Other Side of This Life : Death, Value, and Social Being in Thomas Pynchon's Fiction

This dissertation analyzes the interrelationship between death, the conditions of (wo)man s social being, and the notion of value as it emerges in the fiction of the American novelist Thomas Pynchon (1937 ). Pynchon s present work includes six novels V. (1963), The Crying of Lot 49 (1966), Gravity s Rainbow (1973), Vineland (1990), Mason & Dixon (1997), Against the Day (2006) and several short stories. Death constitues a central thematic in Pynchon s work, and it emerges through recurrent questions of mortality, suicide, mass destruction, sacrifice, afterlife, entropy, the relationship between the animate and the inanimate, and the limits of representation. In Pynchon, death is never a mere biological given (or event); it is always determined within a certain historical, cultural, and ideological context. Throughout his work, Pynchon questions the strict ontological separation of life and death by showing the relationship between this separation and social power. Conceptual divisions also reflect the relationship between society and its others, and death becomes that through which lines of social demarcation are articulated. Determined as a conceptual and social "other side", death in Pynchon forms a challenge to modern culture, and makes an unexpected return: the dead return to haunt the living, the inanimate and the animate fuse, and technoscientific attempts at overcoming and controlling death result in its re-emergence in mass destruction and ecological damage. The questioning of the ontological line also affects the structuration of Pynchon's prose, where the recurrent narrated and narrative desire to reach the limits of representation is openly associated with death. Textualized, death appears in Pynchon's writing as a sudden rupture within the textual functioning, when the "other side", that is, the bare materiality of the signifier is foregrounded. In this study, Pynchon s cultural criticism and his poetics come together, and I analyze the subversive role of death in his fiction through Jean Baudrillard s genealogy of the modern notion of death from L échange symbolique et la mort (1976). Baudrillard sees an intrinsic bond between the social repression of death in modernity and the emergence of modern political economy, and in his analysis economy and language appear as parallel systems for generating value (exchange value/ sign-value). For Baudrillard, the modern notion of death as negativity in relation to the positivity of life, and the fact that death cannot be given a proper meaning, betray an antagonistic relation between death and the notion of value. As a mode of negativity (that is, non-value), death becomes a moment of rupture in relation to value-based thinking in short, rationalism. Through this rupture emerges a form of thinking Baudrillard labels the symbolic, characterized by ambivalence and the subversion of conceptual opposites.

Across the Oceans : Development of Overseas Business Information Transmission, 1815-1875

Earlier studies have shown that the speed of information transmission developed radically during the 19th century. The fast development was mainly due to the change from sailing ships and horse-driven coaches to steamers and railways, as well as the telegraph. Speed of information transmission has normally been measured by calculating the duration between writing and receiving a letter, or between an important event and the time when the news was published elsewhere. As overseas mail was generally carried by ships, the history of communications and maritime history are closely related. This study also brings a postal historical aspect to the academic discussion. Additionally, there is another new aspect included. In business enterprises, information flows generally consisted of multiple transactions. Although fast one-way information was often crucial, e.g. news of a changing market situation, at least equally important was that there was a possibility to react rapidly. To examine the development of business information transmission, the duration of mail transport has been measured by a systematic and commensurable method, using consecutive information circles per year as the principal tool for measurement. The study covers a period of six decades, several of the world's most important trade routes and different mail-carrying systems operated by merchant ships, sailing packets and several nations' steamship services. The main sources have been the sailing data of mail-carrying ships and correspondence of several merchant houses in England. As the world's main trade routes had their specific historical backgrounds with different businesses, interests and needs, the systems for information transmission did not develop similarly or simultaneously. It was a process lasting several decades, initiated by the idea of organizing sailings in a regular line system. The evolution proceeded generally as follows: originally there was a more or less irregular system, then a regular system and finally a more frequent regular system of mail services. The trend was from sail to steam, but both these means of communication improved following the same scheme. Faster sailings alone did not radically improve the number of consecutive information circles per year, if the communication was not frequent enough. Neither did improved frequency advance the information circulation if the trip was very long or if the sailings were overlapping instead of complementing each other. The speed of information transmission could be improved by speeding up the voyage itself (technological improvements, minimizing the waiting time at ports of call, etc.) but especially by organizing sailings so that the recipients had the possibility to reply to arriving mails without unnecessary delay. It took two to three decades before the mail-carrying shipping companies were able to organize their sailings in an optimal way. Strategic shortcuts over isthmuses (e.g. Panama, Suez) together with the cooperation between steamships and railways enabled the most effective improvements in global communications before the introduction of the telegraph.

