Traduzir Lucano em português: ensaio de poética tradutória sincrônica

The aim of this paper is to offer an essay of synchronous translation poetics, based on the theoretic thought of Haroldo de Campos and Antoine Berman, which highlight the relevance of translation history in the work of contemporary translators. For this purpose, starting from a close-reading of the first seven Latin hexameters of Lucan’s Pharsalia, I present a comparative study of the translations of Filinto Elisio (18th century), José Feliciano de Castilho (19th century) and Vieira (2011).

A contribuição de um dicionário histórico: o dicionário histórico do Português do Brasil

This article presents the theoretical and methodological road used to construct the Historical Dictionary of Brazilian Portuguese in the XVI, XVII and XVIII centuries (sponsored by CNPq). Starting with some examples and models of historical and diachronic dictionaries we set the model that structures the Dictionary; it has the purpose of assembling in a single book the Portuguese language lexicon responsible for the construction of the Portuguese language in Brazil. Our reference basis is a data bank with many sorts of sources existing along the three centuries of the Brazilian colonial history. This data bank provides the nomenclature of the historical dictionary and allows the construction of the lexicographical definition through its lexical context that is followed by consecrated examples. This article also presents the contributions of the dictionary to future studies of the Brazilian Portuguese.

A presença de palavras de origem inglesa nos dicionários de português brasileiro: questões de identificação cultural

Este trabalho tem como objetivo observar a presença de palavras de origem inglesa em dicionários do Português Brasileiro relacionando este fato com a atual identificação do brasileiro com a cultura norteamericana – como consequência da importância dos EUA no cenário mundial nas últimas décadas. Neste estudo, notou-se que as palavras estrangeiras passam por um período de observação pelos lexicógrafos antes de serem finalmente inseridas em importantes obras de referência da língua portuguesa. Observou-se também que, quando inseridas nos dicionários, as palavras inglesas são encontradas em diferentes tipos de verbetes: alguns trazem transcrição fonética, por exemplo, outros não. Além disso, muitos verbetes não indicam se a palavra ainda pode ser considerada “estrangeira” à língua portuguesa ou se já se encontra aportuguesada. Dessa forma, podemos concluir que não há um padrão de entrada para palavras estrangeiras em dicionários do Português Brasileiro e que vem sendo uma tarefa difícil para os lexicógrafos encontrar um modelo de verbete que melhor atenda as necessidades das pessoas. Por fim, esta pesquisa comprovou que fatores extralinguísticos e culturais são importantes para que se decida se uma palavra estrangeira deve ou não estar presente em um dicionário do Português Brasileiro.

Adaptação fonológica de nomes próprios de origem estrangeira: comparação entre português arcaico e português brasileiro

This paper aims to discuss the phonological adaptation of proper nouns of foreign origin in two moments of the language temporal continuum: Archaic and Brazilian Portuguese.

Considerações sobre a não-realização da vogal epentética em corpus poético do Português Arcaico

This study has as main aim to discuss the motivation for the non-occurrence of epenthetic vowel at the beginning of the word in the context of word junction in the first hundred Cantigas de Santa Maria (CSM – Afonso X, 1221-1284). Through this work and from a non-explored corpus (especially as for linguistic themes - SNOW, 1987, p. 478-480; MASSINI-CAGLIARI, 2005, p. 24-26), we intended to contribute to reaching a deeper knowledge of Portuguese prosody history in the period of its recognition as an “independent” language in relation to Latin.

Do hexâmetro ao decassílabo: equivalência estilística baseada na materialidade da expressão

This paper deals with the relationship between the Latin hexametre and the Portuguese decasyllable, mainly paying attention to the possibility of a translation which could save some stylistic equivalence based on the proportionality of the materiality of expression.

Inovação científica em estudos medievais: descobrindo os sons do português arcaico

In the context of the confrontation between the several existing possibilities of comprehension of the term “innovation” in the Linguistic fields, the main goal of this paper is to explore the comprehension of this term considering the adoption of new methodologies, based on the analysis of a specific case, of the Research Group Phonology of Portuguese: Archaic and Brazilian periods, which investigates the phonology of a past period of the language from which there are no more alive native speakers.

O canto dos helenos: poesia e performance

This study presents a brief reflection on the genesis of literary genres in Ancient Greece. It is intended here, in the first place, take us off this "comfort zone" when we talk about "Greek literature" in antiquity, at least from the period of Homer until the fifth century. B.C. , moment when, in fact, the writing has become stable not only in the continent but spreads out reaching the Italian peninsula and generating what we have today as the Roman alphabet. Therefore, we examine some terms that appear to be so clear for us which termed other doings, such as poetry, poem, among others. We also examine issues concerning the epic, lyrical and dramatic poetry.

Um tradutor de latim na corte de D. Pedro II: perspectivas para a história da tradução da literatura greco-romana em português

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Uma amostra do tratamento concedido às classes de palavras na tradição gramatical do português

Within a broader study of the apparatus governing the establishment of word classes in grammatical tradition, this study is centered on examining the treatment of the (sub)class of pronouns in two grammar guide groups from different periods. The collation was especially oriented by the existing general notion of a very strong link of the first grammarians with logic and, as a counterpart, of an insertion of the most recent works in the universe of a linguistic science and, at the same time, in the universe of a parameterization limiting actions and decisions.

Estudo sobre o acento secundário e a tonicidade dos monossílabos em português arcaico por meio da música e da métrica das Cantigas de Santa Maria

This paper aims to make a study on secondary stress and stress of monosyllabic words in Archaic Portuguese. With regard to secondary stress, our intention is to demonstrate its limits of occurrence. And about monosyllabic words, the aim is to analyse its stress attribution and the possibility of those words assume prominences in the linguistic level demonstrating or not its prosodic independence. The data will be collected by means of a new methodology in the study of the prosody of dead language. This methodology is based on the observation of coincidences and non-coincidences of musical prominences of poetic texts with musical notation, and linguistic prominences.

Algumas considerações sobre a poesia de Eucanaã Ferraz

The contemporary Brazilian poetic production is marked by a strong diversity in the forms of expression and the thematic contents that it makes circulate; it is found either turned to the critical reading of the Brazilian poetry‟s most traditional repertoire, or more concerned about the research of new expressive models afforded by language. Such constitutive diversity, which operates on the intermediate gradients between these two tendencies, finds itself underlined by the little orthodox practice of the production divulgation and circulation, that appropriated the internet and the poetic performances to compensate the low paper-based edition. What we have is a type of poetic dialectology which identifies the poetry readers group. Verifying the most regular procedures in the construction of the dialectology, through the work of Eucanaã Ferraz and João Cabral, is the objective of this paper.

Antonio Candido, leitor de poesia

Este artigo objetiva, a partir de estudos de Antonio Candido voltados para a poesia lírica, rastrear o pensamento estético e crítico-teórico do autor sobre a matéria, bem como avaliar sua prática analítica do texto poético. Tal prática, coerente com o postulado na vasta obra do autor, ancora-se em dois eixos principais: o “árcade/ romântico” (voltado para o período formativo da literatura brasileira) e o “modernista” (que enfatiza a consolidação plena de nossa literatura).