909 resultados para Sandalow, Terrance, 1934-


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6 cartas y 4 tarjetas (manuscritas) ; entre 225x165mm y 140x90mm. Ubicación: Caja 1 - Carpeta 40

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I. Foehn winds of southern California.
An investigation of the hot, dry and dust laden winds occurring in the late fall and early winter in the Los Angeles Basin and attributed in the past to the influences of the desert regions to the north revealed that these currents were of a foehn nature. Their properties were found to be entirely due to dynamical heating produced in the descent from the high level areas in the interior to the lower Los Angeles Basin. Any dust associated with the phenomenon was found to be acquired from the Los Angeles area rather than transported from the desert. It was found that the frequency of occurrence of a mild type foehn of this nature during this season was sufficient to warrant its classification as a winter monsoon. This results from the topography of the Los Angeles region which allows an easy entrance to the air from the interior by virtue of the low level mountain passes north of the area. This monsoon provides the mild winter climate of southern California since temperatures associated with the foehn currents are far higher than those experienced when maritime air from the adjacent Pacific Ocean occupies the region.

II. Foehn wind cyclo-genesis.
Intense anticyclones frequently build up over the high level regions of the Great Basin and Columbia Plateau which lie between the Sierra Nevada and Cascade Mountains to the west and the Rocky Mountains to the east. The outflow from these anticyclones produce extensive foehns east of the Rockies in the comparatively low level areas of the middle west and the Canadian provinces of Alberta and Saskatchewan. Normally at this season of the year very cold polar continental air masses are present over this territory and with the occurrence of these foehns marked discontinuity surfaces arise between the warm foehn current, which is obliged to slide over a colder mass, and the Pc air to the east. Cyclones are easily produced from this phenomenon and take the form of unstable waves which propagate along the discontinuity surface between the two dissimilar masses. A continual series of such cyclones was found to occur as long as the Great Basin anticyclone is maintained with undiminished intensity.

III. Weather conditions associated with the Akron disaster.
This situation illustrates the speedy development and propagation of young disturbances in the eastern United States during the spring of the year under the influence of the conditionally unstable tropical maritime air masses which characterise the region. It also furnishes an excellent example of the superiority of air mass and frontal methods of weather prediction for aircraft operation over the older methods based upon pressure distribution.

IV. The Los Angeles storm of December 30, 1933 to January 1, 1934.
This discussion points out some of the fundamental interactions occurring between air masses of the North Pacific Ocean in connection with Pacific Coast storms and the value of topographic and aerological considerations in predicting them. Estimates of rainfall intensity and duration from analyses of this type may be made and would prove very valuable in the Los Angeles area in connection with flood control problems.

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9 cartas + 2 tarjetas postales (manuscritas) ; entre 330x225mm y 100x60mm

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Afirmar a sociedade brasileira nos quadros da modernidade foi o anseio de intelectuais de campos variados no contexto das décadas iniciais do século XX. Neste cenário, a educação era considerada uma via possível para promover mudanças de hábitos, conformando a população a partir dos referenciais modernos. Se a escola assumiu papel de destaque por ser um espaço a partir do qual seria possível educar a infância, a importância de outras instâncias educativas também era considerada, dentre as quais, destacamos a família, pensada como espaço fundamental de socialização. A educação ministrada no espaço privado deveria, no entanto, ser consoante com os ideais preconizados à época, para isso fazia-se necessário intervir sobre ele, educando os agentes do seu interior. Neste estudo, analisamos as ações encaminhadas pelo Serviço de Ortofrenia e Higiene Mental (SOHM), que funcionou no Rio de Janeiro, então Distrito Federal, no período de 1934 a 1939. Este Serviço, chefiado por Arthur Ramos, visava prevenir e corrigir os problemas dos escolares, considerando as relações culturais e sociais importantes para uma compreensão global destes indivíduos. Como as relações familiares e o espaço doméstico eram aspectos a serem conhecidos e modificados quando necessário e, como os pais eram chamados a colaborar com as ações do Serviço de formas diversas, buscamos analisar estratégias variadas destinadas a intervir no espaço doméstico, focalizando as prescrições voltadas a este e alguns aspectos da dinâmica estabelecida nas relações entre as famílias e a escola, através do SOHM.

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The widespread and commercially important rougheye rockfish, Sebastes aleutianus (Jordan and Evermann, 1898), has been considered a single variable species, with light- and dark-colored forms, found on the outer continental shelf and upper slope of the North Pacific Ocean. Genetic analysis of 124 specimens verified the presence of two species in new specimens collected from Alaska to Oregon, and the two species were analyzed for distinguishing color patterns and morphological characters. Characters distinguishing the two were extended to an analysis of 215 additional formalin-fixed specimens representing their geographic ranges. Sebastes aleutianus is pale, often has dark mottling on the dorsum in diffuse bands, and does not have distinct dark spots on the spinous dorsal fin; it ranges from the eastern Aleutian Islands and southeastern Bering Sea to California. Sebastes melanostictus (Matsubara, 1934), the blackspotted rockfish, ranges from central Japan, through the Aleutian Islands and Bering Sea, to southern California. It is darker overall and spotting is nearly always present on the spinous dorsal fin. Sebastes swifti (Evermann and Goldsborough, 1907) is a synonym of S. aleutianus; S. kawaradae (Matsubara, 1934) is a synonym of S. melanostictus. The subgenus Zalopyr is restricted to S. aleutianus and S. melanostictus. Nomenclatural synonymies, diagnoses, descriptions, and distributions are provided for each species.

