941 resultados para Dialogic praxis


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Literaturvermittlung in der Auslandsgermanistik ist traditionell die Domäne der Literaturwissenschaft, die allerdings eine Antwort darauf schuldig bleibt, was jemanden zu einem guten Literaturvermittler macht und worin die besondere Qualität von Lernprozessen besteht, die Studierende im Laufe der Semester anhand von deutschsprachiger Literatur machen. Angesichts der Tatsache, dass Literatur als Bildungsgut und ihr Stellenwert im Curriculum heutzutage nicht mehr so selbstverständlich akzeptiert ist wie vor Jahrzehnten, sollte sich die Auslandsgermanistik solchen und ähnlichen Fragen bereitwilliger stellen und offen diskutieren, wie in künftigen Jahren das studentische Interesse an Literatur wach gehalten bzw. neu entfacht werden kann. Ein wichtiger Schritt in diese Richtung wäre ein Ernster-Nehmen literaturdidaktischer Fragestellungen und insbesondere der Erforschung von Aspekten der vernachlässigten Lehrund Lernpraxis. Es wird dafür plädiert, sich in der Literaturvermittlung künftig nicht ausschließlich an wissenschaftlichen Kategorien zu orientieren, sondern diese auch als eine Form ästhetischer Praxis zu begreifen.

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The aim of this study is to garner comparative insights so as to aid the development of the discourse on further education (FE) conceptualisation and the relationship of FE with educational disadvantage and employability. This aim is particularly relevant in Irish education parlance amidst the historical ambiguity surrounding the functioning of FE. The study sets out to critically engage with the education/employability/economy link (eee link). This involves a critique of issues relevant to participation (which extends beyond student activity alone to social relations generally and the dialogic participation of the disadvantaged), accountability (which extends beyond performance measures alone to encompass equality of condition towards a socially just end) and human capital (which extends to both collective and individual aspects within an educational culture). As a comparative study, there is a strong focus on providing a way of conceptualising and comparatively analysing FE policy internationally. The study strikes a balance between conceptual and practical concerns. A critical comparative policy analysis is the methodology that structures the study which is informed and progressed by a genealogical method to establish the context of each of the jurisdictions of England, the United States and the European Union. Genealogy allows the use of history to diagnose the present rather than explaining how the past has caused the present. The discussion accentuates the power struggles within education policy practice using what Fairclough calls a strategic critique as well as an ideological critique. The comparative nature of the study means that there is a need to be cognizant of the diverse cultural influences on policy deliberation. The study uses the theoretical concept of paradigmatic change to critically analyse the jurisdictions. To aid with the critical analysis, a conceptual framework for legislative functions is developed so as to provide a metalanguage for educational legislation. The specific contribution of the study, while providing a manner for understanding and progressing FE policy development in a globalized Ireland, is to clear the ground for a more well-defined and critically reflexive FE sector to operate and suggests a number of issues for further deliberation.

