The Measure of All Things: Rethinking Humanism through Art (Group Show)

University of Buffalo New York Department of Art Gallery. The ancient philosopher Protagoras is most famous for his claim: “Of all things the measure is Man” and today, Western societies continue to promote anthropocentrism, an approach to the world that assumes humans are the principal species of the planet. We naturalize a scale of worth, in which beings that most resemble our own forms or benefit us are valued over those that do not. The philosophy of humanism has been trumpeted as the hallmark of a civilized society, founded on the unquestioned value of humankind defining not only our economic, political, religious, and social systems, but also our ethical code. However, artists recently have questioned whether humanism has actually lived up to its promises and made the world a better place for humankind. Are we better off privileging humans above all else or could there be other, preferable, ways to value life? With the continued prevalence of violent crimes, even genocide, in the twentieth and twenty-first centuries, we see the ways in which the discourse of humanism falters, as groups are targeted through rhetoric reducing them to the subhuman, and therefore disposable. But what if the subhuman, nonhuman, and even the non-animal and material, were reconsidered as objects of worth even if far removed from us?

Agricultural show awards : a brief exploration of their role marketing food products

Propuestas de mejora del marco normativo de la accesibilidad audiovisual

El conjunto de la legislación española en materia de accesibilidad presenta una serie de vacíos y deficiencias que suponen un menoscabo del derecho de las personas con discapacidad, ya sea sensorial, intelectual o de cualquier otro tipo, para acceder a los servicios audiovisuales, de telecomunicaciones y TIC.

Esta publicación realiza un análisis en profundidad del marco jurídico estatal vigente en materia de accesibilidad, poniendo el énfasis en las deficiencias que se pudieran detectar tanto en el plano legislativo como en el que debiera ser su desarrollo reglamentario adecuado y realiza, a modo de conclusión, una propuesta de modificaciones del marco legislativo en estas materias.

Managing Audiovisual Digitization

A synopsis and preparation presentation of a Society of American Archivists pre-conference workshop (workshop held on August 17, 2015.

”Buffalo Bill and his Wild West Show”. William F. ”Buffalo Bill” Codyn ja hänen Villin lännen show’nsa julkisuuskuva yhdysvaltalaisessa aikalaislehdistössä vuosina 1883 ̶ 1913.

Tässä tutkielmassa tutkin yhdysvaltalaisen aikalaislehdistön lukijoilleen välittämää julkisuuskuvaa Buffalo Billistä ja hänen Villin lännen show’staan sen toiminnan aikana 1883 ̶ 1913. Primääriaineistona käytän The New York Timesiä, mutta lisäksi hyödynnän myös pienempiä paikallislehtiä täydentämään kuvaa. William F. ”Buffalo Bill” Cody on yksi Villin lännen tunnetuimmista hahmoista ja hänen suurin saavutuksensa oli sen legendojen tekeminen tutuksi maailmanlaajuiselle yleisölle. Villin lännen show’n ohjelma koostui viidestä pääteemasta: ratsastustaidoista, ampumataidoista, eläinnäytöksistä, näytelmistä sekä tasankointiaanien ja valkoisten välisistä konflikteista. Tutkitulla ajanjaksolla aikalaislehdistön kuvaukset osoittautuivat hyvin myönteisiksi show’ta kohtaan ja kilpailijoista huolimatta se oli The New York Timesin mukaan ”the only and original Wild West”. Show’ta mainostettiin koko perheelle sopivana ja sen esityksissä vieraili vuosien aikana miljoonia katsojia. Ohjelman kantavana ideana oli kuitenkin väkivallan välttämättömyys lännen valloittamisessa. Samalla show’hun kuuluneet intiaanit esiteltiin areenalla ja lehdistössä hyvin stereotyyppisinä vihollisina, maalattuina ja verenhimoisina. Lehdistö, joka välitti lukijoilleen varsin intensiivisiä kuvauksia tapahtumista showareenalla, huolestui esityksien vaikutuksista lapsiin ja nuoriin. Buffalo Billin yhteistyökumppanit rakensivat hänelle sankarillisen imagon viihderomaanien ja show’n avulla. Riitaisan avioeroprosessin myötä ennen niin hyvä julkisuuskuva lehdistössä alkoi murentua, kun naisseikkailut ja muut salaisuudet tulivat päivänvaloon. Suurista tuloista huolimatta Buffalo Billillä oli vaikeuksia hallita talouttaan anteliaisuutensa ja huonojen sijoituksien vuoksi. Iän karttuessa ja terveyden heikentyessä hänen roolinsa show’ssa väheni, minkä seurauksena myös median kiinnostus alkoi hiipua. Villin lännen show ajautui konkurssiin vuonna 1913, mutta sitä ennen se kiersi lukuisat kaupungit Pohjois-Amerikassa ja Euroopassa. Aikalaislehdistön mukaan Buffalo Bill ja show olivat tehneet suuren vaikutuksen Yhdysvaltojen entiseen siirtomaaisäntään Britanniaan ja seuraava askel on vertailla näiden kahden maan lehdistön suhtautumista esitykseen.

