315 resultados para Indra (Hindu deity)


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Una importante empresa, Indra, vino a nosotros para que desarrollaramos un cuadro de mando operativo para una de sus secciones.

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Climate change data and predictions for the Himalayas are very sparse and uncertain, characterized by a ?Himalayan data gap? and difficulties in predicting changes due to topographic complexity. A few reliable studies and climate change models for Nepal predict considerable changes: shorter monsoon seasons, more intensive rainfall patterns, higher temperatures, and drought. These predictions are confirmed by farmers who claim that temperatures have been increasing for the past decade and wonder why the rains have ?gone mad.? The number of hazard events, notably droughts, floods, and landslides are increasing and now account for approximately 100 deaths in Nepal annually. Other effects are drinking water shortages and shifting agricultural patterns, with many communities struggling to meet basic food security before climatic conditions started changing. The aim of this paper is to examine existing gaps between current climate models and the realities of local development planning through a case study on flood risk and drinking water management for the Municipality of Dharan in Eastern Nepal. This example highlights current challenges facing local-level governments, namely, flood and landslide mitigation, providing basic amenities ? especially an urgent lack of drinking water during the dry season ? poor local planning capacities, and limited resources. In this context, the challenge for Nepal will be to simultaneously address increasing risks caused by hazard events alongside the omnipresent food security and drinking water issues in both urban and rural areas. Local planning is needed that integrates rural development and disaster risk reduction (DRR) with knowledge about climate change considerations. The paper concludes with a critical analysis of climate change modeling and the gap between scientific data and low-tech and low capacities of local planners to access or implement adequate adaptation measures. Recommendations include the need to bridge gaps between scientific models, the local political reality and local information needs.

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The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams¿s Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition ¿Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of men¿s and women¿s tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.

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En Muerte en Venecia Thomas Mann se refiere explícitamente al Simposio y al Fedro de Platón para explicar la relación entre Gustav von Aschenbach y Tadzio, pero oculta que su novela se inspira también en el Erótico de Plutarco. ¿Por qué? El objetivo de este artículo es justamente revelar las razones de este proceder. En efecto, Plutarco elogia el amor matrimonial en el Erótico y éste no es el camino que sigue Mann, pero, al mismo tiempo, el escritor alemán halla en el diálogo plutarqueo todo lo necesario para construir su historia de amor masculino y decide no prescindir de él.

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In Death in Venice Thomas Mann refers explicitly to Plato's Symposium and Phaedrus in order to explain the relationship between Gustav von Aschenbach and Tadzio but he hides that his novel also depends on Plutarch's Eroticus. Why? The aim of this article is precisely to reveal the different reasons for such an attitude. Indeed, Plutarch speaks highly of conjugal love in his Eroticus and this way is not followed by Mann in Death in Venice but, at the same, the German writer finds in this Plutarch's philosophical dialogue all the necessary elements to build his story of masculine love and decides not to manage without it.

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The aim of this article is to read accurately the novel by M. A. Riera from the point of view of the Classical Tradition and, specifically, from the perspective of the evident Platonic tradition ¿the most metaphysical Platonic love- upon which it is based. In the author¿s opinion, only this accurate reading makes us understand why certain values coming from Paganism and which were considered as such cannot be restored by the Platonic Western world.

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L'objectiu d'aquest article és fer una lectura acurada de la novel·la de M. A. Riera des de la perspectiva de la Tradició Clàssica i, específicament, des de l¿'vident tradició platònica -l'amor platònic més metafísic- en la qual recolza. En opinió de l'autor, només aquesta lectura acurada amb una referència constant als textos de Plató permet entendre per què alguns valors considerats com a tals pel Paganisme no poden ser restaurats per l'Occident Platònic.

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The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition a Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of mens and womens tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.

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El objetivo de este artículo es optar por una lectura rigurosa de la novela de M. A. Riera desde la perspectiva de la Tradición Clásica y, específicamente, desde la evidente tradición platónica ¿el amor platónico más metafísico- en la que se basa. En opinión del autor, sólo esta lectura rigurosa nos permite entender por qué algunos valores considerados como tales por el Paganismo no pueden ser restaurados por el Occidente Platónico.

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El objetivo de este artículo no es tan sólo mostrar el papel que la Física del Estoicismo Antiguo asignó a eros, sino también descifrar la alegoría erótica, una fellatio cosmogónica, que Crisipo introdujo en us Cartas Eróticas. El significado de esta osadía intelectual deviene claro cuando analizamos los textos de acuerdo con la interpretación alegórica de textos practicada por los estoicos y cuando analizamos también la enodatio nominum del término stóma.

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L'objectiu d'aquest article no és tan sols mostrar el paper que la Física de l¿Estoïcisme Antic atorgà a éros, sinó també desxifrar l'al·legoria eròtica, una fellatio cosmogònica, que Crisip introduí en les seves Cartes Eròtiques. El significat d¿aquesta gosadia intel·lectual esdevé clar quan analitzem els textos d'acord amb la interpretació al·legòrica de textos practicada pels estoics i quan analitzem també l'enodatio nominum del terme stóma.

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The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams's Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition -Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of men¿s and women¿s tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.

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El objetivo de este artículo es reflexionar sobre la lectura de M. Foucault del Erótico de Plutarco en su Histoire de la sexualité, poniendo especial énfasis en el hecho de que, en contra de lo que afirma el pensador francés, el centro del debate no es, en opinión del autor, el tema del verdadero placer, el obtenido por el erastés de su erómenos o el obtenido por el marido de su mujer, sino la necesidad de atribuir también eros y amistad (éros kaì philia) al amor matrimonial.

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L'objectiu d'aquest article és fer una reflexió crítica de la lectura de M. Fouccault de l'Eròtic de Plutarc en la seva Histoire de la sexualité, posant especial èmfasi en el fet que, en contra del que afirma el pensador francès, el centre del debat no és, en opinió de l'autor, el tema del veritable plaer, l'obtingut per l'erastés del seu erómenos o l'obtingut pel marit de la muller, sinó la necessitat d'atribuir també éros i amistat (éros kaì philia) a l'amor matrimonial.