La debilidad del Estado como factor explicativo de los conflictos armados en África subsahariana en el período de la pos Guerra Fría

La presente disertación aborda la correlación circular entre la debilidad estatal y el surgimiento de los actores armados que postulan autores como Robert Rotberg o William Reno, para el análisis de los conflictos armados en África Subsahariana en el período de la pos Guerra Fría. Durante este período, en esta región diferentes conflictos estallaron —entre esos Liberia, Sierra Leona, Somalia, Ruanda o Sudán— además de ser una de las partes del mundo que sufre por el elevado nivel de precariedad estatal. Este trabajo desarrolla entonces ambos aspectos de dicha correlación circular, a saber la incidencia de la debilidad estatal en el surgimiento de los grupos armados y, en segundo lugar, el fomento de la debilidad por parte de los grupos armados ¬–denominados por varios autores como señores de la Guerra–. Por último, esta disertación sugiere unas limitaciones al alcance explicativo de la relación interactiva entre la debilidad del Estado y los actores armados, para finalmente discutir el postulado planteado por algunos autores como Béatrice Hibou o Roland Marchal, que propone que la existencia de grupos armados pueden llevar al redespliegue del poder estatal en el largo plazo.

Reply to William B. Grant

THE UVI working group acknowledges the contribution of Vitamin D to bone health as stated in our paper. However, we concluded that an optimal level of Vitamin D for humans has not yet been established with any certainty...

Cungellela by William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha

Research background: Cungelela is an intercultural music project undertaken in collaboration with William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha. The project contributes to cultural maintenance for Australian First Nations peoples, and is informed by prior work in this area by scholars including Peter Dunbar-Hall, Chris Gibson and Karl Neuenfeldt. These existing studies have discussed the complexities of intercultural collaboration, and the types of cultural politics that are involved when Indigenous and non-Indigenous musicians and scholars work together on projects of cultural significance. Critical race theory has also informed the creative work, as a means of interpreting the implicit and explicit discourses of race that arise through intercultural creative practice. The project asked the research question, in what ways can collaborative music making contribute to intercultural understanding and support cultural maintenance for Australian First Nations people affected by the Stolen Generations? Research contribution: This project has identified that collaborative production of recorded popular music can produce shared affective, embodied and transformative forms of knowledge about the impact of the Stolen Generations on Australian First Nations peoples. Research significance: The compact disc was presented by Aunty Anne Leisha as part of an invited presentation at the World Indigenous Nations Higher Education Consortium in New Mexico, 2013. The work also formed part of a refereed conference presentation at the 2013 conference of the International Association for the Study of Popular Music held at the University of Oviedo, Gijon, Spain.

William James, Sciences of Mind, and Anti-imperial Discourse

In the past few decades, the humanities and social sciences have developed new methods of reorienting their conceptual frameworks in a “world without frontiers.” In this book, Bernadette M. Baker offers an innovative approach to rethinking sciences of mind as they formed at the turn of the twentieth century, via the concerns that have emerged at the turn of the twenty-first. The less-visited texts of Harvard philosopher and psychologist William James provide a window into contemporary debates over principles of toleration, anti-imperial discourse, and the nature of ethics. Baker revisits Jamesian approaches to the formation of scientific objects including the child mind, exceptional mental states, and the ghost to explore the possibilities and limits of social scientific thought dedicated to mind development and discipline formation around the construct of the West.

Group portrait at the farewell banquet for Dr. William Antopol from the laboratory staff of Mount Sinai Hospital; Ken's Chop House, New York city Portraits Groups

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Portrait of William and Charlotte Engel Levison Portraits Couples

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Dr. William Levison working at a desk Portraits Men

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Portrait of Dr. William Levison Portraits Men

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Portrait of Dr. William Levison in military uniform Portraits Men

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Group US Army military portrait including Dr. William Levison (top row, third from left); Schofield Barracks, Hawaii Portraits Groups Men

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Dr. William Levison (seated, far left) with other U.S. Army medial doctors and nurses with Christmas Tree in background Portraits Groups

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Portrait of Dr. William Levison smoking a corn pipe Portraits Men

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William Niclas standing next to the Oder River Portraits Men

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