14 resultados para chauvinism


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In a book seeking to redraw the boundaries between interdisciplinary and transnational modernisms, this chapter contributes to the reorientation in modernist studies by revisiting "primitivism." While no one freely identifies as “primitive,” the spectre of primitivism was a magnet of attraction as well as of critical refusal. It resided on the knife-edge of envy and denunciation, as well as for the projection of alternate imaginative utopias and the worst forms of racial chauvinism. This chapter asserts that primitivism endures as a provocation as much as a utopian aspiration, but it also provides a different understanding of cultures on the "periphery", which is how Antipodean art history has understood itself. The spectre of primitivism not only amplifies the quandaries of modernist cultures—both alerting one to the aesthetic alternatives to modernist cultures, yet also highlighting the fate of traditional culture pitted against modernist cultures, it also suggests the quandaries of a peripheral modernity.

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ABSTRACT The author Zacharias Topelius as a religious educator The present study concerns the author Zacharias Topelius (1818-98) as a religious educator. The study´s main questions are as follows: What is the theological and pedagogical content of Topelius books and how is his religious instruction linked with the history of his time. The primary sources are his educational books Naturens bok (The Book of the Nature, 1856), Boken om vårt land (The Book of our Land, 1875) and Evangelium för Barnen (Gospel for Children, 1893), as well as his storybooks Läsning för barn I-VIII (Reading for Children I-VIII, 1865-96). The dissertation concerns the his-tory of religious education. Its primary method is background-based systematic analy-sis. In Topelius children s books the view of God is characterised both as an omnipresent spirit and as Providence, who guides world history according to his plan. In addition to Lutheranism this view is also influenced by Nationalism and Romanticism. The theological content of the books emphasises instruction in Christian life that is natural to normative children s books. Topelius strongly expresses the importance of a personal relationship to God, an idealistic Christian view of one s fellow man and of one s own nation as well as the value of nature conservation. The books of Topelius were some of the first educational works on nature preservation in Finland. The didactic quality of Topelius children s books was high for 19th century Finland. Their main emphasis in terms of educational goals is on civilisation (Bildung), self-awareness, national solidarity and living idealism. The pedagogical argumentation is mostly based on theological, historical, social and rational reasoning. The primary principles in Topelius teaching are Christian nationalism, idealistic harmony and the agrarian bourgeois. Christian nationalism is the main element of Topelius religious education. He considers the fatherland as a God-given project and the taking care of it as a part of holy service. Idealistic harmony is seen as the comprehensive development of one s character in the sense of romantic idealism. The agrarian bourgeois principle combines the Finnish peasant tradition with the values of 19th century modern bourgeois culture. I have named Topelius vision of religious education the Christian national project of civilisation (Bildung). Its main theses are home, religion and fatherland. The author himself strongly believed in this vision and never questioned it despite its national chauvinism and theological inconsistency. The religious ideology represented in Topelius educational works and storybooks was popular among pedagogues during the whole era of the Finnish folk school. It fit per-fectly with the Christian national discourse stemming from 19th century ideological ten-dencies. Due to their appropriate content combined with their practical language and pedagogical methods, the books were popular both at school and in the home for a long period of time. Therefore the books of Topelius aptly symbolise the religious education of their time and manifest their author s pedagogical talent as a national religious educator and as a populariser of Christian nationalism. Topelius books have had a lasting influence on Finnish religiosity. Key words: Topelius, theology, religion, education, nationalism and national project

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This article argues that we must distinguish between two distinct currents in the politics of recognition, one centred on demands for equal respect which is consistent with liberal egalitarianism, and one which centres on demands for esteem made on behalf of particular groups which is at odds with egalitarian aims. A variety of claims associated with the politics of recognition are assessed and it is argued that these are readily accommodated within contemporary liberal egalitarian theory. It is argued that, pace Taylor, much of what passes for `identity' or recognition politics is driven by demands for equal respect, not by demands for esteem/affirmation. Given the inherently hierarchical nature of esteem recognition, no liberal state can consistently grant such recognition. Furthermore, these demands pose the risk of intensifying intergroup competition and chauvinism. Esteem recognition is valuable for individuals, but plays a problematic role for egalitarian politics.

