958 resultados para Conto, Oralidade e Fábula


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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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A importância que é atribuída ao ato da leitura serviu como princípio para nortear este estudo, que se utiliza do conto da Cinderela para aprofundar a reflexão a respeito da relação entre o tipo de leitores que estamos formando e aquele que desejamos formar. Sistematizando, por meio da teoria de Vladimir Propp, nossa análise das versões de Charles Perrault e dos Irmãos Grimm do conto de Cinderela, obtemos importantes conclusões a respeito de como o conto se contextualiza de acordo com as sociedades vigentes. Desse modo, este estudo permitiu o aprofundamento necessário para que nós, como profissionais responsáveis pela formação do sujeito e do leitor, nos atentemos a aspectos e valores contidos em cada versão do conto e que nos esforcemos em trabalhá-los junto aos nossos educandos. Retomamos ainda algumas produções contemporâneas a respeito do enredo da Gata Borralheira, para situar a concepção que fazemos deste conto e desta personagem ainda hoje. As reflexões finais ficaram responsáveis por apresentar algumas possibilidades de trabalho que o educador pode pensar para levar para a sala de aula

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Le corpus de ce travail est constitué par le conte ―Le passe-muraille‖ de Marcel Aymé. À travers la traduction du conte, notre objectif est d’abord de commenter les difficutés trouvées et les solutions données tout du long du processus. En plus, le conte est analisé sous la perspective de la théorie du fantastique, pour montrer que cet ouvrage conserve des caractéristiques du récit fantastique traditionnel du XIX siècle, mais en même temps ces caractériques sont presentées d’une façon tout à fait différente

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This research is the result of a senior research project and longed to verify if the ways of child‘s participation in orality in classroom and the literacy events related to reading would make possible to child construct a discursive relation with the writing. Besides it investigated the conception of 20 teachers from second year from primary school about orality and literacy and also identifies which theory purposes could be discerned in one of these teachers exercise. The methodology used was the qualitative approach, with exploratory- descriptive character, and based in system of references methodological of bibliographic research and collecting of facts research. The corpus of this research constituted in deflagrate element that stimulated the search for methodology answers which could clear the possible essence of set of problems evidenced. The results indicated that the ignorance of some basic conceptions that imbricate in teaching Portuguese language, principally in orality development, reading of writing by some individuals was alarming component parts, since many of them mediate the teachinglearning process of numberless individuals. Considering that orality and literacy play fundamental function in social interactions, this research has the intention to contribute for teacher‘s continuous formation, just as help them in development of students‘ linguistic competences, and elucidate them about the importance of literacy, besides to make public the more recently theoretical subsidies about this subject

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Bettelheim (2007), analyzing the infant psyche concluded that for the child to gain self-esteem and develop a balanced sense of self, need to learn to take certain decisions on a daily basis, which will be facilitated by identifying their problems, designed in the stories that are told (or read). Thus, it could find solutions and feel safer. Based on the reading of fairy tales, we dealt with this research, the resumption of fairy tales in homes and schools, in order to help parents and teachers to get parameters to work thinking of their children and students, from such stories, awakening the taste of children by reading and text production. The proposal considered different versions of the fairy tale Cinderella, noting as the moralizing process the messages each approach, and explores the plot and determines which versions would be appropriate for the psycho-cognitive development of children. We also investigated aspects pertinent to the narrative structure, based on literary theory, in order to work in comparative literature. From the discourse analysis, sought to address the marks left by the utterer, capable of denoting its cargo and its ideological worldview projected in the story, although he re-create the history and environment on real facts of a particular period (MARTINS, 2007)

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We work with the storybook, As Palavras Secretas, written by carioca Rubens Figueiredo. We treat, then, the Brazilian contemporary tale. For we study the writer’s fiction, first we met a critical bibliography about the narrative and a set of diverse texts: reports, articles, press releases, interviews and essays about the author’s work. We discourse characteristics and the compositional elements of each story and noticed that they are full of symbolism and various elements that they are recurrent. Some of these narratives deal with fragmentation of the man who, indeed, is a very striking feature in the actual Brazilian tale. We meet, then, with characters who feel the need to simulate an identity and that, therefore, coexist with a strong inner conflict. Three of the tales include the unlikelihood of that work, and present, therefore, elements that escape from reality. Finally, Rubens Figueiredo, in As Palavras Secretas, presented us narratives rather elongated, unlike what was ordinary in the category of the tale, which it usually consists of a short extension narrative

