Frances Trollope : her life and literary work from George III to Victoria /

Includes index.

Exploring a literary gender: the chivalry novels

Exploring a literary gender: the chivalry novels This article deals with a series of aspects related to the thematic universe of the chivalry novels, focusing on the production of the literary work from a historical perspective. The text analyzes the advent and evolution of the genre chivalry novels, presents some central elements of its internal structure, concluding with some of the social functions of this kind of literature.

Essays in literary interpretation,/

Some aspects of modern literature -- Personality in literary work -- The significance of modern criticism -- The poetry of Dante Gabriel Rossetti -- Robert Browning -- John Keats : poet and man -- Some modern readings from Dante -- A word about humour.

Essays in literary interpretation,

Some aspects of modern literature -- Personality in literary work -- The significance of modern criticism -- The poetry of Dante, Gabriel Rossetti -- Robert Browning -- John Keats : poet and man -- Some modern readings from Dante -- A word about humour.

Attitudes to language in literary sources:beyond post-colonialism in nigerian literature

All societies display attitudes to (varieties of) languages that tell us about the relative status of the groups that are associated to them. One method to document these is the systematic study of public discourses, including literary production. How (varieties of) languages are used, mentioned and characterised in a literary work tells us about their social status, and any change in this status should therefore be followed by changes in judgements on languages. This is demonstrated by the present paper with reference to the language attitudes in Nigeria, on the basis of two iconic Nigerian novels 2004 Purple Hibiscus and in 1958 classic postcolonial Things Fall Apart, separated by nearly fifty years. Ibo as well as Pidgin, Nigerian and European Englishes are presented in Purple Hibiscus in nuanced complementary configurations. A strong axiological polarisation is by contrast offered in Things Fall Apart between Ibo speakers and Ibo interpreters who are presented as cruel and ridiculous traitors siding with the English colonising power whose language, curiously, is not commented upon. Showing how a replicable method applied to language judgements can document social organisation and change, these results validate the view that the Nigerian society and culture has moved beyond the historically situated postcolonialist movement to embrace a globalised paradigm. © 2010 Taylor & Francis.

Antero de Quental: a última palavra da natureza é 'ética'

Antero de Quental (1842-1891) is best known for his poetic work. Nevertheless, alongside this literary work, and in close correlation with it, he produced a corpus of philosophical texts of great depth and relevance. Nature composes a unifying thematic core for his work, and is implicit throughout the author’s entire work. In this paper, we seek to establish the main tendencies of his Evolutionism, both from the positive and metaphysical points of view. On his last work (Tendências gerais da filosofia na segunda metade do século XIX), the author talks about "good" as the fundamental principle of all human actions and of nature itself: the last word of nature is written by the human consciousness whenever a good action is performed. This opens the door to a spiritual Evolutionism and explains the moral world view that we can find in Antero de Quental's thought.

Big Enclosed Island, de Daniel de Sá : uma proposta de tradução comentada

Dissertação de Mestrado em Tradução e Assessoria Linguística.

O futurismo russo: Maiakovsky ou a "Nuvem de calças"

Este breve ensaio sobre o poeta e escritor russo Vladimir Mayakovsky é uma modesta tentativa de contribuir para um (re)descobrimento ou para uma simples revisitação da produção literária russa do período soviético, que, por razões muitas vezes apenas de ordem política e não estética, caiu no esquecimento, não sendo traduzida na sua totalidade, como é o caso de Mayakovsky, ou, pura e simplesmente, sendo votada ao “ostracismo”, porque rotulada, a priori ou ab initio, como obras escritas dentro das paredes estreitas do “realismo socialista”, padecendo de falta de criatividade e norteandose, aberta ou dissimuladamente, pelos princípios rígidos e imutáveis de um totalitarismo inflexível. Contudo, nem toda a literatura soviética pode ser enquadrada no realismo socialista, valendo a pena conhecê-la e analisá-la.

Alice's anima or the obligation of a reading transliteracy

This paper suggests an analysis of "Inanimate Alice" by Kate Pullinger, Chris Joseph and Ian Harper as an example of a transmedia narrative that triggers a new reading experience whilst proposing a literary alterity between reading and performance. Narrative experiences that elect the visual plasticity, interchanging games and tactility as drivers of the creative process are not new. Yet, narrative experiences, which have been created in the gap between reality and fiction, have found on the digital realm the perfect environment to multiple hybrid experiences. Bearing in mind Walter Benjamin’s concept of Erlebnis and Erfahrung, a critical analysis of this digital fiction tries to illustrate how literary art finds its space and time in a metamorphosed continuum only activated by the “patient reader”. All the multimedia hybrids, which this digital literary work may have, challenge readers to interpret different signals and poetic structures that most of readers might not be accustomed to; however even among a cognitive dissonance, meaning is found and reading happens only if time, space and attention are available. All possible transmedia literacies can only respond to this experience of online reading, if they are able to focus and draw attention not to a simple new behaviour or a single new practice, but to a demanding state of affairs that assemble different objective and subjective value forms.

