Teachers' conceptions of their role

An analysis is made of the conceptions which serving teachers have of their role, though no attempt is made to relate this to their practice of teaching. A series of role items was collected to afford a description of the teacher's role in terms of school and society expectations as well as classroom behaviours. These were taken from the literature and from interviews with teachers, and confirmed in a preliminary survey. Presented as a questionnaire, replies to the main investigation were made by 881 teachers, working in a variety of schools from nurseries to comprehensives. Two attempts have been made to construct a role model. The first, depending on the judgement of items fitting theoretically derived roles, failed, due to diffuseness in the role of teacher. The second used factor analysis; six factors were extracted which represent meaningful and distinct areas of role. The analysis has depended largely on examination of scores taken from these factors. Teachers in all types of school have similar conceptions of discipline. Nursery-infant and junior staff generally agree on the other areas investigated, but the concepts of secondary teachers are distinct. They are more conservative and less child-centered. When the class being taught is held constant, few differences in role conception are found to be related to sex, being a parent, graduate status, or personality, as measured in terms of the extrovert and neurotic dimensions. The first few years of teaching bring considerable changes in role conception, and further changes occur with prolonged experience. Deputy heads in junior schools and nursery nurses have quite distinct role conceptions; those of all other teachers, including those holding senior posts in secondary schools, are similar. The perception of school climate influences the role conception of primary teachers directly, but it does not influence that of secondary teachers. The greatest variation in role conception is related to scores on the radical scale of Oliver and Butcher. Primary school teachers experience little constraint, but that reported by secondary school teachers is considerable, especially that coming from the head. Despite difficulties caused by the wide division between primary and secondary education, teachers have an accurate perception of the roles their colleagues adopt. A few misunderstandings may be due to a feeling of idealism amongst nursery and infant teachers. There is evidence in their conception of role that would enhance the professional standing of teachers, but this is not in a form which is likely to be recognised by the public.

Towards the Noosphere of Intangible (Esotericism from Materialistic Viewpoint)

Exploration of intangible world is under the serious influence of esotericism. Mystics, religions, unrestrained use of metaphors, fairy tales, gossips, unverified and uncertified “facts” – all this needs accurate well-disposed, but sound scientific consideration. Our society really needs new ideas, new approaches and new paradigms. Technological civilization becomes more and more complicated, risky and ecologically critical. The current level of AI research cannot guarantee successful solution of societal control and management. Besides, the human being itself practically did not change its mental and psychological abilities for many thousands years. We can lose control over our society and its technology, if we do not change cardinally ourselves. In this text, I tried to approach this problem – the problem of our noosphere from materialistic viewpoint.

Nec(Romantic)

NEC(ROMANTIC) is a poetry collection thematically linked through images of insects, celestial bodies, bones, and other elements of the supernatural. These images are indicative of spells, but the parenthesis around romantic in the collection’s title also implies idealism. The poems explore the author’s experiences with death, grief, love, oppression, and addiction. NEC(ROMANTIC) employs the use of traditional forms such as the villanelle, sestina, and haiku to organize these experiences. Prose poetry and a peca kucha ground the center of NEC(ROMANTIC) which alternates between lyrical and narrative gestures. NEC(ROMANTIC) is influenced by Sylvia Plath. The author uses Plath’s methods of compression, sound, and rhythm to create a swift, child-like tone when examining emotionally laden topics. Ilya Kaminsky influences lyrical elements of the poems, including surrealism. Spencer Reese’s combination of the natural and personal world is also paramount to this book. Adrienne Rich and Audre Lorde influence NEC(ROMANTIC)’s political poetry.