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By showing the absence of concern from schools in developing with students any kind of orality work, and the major importance they give only to reading and writing, this research shows an investigation on how the oral communication is established as learning content and how such education is conceived in the early years of elementary school, verifying if there is balance between the time devoted to written and spoken language activities, and how the oral language is treated in the classroom, this research also identifies which and how the oral genres are used, moreover, see if the teacher explores the emerging students‘ speech during class. This research was held in a government school in Bauru (SP), using three instruments to collect data: direct observation, videotaping observed classes, and a questionnaire. The observation and filming were done in only one classroom, a 3rd year of elementary school, in Portuguese classes; however, the questionnaire was applied to all school teachers, in order to have wider analytical conditions. The research´s approach is qualitative and ground on the bibliography study and field research. The analysis results indicate that school still emphasizes reading and writing method of teaching and does not work as bibliography authors propose in their researches about the studied topic; the reason is that this content has been applied to the curriculum recently, the teachers lack of clarity in some important concepts about speech and don´t have a bibliography basis

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The principal objective of this project is to present a literary translation from German to Portuguese of the short story 'Lange Schatten', in the collection of the same name, Lange Schatten Erzählungen, published in 1960, written by Marie Luise Kaschnitz. Kaschnitz was born in 1901 in Karlsruhe, south-west Germany. The translation was completed with the aid of virtual and printed dictionaries, in addition to books on the history of German literature and some translation theories. Also, this paper provides brief commentaries on topics related to translation, particularly those concerned with the difficulties posed by translation of this project

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Como base de estudo para esta pesquisa, buscaremos a comparação dos contos de fadas Pele de Asno de Charles Perrault, e sua retomada na modernidade em Entre a Espada e a Rosa por Marina Colasanti. O qual proveniente da cultura oral vem a encantar crianças e adultos por toda as gerações. Esses tão conhecidos contos sempre tiveram, como objetivo, desde seu nascimento, no século XVII, a perpetuação de valores e condutas a serem seguidas. E que hoje vem sendo utilizada como um instrumento superficial e didático, reduzindo as grandes obras clássicas em meras historinhas para passar o tempo. Recebendo ainda a critica direta que tal gênero vem determinar valores nas crianças, trataremos de analisar esses contos através das considerações apontadas por Propp em seus estudos. Assim tem-se como objetivos norteadores desta pesquisa, a comparação entre as características dessas narrativas, mantendo seus contextos histórico; as funções atribuídas pelo estruturalista russo em ambas as narrativas e suas representações na vida, contrapondo as criticas apontadas a cerca desse gênero literário

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Based on a heterogeneous concept of writing, this paper aims at analyzing ‘breaks’ in utterances of a virtual chat for writers between 8 and 12 years of age. The hypothesis is that the segmentation of an utterance in different lines in a short period of time characterizes the writing on the internet as nonconventional and relates it to the prosody and rhythm of the language not restricted to the phonic or graphic dimension of the verbal language.

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Based on the essay Kafka y sus precursores, by Jorge Luis Borges (1899-1986), the present essay looks for coinciding views from Edgar Allan Poe (1809-1849), Machado de Assis (1839-1908), and Julio Cortázar (1914-1984) on thatliterary genre. A possible connection between the three writers, regarded asmasters of the short story, is suggested having the Borgean essay as a startingpoint, while emphasizing the similarities of their views on what guides theartistic elaboration of the short stories. The confirmed relationship between Poeand Machado de Assis, and between Poe and Cortázar are emphasized, openinga door to the possibility of also thinking of a close relationship between Machadode Assis and Cortázar.Keywords:Short story; Compared Literature, Edgar Allan Poe, Jorge Luis Borges, JulioCortázar.

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