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Recent research demonstrated significantly lower growth and survival of Bristol Bay sockeye salmon (Oncorhynchus nerka) during odd-numbered years of their second or third years at sea (1975, 1977, etc.), a trend that was opposite that of Asian pink salmon (O. gorbuscha) abundance. Here we evaluated seasonal growth trends of Kvichak and Egegik river sockeye salmon (Bristol Bay stocks) during even- and odd-numbered years at sea by measuring scale circuli increments within each g rowth zone of each major salmon age group between 1955 and 2000. First year scale growth was not significantly different between odd- and even-numbered years, but peak growth of age-2 smolts was significantly higher than age-1. smolts. Total second and third year scale growth of salmon was significantly lower during odd- than during even-numbered years. However, reduced scale growth in odd-numbered years began after peak growth in spring and continued through summer and fall even though most pink salmon had left the high seas by late July (10−18% growth reduction in odd vs. even years). The alternating odd and even year growth pattern was consistent before and after the 1977 ocean reg ime shift. During 1977−2000, when salmon abundance was relatively great, sockeye salmon growth was high during specific seasons compared with that during 1955−1976, that is to say, immediately after entry to Bristol Bay, after peak growth in the first year, during the middle of the second growing season, and during spring of the third season. Growth after the spring peak in the third year at sea was relatively low during 1977−2000. We hypothesize that high consumption rates of prey by pink salmon during spring through mid-July of odd-numbered years, coupled with declining zooplankton biomass during summer and potentially cyclic abundances of squid and other prey, contributed to reduced prey availability and therefore reduced growth of Bristol Bay sockeye salmon during late spring through fall of odd-numbered years.

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Twenty-nine verified records of white sharks, Carcharodon carcharias, from British Columbia and Alaska waters (1961–2004) are presented. Record locations ranged from lat. 48°48ʹN to lat. 60°17ʹN, including the northernmost occurrence of a white shark and the first report of this species from the central Bering Sea. White sharks recorded from the study area were generally large, with 95% falling between 3.8 and 5.4 m in length. Mature white sharks of both sexes occur in British Columbia and Alaska waters, although they do not necessarily reproduce there. White sharks actively feed in the study area; their diet is similar to that reported for this species from Washington and northern California waters. Sea surface temperature (SST) concurrent with white shark records from the study area ranged from 16°C to between 6.4°C and 5.0°C, extending the lower extreme of the range of SST from which this species has been previously reported. White shark strandings are rarely reported, yet 16 (55%) of the records in this study are of beached animals; strandings generally occurred later in the year and at lower latitudes than nonstrandings. No significant correlation was found between white shark records in the study area and El Niño events and no records occurred during La Niña events. The data presented here indicate that white sharks are more abundant in the cold waters of British Columbia and Alaska than previous records suggest.

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A pesquisa desenvolvida parte de um diálogo entre a minha produção artística e uma reflexão teórica sobre fotografia. Reflexão que não se esgota neste trabalho, mas, ao contrário, abre novas brechas para imagens e palavras que virão. O fio condutor da minha produção fotográfica reflete uma forma específica de pensar a fotografia para além da imagem, que eleva a ideia de instante a uma potência de momento fotográfico. A expectação é pensada aqui como uma interação onde surge uma nova relação entre fotógrafo-fotografado. O interesse pelos olhares que atravessam a câmera, além daqueles que, mais tarde, pousarão na superfície da imagem, aproxima esta pesquisa da filosofia de Georges Didi-Huberman, que propõe um diálogo incessante entre o visível e o invisível na imagem e descortina o jogo entre o perto e o distante no olhar. Como a fotografia percorre as distâncias fazendo desse caminho também um encontro? A fotografia é tomada como um elo e também como objeto. Diferentes materialidades da imagem definem diferentes temporalidades. O tempo que ronda o ato fotográfico se alarga e se estreita em função de seus meios de produção. Mauricio Lissovsky aponta a expectação como fator determinante das imagens fotográficas. Suely Rolnik, em suas direções cartográficas sentimentais, guia essa trama fluida, que também se compõe pelo afeto. Miwon Kwon, ao pensar a sensação de instabilidade e não pertencimento, sugere novas formas de relação com o lugar estrangeiro. Hal Foster considera a inserção da arte na vida social uma dimensão intrínseca à prática artística contemporânea. Nesse contexto, localizo a minha pesquisa. Alguns trabalhos de Nan Goldin, Sophie Calle, Rosângela Rennó e Alexandre Sequeira, entre outros artistas e pesquisadores, são trazidos à cena, para compor e perpetuar o delicado jogo de olhares, distâncias, imagens e encontros