanza, con respecto a todos los que le precedieron y a los planes anteriores. Ha sido el verdadero autor del plan de Estudios de 1824, consiguiendo la uniformidad de los estudios universitarios.

La libertad posible : ideas para una educación para la ciudadanía activa a partir de la obra de Michel Foucault.

Resumen basado en el de la publicación

Educaci??n y construcci??n del self en la Filosof??a Helen??stica seg??n Michel Foucault

Resumen basado en el de la publicaci??n

Le silence des limites dans la littérature: Deux exemples :Michel de Montaigne et Marguerite Duras

The paper studies the concept of limit in literary discourse. Two aspects are discussed: 1) the limit as a necessary structuring element in the process of verbal nomination; 2) the limit as a verbal constraint which appeals to be defeated in case of extreme experience, as death, love, desire, Shoah. We analyse two examples dealing with the language restriction in the literary practice: Montaignes’ essays and Duras’ novels. Montaigne adopts a specific style of unlimited judgements and topics accumulation in a spontaneous order and logic with the purpose of revealing the deepest profile of human nature. Duras practices a minimalist writing that ruins the linear syntactic structure and the narrative model, achieving an effect of silence thus providing the possibility of unlimited meaning.

The Centre of Memories: work in progress. Case of the Michel Giacometti Labour Museum, Setúbal, Portugal

The work on Social Memory, focused on the biographic method and the paths of immaterial Heritage, are the fabric that we have chosen to substantiate the idea of museum. The social dimensions of memory, its construction and representation, are the thickness of the exhibition fabric. The specificity of museological work in contemporary times resembles a fine lace, a meticulous weaving of threads that flow from time, admirable lace, painstaking and complex, created with many needles, made up of hollow spots and stitches (of memories and things forgotten). Repetitions and symmetries are the pace that perpetuates it, the rhythmic grammar that gives it body. A fluid body, a single piece, circumstantial. It is always possible to create new patterns, new compositions, with the same threads. Accurately made, properly made, this lace of memories and things forgotten is always an extraordinary creation, a web of wonder that expands fantasy, generates value and feeds the endless reserve of the community’s knowledge, values and beliefs.