A practical approach for profit-based unit commitment with emission limitations

This paper proposes a practical approach for profit-based unit commitment (PBUC) with emission limitations. Under deregulation, unit commitment has evolved from a minimum-cost optimisation problem to a profit-based optimisation problem. However, as a consequence of growing environmental concern, the impact of fossil-fuelled power plants must be considered, giving rise to emission limitations. The simultaneous address of the profit with the emission is taken into account in our practical approach by a multiobjective optimisation (MO) problem. Hence, trade-off Curves between profit and emission are obtained for different energy price profiles, in a way to aid decision-makers concerning emission allowance trading. Moreover, a new parameter is presented, ratio of change, and the corresponding gradient angle, enabling the proper selection of a compromise commitment for the units. A case study based on the standard IEEE 30-bus system is presented to illustrate the proficiency Of Our practical approach for the new competitive and environmentally constrained electricity supply industry.

Practical insights into digital radiology

Digital radiography detectors—based on different technological solutions—are currently available for clinical applications and widespread in clinical practice. Computed radiography (CR) and digital radiology systems have been available for clinical applications and the trend over the last few years has become digital. Radiology departments have been changing from traditional screen–film technology to digital technology. This chapter is intended to give the reader a practical understanding about the key aspects concerning digital systems, related to the performance of different technologies, image quality, and dose and patient safety/protection. The discussion around an optimization framework for digital systems is provided.

Aplicação do Balanced Scorecard à área de investimentos de uma seguradora

Contabilidade e Gestão das Instituições Financeiras

Modelos de acompanhamento e controlo de natureza estratégica e o relato financeiro

Mestrado em Contabilidade Internacional

Practical simulation of GNSS signals in the presence of ionospheric scintillaton

We propose a low complexity technique to generate amplitude correlated time-series with Nakagami-m distribution and phase correlated Gaussian-distributed time-series, which is useful in the simulation of ionospheric scintillation effects during the transmission of GNSS signals. The method requires only the knowledge of parameters S4 (scintillation index) and σΦ (phase standard deviation) besides the definition of models for the amplitude and phase power spectra. The Zhang algorithm is used to produce Nakagami-distributed signals from a set of Gaussian autoregressive processes.

O empreendedorismo e a criação de um negócio : physalis peruviana

Mestrado em Gestão e Empreendedorismo

Como polir uma montanha: trabalho de projeto

Esta reflexão visa contextualizar o processo criativo da componente prática do Trabalho de Projecto – Objecto conferente do grau de Mestre em Teatro, especialização em Artes Performativas – Interpretação, e que consiste no solo Como polir uma montanha que teve lugar no Lavadouro Público de Carnide com Acolhimento do Teatro do Silêncio em Maio de 2014. O objectivo foi criar um espectáculo com base em acções de limpeza, utilizando os gestos quotidianos como elemento catalisador do processo criativo. Procurei, desta forma, espelhar algumas rotinas do dia-a-dia no campo abstracto das artes performativas, desconstruindo o espaço privado e servindo-me do corpo como ferramenta primordial na comunicação destas acções através do movimento. A premissa para este solo partiu da limpeza enquanto acção passível de gerar transformação no espaço e no tempo, e também no corpo e na mente. Inicialmente pensei que a limpeza era fundamental para a organização destes elementos, contudo o resultado levou-me a compreender que limpeza e organização podem ter pressupostos muito distintos. Fundamentei a minha pesquisa observando acções quotidianas de limpeza em contextos diversificados como a vivência rural, a vivência urbana e ao nível da memória – a minha e a de outros indivíduos – de como processamos determinados comportamentos observados desde a infância. Durante o processo de criação de Como polir uma montanha, surgiram diversas inquietações que me levaram a reflectir também sobre a problemática de ser criadora e intérprete a solo, e de como esta questão é transversal à noção de si mesmo perante o outro. Esta noção leva-me a questionar o limiar que separa, mas também une, o palco e a plateia. Por isso integrei o público na acção cénica, através de elementos que propunham uma observação participativa do espectáculo.

The tricks of the trade (un)exposed

One of the filmic trends which has been neglected by the Academy Awards is the metacinema, which for practical purposes I will consider to be a cross between the complexities of the self-reflexive cinema (highly connoted with modernism) and the Hollywood Film (the classical films about the urge to ‘make it’ in Hollywood). Indeed, these films have always existed and some, as Sunset Boulevard (Billy Wilder, 1950, USA) and Mulholland Dr. (David Lynch, 2001, FRA/USA), have even made it to the ceremony, but were, predictably, defeated in the main categories, by other more ‘serious’ or less self-reflexive products. The United States has always insisted on not revealing the tricks of the trade while, ironically, generating films that deal with this theme, in order to cater to the curiosity of the metacinema-inclined spectator. For this reason such films are usually about the universe of cinema but not its medium, at least not in a way that discloses the operations of the technical apparatus. Why are these films not viewed as serious enough and artistic enough to be awarded Oscars by the Academy in the categories of Best Picture, Best Director, Best Screenplay, and Best Cinematography? Are they being discarded for the same reasons that comedy and musicals usually are? Or are they being punished for being too unveiling? Or is the industry going for commercial products that can easily be pushed on a global scale and make a profit?