New Perspectives on the Roman Coinage on the Eastern Limes in the Late Republican and Roman Imperial Period

The Ph.D. thesis discusses the monetary development in Roman Syria and Judaea in the Late Republican and the Early Imperial Period, from a numismatic, archaeological and historical point of view. In effect, the work focuses on the 1st century B.C. to the 1st century A.D., that is, the assumed time of introduction of Roman denarii to the region. The work benefits from the silver coin hoards of Khirbet Qumran recently published by the author. Though discovered as early as 1955 at Qumran, where the famous Dead Sea Scrolls had been found prior to that in 1947, most hoards remained unpublished until 2007. A second important source utilized is the so-called Tax Law from Palmyra in Syria. Its significance lies in the fact that Palmyra used to be one of the most important cities on the Silk Road, along which luxury goods were transported into the Roman Empire and Rome itself. During the research conducted, studies of the provincial coinage of Judaea (A.D. 6-66) shed new light on the authority of the Roman governors in economic and monetary matters in eastern Mediterranean regions. Furthermore, a new suggestion as to the length of the mandate period of Pontius Pilate is made. The extent of Emperor Augustus monetary reforms as well as the military history of Judaea are discussed in the light of new analytical studies, which show that the production of Roman base metal coins appears to have been a highly controlled process, contrary to popular opinion. Statistical calculations related to the coin alloy revealed striking similarities with Roman and other local metalwork found in Israel; a fact previously unknown. Results indicate that both Roman and local metalwork consisted of outstandingly systematized practises and may have exploited the same metal sources. Information: Kenneth Lönnqvist (*25.7.1962) has studied at the University of Helsinki since 1981. Furthermore, Lönnqvist has lived in the Mediterranean countries and the Near East, and made research there at various scientific institutions and universities for ca. 7 years. Contact and sales of thesis: kenneth.lonnqvist@helsinki.fi

Kirurgisen operaation teatteri : Teatterillinen kuva ja ihmismuodon esitettävyys avantgardistisen väkivallan näkökulmasta

Dissertation considers the birth of modernist and avant-gardist authorship as a reaction against mass society and massculture. Radical avant-gardism is studied as figurative violence done against the human form. The main argument claims avant-gardist authorship to be an act of masculine autogenesis. This act demands human form to be worked to an elementary state of disarticulateness, then to be reformed to the model of the artist's own psychophysical and idiosyncratic vision and experience. This work is connected to concrete mass, mass of pigment, charcoal, film, or flesh. This mass of the figure is worked to create a likeness in the nervous system of the spectator. The act of violence against the human figure is intended to shock the spectator. This shock is also a state of emotional and perceptional massification. I use theatrical image as heuristic tool and performance analysis, connecting figure and spectator into a larger image, which is constituted by relationships of mimesis, where figure presents the likeness of the spectator and spectator the likeness of the figure. Likeness is considered as both gestural - social mimetic - and sensuous - kinesthetically mimetic. Through this kind of construction one can describe and contextualize the process of violent autogenesis using particular images as case studies. Avant-gardist author is the author of theatrical image, not particular figure, and through act of massification the nervous system of the spectator is also part of this image. This is the most radical form and ideology of avant-gardist and modernist authorship or imagerial will to power. I construct a model of gestural-mimic performer to explicate the nature of violence done for human form in specific works, in Mann's novella Death in Venice, in Schiele's and Artaud's selfportaits, in Francis Bacon's paintings, in Beckett's shortplat NOT I, in Orlan's chirurgical performance Operation Omnipresense, in Cindy Sherman's Film/Stills, in Diamanda Galás's recording Vena Cava and in Hitchcock's Psycho. Masspsychology constructed a phobic picture of human form's plasticity and capability to be constituted by influencies coming both inside and outside - childhood, atavistic organic memories, urban field of nervous impulses, unconsciousness, capitalist (image)market and democratic masspolitics. Violence is then antimimetic and antitheatrical, a paradoxical situation, considering that massmedias and massaudiences created an enormous fascination about possibilities of theatrical and hypnotic influence in artistic elites. The problem was how to use theatrical image without coming as author under influence. In this work one possible answer is provided: by destructing the gestural-mimetic performer, by eliminating representations of mimic body techniques from the performer of human (a painted figure, a photographed figure, a filmed figure or an acted figure, audiovisual or vocal) figure. This work I call the chirurgical operation, which also indicates co-option with medical portraitures or medico-cultural diagnoses of human form. Destruction of the autonomy of the performer was a parallel process to constructing the new mass media audience as passive, plastic, feminine. The process created an image of a new kind of autotelic masculine author-hero, freed from human form in its bourgeois, aristocratic, classical and popular versions.

