Emanuel Geibels gesammelte Werke ...

1. Bd. Jugendgedichte. Zeitstimmen. Sonette.--2. Bd. Juniuslieder. Julian.--3. Bd. Neue Gedichte. Gedichte und gedenkblätter.--4. Bd. Spätherbstblätter. Heroldsrufe.--5. Bd. Judas Ischarioth. Die blutrache. Dichtungen in antiker form. Classisches Liederbuch.--6. Bd. Brunhild. Die Loreley. Echtes Gold wird klar im Feuer.--7. Bd. Sophonisbe. Meister Andrea. Die Jagd von Beziers.--8. Bd. Gelegenheitsgedichte. Uebersetzungen französischer Lyrik. Drei Gedichte lord Byrons. Spanische Romanzen.

Ein Neu : Nutzlich- und Lustigs Colloquium von etlichen Reichstags-Puncten : insonderheit die Reformation der Zöllen Zinsszahlung vnd verbesserung der Matricul antreffend : Colloquenten seyn Doctor, Edelmann, Burger, Baur /

Attributed to Philipp Pflaumer by Holzmann.

Gesammelte Dichtungen in vier Bänden /

Poems, short stories and a novel.

Schillers Werke /

Includes indexes.

Traité des successions : suivi des opuscules et consultations halachiques

de R. Saadia ben Iosef Al-Fayyoûmî ; publiés avec des notes hébraïques et une introduction par Joël Muller

Version arabe d'Isaïe

de R. Saadia ben Iosef Al-Fayyoûmî ; publiée avec des notes hébraïques et une traduction française d'après l'arabe par Joseph Derenbourg et Hartwig Derenbourg

Version arabe du Pentateuque

de R. Saadia ben Iosef Al-Fayyoûmî ; revue, corrigée et accompagnée de notes hébraïques avec quelques fragments de traduction française d'après l'arabe par J. Derenbourg

Version arabe du Livre de Job

de R. Saadia ben Iosef Al-Fayyoûmî ; publiée avec des notes hébraïques par W. Bacher ; accompagnée d'une traduction française d'après l'arabe par J. Derenbourg et H. Derenbourg

Version arabe des Proverbes : surnommés livre de la recherche de la sagesse

de R. Saadia ben Iosef Al-Fayyoûmî ; publiée pour la première fois et accompagnée de notes hébraïques avec une traduction française d'après l'arabe par J. Derenbourg et Mayer Lambert

Die Poetik des Extremen. Ausschreitungen einer Sprache des Radikalen:excesses of a language of radical

Gibt es eine Traditionslinie extremistischer Poetiken in der deutschsprachigen Literatur? Uwe Schütte untersucht anhand literarischer Texte ab dem späten 18. Jahrhundert den Konnex zwischen historischen Phänomenen wie Revolution, Krieg oder Terrorismus und extremen biografischen Umständen wie Schizophrenie für die Herausbildung radikaler Schreibweisen. Die Spannbreite der behandelten Autoren reicht dabei von der Klassikertrias Kleist, Hölderlin und Büchner über Schriftsteller des 20. Jahrhunderts wie Ernst Jünger oder Hans Henny Jahnn bis zu den Gegenwartsautoren Ernst Herbeck und Rainald Goetz. The study investigates aesthetic representations of extremism in German-language literature from around 1800 to the present. Its aim is to examine the interplay between three different areas: historical circumstances, (auto)biographical issues, and literary texts. Discussed are texts by both major and marginal writers from various genres, ranging from classics such as Heinrich von Kleist or Friedrich Hölderlin to the marginalised poet Ernst Herbeck or the contemporary writer Rainald Goetz. Subjects and factors considered include extremist phenomena in modern history (such as revolutions, wars, terrorism) and extreme individual experiences (such as suicide or schizophrenia) on the aesthetic domain(s) with regard to the production of literary discourses that could be considered as extremist. These manifest themselves in the development of what can be viewed as ‘radical poetics’, decidedly innovative styles of writing and moral or political transgression in fiction. Being the first critical attempt to trace the history of radical discourses in German literature, the study explores the validity of creating an aesthetic category of 'literary extremism'.