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The molecular variation in Bothriocephalus acheilognathi Yamaguti, 1934 from 11 species of freshwater fish collected in Australia, China, the Czech Republic, England and Hawaii was investigated by determining the nucleotide sequences of the internal transcribed spacer region. The length of the first and second internal transcribed spacer sequences of multiple individuals ranged from 553 to 571 bp and 553 to 615 bp, and the G + C content from 53.1 to 53.5%. The percentage sequence divergence varied between 0 and 0.9% in the ITS1 and 0 and 6.6% in the ITS2, respectively, indicating the occurrence of intraspecific variation. It is demonstrated that the fragment length variation resulted primarily from microsatellite polymorphisms present in the ITS region, especially in the ITS2 region. Phylogenetic analyses revealed that B. acheilognathi examined in this study consisted of three closely related genotypes with certain degrees of host-specificity, and the genotype representing isolates from Cyprinus carpio L. was the most common and diverse form within the species B. acheilognathi.

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Tese de doutoramento, Educação (História da Educação), Universidade de Lisboa, Instituto de Educação, 2014

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The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. These examples can then be used as models for exploring similar sets of data from other countries and time periods. The specific topics chosen for discussion include the representation of a single painter, for example, Vincent Van Gogh, to see how the treatment of an artist varies across several countries and over seventy years. British artist biopics are analysed as a case study in relation to the idea of them posing as a national stereotype. Topics within sex and gender studies are highlighted in analysis of the representation of the female artist and the queer artist as well as artists who have lived together as couples. A number of well-known gallery artists have become directors of artist biopics and their films are considered to see what particular insights a professional working artist can bring to the portrayal of artistic genius and creation. In the concluding part of the thesis it is argued that the artist biopic overall has survived the bad press which some individual productions have received and can even be said to have matured under the influence of directors producing a quality product for the art house, festival and avant-garde distribution circuits. As a genre it has proved extremely adaptable and has reflected the changing attitudes towards art and artists within the wider community. It has both encouraged renewed interest in the work of established national artists and also raised the profile of those relatively obscure such as Séraphine de Senlis and Pirosmani.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História Contemporânea

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Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Ciências Musicais – ramo Etnomusicologia

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Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em História, especialidade em História Contemporânea

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A Primeira Exposição Colonial Portuguesa realizada no Porto em 1934 foi a consequência visível do impulso que Salazar quis dar à «política colonial» portuguesa e a uma orientação imperial em que colonizar e civilizar as populações indígenas eram as palavras de ordem. Como corolário da exposição foram produzidos, entre outros, dois importantes álbuns, hoje documentos de inegável interesse histórico, não só enquanto discurso de propaganda do regime do Estado Novo, mas também enquanto narrativas visuais ou “visões do Império”. São eles, o Álbum Fotográfico da autoria do fotógrafo Domingos Alvão e o Álbum Comemorativo, com reproduções de pinturas e desenhos do pintor Eduardo Malta. Neste trabalho pretendemos reflectir sobre essas “visões do Império”, pois elas expressam uma visualidade e um imaginário que se traduz em práticas sociais, em valores e em relações de dominação que definem uma política do olhar, onde o corpo se torna um espaço de inscrição, bem como de categorização racial e cultural. Em suma, é através dessas imagens que vemos as relações de poder e as formas de dominação sobre o outro, que impregnaram a exposição.

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This paper analyses how banking regulation was introduced in Switzerland - one of the world's most prominent financial centres - which remained in place until the beginning of the twenty-first century. It shows that the law adopted on 8 November 1934 is a perfect example of capture of the regulator by the regulated. Essentially a political response in the context of the economic crisis of the 1930s, it largely reflected the interests of banking circles by limiting the intervention of the State as much as possible. The introduction of the new legislation was facilitated by the temporary weakness of Swiss banking circles, as they depended on the State to delay or prevent the collapse of many major credit institutions. They did not manage to derail the law as they had two decades earlier when they scuppered the federal bill on banks drawn up between 1914 and 1916. But this time they were better organized and more united, and intervened all the more effectively in the legislative process itself. The 1934 law is thus distinctive in that it made no structural changes to the architecture of the financial centre but merely codified its practices through flexible legislation meant to reassure the public. The law was aimed less at controlling banking activity than at keeping - thanks to skilfully calibrated political concessions - the State from having to intervene more directly in the internal management of banks or in the fixing of interest rates and the export of capital.