Historiebruk kring Nådendal : och den kommemorativa anatomin av klostrets minnesplats

This thesis examines the ruins of the medieval Bridgettine (Birgittan) monastery of Naantali (Vallis Gratiae, f. 1443) in Finland and the transformation of the site into a national heritage and a memory landscape. It was archaeologically surveyed in the 19th century by Professor Sven Gabriel Elmgren (1817 1897). His work was followed by Dr. Reinhold Hausen (1850 1942), who excavated the site in the 1870s. During this time the memories of Saint Bridget (Birgitta) in Sweden were also invented as heritage. Hausen published his results in 1922 thus forming the connection with the next generation of actors involved with the Naantali site: the magnate Amos Anderson (1878 1961), the teacher Julius Finnberg (1877 1955) and the archaeologist Juhani Rinne (1872 1950). They erected commemorative monuments etc. on the Naantali site, thus creating a memory landscape there. For them, the site represented the good homeland in connection with a western-oriented view of the history of Finland. The network of actors was connected to the Swedish researchers and so-called Birgitta Friends, such as state antiquarian Sigurd Curman (1879 1966), but also to the members of the Societas Sanctae Birgittae and the Society for the Embellishment of Pirita, among others. Historical jubilees as manifestations of the use of history were also arranged in Naantali in 1943, 1993 and 2003. It seems as if Naantali is needed in Finnish history from time to time after a period of crisis, i.e. after the Crimean War in the 1850s, the civil war of 1918, during World War II and also after the economic crisis of the early 1990s. In 2003, there was a stronger focus on the international Saint Bridget Jubilee in Sweden and all over Europe. Methodologically, the thesis belongs to the history of ideas, but also to research on the use of history, invented traditions and lieux de mémoire. The material for the work consists of public articles and scholarly texts in books or newspapers and letters produced by the actors and kept in archives in Finland, Sweden and Estonia, in addition to pictures and erected commemorative monuments in situ in the Western Finnish region. Keywords: Nådendal, Naantali monastery, Bridgettines, St. Bridget, use of history, lieux de mémoire, invented traditions, commemorative anatomy, memory landscape, Saint Bridget jubilees , S. G. Elmgren, R. Hausen, A. Anderson, J. Finnberg, J. Rinne, S. Curman, High Church Movement, Pirita, Vadstena.

Function and regulation of Cdk7

Understanding the process of cell division is crucial for modern cancer medicine due to the central role of uncontrolled cell division in this disease. Cancer involves unrestrained proliferation as a result of cells loosing normal control and being driven through the cell cycle, where they normally would be non-dividing or quiescent. Progression through the cell cycle is thought to be dependent on the sequential activation of cyclin-dependent kinases (Cdks). The full activation of Cdks requires the phosphorylation of a conserved residue (threonine-160 on human Cdk2) on the T-loop of the kinase domain. In metazoan species, a trimeric complex consisting of Cdk7, cyclin H and Mat1 has been suggested to be the T-loop kinase of several Cdks. In addition, Cdk7 have also been implicated in the regulation of transcription. Cdk7, cyclin H, and Mat1 can be found as subunits of general transcription factor TFIIH. Cdk7, in this context, phosphorylates the Carboxy-terminal domain (CTD) of the large subunit of RNA polymerase II (RNA pol II), specifically on serine-5 residues of the CTD repeat. The regulation of Cdk7 in these and other functions is not well known and the unambiguous characterization of the in vivo role of Cdk7 in both T-loop activation and CTD serine-5 phosphorylation has proved challenging. In this study, the fission yeast Cdk7-cyclin H homologous complex, Mcs6-Mcs2, is identified as the in vivo T-loop kinase of Cdk1(Cdc2). It also identifies multiple levels of regulation of Mcs6 kinase activity, i.e. association with Pmh1, a novel fission yeast protein that is the apparent homolog of metazoan Mat1, and T-loop phosphorylation of Mcs6, mediated by Csk1, a monomeric T-loop kinase with similarity to Cak1 of budding yeast. In addition, Skp1, a component of the SCF (Skp1-Cullin-F box protein) ubiquitin ligase is identified by its interactions with Mcs2 and Pmh1. The Skp1 association with Mcs2 and Pmh1 is however SCF independent and does not involve proteolytic degradation but may reflect a novel mechanism to modulate the activity or complex assembly of Mcs6. In addition to Cdk7, also Cdk8 has been shown to have CTD serine-5 kinase activity in vitro. Cdk8 is not essential in yeast but has been shown to function as a transcriptional regulator. The function of Cdk8 is unknown in flies and mammals. This prompted the investigation of murine Cdk8 and its potential role as a redundant CTD serine-5 kinase. We find that Cdk8 is required for development prior to implantation, at a time that is co-incident with a burst of Cdk8 expression during normal development. The results does not support a role of Cdk8 as a serine-5 CTD kinase in vivo but rather shows an unexpected requirement for Cdk8, early in mammalian development. The results presented in this thesis extends our current knowledge of the regulation of the cell cycle by characterizing the function of two distinct cell cycle regulating T-loop kinases, including the unambiguous identification of Mcs6, the fission yeast Cdk7 homolog, as the T-loop kinase of Cdk1. The results also indicate that the function of Mcs6 is conserved from fission yeast to human Cdk7 and suggests novel mechanisms by which the distinct functions of Cdk7 and Mcs6 could be regulated. These findings are important for our understanding of how progression of the cell cycle and proper transcription is controlled, during normal development and tissue homeostasis but also under condition where cells have escaped these control mechanisms e.g. cancer.