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Immanuel Kant’s publicity maxim states that other-regarding actions are wrong if their maxim is not compatible with their being made public. This has the effect of forbidding dissent or rebellion against tyranny, since rebels cannot make their intentions and plans public. However, new internet technologies offer public speech from behind the “shield” of anonymity, allowing dissent to be public but preventing reprisals from tyrants. This thesis examines not only this possibility, but the value of internet-based discursive spaces for politics, their viability as a mode for political communication, and their implications for Classical and Enlightenment approaches to politics and intellectual virtue. Anonymous internet communications favour logos-based reasoning and discourse, which, in the liberal-democratic tradition, is preferable to phronesis and its attendant elitism and chauvinism. These technologies can open new vistas for liberal-democratic politics.

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Dans la France de l’Ancien Régime, si les représentations de la condition féminine légitiment les valeurs d’une traditionnelle phallocratie, on note néanmoins que le dogme chrétien accorde aux femmes une place dans l’économie du salut. Dans un contexte de Contre-Réforme, celle-ci déterminera notamment, sur le plan socio-littéraire, les modalités de l’expérience mystique et de l’héroïsme au féminin : l’éthique chrétienne érige paradoxalement en modèle des figures féminines qui transcendent leur humanité dans le sacrifice et la mort. Mais au XVIIe siècle, l’évolution des notions d’abnégation et d’amour-propre éradique ce triomphe éphémère. En nous intéressant plus particulièrement aux remaniements de l’hypotexte euripidien dans l’Iphygenie de Rotrou (1640) et dans l’Iphigénie de Racine (1674), nous verrons comment les deux pièces traduisent ce déclin. Au premier chapitre de notre mémoire, nous nous intéresserons à l’espace de liberté que le discours chrétien confère aux femmes à travers le culte de la virginité et l’hypothétique transfiguration des corps célestes. Réintégrant ces données théologiques, la mystique marque l’essor d’un charisme féminin que la notion d’amour-propre déconstruira à l’ère classique. Dans un second chapitre, nous explorerons les développements de l’éthique héroïque qui ont servi à l’essor d’un héroïsme au féminin. Le troisième chapitre portera enfin sur l’échec d’une héroïne mythique qui, mettant à profit le dogme chrétien, menace dangereusement l’équilibre d’un ordre patriarcal. La critique littéraire convient généralement de l’irréfutable vertu de l’héroïne de Rotrou et de Racine. Au terme de notre analyse, nous entendons démontrer qu’Iphigénie est, a contrario, tragiquement reconnue coupable d’amour-propre par les deux dramaturges.

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Le graffiti est depuis longtemps associé au vandalisme dans les métropoles où il prolifère. Il s’intègre au paysage urbain à un point tel que, même s’il procède d’une logique de visibilité et de promotion, nous parvenons à ne plus le remarquer. Pourtant, sa présence suscite toujours la colère des citoyens propriétaires de murs vandalisés et des autorités municipales qui, chaque année, dépensent de grosses sommes d’argent pour l’effacer. Malgré les restrictions et les amendes, le graffiti est néanmoins devenu un véritable phénomène d’art urbain : des artistes graffiteurs ont atteint la notoriété en dehors de leur sous-culture et ont pu exposer légalement leur travail, du fait d’un intérêt croissant du milieu officiel de l’art. Celui-ci contribue à faire grandir l’engouement et l’enthousiasme pour une pratique d’art urbaine. Le graffiti illustre l’expression d’une identité qui s’approprie et subvertit les surfaces urbaines de la ville, au moyen d’un nom propre fictif qui n’a aucune légitimation juridique et légale. De plus, l’application et la diffusion de la signature graffitique communiquent des valeurs qui guident et définissent toute la sous-culture du graffiti. Ces valeurs sont culturellement considérées comme masculines : le risque, le défi et la dissidence. La figure de l’artiste graffiteur apparaît ainsi comme une figure marginale et rebelle. Un tel portrait laisse alors entrevoir une culture fortement machiste, d’autant plus que les garçons qui exercent le graffiti sont beaucoup plus nombreux. Or, si les femmes artistes de la communauté graffitique représentent une minorité, c’est notamment parce que leur attrait pour une pratique illicite, nocturne et dangereuse est moindre. À partir d’une approche qui touche aux gender studies et à certains concepts traditionnels de l’histoire de l’art, nous cherchons à expliquer l’intérêt généralement plus faible des femmes pour le graffiti. Nous désirons également démontrer comment l’exercice des artistes féminines du graffiti se distingue de celui de leurs homologues masculins. De quelle manière se détermine leur expérience? Leur iconographie sert-elle à les définir? Quelles sont leurs opinions et leurs perceptions sur leur propre culture? Finalement, comment caractérisent-elles leur statut de femme artiste au sein d’une communauté "machiste"?