Olhares sonhadores: operacionalizar criatividades com a literacia audiovisual para a realização de um webdocumentário

O projeto de investigação “Olhares Sonhadores” teve como principal finalidade desenvolver um trabalho artístico audiovisual de coautoria e colaboração com um grupo de crianças do bairro e da escola EB1/JI de São Tomé, com vista à realização de um Webdocumentário. Através de uma metodologia de desenvolvimento e de apropriação fílmica, as crianças utilizaram os diferentes meios audiovisuais para puderem comunicar, autorrepresentarem-se e expressarem-se coletivamente sobre os contextos em que estão envolvidas. A apropriação dos meios técnicos audiovisuais e o desenvolvimento de competências para o seu manuseamento foram desempenhados em sessões artísticas de trabalho colaborativo, que visavam a transmissão de conhecimento de forma informal e extra-curricular. Neste sentido, o grupo produziu conteúdos documentais fragmentados que contribuíram para a criação e a estruturação do Webdocumentário “Olhares Sonhadores”. Desta forma, tencionou-se igualmente verificar e compreender em que medida a arte audiovisual poderia ajudar a retratar e a tornar visível a realidade social das crianças do bairro de São Tomé e se esta arte poderia ser também utilizada como um meio de expressão e emancipação para o presente grupo participante.

Envelhecimento ativo: o audiovisual na promoção do exercício físico: produção de tutoriais audiovisuais de apoio ao sénior para a realização de exercício físico

Tendo em conta o cenário atual de aumento de população idosa e da esperança média de vida, de proliferação dos meios tecnológicos e da necessidade de permanecer ativo para a melhoria da qualidade de vida, a criação de produtos, que aliem a tecnologia ao exercício físico, mostra-se uma mais-valia. A presente dissertação possui quatro objetivos:I) Identificar as tipologias de exercícios adequados ao público-alvo II) planeamento de três vídeos tutoriais de exercício físico para apoio ao cidadão sénior; III) realização dos três vídeos tutoriais de exercício físico para apoio ao cidadão sénior; IV) avaliação dos três vídeos tutoriais junto a cidadãos seniores para compreender se as características presentes nos tutoriais são adequadas para o público. Para a concretização dos objetivos, anteriormente mencionados, foram utilizadas três diferentes fases metodológicas durante este projeto: Na primeira fase foi utilizada uma metodologia exploratória, isto é, foram estudados trabalhos anteriormente realizados relativos a esta temática, para auxiliar a construção dos tutoriais; Na segunda fase recorrendo à metodologia de investigação de desenvolvimento, foi concretizado um protótipo dos vídeos tutoriais, apresentados a um grupo de especialistas em ambiente de focus group, onde foram sugeridas alterações para melhor se adaptarem ao público-alvo, e posteriormente foi realizada uma versão final dos tutoriais. Por último, os tutoriais foram apresentados a cidadãos seniores para serem avaliados a nível de: vídeo, áudio, exercícios e texto, com o intuito de compreender se estes se encontravam adequados ao público sénior. Em suma, no final da presente investigação consegue-se responder à questão: quais as caraterísticas que devem possuir os tutoriais audiovisuais, de apoio à atividade física, destinados a um público sénior.