The Mediated Immediacy : João Batista Libanio and the Question of Latin American Liberation Theology

This study is a systematic analysis of mediated immediacy in the production of the Brazilian professor of theology João Batista Libanio. He stresses both ethical mediation and the immediate character of the faith. Libanio has sought an answer to the problem of science and faith. He makes use of the neo-scholastic distinction between matter and form. According to St. Thomas Aquinas, God cannot be known as a scientific object, but it is possible to predicate a formal theological content of other subject matter with the help of revelation. This viewpoint was emphasized in neo-Thomism and supported by the liberation theologians. For them, the material starting point was social science. It becomes a theologizable or revealable (revelabile) reality. This social science has its roots in Latin American Marxism which was influenced by the school of Louis Althusser and considered Marxism a science of history . The synthesis of Thomism and Marxism is a challenge Libanio faced, especially in his Teologia da libertação from 1987. He emphasized the need for a genuinely spiritual and ethical discernment, and was particularly critical of the ethical implications of class struggle. Libanio s thinking has a strong hermeneutic flavor. It is more important to understand than to explain. He does not deny the need for social scientific data, but that they cannot be the exclusive starting point of theology. There are different readings of the world, both scientific and theological. A holistic understanding of the nature of religious experience is needed. Libanio follows the interpretation given by H. C. de Lima Vaz, according to whom the Hegelian dialectic is a rational circulation between the totality and its parts. He also recalls Oscar Cullmann s idea of God s Kingdom that is already and not yet . In other words, there is a continuous mediation of grace into the natural world. This dialectic is reflected in ethics. Faith must be verified in good works. Libanio uses the Thomist fides caritate formata principle and the modern orthopraxis thinking represented by Edward Schillebeeckx. One needs both the ortho of good faith and the praxis of the right action. The mediation of praxis is the mediation of human and divine love. Libanio s theology has strong roots in the Jesuit spirituality that places the emphasis on contemplation in action.

Koko kansan koti vai kommunistien pesäke? Helsingin Kulttuuritalon rakentaminen ja paikan henki 1955-1959

