Todo dia é Ashura, toda terra é Karbala: a construção do território islâmico na cidade de São Paulo

Nesta pesquisa foi analisado um ritual religioso com particularidades relevantes ao campo da ciência geográfica. A investigação procurou compreender como o Sagrado se manifesta em seu território, considerando a particularidade do objeto de pesquisa. A partir do aprofundamento conceitual em tela, as perspectivas acerca da acepção de território, apoiadas em um embasamento sócio-antropológico, buscam descrever, analisar e classificar, dentro da Geografia Humana, especificamente da Geografia Cultural Renovada, uma performance ritualística cultural e religiosa de grande expressividade demográfica e ainda pouco divulgada. Portanto, o conhecimento deste ritual islâmico agrega, de maneira abrangente e oportuna, novas possibilidades de interpretar o lugar e o território, ampliando seu significado e propondo novas formas de apropriação dos conceitos, ultrapassando assim, o recorte espacial da pesquisa, a cidade de São Paulo, e adentrando na subjetividade com a territorialidade móvel através da Terra Imaginalis. Os geossímbolos exponenciados em sua representatividade como alicerce e estandarte de um aparato ideológico, ganham nesta pesquisa, foco e relevância. Através dessa nova construção territorial observam-se novos desdobramentos de grande impacto social, como as construções de novas identidades e a manutenção de uma comunidade oriunda de uma grande massa migratória pós 1880, e que hoje, compõe a sociedade brasileira em contínuo processo de assimilação. Para um maior aprofundamento da prática religiosa da comunidade islâmica analisada, fez-se necessário e adequado o método etnográfico de coleta e análise de dados. Dessa forma o material audiovisual e fotográfico coletado serviram de substrato para um melhor embasamento da pesquisa bibliográfica. As conclusões parciais observadas até então, nos induzem à continuidade da pesquisa e á constatação inequívoca da plasticidade profícua e necessária às ciências humanas em geral, e especificamente, à Geografia Cultural, visto que as possibilidades de reinterpretar os conceitos geográficos á luz dos fenômenos religiosos são infinitas