Da poética das lágrimas a uma poética do riso: de Aristóteles ao One-man show

Since the 1970s, the world observes the fragmentation, hybridity, plurality and miscegenation that are taking over the scenic arts. The contemporary poetry feels free of the classical rules; theater no longer obeys the requirements of the poetic "manuals"; the rigid boundaries between genres disappears; artists cease to represent to the public to talk with him. In the last decades of twentieth century and in the twenty-first century, emerges the laughable phenomenon of One-man Show in the brazilian scene, object of this research, as a result of this evolution of the performing arts. It is a form of theater that emerged in the brazilian context, snatching public attention in alternative spaces, theaters and, as it should be, also on the Internet, often confused with the Stand-up Comedy. It is necessary a research that delimitate and pursue to identify the essential characteristics of the brazilian One- Man Show, not only by the absence of theoretical references concerning this, but also to understand some aspects of the brazilian scene and the situation of laughter and comedy in it. In the first chapter, a discussion about comedy and laughter in classical antiquity is presented, using the writings of Plato and Aristotle as a starting point; in the second, some of the main classical theories of laughter are reviewed, attempting to identify the general characteristics that enable to understand the construction of the comedy; the third chapter generally dicusses about the moment of the brazilian theatrical scene in which emerges the One-man Show; and in the fourth chapter, there is an explanation about this phenomenon and a description of the practical exercise titled Experimento One-person Show: Damas

Aspectos do desenvolvimento da experiência docente na educação superior: um estudo sob a ótica da teoria dos gêneros de atividade

This analysis introduces results related to development of teaching experience from two professors of one Federal University who have taken part of one action of continued teacher training. We consider that the interplay among the individual, the language and the world cannot function straightly. It occurs through utterances, defined like real unit discursive communication, and genres of discourse (BAKHTIN, 1979/2011). Along the same line, the relation between the employee and his employment do not occur in a direct manner. This relationship takes place through genres of activity (CLOT, 2008/2010). As well as, a domain of speech genres has given possibility to individual an interaction with several discursive fields, a domain of activity genre allows the professional protruding in difficult situations traced in his employment. We know that the drafting for wield the teaching in the Tertiary Education is recommended by LDBEN (9394/96), which suggests that should be done in postgraduate program. In the mean time, what frequently happens an educational background based in a survey and not in the teaching. Thereby, several times we have observed difficulties in the accomplishment of teaching practice. Considering such aspects, this study seeks to comprehend the manner how the lecturers deal with the difficulties encountered in the classroom and how the years of experience have contributed or not for a domain of activity genre. In this regard, we have propped up in the development approach, introduced by Vigotsky, who asserts that the learning suitably organized results in development (VIGOTSKY, 1984/2007) and still explains the development of individual on the basis of relationship that it has with another, the social (VIGOTSKY, 1996b). For this purpose, were accomplished, by means of a snipped filmed lesson from each teacher, four sessions of self-confrontation (FAÏTA, 1996; CLOT, 2008/2010), two Simple and two Crusade, recorded in a visual format. This material was transcribed in accordance with standards from project NURC-SP (PRETI, 1999). For the analysis, we used three mains theories: of Linguistic, is mobilized the concept of speech genres (BAKHTIN) and all discursive topics (JUBRAN; FÁVERO); from Occupational Psychology, is utilized the activity genres (CLOT); from Psychology Historical-Cultural, is adopted the concept from Zone of Proximal Development and another/social in the development of individual (VIGOTSKY). In compliance with the study achieved, was possible to identify the aspects related to development of teaching experience of Tertiary Education. During the classes and reports of self-confrontation, we identify that both the professors, in the beginning of the career, they got more difficulties to deal with hindrances, and which now, with some years of experience, they get to domain better the difficult situations which they come across. They built up, for example, a greater facility in improvise examples in face of students’ difficulties in the comprehension of concepts. These aspects show that the professors have evolved the higher domain of genre, which allow them getting, in addition to turn the unexpected situation around that spring up in the professional context, as well know how to taking action in similar situation, which they have already run into in another moments. This domain enabled and enables the developing of the lecturers over the course of their professional performance.

European primary pupils show their life to African peers

Since primary school pupils lack a common language, primary school pupils from Germany and Africa show a piece of their origin and of their daily live through simple drawings to their peers in a other, distant land. The teachers accompanying the exchange of these drawings communicated in natural language, but helped to transform what their pupils wanted to show by their drawing. Five students drawings are presented in order to explain and illustrate this exchange method.

Sistema de recomendación de contenidos audiovisuales: Algoritmo de inferencia semántica

Este artículo presenta el análisis de un Algoritmo de Inferencia Semántica utilizado en un Sistema de Recomendación de Contenidos Audiovisuales en el contexto de la Televisión Digital. Los resultados obtenidos muestran que la inclusión de diferentes propiedades semánticas y sus combinaciones, influye directamente en la reducción del error absoluto promedio obtenido en la predicción de la calificación otorgada por un usuario a un ítem determinado. Además se ha determinado que la propiedad Actor tiene un impacto mayor con respecto a otras propiedades analizadas.