Mais além de quem escreve: “Eu também posso ser Ilustrador”: desenvolvendo múltiplas linguagens num projeto curricular integrado

Relatório de estágio de mestrado em Educação Pré-Escolar

A linguagem como corpo grotesco e o feminino em Mário de Sá-Carneiro

Dissertação de mestrado em Teoria da Literatura e Literaturas Lusófonas

Anna Senyé, poeta

Anna Senyé, poeta és un treball que explora la vida i el treball literari d’una poeta catalana anònima. Anna Senyé Ramisa (Manlleu, 1881-Barcelona, 1956) fou una dona de caràcter aventurer que va tenir una vida poc convencional. Va escriure en diferents revistes i diaris catalans des de 1914 i durant la primera meitat del segle vint, tant com a poeta com a periodista i activista social, amb la publicació d’articles i manifestos en defensa dels drets dels animals. Senyé també participà en els Jocs Florals i va guanyar-hi premis en els celebrats a l’Escala i Molins de Rei. L’any 1922 va publicar el seu treball poètic en un volum, Remolinada. Els seus poemes mostren el seu amor pels animals i la natura, així com també el record de la infantesa a la seva vila natal. Presentem quatre retrats de l’escriptora: el ‘Retrat de la família’, el ‘Retrat de la dona’, el ‘de la poeta’ i finalment, el ‘Retrat de la viatgera’. Amb aquests retrats, els poemes d’Anna Senyé deixen de ser oblidats i la poeta passa a formar part de la genealogia d’escriptores catalanes. Paraules clau: Anna Senyé, poesia catalana, gènere i literatura.

Joan Ramis i La nouvelle Héloïse de Rousseau : una lectura rousseauniana de l'obra dramàtica de Ramis

Aquest estudi es proposa estudiar els vincles que hi ha entre La nouvelle Héloïse (1761) de Jean-Jacques Rousseau i l'obra dramàtica de Joan Ramis i Ramis, especialment la seva Lucrècia (1769), tot i les dificultats que la recepció de Rousseau va tenir en la Menorca il·lustrada. En aquest sentit, el gruix del treball es dedica als elements que tenen en comú les obres de referència, pel que fa al tractament literari dels temes centrals, com ara el que vehicula la sensibilitat preromàntica que irromp en el panorama creatiu de l'Europa del moment, més enllà de les propostes estrictament formals i de contingut del neoclassicisme, i també quant als motius i la intencionalitat dels dos autors.

El vigatanisme crític de Maria Àngels Anglada

Maria Àngels Anglada tenia una clara consciència del lloc, que va deixar una empremta profunda en la seva obra literària. L’article analitza les visions que l’autora dóna de Vic, la ciutat natal, a través de la poesia, la narrativa i la prosa assagística. En particular, l’anàlisi se centra en el relat de fons autobiogràfic No em dic Laura. Aquest text vehicula una dura crítica política, social i moral del Vic sotmès a la dictadura franquista. I, alhora, constitueix la millor mostra del vigatanisme crític que caracteritza l’autora.

Antitromboottisten lääkeaineiden enantiomeerien kromatografinen fraktiointi

Suuri osa käytössä olevista lääkeaineista on kiraalisia yhdisteitä. Lääkevalmisteet sisältävät yhdisteen enantiomeerien ominaisuuksista riippuen joko yksittäistä enantiomeeria tai näiden seosta. Antitromboottisiin eli veren hyytymistä estäviin lääkeaineisiin kuuluvat varfariini ja rivaroksabaani ovat kiraalisia yhdisteitä, joiden enantiomeerien ominaisuudet poikkeavat antitromboottisen vaikutuksen voimakkuuden suhteen. Varfariinia käytetään kliinisesti enantiomeeriensa raseemisena seoksena, kun taas rivaroksabaani on käytössä lääkevalmisteena puhtaana S-enantiomeerinaan. Lääkeaineen enantiomeerien erottaminen toisistaan on tärkeää esimerkiksi enantiomeerien puhdistamiseksi, lääkevalmisteen oikean koostumuksen varmistamiseksi tai yksittäisten enantiomeerien käyttäytymisen arvioimiseksi elimistössä. Tässä kirjallisuustyössä käsiteltiin nestekromatografian käyttöä antitromboottisiin lääkeaineisiin kuuluvien antikoagulanttien enantiomeerien fraktioinnissa. Kirjallisuudesta saadun tiedon perusteella arvioitiin, millä erotusmateriaaleilla ja millaisissa koeolosuhteissa varfariinin sekä rivaroksabaanin enantiomeerit tulisi erottaa toisistaan. Varfariinin enantiomeerien erotukseen parhaiten sopivaksi erotusmateriaaliksi todettiin kirjallisuuden perusteella kiraalinen vankomysiinipohjainen stationaarifaasi (Chirobiotic V) metanolin, etikkahapon ja veden seoksen toimiessa eluenttina. Eluentin virtausnopeudella 0,3 mL/min ja pienellä injektiotilavuudella varfariinin enantiomeerit saatiin erottumaan täydellisesti ja nopeasti toisistaan. Kirjallisuuden perusteella rivaroksabaanin enantiomeerien erotuksessa erotusmateriaalina toimii parhaiten kiraalinen selluloosapohjainen stationaarifaasi (Chiralcel OD-RH), kun eluenttina käytetään n-heksaanin ja isopropanolin seosta virtausnopeudella 1 mL/min. Varfariinin ja rivaroksabaanin enantiomeerien fraktiointiin parhaiten sopivia menetelmiä voidaan käyttää eri tilanteissa, kuten lääkevalmisteiden laadunvarmistuksessa tai enantiomeerien erotuksessa niiden synteesin jälkeen.