Helsingin Kulttuuritalo rakennettiin vuosina 1955–1958 vastaamaan Suomen kommunistisen puolueen ja muiden kansandemokraattisten järjestöjen toimitilojen puutteeseen. Kulttuuritalo oli myös kommunistien vastaus Helsingissä jo 1900-luvun alusta lähtien käytyyn konserttisali keskusteluun. Kulttuuritalo rakennettiin SKP:n päämajaksi, mutta sinne asettui myös lukuisia muita kansandemokraattisia järjestöjä. Kulttuuritalon suunnitteli professori Alvar Aalto. Pro gradu -tutkielmassani olen tarkastellut Helsingin Kulttuuritalon rakentamista ja paikan hengen muodostumista vuosien 1955–1959 välillä. Aikarajaus kattaa Kulttuuritalon rakennusvuodet sekä sen ensimmäisen kokonaisen toimintavuoden. Tutkielman ensisijaiset tutkimuskysymykset ovat: Miksi Helsingin Kulttuuritalo rakennettiin, millainen rakennusprosessi oli ja millainen paikan henki Kulttuuritalolle muodostui vuosien 1955–1959 aikana? Teoreettisen viitekehyksen tutkielmalle muodostaa paikan hengen käsite. Primäärilähteinä tutkielmassa ovat Kansan Arkistosta löytyvät Kulttuuritalo Oy:n ja Kulttuurityö ry:n kokoelmat sekä sanomalehdet. Sanomalehtiä käytetään Kulttuuritalon paikan hengen ilmentämiseen. Kulttuuritalo rakennettiin pääasiassa talkoovoimin. Talkoisiin osallistui runsaasti ihmisiä niin pääkaupunkiseudulta kuin ulkopaikkakunnilta. Suurin osa Kulttuuritalon rakentamisen rahoituksesta tuli kommunistisilta poliittisilta järjestöiltä ja ammattijärjestöiltä. Pyynnöistä huolimatta Helsingin kaupungilta tai Suomen valtiolta ei tippunut tukea kommunistien hankkeelle. NKP osallistui Kulttuuritalon rakennuskustannuksiin sekä suorin tavaralahjoituksia että epäsuoraan Bukarestissa sijainneen kansainvälisen rahaston kautta, joka toimi SKP:n rahoittajana. Kulttuuritalon paikan hengen luominen liittyi tiiviisti Kulttuuritalon rakentamiseen, sillä paikan henki alkoi muodostua jo talon rakennusvaiheessa. Kulttuuritalon paikan hengen rakentamiseen osallistuivat niin kommunistit ja kansandemokraatit kuin kommunismin vastustajat. Kommunismin vastustajilla tarkoitan tutkielmassa oikeistoa ja sosiaalidemokraatteja. Kommunismin vastustajat vastustivat tavallisesti myös Kulttuuritaloa, mikä kytkee 1950-luvun suomalaisen antikommunismin Kulttuuritalon paikan hengen muodostamiseen. Kun kommunistit rakensivat Kulttuuritalon paikan hengen positiivista puolta, sosiaalidemokraatit ja oikeistolaiset lehdet osallistuivat sen negatiivisen puolen muodostamiseen. Kulttuuritalon paikan hengestä muodostui vuosien 1955–1959 aikana voimakkaan punainen. Kulttuuritalon punaisuus sai kuitenkin kaksi merkitystä: Kommunisteille ja kansandemokraateille se merkitsi työväenliikkeen solidaarisuutta, tasa-arvoa ja voimaa. Kulttuuritalo oli heille osoitus työväen voimasta, ja he toivoivat sen auttavan kommunisteja saavuttamaan laajemman kannatuksen ja hyväksytyn aseman yhteiskunnassa. Kommunismin vastustajille Kulttuuritalo puolestaan merkitsi perinteistä yhteiskuntaa uhkaavaa tekijää. Kulttuuritalon oli heidän mielestään vaarallinen paikka, jonka avulla kommunistit pyrkivät vahvistamaan asemiaan yhteiskunnassa. Kulttuuritalon paikan henki heijasti näin suomalaisen yhteiskunnan kahtiajakautuneisuutta. Kulttuuritalon paikan henki vaikutti myös talon käyttöön. Kulttuuritalon ottivat innolla omakseen kommunistit ja kansandemokraatit, mutta sosiaalidemokraatit ja oikeistolaiset eivät halunneet sitä käyttää, vaikka Kulttuuritalon juhlasali olikin Helsingissä ainoa, joka täytti kansainvälisestikin tasokkaan akustiikan vaatimukset.

Helsingin metropolialueen maisemaekologiset muutokset vuosina 1955-2009

Landscape is shaped by natural environment and increasingly by human activity. In landscape ecology, the concept of landscape can be defined as a kilometre-scale mosaic formed by different land-use types. In Helsinki Metropolitan Region, the landscape change caused by urbanization has accelerated after the 1950s. Prior to that, the landscape of the region was mainly only shaped by agriculture. The goal of this study was in addition to describing the landscape change to discuss the factors impacting the landscape change and evaluate thelandscape ecological impacts of the change. Three study areas at different distances from Helsinki city centre were chosen in order to look at the landscape change. Study areas were Malmi, Espoo and Mäntsälä regions representing different parts of the urban-to-rural gradient in 1955, 1975, 1990 and 2009. Land-use of the maps was then digitized into five classes: agricultural lands, semi-natural grasslands, built areas, waters and others using GIS methods. First, landscape change was studied using landscape ecological indices. Indices used were PLAND i.e. the proportions of the different land-use types in the landscape; MPS, SHEI and SHDI which describe fragmentation and heterogeneity of the landscape; and MSI and ED which are measures of patch shape. Second, landscape change was studied statistically in relation to topography, soil and urban structure of the study areas. Indicators used concerning urban structure were number of residents, car ownership and travel-related zones of urban form which indicate the degree of urban sprawl within the study areas. For the statistical analyses, each of the 9.25 x 9.25 km sized study areas was further divided into grids with resolution of 0.25 x 0.25 kilometres. Third, the changes in the green structure of the study areas were evaluated. The landscape change reflected by the proportions of the land-use types was the most notable in Malmi area where a large amount of agricultural land was developed from 1955 to 2009. The proportion of semi-natural grasslands also showed an interesting pattern in relation to urbanization. When urbanization started, a great number of agricultural lands were abandoned and turned into semi-natural grasslands but as the urbanization accelerated, the number of semi-natural grasslands started to decline because of urban densification. Landscape fragmentation and heterogeneity were the most widespread in Espoo study area which is not only because of the great differences in relative heights within the region but also its location in the rural-urban fringe. According to the results, urbanization induced agricultural lands to be more regular in shape both spatially and temporally whereas for built areas and semi-natural grasslands the impact of urbanization was reverse. Changes in landscape were the most insignificant in the most rural study area Mäntsälä. In Mäntsälä, built area per resident showed the greatest values indicating a widespread urban sprawl. The values were the smallest in highly urbanized Malmi study area. Unlike other study areas, in Mäntsälä the proportion of developing land in the ecologically disadvantageous cardependent zone was on the increase. On the other hand, the green structure of the Mäntsälä study area was the most advantageous whereas Malmi study area showed the most ecologically disadvantageous structure. Considering all the landscape ecological criteria used, the landscape structure of Espoo study area proved to be the best not least because of the great heterogeneity of its landscape. Thus the study confirmed the previous results according to which landscape heterogeneity is the most significant in areas exposed to a moderate human impact.

