891 resultados para Literatura brasileira - Historiografia


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This paper presents a study based on literature and examples found on literature of the potential of petroleum gas to be used as a primary source to generate electricity. The steady increase electricity demand in Brazil makes desirable an effective use of all available primary sources, combined with this need the momentum of the country with the discovery of the presalt reserves becomes interesting the use of this gas, often wasted, for generating electricity. The electricity generation in this work is illustrated by the cogeneration in oil refining plants that have the combined cycle thermal operation. The ultimate goal is to provide a text to identify the advantages, disadvantages and trends of this type of generation

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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The main objective of this paper is to realize a review of literature about use of Interactive Digital Whiteboard, as a tool for improving the quality of education. We intend to show some results already reported in several studies in this area, and thus contribute to the systematization of knowledge about this resource. We found that the positive impacts of digital interactive whiteboards are specific and depend on the model followed in its implementation. Although the literature on this technology still emerging, there is evidences of good practice and positive results in all areas of the curriculum. The outcome of this research shows that to get potential benefits of digital whiteboard will be necessary, at first, to understand the process implementation and appropriation. If hardware and software of Interactive Digital Whiteboard not available and adequately used all their potential benefits not will take effect.

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Departing from Ariovaldo Vidal’s statement, in his foreword to the Brazilian translation of The Castle of Otranto, that the Gothic sources were spread upon literary and social history waiting for someone (Horace Walpole) to collect them in order to create a new literary genre, and connecting imagination to such statement, my purpose in this paper is to make some notes on what would possibly be these sources referred by Vidal. By the means of thinking on the Darkness as a semi-concept, a perspective largely inspired in Fred Botting’s Gothic (2014), I intend to look for the origins of Gothic fiction in texts by Homer, Virgil, Dante, and Milton.

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The present text intents to explore how the observation and the annotation of cultural practices of a nation can have a decisive role in the image construction of its literature and how this image can be decisive for the perception of the texts written about the target nation. To exemplify this idea, some important topics for the construction of the image of Brazil and for the text written about this country in Germany are taken under consideration.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Plato’s philosophy and the Aristotle’s poetics have settled the postulates for a theoretical thought on the production process and the reading of fiction. The specialization of the knowledge areas into disciplines has provided multiple readings for the literary. A tension among literary and social theories goes through the horizon of reading from the literary and immediate reality, and today presents itself as literature production and reading guiding possibilities.

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Muitos são os atributos que perfazem o ciclo mítico de Orfeu, o mais importante dos poetas lendários da Grécia antiga: ele, além de amante devotado (pois desceu ao Hades em busca da amada Eurídice) e protótipo de poeta lírico (em termos ideais platônicos), teria sido o fundador do culto de mistérios que leva seu nome, o Orfismo. Tema recorrente na literatura e nas artes ocidentais, sobretudo a partir das obras dos latinos Ovídio e Virgílio, o mito de Orfeu, em seus aspectos mítico-poéticos, vinca a poesia brasileira desde a Colônia e atinge inusitada voga a partir dos anos 40/50 do século XX, quando pode encharcar-se de certos aspectos místico-religiosas (Murilo Mendes; Dora Ferreira da Silva). Na contemporaneidade, os perfis de Orfeu continuam seu périplo pela poesia brasileira, em obras recentes de Adriano Espínola (Praia provisória, 2006), Geraldo Carneiro (Balada do impostor, 2006) ou Rodrigo Petronio (Venho de um país selvagem, 2009). A partir de tais obras tentar-se-á dar um corpo (embora metamórfico) ao contraditório Orfeu.

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Antonio Candido, author of fundamental papers to understand Brazil’s cultures process formation, in his works about sociology and literature formation, he draws an explanation of these process of cultural genesis by mean of referential and functional systems, that become possible Brazilian society expression though scientific and literary cultures. These processes and explanations look at for functional correlations between elements and system by mean of relationship between authors-works-receptors, nevertheless, it must to investigate the individual contributions of authors and works to formation of shapes and directions of system.

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The present article considers the configuration of poetic features of a song in the context of the so called Brazilian Popular Music. The inicial discussion draws general and theoretical considerations about the relations between literature and music and deepens the analysis on the nature of the song as a manifestation of a consciousness of the historical memory as a metaphysical and aesthetical transcendence. The ludic element is then considered as an important element of the poetic features of songs in the 60‟s and nowadays.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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In this project, we tried to analyze, in a very short way, the relations between Brazilian Visual Poetry and a phenomenon in modern literature known as crises of the verse. In sequence, we tried to situate this poetry in a provisory category which the current criticism sees it as the contemporary Brazilian poetry. For sure, the Concretism and its esthetics deployments assured space for the visually in poetry.

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This essay aims to contribute to a critical assessment of contemporary Brazilian poetry, investigating the relationship between two tendencies: minimalism that verges on silence of speech in Kléber Mantovani’s and Tarso de Melo’s poetry, and the dialogue with the tradition in Armando Freitas Filho’s, Fabiano Calixto’s and Iacyr Anderson Freitas’s poetry.

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The aim of this research is to analyze the extension of changes in technological strategies of a group of Brazilian pharmaceutical companies, which we believe were induced by transformations in the institutional environment during the 1990s. Major institutional changes, such as the enacting of laws that recognized drug patents rights and fostered generic drugs market, have strengthened the market insertion and competitive position of these companies, what would enable an increase in research and development efforts in Brazil. In addition to the literature on technology strategy and drug industry, this study was based on interviews with six Brazilian pharmaceutical companies, all of which were ranked among the top national companies in the industry and have been considered in previous studies particularly active in the process of changing technological strategies. This research confirmed a significant intensification of technology efforts carried out by Brazilian drug companies. Nevertheless, the R&D intensity is still far below the global pattern and innovative impacts are slight.