From labelling to social aid for immigrants in the 21st Century

Migration is as old as humanity, but since the 1990s migration flows in Western Europe have led to societies that are not just multicultural but so-called «super-diverse». As a result, Western towns now have very complex social structures, with amongst others large amounts of small immigrant communities that are in constant change. In this paper we argue that for social workers to be able to offer adequate professional help to non-native residents in town, they will need balanced view of ‘culture’ and of the role culture plays in social aid. Culture is never static, but is continually changing. By teaching social workers about how to look at cultural backgrounds of immigrant groups and about the limitations of then role that culture plays in communication, they will be better equipped to provide adequate aid and will contribute to making various groups grow towards each other and to avoid people thinking in terms of ‘out-group-homogeneity’. Nowadays, inclusion is a priority in social work that almost every social worker supports. Social workers should have an open attitude to allow them to approach every individual as a unique person. They will see the other person as the person they are, and not as a part of a specific cultural group. Knowledge about the others makes them see the cultural heterogeneity in every group. The social sector, though, must be aware not to fall into the trap of the ‘inclusion mania’! This will cause the social deprivation of a particular group to be forgotten. An inclusive policy requires an inclusive society. Otherwise, this could result in even more deprivation of other groups, already discriminated against. Emancipation of deprived people demands a certain target-group policymaking. Categorized aid will raise efficiency of working with immigrants and of acknowledging the cultural identity of the non-natives group. It will also create the possibility to work on fighting social deprivation, in which most immigrants can be found.

Quintus Curtius before his sources: the episode of Alexander and the Scythians on the Tanais

Quintus Curtius found in his sources a speech where a Scythian censured Alexander, followed by the King’s reply. Curtius drastically abridged this second discourse in order to highlight the criticism of the Macedonian. The Scythian’s words have a striking rhetorical language and some allusions taken from Greek literature, in addition to possible indirect references to Caligula. Curtius declares that he follows his source word-for-word aiming to justify these inconsistencies, but also trying to hide the manipulations he has done to achieve his own narrative purposes.

Maximilian’s Journeys through Spain and Brazil: The Long Way to the Mexican Empire

In May of 1864, Maximilian of Austria reached the Mexican coast, being this journey his last, ending three years later with his execution. Much has been written about the reasons that prompted his acceptance of the crown of Mexico, a country so distant in every sense of his cultural environment. However, years ago Maximilian had traveled to Spain and Brazil (to Spain twice) and these experiences, although not determinant, greatly influenced the decision of the Archduke, who saw the chance to realize a dream he had conceived on his trip to Spain and that was consolidated during his stay in Brazil, as we can extract from his travel memoirs.

„Welch werthvolle und kunstreich geschmiedete kleine Sache.“

Richard Schaukal (1874-1942) wurde als Dichter ignoriert, als Übersetzer geschätzt und als Literaturkritiker geachtet. Es ist erstaunlich, dass dieses Tätigkeitsfeld unvollständig aufgearbeitet ist, zumal bedeutende Exponenten der Zeit wie Thomas Mann, Hermann Hesse oder Rainer Maria Rilke Schaukal um Besprechungen ihrer Werke baten. Er verfasste für zahlreiche Publikationsorgane meist unbequeme Essays, die sich − mehr noch als seine dichterischen Arbeiten − in den Diskurs der kulturkonservativen kritischen Moderne einschrieben. Mit Blick auf seine frühe Phase als Literaturkritiker werden Richard Schaukals ästhetische Positionen, Einflüsse und Funktionen untersucht. Abschließend wird sein Aufsatz über Ferdinand von Saar (1899) einer exemplarischen Analyse unterzogen.

La imagen de España en la novela de viaje "Cabo de Gata" de Eugen Ruge

Este artículo presenta un análisis de la imagen de España trazada en la novela Cabo de Gata (2013). Con ello se toma en consideración un género que, hasta ahora, ha recibido poca atención en la investigación de la imagen de España en la literatura de viajes alemana. El foco del análisis lo constituyen tanto el motivo del viaje como la percepción y representación de lo ajeno español. Por último, el análisis narratológico de los diversos aspectos seleccionados de la técnica narrativa nos servirá para delimitar la repercusión imagológica de la novela.