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As evidenced by the reactions to Martha Nussbaum’s famous essay of 1996, patriotism is a contested notion in moral debate. This paper explores the suggestion made by Stephen Nathanson that patriotism might be understood as “love of one’s country”, and suggests that this phrase is misleading. It suggests that patriotism, like love, is not rational, and it fails to distinguish two kinds of object for that love: one’s cultural community and one’s political community. Accordingly, this phrase can lead to a kind of nationalism which involves chauvinism and militarism and that is, therefore, morally objectionable. The problem arises from ambiguities in the notion of “country” which is said to be the object of such love. Moreover, “love” is not the appropriate term for a relationship whose central psychological function is that of establishing an individual’s identity as a citizen. I suggest that the proper mode of attachment involved in patriotism is identification with one’s political community, and that the proper object of a patriot’s allegiance is the political community thought of without the emotional, nationalistic and moralistic connotations that often accompany the concept of community. The “political patriotism” that arises from such an attitude is sceptical of “the national interest” and does not accept that our moral responsibilities to others stop at national borders. In this way political patriotism is consistent with a cosmopolitan stance towards human rights and global justice.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Os processos de formação dos grupos humanos estão sendo transformados pelas novas tecnologias de informação inovando procedimentos, técnicas e meios. As gerações atuais têm contatos com máquinas, computadores, senhas e códigos de acessos desconhecidos pelos mais velhos e àqueles distantes social e economicamente ainda destas tecnologias, meios, códigos e inovações. Negros e empobrecidos são os que mais se distanciam da geografia deste veículo e meio de aprender, de saber, de trocar, de dialogar e de obter poder. A escrita, a energia e a tecnologia computacional interligadas processam um efeito colateral avassalador associados à acumulação de riquezas e bens nas mãos de poucos e juntos promovem o mais árduo processo discriminador e de exclusão social no planeta, atingindo, sobretudo, as populações tradicionalmente mais vulneráveis pelo racismo e pelo machismo, ou seja, negros e mulheres, sendo eles os mais empobrecidos no planeta.

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15. Neumann, Franz L.: "Supplement to Dr. A.R.L. Gurland's report on 'Fight against Antisemitism within the framework of Germany. Education for Democracy'" 21.11.1947. Typoskript, 9 Blatt; 16. Über Erziehung zur Demokratie in Deutschand. [= Gurland, A.R.L.: "Fight against Antisemitism within the framework of Germany. Education for Democracy"? vgl. 15.], Typoskript, mit handschriftlichen Korrekturen, 20 Blatt; 17. Havinghurst, Robert J.: "Report on Germany" November 1947. Als Typsokript vervielfältigt, 133 Blatt; 18. Pollock, Friedrich: "Meeting of Friedrich Pollock, Theodor W. Adorno with Dr. Eric Mann and Major Schaeffer, on December 13, 1947". Typoskript mit eigenhändigen Korrekturen, 2 Blatt und Mann, Eric: 1 eigenhändiger Brief mit Unterschrift an Max Horkheimer, Los Angeles, 17.12.1947; 19. Speier, Hans: 1 Brief an Samuel H. Flowermann, ohne Ort, 21.11.1947, Typoskript, 5 Blatt; 20. Horkheimer, Max: Memorandum für John Slawson: "Subject: Germany", 24.06.1947; a) Typoskript, 3 Blatt; b) Typoskript, 3 Blatt; 21. Bernstein, David: "Memorandum, Subject: American Jewish Committee Mission to Germany", 23.12.1947. Als Typoskript vervielfältigt, 3 Blatt; 22. Bernstein, David: "Memorandum, Subject: Germany", 26.05.1947; a) Typoskript, 8 Blatt; b) Typoskript, 8 Blatt; 23. Bernstein, David: Entwurf des Inhalts einer Untersuchung über Antisemitismus im Nachkriegsdeutschland. Typoskript, englisch, 3 Blatt; Shuster, Zachariah und Bernstein, David: "Memorandum" für John Slawson. Zum Verhältnis von Juden, amerikanischer Besatzung und deutscher Bevölkerung, 30.05.1947. Typoskirpt, 5 Blatt; 25. "Notes on a Proposed Study of the Effects of Facism on the German Character Structure", 03.12.1945. Typoskript, 4 Blatt; 26. "Notes on Post-War Reconstruction in Europ", 20.04.1945. Typoskript, 6 Blatt; 27. Institut of Social Research: "Memorandum on the Elimination of German Chauvinism", August 1942. Typoskript, 42 Blatt;

