En pos de la sostenibilidad: cambios en la gestión forestal guipuzcoana durante la Edad Moderna

Actas del VI Encuentro de Historia Forestal. Gestión forestal y sostenibilidad:Experiencias históricas(2013)

The infinite HMM for unsupervised PoS tagging

We extend previous work on fully unsupervised part-of-speech tagging. Using a non-parametric version of the HMM, called the infinite HMM (iHMM), we address the problem of choosing the number of hidden states in unsupervised Markov models for PoS tagging. We experiment with two non-parametric priors, the Dirichlet and Pitman-Yor processes, on the Wall Street Journal dataset using a parallelized implementation of an iHMM inference algorithm. We evaluate the results with a variety of clustering evaluation metrics and achieve equivalent or better performances than previously reported. Building on this promising result we evaluate the output of the unsupervised PoS tagger as a direct replacement for the output of a fully supervised PoS tagger for the task of shallow parsing and compare the two evaluations. © 2009 ACL and AFNLP.

Metodologia para quantificacao e caracterizacao das perdas pos-colheita de cenoura.

1999

Metodologia para quantificacao e caracterizacao das perdas pos-colheita de pimentao no varejo.

1999

Metodologia para quantificaçao e caracterizacao das perdas pos-colheita de tomate no varejo.

Neste trabalho é apresentada uma metodologia objetiva e quantitativa de avaliação de perdas pós-colheita de tomate no mercado varejista. O tamanho da amostra foi determinado com base no plano que envolve a alocação de que produz variâncias mínimas para custos constantes por estratos. A amostragem foi realizada para o produto antes de ser exposto na área de vendas, denominada qualidade inicial e para o descarte. Em ambas as amostras foram determinadas a proporção de frutos verdes, maduros, muito maduros, com coloração anormal, com danos mecânicos, com danos fisiológicos, com doenças, com pragas e sem dano.

Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego

Wydział Nauk Społecznych

VINTAGE MODERNISM: EARLY EXPERIMENTALIST MUSIC FOR VIOLIN IN THE UNITED STATES

The historical narrative of concert music in the early twentieth century has focused a great deal on the influence of European composers as well as the American composers who went to Europe to study. Often overlooked, however, is the influence of an entire generation of composers working in the United States during that time period. These artists experimented with polyrhythm, polytonality, dissonant counterpoint, and a whole host of other musical techniques in order to express their perceptions of a changing world. Over the years, the new techniques became associated with various movements including futurism, experimentalism and ultramodernism. Regardless of label, these composers were some of the first to introduce the new musical styles to the listening public.The recitals that make up this dissertation explore the sound world of experimentalist composers working in the United States during the early twentieth century. Serving as the foundation of these recitals are all four of the violin sonatas by Charles Ives, the “grandfather” of modernist music whose financial support helped to foster a whole generation of American composers. Also prominently featured is the music of Henry Cowell. His Suite for Violin and Piano, Mosaic Quartet (String Quartet No. 3), and Quartet Euphometric demonstrate the composer's use of cluster tones, dissonant counterpoint, polymeter, and indeterminate form. Additional works by George Antheil, Leo Ornstein, Wallingford Riegger, Dane Rudhyar, Carl Ruggles, and Ruth Crawford (Seeger) highlight other approaches taken by members of the ultra-modernist movement. Rounding out the repertoire for these recitals are works by Johanna Beyer and Conlon Nancarrow, both of whom either worked with or were influenced by Cowell in some way. All of the pieces selected date roughly from 1900 to the mid 1930's. Thus, the purpose of these recitals is not to provide a comprehensive overview of each composer's development, but rather to examine the influence and interconnections of a specific cross-section of the musical landscape.