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La intervención de un extensionista - ingeniero agrónomo de la Agencia de Extensión Rural Orán, del Instituto Nacional de Tecnología Agropecuaria/INTA- en el territorio de una Comunidad Tupí Guaraní del norte salteño, exige una profunda revisión de antecedentes dando lugar a reflexiones, interrogantes y propuestas relacionadas con distintos aspectos del trabajo de campo que trascienden a esta situación en particular. Esto está aquí directamente relacionado a la evolución y al desarrollo de esta zona de históricos conflictos de intereses, desigualdad social creciente y fuertes procesos de aculturación. Incluso existen contradicciones dentro de las instancias del Estado relacionadas con el desarrollo rural, en donde el INTA no constituye una excepción, generándose arduas discusiones internas. En este escenario, la praxis destaca la importancia de las técnicas participativas como la mejor metodología para sustentar procesos de desarrollo local, ya que es en terreno se debe trabajar dentro de un proceso de pérdida de la percepción social -pero más importante aún, de la propia percepción- en la que los pueblos originarios se consideren como un actor más. Entonces es desde la revalorización de las propias capacidades y posibilidades de la comunidad que se analiza una experiencia que refleja cómo, a partir del único agente del estado presente en terreno, se intenta avanzar en la trasformación de la realidad en donde se ve naturalizada y no problematizada la diferencia en la distribución de los ingresos y la pobreza estructural. El comienzo de la intervención, por lo tanto, se inició con la identificación clara de una amenaza -el avance de la erosión del río sobre la seguridad y posesiones de los campesinos/aborígenes- lo cual creó la necesidad ineludible de trabajar comunitariamente. Esta coyuntura generó la necesidad de organizarse para llevar a cabo el proyecto necesario para superar la emergencia, que gracias a la forma participativa de encarar el trabajo, así como el trabajo inter-institucional de los técnicos del INAI (Instituto Nacional de Asuntos Indígenas) y del INTA, confluyeron en crear un capital social entre productores y técnicos/instituciones. La articulación interinstitucional lograda hizo posible la formulación y ejecución en forma participativa de un proyecto evaluado satisfactoriamente -social e institucionalmente-, ya que posibilitó controlar la erosión fluvial evitando nuevas pérdidas de tierras, fortaleciendo a la vez a la organización comunitaria y los vínculos con distintos actores públicos, revalorizando sus propias capacidades.

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Se indaga en los desplazamientos entre herramientas de comunicación que ponen en juego profesores a la hora de comunicar qué y cómo cambia en una situación, en el marco de una línea de investigación en Pensamiento y Lenguaje Variacional (Proyecto Fondecyt Nº1030413 y Proyecto Diumce 06/07). Adscribimos a una mirada sistémica en la que entendemos a las matemáticas como una actividad humana en donde cobra vital importancia la persona haciendo matemáticas y no sólo el producto matemático. Por ello resulta relevante considerar -en la praxis educativa- las negociaciones y búsqueda de consenso entrelazadas éstas, con las acciones cognitivas de la persona al momento de enfrentarse a la solución de un problema. Asumimos una naturaleza de la noción de variación como red semántico operacional transversal, que imbrica distintos contenidos escolares de ciencia experimental y de matemática, particularmente aquellos de tiempo y velocidad. Entendemos al tiempo cotidiano formado por una red compleja de intencionalidades y coordinaciones que se estructuran a partir de las necesidades de coordinación con lo otro, con los otros y de las proyecciones intencionales hacia un futuro y un pasado, y, al tiempo matemático en su calidad de parámetro y figurado sobre la base de la metáfora de una distancia horizontal. A continuación se analizan, desde ese marco conceptual, las herramientas a que recurren profesores para comunicar cambios en una situación específica desarrollada en el marco las actividades del Proyecto de Investigación Las representaciones docentes del Cambio.

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Der Autor stellt drei Thesen zu der Fragestellung „Wie gehen Jugendliche und junge Erwachsene alltagstauglich mit dem Kassettenrekorder um?“ auf, die er in drei Anläufen begründet: „Es geht zunächst um Alltag und wie sich Menschen mit Benachteiligungen und Behinderung darin bewegen. In einem zweiten Anlauf [skizziert er] kurz die gegenwärtigen sonderpädagogische Fragestellungen und deren Aufmerksamkeit für das Hören und Zuhören … [Daraus] soll deutlich werden, wie man mit O-Tönen Sollbruchstellen herstellen kann, und wie sich eine solche Praxis begründen lässt.“ Indem junge Menschen mit Behinderung mit Audiorekordern ihren Alltag erkunden, kehrt sich durch die Erkundungsform Interview die bisher erlebte asymmetrische Kommunikationssituation um, weil selbst über Inhalt, Anfang und Ende einer Kommunikation bestimmt werden kann. Somit begründen Audioclips Erfahrung von Kommunikationssouveränität. (Orig./Autor)