冷杉属的系统学研究

冷杉属是松科中的第二大属，在北半球有着广泛的分布区，从温带的高纬度地带到亚热带（偶达热带地区）的山地，呈间断不连续的分布。虽然一些学者曾对冷杉属进行过大量的分类学和系统学研究，但该属复杂的变异式样至今仍困扰着植物系统学家们。本论文是在腊叶标本和野外实地调查的基础上，从形态学、解剖学、分子系统学和植物地理学等方面进行分类学和系统发育的分析研究。现得到以下初步结果。1.对冷杉属叶角质层内表面胞间凸缘的研究结果表明，可以分为4种类型： 1. 弯曲且发达的单凸缘;2直且发达的单凸缘;3不发达的单凸缘;4双桥型凸缘。分布于欧洲和亚洲的绝大部分种类都是弯曲且发达的单凸缘类型（日本一种除外），而分布于北美的种类则具有四种不同的类型。 2. 叶横切面的研究结果表明皮下层细胞的发育状况和树脂道的位置与大小在Sect. Balsamea中稳定，皮下层细胞的缺失和不发育、树脂道大且中生在该属中可能反映原始状态。 3. 本研究首次发现nrDNA ITS的长度在属下有较大的变异，变异幅度1700 bp-2500 bp，分析得出引起这一变异的主要原因是由于ITS1中有以GGCCACCCTAGTC为核心数目不等的重复序列的存在，并讨论了ITS长度的变异在冷杉属和松科系统演化中的意义。 4. nrDNA ITS的RFLP分析结果和5种冷杉的ITS序列分析结果（以Keteleeria davidiana为外类群）表明A. bracteata与Sect. Balsamea总是聚在一起，亲缘最近;A. kawakamii应属于Sect. Momi。 5. 地理分布和系统发育分析的研究结果表明，冷杉属的多样性中心在北美西南部、而种类分布最大多的地区为东亚、种群分化最强烈的地区为我国的横断山脉。根据冷杉属的系统发育、化石资料和现代冷杉属的地理分布格局，冷杉属可能起源于白垩纪的高纬度地带。 6. 结合ITS RFLP和ITS序列的分支分析结果以及某些形态特征和地理分布资料，重建属下分类系统，将冷杉属分为8组2亚组。探讨了各组间的亲缘关系，认为Sect. Balsamea是冷杉属中的原始类群，Sect. Balsamea是与Sect. Balsamea亲缘最近，形态上十分特化的类群。来自ITS的分析结果为摒属下亚属的划分和将A. kawakamii自Sect. Balsamea中移出，放入Sect. Momi中提供了强有力的证据。经过标本和文献考证，综合各方面的资料，本文对冷杉属进行了全面系统的分类学修订，包括44种17变种1亚种，系统排列如下： 组1. 树脂冷杉组Sect. 1. Balsamea Engelmann。该组包括8种4变种：Abies balsamea, A. lasiocarpa, A. sibirica, A. sachalinensis, A. fraseri, A. koreana, A. nephrolepis, A. veitchii, A. bracteata。 组3. 日本冷杉组Sect. 3. Momi Franco。 亚组1.日本冷杉亚组Subsect. 1. Firmae (Franco) Farjon et Rushforth。该亚组包括6种3变种：A.holophylla, A. homolepis, A. firma, A. beshanzuensis, A. chensiensis, A. pindrow, A. beshanzuensis var. ziyuanensis, A. chensiensis var. ernestii, A. chensiensis var. salouenensis。 亚组2. 鳞皮冷杉亚组Subsect. 2. Squamatae E. Murray。该亚组包括12种6变种：A squamata, A. delavayi, A. nukiangensis, A. recurvata, A. spectabilis, A. mariesii, A. kawakamii, A. forrestii, A. fargesii, A. fansipanensis, A. fanjingshanensis, A. yuanbaoshanensis, A. delavayi var. fabri, A. delavayi var. motuoensis, A. spectabilis var. densa, A. forrestii var. georgei, A. forrestii var. ferreana, A. fargesii var. faxoniana。 组4. 冷杉组Sect. 4. Abies。该组包括7种1变种1亚种：A. alba, A. cephalonica, A. nordmanniana, A. nebrodensis, A. cilicica, A. pinsapo, A. numidica, A. nordamanniana ssp. equitrojani, A. pinsapo var. marocana。 组5. 太平洋冷杉组成Sect. 5. Amabiles (Matzenko) Farjon et Rushforth。该组仅一种：A. amabilis。 组6. 高贵冷杉组Sect. 6. Nobilis Engelmann。该组有2种1变种：A. procera, A. magnifica, A. magnifica var. shastensis。 组7. 大冷杉组成Sect. 7. Grandes Engelmann, emend. Farjon et Rushforth。该组包括4种2变种：A. concolor, A. grandis, A. durangensis, A. guatemalensis, A. concolor var. lowiana, A. durangensis var. coahuilensis。 组8. 墨西哥冷杉组Sect. 8. Oiamel Franco, emend. Farjon et Rushforth。该组包括A. religiosa, A. vejarii, A. vejari var. mexicana, A. hickelii

Lares de Infância e Juventude

Dissertação de Mestrado apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Mestre em Serviço Social.

El chamanismo entre los Indios Ticuna del Amazonas

Neste trabalho apresentam-se os sistemas amazónicos de crenças segundo a taxonomia para o estudioso das classificações religiosas. O chamanismo, como praxis religiosa amazónica, apresenta-se como um elemento definido pela religião. Elemento central das culturas amazónicas passadas e presentes, o chamanismo apresenta-se aqui nos seus aspectos essenciais. The Amazonian systems of beliefs are here presented following the traditional classification of religious systems studies. Shamanism, as an Amazonian religious praxis, is presented as an element defined by religion. A central element in both past and present Amazonian cultures, the main aspects of Shamanism are here presented.

C 234 INST-D 2013. 396 Productos en totumo y calabazo del Casanare decorados con figuras labradas, pirograbadas y pintadas

26 fotografías a color (los archivos digitales de algunas fotografías presentan bajo nivel de pixelaje).

