Art de la réglure des registres et des papiers de musique , méthode simple et facile pour apprendre à régler... suivi de l'art de relier les registres... par A.-B. Méguin,...

Collection : Encyclopédie populaire, ou Les sciences, les arts et les métiers mis à la portée de toutes les classes

Gallery districts of Barcelona: the strategic play of art dealers

This article focuses on Barcelona"s art market to explore the underlying factors behind the clustering of art dealers in several of the city"s districts. Drawing upon quantitative and qualitative data, the article analyses how such clustering reveals a strategic action in the sense attributed to it by Crozier and Friedberg (1981). Gallery districts are not a reflection of structural factors (economic, urban development-related or social) but the result of a combination of strategic choices either individual or collective which explain the permanence of leading gallery districts or the emergence of new ones.

Catalogus librorum & instrumentorum chirurgicorum b. m. viri Josephi Pippingsköld, m. d. profess. chirurg. [et] art. obstetr. ad Imp. Acad. Aboëns. nec non imp. coll. med. assessoris, sub hasta d. Oct. XXX & sqq. a. MDCCCXVI

Julkaisuvuosi nimekkeestä.

L'art de fabriquer le salin et la potasse ; suivi des Expériences sur les moyens de multiplier la fabrication de la potasse ([Reprod.]) / par le citoyen Pertuis, & par le citoyen B. G. Sage...

Collection : Les archives de la Révolution française ; 10.3.38

L'art dans la poésie, poème en trois chants. [Précédé de] Observations sur le poème : "L'art de la poésie" (3e éd.) / B. Alciator ; par M. Beaumarchey,...

Comprend : Observations sur le poème : "L'art de la poésie" / par M. Beaumarchey,...

Proyecto globalizado de adquisici??n de las competencias b??sicas a trav??s de talleres de creaci??n t??cnica y art??stica

Seleccionado en la convocatoria: Ayudas a la innovaci??n e investigaci??n educativa en centros docentes de niveles no universitarios, Gobierno de Arag??n 2010-11

Understanding and investigating art : bringing the National Gallery into the art room.

Cumple con los requisitos del curriculo nacional inglés para la enseñanza del arte en la etapa de secundaria en cuanto que desarrolla en los estudiantes un enfoque riguroso en el análisis del trabajo de los artistas y en la comprensión de los más complejos términos y conceptos artísticos. Para ello, se estructura el contenido sobre temas universales en la historia del arte como son la figura humana, los paisajes, la flora y la fauna, acontecimientos personales, sociales e históricos, lo fantástico y lo extraño y, la forma y significado de lo abstracto.

Los niveles educativos y sus transiciones : capacidades b??sicas, contenidos y estrategias en Educaci??n Art??stica

Resumen tomado de la publicaci??n

The Dark Monarch: magic and modernity in British art

This major curated exhibition, publication and events builds on Rowlands’ curatorial research. Working in collaboration with co-curators Martin Clark, Artistic Director, Tate St Ives and Michael Bracewell, cultural historian, the exhibition sought to explore new narratives within British art. The innovative curatorial methodology developed from a fiction found in the infamous novel, The Dark Monarch by Sven Berlin, Gallery Press 1962. The research sought specific archival and collection work that allowed thematic strands to emerge that represented influences across generations. The exhibition features two-hundred artworks, from the Tate Collection, archives and other significant British public and private collections. It examines the development of early Modernism, in the UK, as well as the reappearance of esoteric and arcane references in a significant strand of contemporary art practice. Historical works from Samuel Palmer, Graham Sutherland, Henry Moore and Paul Nash are shown alongside contemporary artists including Derek Jarman, Cerith Wyn Evans, Eva Rothschild, Linder and John Russell. The exhibition includes a key work by Damien Hirst ¬ the first time he has been shown at Tate St Ives and a number of contemporary commissions. The Dark Monarch publication extended the discourse of the research critically examining the tension between progressive modernity and romantic knowledge, the book focuses on the way that artworks are encoded with various histories - geological, mythical and magical. Essays examine magic as a counterpoint to modernity’s transparency and rational progress, but also draw out the links modernity has with notions such as fetishism, mana, totem, and the taboo. Often viewed as counter to Modernism, this collection of essays suggest that these products of illusion and delusion in fact belong to modernity. Drawing together 15 different writers commissioned to explore magic as a counterpoint of liberal understanding of modernity, drawing out links that modernity has with notions of fetish, taboo and occult philosophy. Including essays by Marina Warner, Ilsa Colsell, Philip Hoare, Chris Stephens, Jennifer Higgie and Morrissey.