Koko kansan koti vai kommunistien pesäke? Helsingin Kulttuuritalon rakentaminen ja paikan henki 1955-1959

Helsingin Kulttuuritalo rakennettiin vuosina 1955–1958 vastaamaan Suomen kommunistisen puolueen ja muiden kansandemokraattisten järjestöjen toimitilojen puutteeseen. Kulttuuritalo oli myös kommunistien vastaus Helsingissä jo 1900-luvun alusta lähtien käytyyn konserttisali keskusteluun. Kulttuuritalo rakennettiin SKP:n päämajaksi, mutta sinne asettui myös lukuisia muita kansandemokraattisia järjestöjä. Kulttuuritalon suunnitteli professori Alvar Aalto. Pro gradu -tutkielmassani olen tarkastellut Helsingin Kulttuuritalon rakentamista ja paikan hengen muodostumista vuosien 1955–1959 välillä. Aikarajaus kattaa Kulttuuritalon rakennusvuodet sekä sen ensimmäisen kokonaisen toimintavuoden. Tutkielman ensisijaiset tutkimuskysymykset ovat: Miksi Helsingin Kulttuuritalo rakennettiin, millainen rakennusprosessi oli ja millainen paikan henki Kulttuuritalolle muodostui vuosien 1955–1959 aikana? Teoreettisen viitekehyksen tutkielmalle muodostaa paikan hengen käsite. Primäärilähteinä tutkielmassa ovat Kansan Arkistosta löytyvät Kulttuuritalo Oy:n ja Kulttuurityö ry:n kokoelmat sekä sanomalehdet. Sanomalehtiä käytetään Kulttuuritalon paikan hengen ilmentämiseen. Kulttuuritalo rakennettiin pääasiassa talkoovoimin. Talkoisiin osallistui runsaasti ihmisiä niin pääkaupunkiseudulta kuin ulkopaikkakunnilta. Suurin osa Kulttuuritalon rakentamisen rahoituksesta tuli kommunistisilta poliittisilta järjestöiltä ja ammattijärjestöiltä. Pyynnöistä huolimatta Helsingin kaupungilta tai Suomen valtiolta ei tippunut tukea kommunistien hankkeelle. NKP osallistui Kulttuuritalon rakennuskustannuksiin sekä suorin tavaralahjoituksia että epäsuoraan Bukarestissa sijainneen kansainvälisen rahaston kautta, joka toimi SKP:n rahoittajana. Kulttuuritalon paikan hengen luominen liittyi tiiviisti Kulttuuritalon rakentamiseen, sillä paikan henki alkoi muodostua jo talon rakennusvaiheessa. Kulttuuritalon paikan hengen rakentamiseen osallistuivat niin kommunistit ja kansandemokraatit kuin kommunismin vastustajat. Kommunismin vastustajilla tarkoitan tutkielmassa oikeistoa ja sosiaalidemokraatteja. Kommunismin vastustajat vastustivat tavallisesti myös Kulttuuritaloa, mikä kytkee 1950-luvun suomalaisen antikommunismin Kulttuuritalon paikan hengen muodostamiseen. Kun kommunistit rakensivat Kulttuuritalon paikan hengen positiivista puolta, sosiaalidemokraatit ja oikeistolaiset lehdet osallistuivat sen negatiivisen puolen muodostamiseen. Kulttuuritalon paikan hengestä muodostui vuosien 1955–1959 aikana voimakkaan punainen. Kulttuuritalon punaisuus sai kuitenkin kaksi merkitystä: Kommunisteille ja kansandemokraateille se merkitsi työväenliikkeen solidaarisuutta, tasa-arvoa ja voimaa. Kulttuuritalo oli heille osoitus työväen voimasta, ja he toivoivat sen auttavan kommunisteja saavuttamaan laajemman kannatuksen ja hyväksytyn aseman yhteiskunnassa. Kommunismin vastustajille Kulttuuritalo puolestaan merkitsi perinteistä yhteiskuntaa uhkaavaa tekijää. Kulttuuritalon oli heidän mielestään vaarallinen paikka, jonka avulla kommunistit pyrkivät vahvistamaan asemiaan yhteiskunnassa. Kulttuuritalon paikan henki heijasti näin suomalaisen yhteiskunnan kahtiajakautuneisuutta. Kulttuuritalon paikan henki vaikutti myös talon käyttöön. Kulttuuritalon ottivat innolla omakseen kommunistit ja kansandemokraatit, mutta sosiaalidemokraatit ja oikeistolaiset eivät halunneet sitä käyttää, vaikka Kulttuuritalon juhlasali olikin Helsingissä ainoa, joka täytti kansainvälisestikin tasokkaan akustiikan vaatimukset.