EARLY TWENTIETH CENTURY VIOLA MUSIC FROM ENGLAND AND GERMANY: FROM POST-ROMANTICISM TO MODERNISM

In the early twentieth century, the viola began to gain status as a solo instrument with the appearance in England of the virtuosic violist Lionel Tertis. Because of a lack of music for viola at that time, such English composers as York Bowen, Arnold Bax, Ralph Vaughan Williams, Arthur Bliss and William Walton began to write viola music for Tertis. Meanwhile, in Germany, the well-known composer and virtuosic violinist and violist Paul Hindemith wrote and premiered several viola sonatas and concertos. Viola music became even more developed later with William Primrose, the legendary Scottish violist, and all the works written in the early twentieth century have remained significant in the viola literature. Although this new viola music appeared in both countries during same period, it developed along different lines in each country. Because they were under the influence of earlier periods and traditions, the English composers who associated with Tertis wrote their music in a Romantic style, with expanded harmony, various colors of sound and timbre, and lyrical melodies. Hindemith, as a composer himself, employed a more Modernist style, using atonality and angular melodies, which represented German trends at that time. I have given three recitals, of which the first two were divided between selected English music and German music. Although I originally intended to focus solely on music by Hindemith and music written for Terts, I decided that in order to give a more complete view of the national trends of those two countries, I included Rebecca Clarke's Sonata, Lachrymae by Benjamin Britten (dedicated to William Primrose), and Max Reger's Suite for Viola. Rebecca Clarke was herself a fine violist, and her sonata's Romantic style is also representative of the English trends of viola music. Lachrymae was written with a different concept and shows more modernity than had ever before occurred in England, though it still differs from the modernity of other countries. Max Reger's Suite is in a truly Romantic style, yet it is old fashioned in ways that differ not only from Wagner or Strauss, but also from English music of the period. In my last recital I wished to pay homage to Tertis, with a program consisting entirely of music written for him. For the finale, Arthur Bliss's Viola Sonata was especially chosen because it provides interesting similarities and contrasts with earlier English music in the Romantic style.

Brotado pre cosecha y pre germinado en cebada cervecera : predicción de la susceptibilidad del cultivo basada en el ambiente y manejo pos cosecha de los granos dañados

El grano de cebada cervecera (Hordeum vulgare L.) debe conservar su capacidad germinativa para poder ser malteado. El brotado pre-cosecha (BPC) y el pre-germinado obstaculizan la consecución de este objetivo. El objeto de esta tesis fue desarrollar conocimientos y herramientas tecnológicas que permitan manejar la susceptibilidad a estas adversidades en pre- y pos-cosecha del cultivo. Se evaluó el efecto del ambiente durante el llenado de granos sobre la dinámica de salida de la dormición y la susceptibilidad a BPC del cultivo y se estudiaron relaciones entre el nivel de pregerminado y la longevidad potencial (Ki) de lotes de cebada, en los principales cultivares comerciales de uso actual en Argentina. Ni la disponibilidad de nitrógeno del suelo ni el fotoperíodo medio durante el llenado tuvieron efectos sobre el nivel de dormición de los granos y la susceptibilidad a BPC del cultivo. La baja disponibilidad hídrica durante el llenado y las altas temperaturas imperantes durante las últimas etapas de este período aumentaron la susceptibilidad a BPC en todos los cultivares con resistencia intermedia a brotado, existiendo interacción entre ambos factores ambientales. Se desarrollaron modelos predictivos de la susceptibilidad a BPC basados en los efectos del ambiente térmico, para cada cultivar. Si la susceptibilidad es alta y existe pronóstico de lluvias el productor de cebada puede anticipar la cosecha y secar artificialmente. El pre-germinado no afectó la viabilidad inicial pero sí la longevidad potencial de los lotes de cebada. Se encontraron asociaciones positivas entre este último parámetro y el valor de Falling Number de los lotes. Esto permite la predicción de la viabilidad de un lote de cebada durante su almacenamiento en la maltería, y el diseño de las condiciones de almacenaje según el nivel de daño por pre-germinado y los requerimientos de la industria