"Suffragettes of the Harem": The Evolution of Sympathy and the Afterlives of Sentimentality in American Feminist Orientalism, 1865-1920

This project examines narrative encounters in space identified as “harem,” produced by authors with biographical ties to the vanguard of the American Suffrage Movement. I regard these feminists’ circulations East, to the domestic space of the Other, as a hitherto unstudied, yet critical component of transnationalism in the history of U.S. Suffrage. This literary record also crucially reveals the extent to which sentimentality was plotted as a potential force for the reform of other cultures. An urge to sympathize denied in the space of the harem illustrates the colonial anxieties that subtended sentimentality’s prospective deployment beyond national borders. In five chapters on the work of Anna Leonowens, Susan Elston Wallace, Demetra Vaka Brown, Charlotte Perkins Gilman, and Edith Wharton, I examine how Suffrage-minded authors writing the harem strategically abandon an activist praxis of fellow feeling. Such a reluctance to transform sentimental literature into a colonial literature consequently informs that genre’s postbellum decline. The sentiments that run dry for American feminists in the harem additionally foreground the costly failures of Wilsonian Idealism, a doctrine that appropriated a discourse of sentimentality in order to script the United States’ expanded involvement in global affairs.

La teoría de los diferenciales de Salomon Maimon, la pregunta quid juris y la posibilidad de la metafísica como ciencia

Este trabajo estudia la teoría de los diferenciales de Salomon Maimon como respuesta a la cuestión quid juris y a la vez como clave para la fundamentación de la posibilidad de la metafísica como ciencia. Se reconstruye primero la crítica de Maimon al tratamiento kantiano de la pregunta quid juris. Luego, se analiza la respuesta del propio Maimon a esa pregunta, para establecer finalmente cómo tal respuesta abre el camino para la explicación de la posibilidad de la metafísica como ciencia.

Hegel’s Non-Metaphysical Idea of Freedom

the article explores the putatively non-metaphysical – non-voluntarist, and even non-causal – concept of freedom outlined in Hegel’s work and discusses its influential interpretation by robert Pippin as an ‘essentially practical’ concept. I argue that Hegel’s affirmation of freedom must be distinguished from that of Kant and Fichte, since it does not rely on a prior understanding of self-consciousness as an originally teleological relation and it has not the nature of a claim ‘from a practical point of view’.

Afrikabilder aus ethnopsychoanalytischer Perspektive

In diesem Beitrag wird diskutiert, welches Potenzial die ethnopsychoanalytische Theorieperspektive für eine Reflexion Globalen Lernens im Kontext oder in Bezug auf Afrika haben kann. Dabei wird zunächst der Ansatz der Ethnopsychoanalyse näher erläutert. Anschließend werden Konsequenzen für afrikabezogenes Globales Lernen gezogen. (DIPF/Orig.)

"Reformpädagogik" als Systembegriff

„Reformpädagogik" diente bislang ausschließlich zur Kennzeichnung einer historischen Epoche. Eine kritische Analyse dieser Voraussetzung heutiger Debatten scheint gerade angesichts der neueren Publikationen zum Thema geboten. In einer Art Perspektivenwechsel wird die Verwendung von „Reformpädagogik" als ein für die Pädagogik in der Moderne notwendiger Systembegriff vorgeschlagen und begründet. Dabei wird bei der Struktur der Erziehungswissenschaft von der Polarität zwischen „Reform"/„Idealismus" auf der einen und „Erfahrung" auf der anderen Seite ausgegangen. Die Verwendung von „Reformpädagogik" als Systembegriff ermöglicht letztlich zweierlei: (1) eine veränderte Analyse des tradierten reformpädagogischen Erbes unter Einbezug von Johann Amos Comenius und Heinz-Joachim Heydorn sowie (2) die Einsicht in die Notwendigkeit einer permanenten Diskussion über Ziele und Wege gegenwärtiger pädagogischer Reform. (DIPF/Orig.)

“Você, Quaresma, é um visionário!”: o conflito entre herói e mundo no romance de Lima Barreto Triste fim de Policarpo Quaresma

O presente trabalho pretende analisar o conflito entre o protagonista do romance de Lima Barreto Triste fim de Policarpo Quaresma e o seu mundo, o mundo que representa ficcionalmente o Rio de Janeiro da Primeira República, tendo como referencial teórico A teoria do romance, de Georg Lukács. Busca-se aplicar ao herói Policarpo Quaresma dois conceitos elaborados nesta obra: o conceito de heroísmo problemático e o conceito de idealismo abstrato. Policarpo Quaresma será entendido, portanto, como um herói problemático, sujeito a um idealismo abstrato que o coloca em descompasso com a realidade concreta em que vive, o que lhe configura, perante as demais personagens do meio que o circunda, a imagem de um “visionário. Como, de acordo com Georg Lukács, o herói problemático, que se encontra em conflito com o seu mundo, surge com o romance na modernidade, este estudo visa ressaltar o caráter moderno da obra ficcional de Lima Barreto, buscando contribuir para sua reinserção no sistema literário brasileiro como obra própria, produção autônoma, para além do epíteto de pré-modernista.