Gadamers hermeneutik och naturvetenskaplig experimentering

I detta arbete undersöks naturvetenskaplig kunskap ur ett filosofiskt perspektiv. Arbetets centrala ämne är det naturvetenskapliga experimenterandets praktiska aspekter och deras anknytningar till den teoretiska naturvetenskapliga kunskapen. Ämnet behandlas med hjälp av Hans-Georg Gadamers hermeneutiska filosofi i boken Wahrheit und Methode. Gadamers utgångspunkt i denna bok är att hermeneutiken beskriver vad som händer i texttolkning då en tolkare förstår en skriven text, men han antyder också att hermeneutiken har vidare tillämpningsområden, till och med att den universalt beskriver alla former av mänsklig förståelse. Syftet med detta arbete är att undersöka hur Gadamers hermeneutik kan tillämpas på naturvetenskaplig förståelse och vilka ändringar man då måste införliva i hermeneutiken samt att skissa grunddragen för en hermeneutisk modell av naturvetenskaplig kunskap. I arbetet presenteras först de centrala elementen i Gadamers hermeneutiska filosofi, speciellt föromdömens positiva inverkan på tolkandet och den verkningshistoriska effekten bakom varje tolkning. Sedan diskuteras bristerna i Gadamers argument för hermeneutikens universalitet, speciellt hans starka betoning av språket som grunden för all förståelse. Om Gadamers hermeneutik skall kunna tillämpas på naturvetenskapens område måste även observationer kunna vara föremål för tolkning. De dominanta trenderna i vetenskapsfilosofin då Gadamer skrev Wahrheit und Methode är en förklaring till att Gadamer starkt förbinder sig till textförståelsen och oftast diskuterar den naturvetenskapliga kunskapen endast som en negativ motpol till den humanvetenskapliga. Vetenskapsfilosofins utveckling efter Wahrheit und Methode, speciellt det faktum att fullständig objektivitet inte mera anses vara ett realistiskt ideal, höjer förväntningarna på hermeneutikens värde för naturvetenskapernas filosofi. Till följande diskuteras tre bidrag till naturvetenskapernas filosofi som är speciellt värdefulla för en hermeneutiken. Den första av dessa är Sylvain Brombergers analys av ovisshet i vetenskapliga undersökningar. Bromberger hävdar att vetenskaplig forskning riktas mot frågor vars svar forskaren inte kan föreställa sig på förhand. Brombergers analys tyder på att det finns en hermeneutisk dialektik av frågor och svar i naturvetenskapliga experiment där forskaren strävar till att göra observationer för att besvara sina frågor. Det andra bidraget är Michael Polanyis studie av den praktiska och personliga kunskapens betydelse för all vetenskaplig forskning. Här är speciellt det vetenskapliga språkets utveckling i samband med experimentering av intresse. Det tredje bidraget är Robert Creases studie av experimentella observationer som visar att observationstolkning innefattar många element som kan förknippas med hermeneutiken. Analysen av de tre ovannämnda studierna leder till följande slutsatser. Den naturvetenskapliga forskningens hermeneutiska element förväntas vara starkt framför allt i experimentell forskning där forskaren utreder nya frågor i en kontinuerlig dialog av tekniskt prövande, praktisk identifiering och språklig beskrivning av nya fenomen. Speciellt beaktansvärd är skillnaden mellan verifierande och upptäckande naturvetenskapliga undersökningar. Tidigare resultat kan verifieras med hjälp av mätningar som specificeras på förhand, men ingen kan på förhand specificera de tekniska och språkliga steg som krävs för ett framgångsrikt upptäckande experiment. Experimentella upptäckter kräver därför en praktisk kunskap som inte kan reduceras till ren teori eller metodologi. Denna praktiska kunskap kan beskrivas med hjälp av Gadamers hermeneutik. Till sist diskuteras vissa grundläggande drag som kan sägas vara karakteristiska för en hermeneutisk modell av naturvetenskaplig kunskap. Speciellt den naturvetenskapliga kunskapens historiska natur, fördomarnas betydelse i naturvetenskaplig forskning samt vikten av forskarens personliga perspektiv i den naturvetenskapliga observationen är viktiga stöttestenar som gör att den hermeneutiska naturvetenskapsmodellen skiljer sig betydligt från modeller som betonar naturvetenskapernas objektivitet. Men det hermeneutiska perspektivet utesluter inte nödvändigtvis andra perspektiv. Dess huvudsakliga nytta är att den tillåter oss att undersöka sidor av naturvetenskaplig kunskap som objektivitetsbetonande modeller lämnar alltför mycket i skymundan. Till dessa hör speciellt det praktiska arbetet i naturvetenskaplig experimentering.

