QUATRO PAIXÕES E UMA CANÇÃO, EDIPIANA

Pretende-se, neste artigo, verificar no texto Você, você – uma canção edipiana, de Chico Buarque e Guinga, quatro das quatorze paixões observadas por Aristóteles em sua Retórica das Paixões, quais sejam: amor, ódio, confiança e temor. A base dessa análise é aristotélica, contudo, aludiremos a um repertório mitológico, o qual será necessário para a produção de sentido dessa leitura, na medida que, de forma autorizada pelo compositor por meio da colocação do aposto no título do texto, as relações discursivas firmadas entre enunciador e co-enucniador remetem a Édipo e Jocasta, figuras estas presentes na mitologia. Caberá também uma abordagem simbólica dos elementos lexicais presentes no corpus, pois as relações semânticas estabelecidas com a questão central do texto produzem efeitos de sentido que se impõem muito mais pelo não dito do que pelo dito. Nesse aspecto retoma-se a noção de ethos, constituindo-se este num elemento fundamental para a completude significativa do texto.

MODALIZADORES EPISTÊMICOS: UMA INVESTIGAÇÃO FUNCIONALISTA

Este artigo analisa a expressão da modalidade sob a perspectiva da Gramática Funcional. Esta teoria está assentada sobre os pressupostos da competência comunicativa dos indivíduos que além de codificarem e decodificarem as expressões lingüísticas usam e interpretam-nas de uma maneira interacionalmente satisfatória. Por meio da modalidade epistêmica, o enunciador expressa com maior ou menor grau de adesão seu ponto de vista em relação à verdade do conteúdo proposicional. A modalidade assume a função de direcionar para o interlocutor o ponto de vista do locutor. Este pode, por exemplo, marcar seu discurso como incontestável ou duvidoso, depende da expressão modalizadora utilizada e do nível da camada do enunciado em que a expressão está. Em uma investigação de base funcionalista a modalização epistêmica pode atuar nas diferentes camadas de constituição da frase (HENGEVELD, 1989). No nível da predicação o falante descreve para o ouvinte o estado de coisas sem manifestar a sua posição, já no nível da proposição, ao qualificar epistemicamente seu enunciado, o falante não somente avalia como certo ou possível, mas também se posiciona, ou seja, expressa seu ponto de vista. Para a realização desta análise utilizamos como corpus o texto, A Lição de Willie Sutton ao PT, de autoria do colunista José Alexandre Scheinkman, veiculado no jornal Folha de São Paulo em 24/09/2006. Por meio da organização lingüística do texto, temos como pressuposto e posteriormente concluímos que o locutor utiliza-se da modalidade subjetiva e evidencial para dar sustentação e credibilidade a seus argumentos, uma vez que essas marcas veiculadoras de modalização representam o comprometimento pessoal do falante em relação à verdade da proposição.

THE FORMULATION "SUSTAINABLE DEVELOPMENT" IN THE JOURNALISTIC DISCOURSE IN SINOP-MT

This article is part of the activities carried out in the research and extension Project ‘Webbing of a discursivity in the Northern MatoGrosso region in Legal Amazon: contexts and possibilities of development with sustainability’. The goal of this research is to understand the discursivity put in the Northern MatoGrosso region inserted in Legal Amazon in the formulation ‘sustainable development’ through the theoretical postulations of the French line Discourse Analyses. In this article we analyse two pieces of News diffused in the printed media in Sinop, aiming to verify how the theme sustainable development is presented according to linguistic enunciations by the journalistic proposer in the journalistic discourse. We search to understand the different meaning effects that are found in the dialogues. Among the analyzed results that we evident in the formulations we can highlight dislocation, incompletions and polemics between the environmentalistis’ and developmentists’ discourses, confronted in ideological socio-economical opposition that happens fundamentally because of the work organizations and the current political systems.