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Sammelrezension: 1. Lundgreen, Peter unter Mitarbeit von Jürgen Schallmann: Die Lehrer an den Schulen in der Bundesrepublik Deutschland 1949-2009, Datenhandbuch zur deutschen Bildungsgeschichte, Band XI, Göttingen: Vandenhoeck & Ruprecht 2013, (352 S.; ISBN 978-3-525-36388-5; 89,99 EUR) 2. András Németh / Ehrenhardt Skiera (Hrsg.): Lehrerbildung in Europa, Geschichte, Struktur und Reform, (Erziehung in Wissenschaft und Praxis; Bd. 9), Frankfurt am Main: Peter Lang 2012 (340 S.; ISBN 978-3-631-62454-8; 51,95 EUR)

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After considering museums as cultural institutions responsible for preserving cultural memory and its evolution over time, this article describes the cultural practices within our society that are aimed at disseminating art and at reproducing and transmitting culture, history and identity. Further, it considers the key role that older people are steadily assuming in Spain’s ageing society. New social-empowerment activities based on volunteering by the elderly are linked to generativity because the individual and social groups acquire new skills through those activities, thereby strengthening a society for all ages. Never in the history of social work have so many older people been prepared to participate actively at the community level, and never has a social movement with these features gone so unnoticed by so many social agents.

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The main purpose of this paper is to analyze Hannah Arendt’s citizenship proposal. The central thesis is that this proposal is possible in contemporary democracies, and it is adequate for developing and strengthening of political action. The work is divided in five sections. In the first, we develop a brief introduction on the studied issue. In the second and third section, we analyze, respec-tively, political and moral conditions that enable democratic citizenship, and the conditions that hinder the exercise of the same, according to Arendt. Then, we reflect critically on Arendt’s citizenship proposal. Finally, we conclude and we propose a set of civic challenges relate to current democracies in light of the above proposal.

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The Tutoring Group-hour in Compulsory Secondary Education and Post-Compulsory Schooling has been eliminated in a number of autonomous communities. Given the importance of the tutorial act as one of the fundamental pillars in students overall development, its disappearance has created considerable disturbance in the educational institutions, sparking a debate regarding the role of the tutor and the impact and effectiveness of their actions. In this survey, teachers from two different schools in the Community of Madrid maintain that they are properly trained to perform the various duties required for a tutor, show strong disagreement to the elimination of the Tutoring Group-hour in secondary schools, advocate incorporating it at a primary school level, and consider one of the main consequences of its disappearance to be less personalized attention for students. In short, an educational response that is less effective.

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Since remote times, certain sectors of society have been exposed to inequality and vulnerability, where adequate intervention processes have become conspicuous because of their absence. Nowadays, current societies have the responsibility of contributing, based on their experience and knowledge, with more efficient policies and programs that improve the life quality of the most disadvantaged. It is here where art and its different tools play a very important role, not only on a physical level, but also as an education tool that allows the development of emotional, mental and communicative skills. The aim of this paper is to make clear the potential of art as an instrument of social and educational intervention. It starts by showing worldwide-collected experience related to education and arts, and then, it acquaints the reader with two parallel intervention projects that worked with youths under social vulnerability conditions. These interventions were developed based on a qualitative research (Grounded theory), using as methodology “The Artistic Mediation” with emphasis on body language. This methodology helped researchers to get close to the participants and to know their experiences and emotions. At the same time, it was possible to evidence the positive effects of educative interventions through art. These workshops were based on an artistic methodology especially focused on body language. Data in this work is qualitative, and as such, it permits a special approach to the personal and emotional experiences of the participants; clearly showing the positive effects of the referenced practice on them.

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The transformation of the Information and Communication Technologies (ICT) into knowledge and learning technologies is increasingly becoming a matter of concern. Teaching settings associated with the use of blogs in Higher Education are presented in this paper, proceeding from an innovative learning experience of projects carried out by a group of professors between 2009 and 2013. Both, teachers and students who took part in the subjects that implemented the blog, considered it as helpful resource to create a virtual and learning-teaching environment due to the multiple potentialities it offers. Among some of these potentialities, some stand out: it makes easier the access to knowledge, promotes a more active and reflective learning, expands the social experience of learning, provides evidence about the students’ progress which helps to reorient the teaching-learning process, and encourages the critical judgment. Nevertheless, several problems related with the students’ participation and the teacher’s blog management have been identified.