Our own language: Scots verse translation and the second-generation Scottish renaissance

This thesis examines the role of Scots language verse translation in the second-generation or post-war Scottish Renaissance. The translation of European poetry into Scots was of central importance to the first-generation Scottish Renaissance of the nineteen twenties and thirties. As Margery Palmer McCulloch has shown, the wider cultural climate of Anglo-American modernism was key to MacDiarmid’s conception of the interwar Scottish Renaissance. What was the effect on second-generation poet-translators as the modernist moment passed? Are the many translations undertaken by the younger poets who emerged in the course of the nineteen forties and fifties a faithful reflection of this cultural inheritance? To what extent are they indicative of a new set of priorities and international influences? The five principal translators discussed in this thesis are Douglas Young (1913-1973), Sydney Goodsir Smith (1915-1975), Robert Garioch (1909-1981), Tom Scott (1918-1995) and William J. Tait (1918-1992). Each is the subject of a chapter, in many cases providing the first or most extensive treatment of particular translations. While the pioneering work of John Corbett, Bill Findlay and J. Derrick McClure, among other scholars, has drawn attention to the long history of literary translation into Scots, this thesis is the first extended critical work to take the verse translations of the post-MacDiarmid makars as its subject. The nature and extent of MacDiarmid’s influence is considered throughout, as are the wider discourses around language and translation in twentieth-century Scottish poetry. Critical engagement with a number of key insights from theoretical translation studies helps to situate these writers’ work in its global context. This thesis also explores the ways in which the specific context of Scots translation allows scholars to complicate or expand upon theories of translation developed in other cultural situations (notably Lawrence Venuti’s writing on domestication and foreignisation). The five writers upon whom this thesis concentrates were all highly individual, occasionally idiosyncratic personalities. Young’s polyglot ingenuity finds a foil in Garioch’s sharp, humane wit. Goodsir Smith’s romantic ironising meets its match in Scott’s radical certainty of cause. Tait’s use of the Shetlandic tongue sets him apart. Nonetheless, despite the great variety of style, form and tone shown by each of these translators, this thesis demonstrates that there are meaningful links to be made between them and that they form a unified, coherent group in the wider landscape of twentieth-century Scottish poetry. On the linguistic level, each engaged to some extent in the composition of a ‘synthetic’ or ‘plastic’ language deriving partly from literary sources, partly from the spoken language around them. On a more fundamental level, each was committed to enriching this language through translation, within which a number of key areas of interest emerge. One of the most important of these key areas is Gaelic – especially the poetry of Sorley MacLean, which Young, Garioch and Goodsir Smith all translated into Scots. This is to some extent an act of solidarity on the part of these Scots poets, acknowledging a shared history of marginalisation as well as expressing shared hopes for the future. The same is true of Goodsir Smith’s translations from a number of Eastern European poets (and Edwin Morgan’s own versions, slightly later in the century). The translation of verse drama by poets is another key theme sustained throughout the thesis, with Garioch and Young attempting to fill what they perceived as a gap in the Scots tradition through translation from other languages (another aspect of these writers’ legacy continued by Morgan). Beyond this, all of the writers discussed in this thesis translated extensively from European poetries from Ancient Greece to twentieth-century France. Their reasons for doing so were various, but a certain cosmopolitan idealism figures highly among them. So too does a desire to see Scotland interact with other European nations, thus escaping the potentially narrowing influence of post-war British culture. This thesis addresses the legacy of these writers’ translations, which, it argues, continue to exercise a perceptible influence on the course of poetry in Scotland. This work constitutes a significant contribution to a much-needed wider critical re-assessment of this pivotal period in modern Scottish writing, offering a fresh perspective on the formal and linguistic merits of these poets’ verse translations. Drawing upon frequently obscure book, pamphlet and periodical sources, as well as unpublished manuscripts in the National Library of Scotland and the Shetland Archives, this thesis breaks new ground in its investigation of the role of Scots verse translation in the second-generation Scottish Renaissance.