A FORÇA CENTRÍPEDA DA POESIA LIRÍCA

This study investigates the motives and the modes of confluence between lyric prose and prose, in the novel, Húmus, of Raul Germano Brandão, portuguese writer from XX century. The higher the sensibility of the man, more he understands that the mystery of poetry is in the essence of what is said and not in certain shapes. In lyric predominates the feeling, the emotion, the subjectivity, the expression of ‘self’, because the lyric matter is, exactly, the subjective world. The modern man is an anguished being, once he watches the fragmentation of his integrity, namely, his identity is being misplaced. However such anguish cannot be expressed by common words, because they cannot translate all the intensity of human pain. The expression of deep restlessness that oppresses the being demands the presence of the lyric. Insofar makes poetry, the romance text unfold itself as space of experimentation, of varied configurations, of multiple resources, that substitutes the unity of enunciator by the plurality of enouncements and assimilates uncountable proper resources of the poetry making, such as metaphors, symbols, images and allegories, turning the frontiers between poetry and prose fluid. After all, truthfully, it is the language of poetry that makes the literature exists.

O GÊNERO POEMA: UM ESTUDO NA PERSPECTIVA BAKHTINIANA

This paper, linked to the Research Project “Linguistic Analysis Contextualized to Practices of Reading and Production of Texts” (UEL), seeks to disseminate a proposal of approaching the speech genre poem, in terms of scientific domain, in the light of bakhtinian concepts, involving vision of ideological sign, aesthetic communication, and speech genres and its dimensions: theme content – object of sense, evaluatively built; compositional structure – elements of structure and meaning; and style – manifestation of linguistic and expressive resources relatively stable of a genre, among others, mobilized by the enunciator (linguistic and enunciation marks). It considers all characteristics are indissolubly related to the context of production. Such a context stabilizes the use of the genre and holds it collectively as long as necessary, ie, society and discourse are organized in genres that, ultimately, are the realization of the living and can be materialized. More specifically, the paper analyzes, in the aspects above mentioned, the poema “O menino que carregava água na peneira”, by Manoel de Barros, in which the author-creator of the poem brings a very particular universe which marks the literary work: childhood, in a kind of craft with the word-image. The poet feels the child’s universe pulsing in his bowels and represents it. In this sense, the study discusses, in pedagogical field, the spread of such a speech genre. It evaluates, as a result, the getting through of the poem in the school  sphere – mainly via textbook. Finally, it points to the possibility of a new attitude regarding the teaching-learning process of the genre.

Interspeech and identity on discourse about letter of country music manner Ferreirinha

This article has a purpose to study the interspeech on discourse about letter of country music. Since the beginning, we emphasize that, although there is interdependence between letter and melody, according Tatit (1996), we will privilege the discourse about letter. It is grounded by the contribution methodological - theorist of speech analysis, more specifically about the postulate enunciation-discursive from Maingueneau (2008), we start from presupposition about the interspeech, which has a strait relation with the discursive memory, shows features about the enunciator identity. Like object focus of analysis, we select the letter named Ferreirinha, who is considered a classical to be one of the most remembered and known by the people. It was made at the 50´s decade, this speech has a very strong representation, mainly at the Midwest and Southeast region from Brazil, they´re considered the crib of the culture from the hayseed man. The result shows us that the interspeech includes discourses that compound the discursive memory from rural migrant, showing their discursive identity.

The Role of the Image in the Press Media – The Subject in Agony of a Party

This article deals with the functioning of images in the press media discourse. For so, we take the French Discourse Analysis proposed by Pêcheux as theoretical support and make use of the notions of subject, meaning, intericonicity and policromy. Problems of the analysis at this level in the French Discourse Analysis are pointed out, especially because of the need for new theoretical devices which are able to analyze the image objects adequately. After this contextualization, a brief analysis of the article The Agony of a Political Party, published by Veja Magazine in 2005, will be done and which deals with the supposed kickback crisis and the Brazilian Labor Party. It is impossible, in our understanding, to make any analysis of the verbal text adequately and pertinently separating it from the non-verbal text; thus, both the linguistic  and non-linguistic plans will be analyzed together in this proposition.