Aportación al conocimiento fitosociológico de las sierras del Boquerón y Palomera (Valencia-Albacete): los matorrales

Se hace un estudio de los matorrales seriales de las sierras del Boquerón y Palomera (Valencia-Albacete). Se discute su posición sintaxonómica y se proponen cuatro nuevasasociaciones (Salvio lavandulifoliae-Erinacetum anthyllidis, Salvio lavandulifoliae-Genistetum mugronensis, Thymo piperellae-Hypericetum ericoidis y Gypsopyllo struthii-Ononidetum edentulae) y diez nuevas subasociaciones.

Contribución al conocimiento de la flora de León (España)

Se mencionan una serie de táxones que no se conocian de la provincia de León, o que presentan cierto interés corológico, haciéndose de algunos de ellos comentarios sobre su morfologia y corologia.

Contribución al conocimiento del polen y de las semillas del género Spergularia en Andalucía occidental

Se estudia al microscopio óptico y al microscopio electrónico de barrido el polen y las semillas de los nueve taxones del género Spergularia representados en Andalucía occidental. El polen resulta ser variable en tamaño y morfología, por lo que su interés taxonómico es sólo relativo si se compara con el de las semillas, que constituyen un carácter útil para la separación de taxones. Se elabora una clave dicotómica para la separación de las especies en función de los caracteres estudiados.

Aportaciones al conocimiento de la flora de Córdoba y de Andalucía Occidental

Se incluyen en esta nota 24 táxones recolectados en las Sierras Subbéticas cordobesas, la mayor parte de los cuales constituyen novedades para la flora de Córdoba y uno de ellos, Ononis pusilla L., para la de Andalucía Occidental.

Aportación al conocimiento de las clases Pogonato-Dicranelletea heteromallae Hubschmann 1975 y Ceratodo-Polytrichetea piliferi Hubschmann1967 en el Sur de España y Portugal

Se dan a conocer cinco comunidades que constituyen la vegetación briofítica más frecuente sobre los suelos ácidos del sur de la Península Ibérica: Pogonatetum aloidis (Pogonation aloidis), Fossombronio-Phaeoceretum bulbiculosi y Saccogyno-Fissidentetum serrulati (Dicranellion heteromallae, Dicranelletalia heteromallae, Pogonato-Dicranelletea heteromallae), la asociación Calypogeio-Pallavicinietum lyellii no se incluye en ninguna alianza del mencionado orden. Se propone una nueva alianza submediterránea-subatlántica, Campylopodion fragili-introflexi (Polytrichetalia piliferi, Ceratodo-Polytrichetea piliferi), describiéndose para ella una asociación del sur y suroeste de la Península, Polytricho-Campylopodetum polytrichoidis.

Contribución al conocimiento de la flora de Segura-Cazorla (Andalucía, España)

En el presente trabajo se dan localidades de plantas recolectadas por los autores en Segura-Cazorla pertenecientes a táxones que, hasta el momento, no habían sido citados en el mencionado macizo montañoso, junto con algunas otras que, por su rareza en sí mismo, se ha estimado interesante incorporarlas. Asimismo se incluyen localidades para ciertas especies que, habiendo sido reseñadas en determinados trabajos, no han sido recogidos en los catálogos florísticos publicados posteriormente.

Aportaciones al conocimiento de los hayedos basófilos cantábricos

Con este trabajo se ha tratado de realizar un análisis de loos hayedos basófilos cantábricos, reconociendo la existencia de dos subalianzas: Scillo-Fagenion Obertodfer 1987 y Cephalanthero-Fagenion R. Tx.1995En la subalianza Scillo-Fagenion Oberdorfer 1957 reconocemos la asociación Caria syvaticae-Fagentum (Rias-Martínez 1964) Carmen Navarro 1981. Dentro de la subasociación Carici sylvatiae-Fagenion Pimpinellotosum sufolia nova.En la subalianza Cephalantero-Fagenion reconocemo la asociación Epiapaenes-Fagentun Br-Bl et Susplugar 1937, en cuyo seno proponemos la subasociación Epipactido helleborines-Fagentum laserpitietosum (nesteli) cliasi nova.En cada sintaxon se señalan los aspectos florísticos, dinámicos, corológicos y ecológicos, indicando los pisos bioclimáticos en que tienen su óptimo desarrollo

The emotional structure of the advertising message in radio

Radio advertising is suffering from a remarkable crisis of creativity as it has yet not found its role in a radio model based on voice locution and information genres. This article suggests the need for implementing a peripheral or heuristic strategy to attract and hold listeners’ attention. Within this framework, the narration and scene representation are proposed as suitable persuasion techniques. The objective is to design a useful conceptual tool for an efficient creative conception of narration at the service of certain commercial strategy. First, the concept of narrative persuasion is grounded according to the possibilities of the sound code. Second, the keys of scene representation and commercial strategy (brand, product, advantage, benefit and target) within the sound message are presented. And third, these keys are articulated in a model. This model is pre-tested by means of analyzing eight different case-radio ads.

The consequences of child-parent violence reflected in a life story

A process of social transformation allied with ongoing changes to the family has made possible the existence of a relatively little-known phenomenon: that of child-parent violence, which is raised as one of the most commonly experienced forms of violence in the family environment. Based on the study of this phenomenon, in our research we have used the qualitative technique of a life story, making use of a field diary in which we have taken notes on our daily work in the therapeutic context, for the purposes of mitigating the effects of such a process. The following research objectives were set: establishing the connection existing between family education style and the use of violence by the minor; and evaluating the extent to which family therapy mitigates the use of violence by the minor. The family education model, together with other dimensions, results in situations of child-parent violence occurring repeatedly, with continuing negative reinforcement from both parties in order to maintain a recurrent cycle of conduct, from which it is difficult to «escape» other than through a process of ongoing psychological therapy.