Ludwig Fertig: Vor-Leben. Bekenntnis und Erziehung bei Thomas Mann. Darmstadt: Wissenschaftliche Buchgesellschaft 1994 [Rezension]

Rezension von: Ludwig Fertig: Vor-Leben. Bekenntnis und Erziehung bei Thomas Mann. Darmstadt: Wissenschaftliche Buchgesellschaft 1994, 312 S.

Ciríaco de Cardoso e O burro do Sr. Alcaide : percursos de formação de um compositor de comédia musical no Portugal finissecular

O principal objetivo deste estudo foi compreender as etapas do percurso artístico do compositor portuense Ciríaco de Cardoso (1846 – 1900) e os discursos em torno de uma das suas obras mais célebres: O burro do Sr. Alcaide (1891). No primeiro capítulo procurou-se identificar e discutir os critérios que estiveram na base das opções profissionais tomadas por Ciríaco. O decurso da sua carreira leva a crer que possuía uma noção profunda das atividades que, no espaço lusófono, apresentavam maior potencial de aquisição quer de capital económico, quer de capital simbólico. É por isso que, mobilizando recursos das suas redes de sociabilidade, circula por instituições no Porto e em Lisboa mas, também, pelo lucrativo mercado teatral do Rio de Janeiro, assim como em Paris. Concentra-se no popular teatro musical – principal fonte de sustento – em paralelo com a atividade concertística e operática – forma de distinção atendendo à competitividade no mercado musico-teatral. Percebe também que a maximização do seu poder simbólico depende da legitimação alcançada pela sua associação às elites socioculturais locais, pelo que fomenta o estabelecimento de sociabilidades que se estendem inclusive às casas reais portuguesa e brasileira. Paradoxalmente, as edes mais próximas de Ciríaco estavam vinculadas a um idealismo republicano, relacionamento que exponencial proliferação de discursos dessa índole pelos media lusófonos (sobretudo a partir do tricentenário camoniano de 1880) e, por outro, pela aparente inexistência de registos que associem inequivocamente o artista ao ativismo republicano. Não obstante, é provável que Ciríaco de Cardoso tenha explorado o filão antimonárquico na programação da temporada de 1891 do Teatro da Avenida. O segundo capítulo explora a produção de O burro do Sr. Alcaide, através da análise da sua estrutura e das relações da obra com a realidade portuguesa da última década do século XIX. Embora respeite o modelo da opereta francesa, apresenta também características que poderão levar a que seja interpretada como transmissora de uma portugalidade idealizada, em linha com o nacionalismo português do último quartel do século. A ação decorre em Lisboa, cenário de interação entre personagens-tipo e caricaturas de personalidades concretas da elite sociopolítica portuguesa. Através de referências ao sebastianismo, satiriza-se o comportamento dessas elites, assim como as instituições da monarquia constitucional e a prevalência de uma visão messiânica dos governantes por parte da sociedade em geral. Faz-se a apologia da ruralidade através de tópicos musicais e de quadros onde se constrói uma imagem da música tradicional, correspondendo a uma idealização da nação – notada e enfatizada na receção pela crítica. Utiliza também outros tópicos pertencentes à paisagem sonora do público burguês, completando a expressão da urbanidade de um país onde essas duas realidades não eram ainda completamente dissociáveis. Contudo, ao não propor alterações efetivas à hierarquia da sociedade portuguesa finissecular, o desfecho da obra leva a concluir que esta terá consistido numa forma de propaganda o que, por um lado, explica o seu mediatismo e, por outro, vincula os seus autores – mais ou menos conscientes disso – às lutas políticas em curso aquando do ano da sua estreia.