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This article contributes to the ongoing discussion on how tolerance may be fostered in Western European countries and to the question of how contextual factors such as welfare state expenditures may contribute to this formation. Tolerance is understood as a basic democratic principle that helps civil societies cope with rising levels of diversity stemming from increased immigration and individualism. Within the tolerance literature it is commonly agreed upon that a comprehensive welfare state is capable of bridging class divides and overcoming social categorization. However, over the past decades European welfare states experienced an ongoing influx of immigrants, challenging their general purpose and increasing notions of ‘welfare chauvinism’. Drawing on insights from both tolerance and welfare state solidarity literature, we implement hierarchical analyses based on Eurobarometer data to assess the potential influence of welfare state universalism on political and social tolerance in 15 Western European countries. Moreover, we demonstrate that this relationship is highly conditional on the degree of ethnic heterogeneity within a country.

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Women in hospitality organizations are moving up the corporate ladder at a pace significantly outdistancing their colleagues of a few decades ago, but women managers selectively perceive overt and covert discriminatory resistance, from chauvinism to carefully-contrived covert prejudicial treatment constructed to insure a no-win situation. The authors attempted to determine if these discriminatory practices against equally well-trained, qualified, and experienced hospitality women middle managers do affect their perception of their career growth as compared to male counterparts

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Cette thèse défend les mérites d’une lecture cyborgienne de l’oeuvre de science-fiction de Frank Herbert, Dune, où la vision particulière des sciences et technologies nous permet d’interpréter plusieurs personnages en tant que réitération Nouvelle Vague du cyborg. Publié en 1965, Dune introduit des personnages féminins atypiques pour cette époque compte tenu de leurs attributs tels qu’une capacité intellectuelle accrue, une imposante puissance de combat et une immunité manifeste contre la faiblesse émotionnelle. Cependant, le roman reste ambivalent en ce qui concerne ces femmes : en dépit de leurs qualités admirables, elles sont d’autre part caractérisées par des stéréotypes régressifs, exposants une sexualité instinctive, qui les confinent tout au mieux aux rôles de mère, maitresse ou épouse. Finalement, dans le roman, elles finissent par jouer le rôle du méchant. Cette caractérisation se rapproche beaucoup de celle du cyborg femelle qui est d’usage courant dans les productions de science fiction pour le grand public des décennies plus récentes. Par conséquent, cette thèse défend qu’une lecture cyborgienne de Dune complète et accroisse une analyse sexospécifique, car cette approche comporte une théorisation essentielle des réactions à l’égard de la technologie qui, selon Evans, sont entretissées dans la réaction patriarcale de ce roman à l’égard des femmes. Bien que ces créatures fictives ne soient pas encore communes à l’époque de la rédaction de Dune, Jessica et certains autres personnages du roman peuvent néanmoins être considérés comme exemples primitifs des cyborgs, parce qu’ils incarnent la science et la technologie de leur culture et qu’ils possèdent d’autres éléments typiques du cyborg. L’hypothèse propose que la représentation des femmes dans Dune ne découle pas seulement de l’attrait pour le chauvinisme ou la misogynie, mais qu’elle est en fait grandement influencée par la peur de la technologie qui est transposée sur la femme comme c’est couramment le cas dans la littérature cyborg subséquente. Ainsi, ce roman annonce le futur sous-genre cyborg de la science-fiction.