PHILIPPE ROGIER (c.1561-1596): MISSA INCLITA STIRPS JESSE. A CRITICAL AND PERFORMING EDITION WITH PERFORMANCE COMMENTARY

The dissertation comprises two parts: (a) a musical edition and (b) a performance given on 3 July, 2008 of Philippe Rogier’s Missa Inclita stirps Jesse. The dissertation explores some of the editorial decisions required, how the demands of performers and musicologists differ, and whether they can be reconciled in one single edition. The commentary explains the preparation and realization of the edition. A video recording of the concert performance is attached to the dissertation. The Mass: The Missa Inclita stirps Jesse was published in Madrid in 1598 in a collection entitled Missae Sex. The mass setting is for four voices, except the Agnus Dei, which is for five, and is based on musical material in the motet Inclita stirps Jesse by Jacobus Clemens non Papa (c. 1510-15 – c.1556-6). Rogier’s choice and use of musical material from the motet (published in 1549) are discussed in the dissertation. The Edition: The edition is made from a microfilm copy of the Missae Sex held in the Biblioteca del Conservatorio de Musica “Giuseppe Verdi” in Milan. The Missae Sex was originally dedicated to King Philip II of Spain (1527-1598, reg. 1556-1598), whom Rogier had served as chorister and then maestro de capilla. Both Rogier and King Philip died before the volume was ready for publication. One of Rogier’s pupils, Géry de Ghersem, prepared the volume, which was printed in 1598, dedicated to King Philip III. The Performance: The mass was performed at a concert of Spanish Renaissance music in St. Matthew’s Cathedral, Washington, DC, on 3 July 2008, sung by the ensemble Orpheus directed by Philip Cave as part of the Chorworks summer workshop entitled Kings and Conquistadors: Music of Old and New Spain.

Reality Shows in Chile, origin and road map. Historical-Communication Dialogues

Reality shows are TV programs which represent a format used in television nowadays; however, the observation practices of individual and/or group intimacy dates from thousands years ago. Sometimes this was driven by voyeurism or morbid fascination, some others, by the purpose of guarding, supervising and maintaining status quo. This work offers an alternative answer to the explanation of this type of TV program emergence and relates this appearance to a government procedure bound up with modern State terrorism which began at the end of the eighteenth century and has been recalled by different regimes until present days.

Upin & Ipin: Promoting malaysian culture values through animation

Malaysian children lately have been exposed or influenced heavily by digital media entertainment. The rise of such entertainment tends to drive them away from understanding and appreciating the values of Malaysian culture. Upin and Ipin animation has successfully promoted Malaysian folklore culture and has significantly portrayed the art of Malaysian values including Islamic values by providing the platform for harmonious relationship among different societies or groups or religious backgrounds. The focus of this research is to look into the usage of Malaysian culture iconic visual styles such as backgrounds, lifestyles, character archetypes and narrative (storytelling). Therefore, we hope that this research will benefit the younger generation by highlighting the meaning and importance of implicit Malaysian culture.

Concepto pedagógico de "formación" en la empresa actual

Las organizaciones empresariales han cambiado desde inicios del siglo XX hasta la actualidad. Este cambio es continuo y los nuevos escenarios invitan a una participación más activa de la pedagogía en el entorno empresarial. Ahora no es suficiente con competir para obtener un mayor beneficio, también es necesario innovar bajo el paraguas de la sostenibilidad y tener presente la realidad social en la que se encuentra la empresa. Las personas ocupan un papel aun más protagonista en las organizaciones empresariales de sociedades avanzadas. La pedagogía no debe ni puede permanecer al margen. La formación, la capacitación, la cualificación, la capacidad de innovación y la vinculación de la persona con la organización son las claves para el desarrollo, crecimiento y supervivencia de las organizaciones empresariales. La formación debe colaborar desde una perspectiva pedagógica. No debe limitar su actuación a ámbitos externos de la empresa (antes de la incorporación de la persona, o cuando la persona no está en el mercado laboral). Debe actuar desde dentro de las organizaciones empresariales.

