The denouncement in the social textualization by interweavement of significant materialities

In this paper I analyse the discursive mechanics on a scene of the Brazilian film Ó paí, ó! , directed by Monique Gardenberg and based on Marcio Meirelles's play. As a start I reckon that the film textualises the social aspects parting from the relation between humour and denunciation. This relation mirrors at another one: the one between art and resistence, which is broadcast on the common  sense as well as on the theoretical-political and artistical field. I reckon humour as the expression of both exaggeration and irony that is formulated by the interweavement of images, gestures, sounds and text. The denunciation, however, is viewed as the textualisation of the conflict, once there is an element of denouncement in the play (as well as in the film), since it intends to portrait the situation of the inhabitants of Pelourinho (a historical neighbourhood in Salvador) during the 90's. This was the period when the neighbourhood was under refurbishment, motivated by touristic interests. The analysis is done under the analytical and theoretical premises of the Discourse Analysis, on a materialist perspective. I also use the notions of interdiscourse, resistence and denunciation against the analytical notions of intradiscourse and discursive memory. I believe to be able to show how the visual formulations textualise social aspects, considering the intersection between humour and denunciation as an axis of sustainability of these formulations.

THE LANGUAGE PATHS: A HISTORICAL REVIEW

This article aims to address the history of language from Antiquity to the structuralism of Saussure (2003) relating the concepts of language and sign language with the assumptions of Sociolinguistics, the science of language use in society. It is a succinct and objective approach of the various currents of thought about language throughout history, on the relationship between linguistic structure and social aspects and the close relationship between language, identity and society. This approach could also serve as a foundation more uniform for any student of language in their first steps on the road studies and research on this topic.

PROPOSTA DE UNIDADE TEMÁTICA PARA O ENSINO DE INGLÊS EM AMBIENTE DIGITAL

Based on a sociocultural perspective (LANTOLF, 2000; 2010), the present article aims at presenting a thematic unit especially designed for an advanced leveled English group. This thematic unit has been elaborated in the virtual learning environment  http://pbworks.com , proposing twenty hours of collaborative tasks for the students, and it counted with varied textual genres and diverse digital tools. The objective of this thematic unit is to stimulate the collaboration between the students, focusing on the culture of English speaking countries in relation with crafts, setting up relations with the History of crafts in Brazil and working with the oral and written comprehension and production.  By creating a thematic unit that proposes the study of cultural aspects of other countries, an opportunity for the students to experience the culture of others is created, and for them to notice that culture is not apart from language. Such aspects are noticeable in foreign language classes due to the fact that by dealing with language, individuals also deal with cultural, identitary, and social aspects. Taking into consideration that oral and written comprehension and production are inseparable abilities, the proposed tasks in the thematic unit have been designed considering the students’ context, their necessities, the groups’ interests, and also the three types of knowledge according to Parâmetros Curriculares Nacionais (1998): systemic, world and genre knowledge, besides the Oxford strategies (1990).