Roudan muodostumisesta ja esiintymisestä Suomessa vuosina 1955-1975

Engl. summary: On the formation and occurrence of soil frost in Finland 1956 to 1975

Rauhan atomi, sodan koodi : Suomalaisen atomivoimaratkaisun teknopolitiikka 1955-1970

This dissertation investigates the atomic power solution in Finland between 1955 - 1970. During these years a national arrangement for atomic energy technology evolved. The foundations of the Finnish atomic energy policy; the creation of basic legislation and the first governmental bodies, were laid between 1955 - 1965. In the late 1960's, the necessary technological and political decisions were made in order to purchase the first commercial nuclear reactor. A historical narration of this process is seen in the international context of "atoms for peace" policies and Cold War history in general. The geopolitical position of Finland made it necessary to become involved in the balanced participation in international scientific-technical exchange and assistive nuclear programs. The Paris Peace Treaty of 1947 categorically denied Finland acquisition of nuclear weapons. Accordingly, from the "Geneva year" of 1955, the emphasis was placed on peaceful purposes for atomic energy as well as on the education of national professionals in Finland. An initiative for the governmental atomic energy commission came from academia but the ultimate motive behind it was an anticipated structural change in the supply of national energy. Economically exploitable hydro power resources were expected to be built within ten years and atomic power was seen as a promising and complementing new energy technology. While importing fuels like coal was out of the question, because of scarce foreign currency, domestic uranium mineral deposits were considered as a potential source of nuclear fuel. Nevertheless, even then nuclear energy was regarded as just one of the possible future energy options. In the mid-1960 s a bandwagon effect of light water reactor orders was witnessed in the United States and soon elsewhere in the world. In Finland, two separate invitations for bids for nuclear reactors were initiated. This study explores at length both their preceding grounds and later phases. An explanation is given that the parallel, independent and nearly identical tenders reflected a post-war ideological rivalry between the state-owned utility Imatran Voima and private energy utilities. A private sector nuclear power association Voimayhdistys Ydin represented energy intensive paper and pulp industries and wanted to have free choice instead of being associated themselves with "the state monopoly" in energy pricing. As a background to this, a decisive change had started to happen within Finnish energy policy: private and municipal big thermal power plants became incorporated into the national hydro power production system. A characteristic phenomenon in the later history is the Soviet Union s effort to bid for the tender of Imatran Voima. A nuclear superpower was willing to take part in competition but not on a turnkey basis as Imatran Voima had presumed. As a result of many political turns and four years of negotiations the first Finnish commercial light water reactor was ordered from the East. Soon after this the private nuclear power group ordered its reactors from Sweden. This work interprets this as a reasonable geopolitical balance in choosing politically sensitive technology. Conceptually, social and political dimensions of new technology are emphasised. Negotiations on the Finnish atomic energy program are viewed as a cooperation and a struggle, where state-oriented and private-oriented regimes pose their own macro level views and goals (technopolitical imaginaries) and defend and advance their plans and practical modes of action (schemata). Here, not only technologists but even political actors are seen to contribute to technopolitical realisations.