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MOOCs are changing the educational landscape and gaining a lot of attention in scientific literature. However, the pedagogical design of these proposals has been called into question. It is precisely MOOCs’ social aspect, i.e. the interaction between course participants and the support for learning processes that has become one of the main topics of interest. This article presents the results of a research project carried out at the University of the Basque Country, which focused in cooperative learning and the intensive use of social networks in a MOOC. Significant data was compiled through Likert-type surveys, revealing that the use of both external and internal social networks in a massive open online course is a factor that is evaluated positively by students. We argue that the use of social networks as a learning strategy in a MOOC has an influence on academic performance and on the students' success rate. Furthermore, the participants’ age also has a bearing on the social networks they use, and we have found that the younger members tend to work with external networks such as Twitter or personal blogs, whereas the older students are more inclined to use forums from the Chamilo or Ning platforms.

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The aim of this study was to analyze if the perceptions of students before and after carrying out the work, that is, their perception of different aspects of the functioning of the group, the working skills acquired as well as those they think that need to be improved, varied depending on whether the contribution of the different members of the group was being co-evaluated or not. 144 students of Physical Activity and Sport Sciences participated in this study. In order to analyze the students' perception of group work the adapted questionnaire by Bourne et al. (2001) was used. Results showed that groups which implemented co-evaluation assessed more negatively the experience in general than those which did not. However, co-evaluation groups perceived their competence to work as a team had improved to a greater extent than the groups without co-evaluation, evaluating more positively both the performance and the result of work and increasing their knowledge of the other team members. Using a co-evaluation system seems to generate both a better assessment of the running of the team and the result of its work.

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This article argues that, when a printed page is initially orally generated and then transcribed, either at the time or on a subsequent occasion by a listener or an interlocutor, there are important critical implications for the “I” of the account. It takes as a case study Anna Trapnel's first published works. Appearing within a few weeks of each other in 1654, The Cry of a Stone and Strange and Wonderful News are both mediated texts, large parts of which depend on the agency of a relater. The article begins by examining the textual traces of the relater, arguing for the centrality of his role and other agencies in the shaping of the works which bear Trapnel's name. Situating itself in relation to a current orientation in feminist autobiographical theory that places emphasis on the external requirement to narrate one's life, rather than on the spontaneous production of autobiography by an inner self, the article emphasizes notions of coaxing, witnessing and intersubjectivity to point up an appreciation of women's life writing as a species of cultural production in which various historical actors—male and female—participate. This dialogic process, which persists into the afterlife of transcription, owes part of its genesis to the political vagaries of 1654 and precipitates two contrasting—but equally “authentic”—versions of Trapnel's life and self. Mapping this movement, discussion concentrates on the ways in which a critical confrontation with women's oral narrative is as much an activity of disentangling as it is of reconstructing, an activity which is revealing of the extent to which a spectrum of social and cultural networks participates in and facilitates the female writing act.

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The questioning of identity and the various roles that artists have begun to explore, from the last century, are fundamental aspects in this article. Today it is difficult to speak of the artist as individual isolated innate talent working in his studio, but the various social, political and cultural effects, have moved the artists to become part of the social world and to generate artistic practices that visualize and manifest critically these concerns. To explain these transits deeper, we will share part of the personal artistic practice and reflections, and how it has begun to intertwine with the doctoral research, through the art project “Dialogues with women art teachers”. From the experience as an artist and researcher in training, we will share what this project of artistic inquiry is about and reflect their points with the notion of `artistic practice as research´ developed by Graeme Sullivan (2010, 2011). On the other hand, we will seek to reflect how the identities of `artist´ and `academic´ are in constant dialogue. This art project seeks to show that these identities are not in a fixed position, but rather reflect, from the place of an artist, how through the various shifts in different disciplines, can conceive an identity ‘in-between’. The latter refers to the ability to understand the processes of being a woman, artist and researcher who travels and forms its identity among both disciplines.