O problema religioso como preâmbulo do idealismo italiano : das teses de Maurizio Viroli à religião da liberdade em Croce

O objetivo do presente artigo é analisar o quanto o chamado idealismo italiano de Croce e Gentile é, em verdade, dependente da concepção religiosa italiana. Para tanto, nos deteremos, na primeira parte do nosso trabalho, principalmente numa análise das teses de Maurizio Viroli. Já no segundo parte do nosso artigo nos deteremos na análise dessa temática dentro do conceito de religião da liberdade em Croce. Assim, após tal inventário, teceremos nossas conclusões. _______________________________________________________________________________ ABSTRACT

El rol de los actores subnacionales en la construcción de la política exterior de Japón. Estudio de caso: La disputa territorial por las islas Senkaku/Diaoyu entre Japón y China (2001-2014)

El presente estudio de caso tiene como objetivo analizar la influencia de la gobernación de Tokio en la formulación de la política exterior de Japón durante la disputa territorial por las islas Senkaku/Diaoyu. Para ello, se identifican los puntos más relevantes de la política exterior de seguridad de Japón después de la Segunda Guerra Mundial. Se hace un énfasis en la política bilateral de seguridad sino-japonesa, con el fin de ubicar el conflicto territorial por las islas Senkaku/Diaoyu como un punto importante en la agenda internacional de seguridad de ambos países. Se estudia y analiza el concepto de paradiplomacia; articulado, a su vez, por los conceptos de identidad y rol en política exterior de la perspectiva teórica del Constructivismo de las Relaciones Internacionales, para así analizar la influencia de Tokio en el manejo de la política exterior de Japón en el marco del conflicto territorial por las islas Senkaku/Diaoyu.

Idee, Natur, Geist. Schellings allgemeine Ontologie des Wirklichen nach der "Darstellung des Naturprocesses" von 1843/44

Ziel dieser Dissertation ist es, die grundlegenden philosophisch-theoretischen Implikationen von Schellings letzter systematischer Darlegung seiner Naturphilosophie nach dem Berliner Textfragment von 1843/44, der “Darstellung des Naturprocesses”, zu untersuchen. Angesichts der sich zwischen den 1830 und den 1860 Jahren in Berlin abzeichnenden neuen intellektuellen Tendenzen und der Entwicklungen in den Naturwissenschaften legt Schelling hier die Grundlagen für eine allgemeine Ontologie des Wirklichen in kritischer Auseinandersetzung mit Kants transzendentalem Idealismus. Innerhalb des systematischen Horizonts der "apriorischen Vernunftwissenschaft" oder "negativen Philosophie" stellt er im ersten Teil seines Werkes die Prinzipien fest, die die „Idee des Existierenden“ ausmachen, und beschreibt die rationale Operation, die durchgeführt werden muss, um zum Gedanken einer „Welt außer der Idee“ zu gelangen. Die philosophisch-systematischen Annahmen, die mit dem Übergang von der bloßen Idee des Existierenden zum Gedanken der außeridealen Welt verbunden sind, werden im ersten Kapitel dieser Dissertation untersucht. Im zweiten Teil seines Werkes definiert Schelling durch eine detaillierte Analyse von Kants Transzendentalen Ästhetik den Raum als diejenige Form, in der uns die Existenzen als voneinander getrennt vorstellen lassen. Obwohl der Zeitbegriff von Schelling nur am Rande behandelt wird, trägt er zusammen mit dem Raum dazu bei, die erste ontologische Grundstruktur der außeridealen Welt zu definieren. Die Analyse von Schellings Konzeption der raumzeitlichen Grundstruktur der außeridealen Welt stellt das Thema des zweiten Kapitels dieser Dissertation dar. Schließlich bestimmt Schelling im dritten Teil seines Werkes die Finalität als diejenige Kausalitätsform, die es ermöglicht, die außerideale Welt als einen werdenden Kontext zu verstehen, dessen Entwicklungsstufen die siderische Welt, die unorganische Welt und die organische Welt sind. Die Schelling‘sche Definition der Teleologie der Natur als zweite ontologische Grundstruktur der außeridealen Welt ist das Thema des dritten Kapitels dieser Dissertation.