Discovering keys to explain social policies within the social and democratic rule-of-law sate

There is a collective worldview on social policies that is expressed and understood by university professionals. However, it takes students time to construct this knowledge. Here, we provide fundamental ideas and a dynamic to facilitate learning of social policies. The preparation of a brief dictionary of significant terms is to be constructed as a group, alongside the maieutic work to be carried out by the teacher. The goal is to discover keys to understand the meaning of social policies and the underlying values that sustain a social and democratic rule-of-law state such as the one proposed in the Spanish Constitution of 1978. Attention is focused on the structure of the mixed welfare state. This is an integral proposal and comprises three dimensions. First, it considers the state and its possible welfare agents: business, market, the Church and civil society. The attitudes with which universal and inclusive social action is promoted, breaking radically with the aid-based meaning contained in other systems, are then addressed. Finally, we examine human dignity as a principle and aim of intervention, a basis for understanding other concepts such as human, social, labour and political rights. It is to be hoped that these pages prove useful for both teaching staff and students.

Art and Social Work: an intervention programme for transforming society’s vision to include people with early-onset dementia and Alzheimer’s

This paper presents a program centred on arts and education as tools in social work for the inclusion of people with earlyonset dementia and Alzheimer’s. The objective of the programme is to eradicate the stigma and myths associated with the disease.The program is part of the Junta de Castilla y León and the European Social Fund’s ARS Project (Arte y Salud Alzheimer; Alzheimer’s Art & Health). The programme presents a series of evaluated artistic and educational activities that can be undertaken by people in the early stages of Alzheimer’s disease and that can also be used by caregivers and family when working with this group of people, with the aim of improving their wellbeing, self-esteem and quality of life.

Typical reggaeton in Morocco: forms of female political affirmation throught dance

Through an ethnographic account, this text analyses how social dance may become a discourse involving the cultural affirmation of a subordinate group. It describes how a group of girls faced with a complex of outlooks that construed them as Moroccan, Muslim or unattractive —or as objects of education and intervention— responded by affirming their own culture with an unanticipated corporal discourse. The way in which looking construes bodies is explored through metaphors: a hand that touches, a chisel that sculpts, a whip that lashes and a cobweb that controls and traps bodies. Owing to this political dimension of dance, workshops can also be an oppressive and silencing tool; to prevent this, the article concludes with a series of recommendations to implement dance in social intervention processes.

Social Work and theatre: considering intersections

Theatre is a cultural and artistic form that involves a process of communication between creators and is received in a space and time located in the public sphere, which has meant that, over the centuries, it has acted as a space for expression, exchange and debate regarding all manner of ideas, causes and struggles. Implicit within this process are processes of expression, creation and reception, by way of which people demonstrate, analyse and question ways of seeing and understanding life, and ways of being and existing in the world. This gives rise to educational, cultural, social and political potential, which has been endorsed in numerous studies and investigations. In this work, in which theoretical orientation is established through a review of the relevant literature, we consider different intersections that occur between theatre and social work in order to also show that dramatic and theatrical expression offers substantive methodologies for achieving some objectives of social work, particularly in areas such as critical literacy, reflexivity and recognition, awareness raising, social participation, personal and/or community development, ownership of cultural capital and access to personal and social wellbeing.

Museums as a factor for the social integration of art in the community. The experience of cultural volunteering by members of the senior community

After considering museums as cultural institutions responsible for preserving cultural memory and its evolution over time, this article describes the cultural practices within our society that are aimed at disseminating art and at reproducing and transmitting culture, history and identity. Further, it considers the key role that older people are steadily assuming in Spain’s ageing society. New social-empowerment activities based on volunteering by the elderly are linked to generativity because the individual and social groups acquire new skills through those activities, thereby strengthening a society for all ages. Never in the history of social work have so many older people been prepared to participate actively at the community level, and never has a social movement with these features gone so unnoticed by so many social agents.

Playback Theatre: the art of being oneself. A tool for empowerment and real change for individuals and communities

This article presents the application of a theatrical technique—Playback Theatre, which was developed in the United States during the 1970s—to social intervention, as a narrative and listening space that confers value and dignity upon the person and the unique and distinct individual experiences that facilitate their social and relational integration. This art of being oneself, as the author states, uses the oral tradition and spontaneous and creative communication of psychodrama and combines them with theatrical expression. This technique has been shown to be pertinent to both community social work and support groups for persons in problematic situations. The aim of this is to celebrate some specific moment of their lives, as individuals or as a community, and to define strategies for improving living conditions or resolving or alleviating conflicts. It is also used to assess the achievements of the proposed objectives, to strengthen the motivation to change and to transform existing relationships into collaborative ones. This is possible not only owing to the participation of persons, but also to the assumption of different roles that can permit the overcoming of certain traumatic events.In addition to support groups, it is used for the training and supervision of social work professionals. The theatrical technique in question allows them to assume roles as diverse as narrator, audience or actor, whether simultaneously or successively. Taking the role of «performer» or guide to the theatrical action requires prior preparation in order for the group of participants to be able to pool their individualities and their emotions and reflect on them. The participatory methodology that Playback Theatre proposes is important in community social work and is posed in a new and transformative key.