Art as an educative and social tool

Since remote times, certain sectors of society have been exposed to inequality and vulnerability, where adequate intervention processes have become conspicuous because of their absence. Nowadays, current societies have the responsibility of contributing, based on their experience and knowledge, with more efficient policies and programs that improve the life quality of the most disadvantaged. It is here where art and its different tools play a very important role, not only on a physical level, but also as an education tool that allows the development of emotional, mental and communicative skills. The aim of this paper is to make clear the potential of art as an instrument of social and educational intervention. It starts by showing worldwide-collected experience related to education and arts, and then, it acquaints the reader with two parallel intervention projects that worked with youths under social vulnerability conditions. These interventions were developed based on a qualitative research (Grounded theory), using as methodology “The Artistic Mediation” with emphasis on body language. This methodology helped researchers to get close to the participants and to know their experiences and emotions. At the same time, it was possible to evidence the positive effects of educative interventions through art. These workshops were based on an artistic methodology especially focused on body language. Data in this work is qualitative, and as such, it permits a special approach to the personal and emotional experiences of the participants; clearly showing the positive effects of the referenced practice on them.

Reflexiones y representaciones del exilio: de El canto del peregrino (1999) a "El sefardí romántico" (2005)

El exilio es un tema recurrente en la obra de Angelina Muñiz-Huberman, miembro del llamado grupo hispanomexicano. La visión del exilio en su obra incluye no solo el exilio republicano sino también el del pueblo judío. Por eso, diferentes Diásporas históricas se superponen enriqueciendo el significado de la experiencia. En su ensayo El canto del peregrino: hacia una poética del exilio (1999) desarrolla sus pensamientos sobre el exilio y analiza numerosos trabajos de autores exiliados (judíos y republicanos españoles) centrándose en como cada uno reflejó la vivencia del exilio en su trabajo.En mi opinión, las ideas desarrolladas en el ensayo se pueden encontrar en su novela El sefardí romántico: la azarosa vida de Mateo Alemán II (2005). El título de la novela establece una conexión directa con la novela picaresca y la vida judía aludiendo al autor converso de Guzmán de Alfarache (1599-1604). Siguiendo el patrón establecido por la novela picaresca clásica, el protagonista de Muñiz-Huberman viaja por España y Europa denunciando la intolerancia que llevó a la Guerra Civil española y a la II Guerra Mundial. Las circunstancias lo llevan al exilio en México, como en el caso de Mateo Alemán. Según la teoría de Ulrich Wicks, pícaros y exiliados tienen mucho en común en su búsqueda continua de libertad, libertad que el exiliado puede encontrar solo en el idioma, como expone Muñiz-Huberman en su ensayo.

“The new Cagliostro”: Onofroff, Rubén Darío and his story "La esfinge"

The article retraces the career of the famous hypnotist Onofroff and particularly his visit to Buenos Aires, where his activity, in 1895, provoked many discussions and some public embarrassment. In this context Darío, using a pseudonym, published his crónica “La esfinge”. We reproduce “La esfinge”, transcribing the original text of La Nación, with annotations identifying the literary and theosophical sources Darío used when he wrote it.

Dogs in the paradise: The influence of the cynical philosophy in the construction of the myth of the good savage

This paper studies the influence of cynic philosophy in the construction of the myth of the good savage. In the first part it studies the importance of cynicism in the XVI century and how the cynic influence of Erasmus, More and Montaigne was fundamental to the way that Europe approached the American indigenous. In the second part it studies the cynic motives that could have influenced in the construction of the myth of the good savage.

Alegoría: su pertinencia en la predicación y uso en "La novena maravilla"

En este artículo se focaliza el recurso de la alegoría como método exegético en la composición de los sermones panegíricos de Juan Espinosa Medrano (Perú, siglo XVII). Se traza el recorrido de la alegoría (y las humanidades en general) en relación –siempre tensa– con el cristianismo a lo largo de su historia; y se llega a la Contrarreforma y el uso exacerbado del método en la predicación barroca; particularmente en la oratoria sagrada de Espinosa Medrano, quien abarca elementos diversos y extraídos de distintas fuentes (filosofía natural, mitología clásica, tradición emblemática, relatos bíblicos), a los que hace funcionar como signos de otra verdad mayor, la sagrada. Si bien las preceptivas sagradas impulsaban una predicación más llana y simple, la profusión de alegorías mitológicas, que el autor resemantiza según su interés de guiar la interpretación, pueden explicarse por varias circunstancias, motivos de estudio en este trabajo.