687 resultados para Technology in teaching and learning


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Recurso para la evaluación de la enseñanza y el aprendizaje de la geometría en la enseñanza secundaria desde la perspectiva de los nuevos docentes y de los que tienen más experiencia. Está diseñado para ampliar y profundizar el conocimiento de la materia y ofrecer consejos prácticos e ideas para el aula en el contexto de la práctica y la investigación actual. Hace especial hincapié en: comprender las ideas fundamentales del currículo de geometría; el aprendizaje de la geometría de manera efectiva; la investigación y la práctica actual; las ideas erróneas y los errores; el razonamiento de la geometría; la solución de problemas; el papel de la tecnología en el aprendizaje de la geometría.

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Manual que tiene como objetivo ayudar en la formación inicial del profesorado. Ofrece a los profesores en prácticas, las bases de una buena comprensión teórica y la oportunidad de entender e implementar una serie de estrategias en el aula para mejorar la calidad de la enseñanza, con el fin de promover un aprendizaje con éxito. Se dan ejemplos en una amplia gama de entornos educativos y de los problemas a que se enfrentan los maestros en los roles modernos de enseñanza.

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Libro dirigido a la figura del HLTA (Higher Level Teaching Assistant) con el objetivo de proporcionar una guía práctica, ideas y material de apoyo para el desarrollo de un trabajo eficaz con los alumnos, los profesores, los padres y el resto de profesionales implicados en el bienestar de los niños. Incluye ejemplos reales de buenas prácticas, una base sobre pedagogía y sobre el rol de los profesores y HLTAs como creadores de ambientes productivos para el aprendizaje, y trata aspectos como la gestión de las clases y las interrelaciones con los alumnos, el papel del HLTA en la comunidad educativa y su desarrollo profesional.

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The tides of globalization and the unsteady surges and distortions in the evolution of the European Union are causing identities and cultures to be in a state of flux. Education is used by politicians as a major lever for political and social change through micro-management, but it is a crude tool. There can, however, be opportunities within educational experience for individual learners to gain strong, reflexive, multiple identities and multiple citizenship through the engagement of their creative energies. It has been argued that the twenty-first century needs a new kind of creativity characterized by unselfishness, caring and compassion—still involving monetary wealth, but resulting in a healthy planet and healthy people. Creativity and its economically derived relation, innovation, have become `buzz words' of our times. They are often misconstrued, misunderstood and plainly misused within educational conversations. The small-scale pan-European research study upon which this article is founded discovered that more emphasis needs to be placed on creative leadership, empowering teachers and learners, reducing pupils' fear of school, balancing teaching approaches, and ensuring that the curriculum and assessment are responsive to the needs of individual learners. These factors are key to building strong educational provision that harnesses the creative potential of learners, teachers and other stakeholders, values what it is to be human and creates a foundation upon which to build strong, morally based, consistent, participative democracies.

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James Cooksey Culwick (1845-1907) was born in England. Trained as chorister and organist in Lichfield Cathedral, he moved to Ireland at twenty- one and remained until his death in 1907. Although his reputation as scholar, musician and teacher was acknowledged widely during his lifetime - he received an honorary doctorate from University of Dublin (1893) - little is known about the contribution he made to music education. This paper addresses this gap in the literature and argues that it was Culwick's singular achievement to pay attention to music pedagogy at secondary level, by recognizing that music could be seen as a serious career option for girls, and by providing resources for teachers which emphasised the development of an 'art-feeling' in pupils of all abilities. In addition, he considered Irish music as an art which had significance as music first, and Irish music second, and advocated a 'laudable tolerance' for opposing views on matters of cultural identity to Ireland at the end of the nineteenth century.