967 resultados para architectural practice
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Libro para estudiantes de enseñanza secundaria que estén preparando el examen Cambridge IGCSE (International General Certificate of Secondary Education) en el área de 'Inglés como segundo idioma'. Contiene textos reales para desarrollar las habilidades de lectura y escritura de los alumnos y ejercicios prácticos para identificar los distintos tipos de textos, comprensión lectora, transferencia de información, toma de notas, resumen y redacción. Incluye un anexo suelto con las soluciones de los ejercicios.
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Dos CDs audio aprobados por la Universidad Cambridge International Examinations para la preparación del examen IGCSE (International General Certificate of Secondary Education) en la asignatura de 'Inglés como segundo idioma', y para ser usados junto al libro de texto 'Listening and speaking revised edition (Book 1)'. Los tests de compresión auditiva permitirán a los alumnos practicar la identificación de información concreta, la toma de notas esquemáticas y la compresión de significados, opiniones y actitudes más complejas.
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Dos CDs audio aprobados por la Universidad Cambridge International Examinations para la preparación del examen IGCSE (International General Certificate of Secondary Education) en la asignatura de 'Inglés como segundo idioma', y para ser usados junto al libro de texto 'Listening and speaking book 2'. Contienen cuatro tests de compresión oral y auditiva que permitirán a los alumnos practicar la identificación de información concreta, la toma de notas esquemáticas y la compresión de significados, opiniones y actitudes más complejas.
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Dos CDs audio aprobados por la Universidad Cambridge International Examinations para la preparación del examen IGCSE (International General Certificate of Secondary Education) en la asignatura de 'Inglés como segundo idioma' de nivel básico, y para ser usados junto al libro de texto 'Listening and speaking revised edition (book 1)'. Los tests de compresión oral y auditiva permitirán a los alumnos practicar la identificación de información concreta, la toma de notas esquemáticas y la compresión de significados, opiniones y actitudes más complejas.
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Resumen tomado de la publicación
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Resumen basado en el de la publicación
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Monográfico con el título: 'Educación, valores y democracia'. Resumen basado en el de la publicación
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Resumen basado en el de la publicación
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Resumen basado en el de la publicación
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La comunicación presentada forma parte del proyecto excelencia titulado: “Conocimiento y competencia profesional del profesor universitario sobre enseñanza y el aprendizaje en entornos de tecnología avanzada de la información y la comunicación”; que pretendía apoyar , desde la investigación de campo, la mejora de la actividad académica universitaria y difundir a nivel operativo acciones de innovación educativa y del uso de la tecnología avanzada en los procesos de enseñanza-aprendizaje, que permitiesen construir y recopilar el conocimiento profesional docente en la universidad
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The introduction of my contribution contains a brief information on the Faculty of Architecture of the Slovak University of Technology in Bratislava (FA STU) and the architectural research performed at this institution. Schemes and priorities of our research in architecture have changed several times since the very beginning in early 50’s. The most significant change occurred after “the velvet revolution” in 1989. Since 1990 there have been several sources to support research at universities. The significant part of my contribution is rooted in my own research experience since the time I had joined FA STU in 1975 as a young architect and researcher. The period of the 80’s is characterized by the first unintentional attempts to do “research by design” and my “scientific” achievements as by-products of my design work. Some of them resulted in the following issues: conception of mezzo-space, theory of the complex perception of architectural space and definition of basic principles of ecologically conscious architecture. Nowadays I continue my research by design within the application of so called solar envelope in urban scale with my students.
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The idea of an expressive component in research is important to the architectural industry. The expressive element - the possibility of expressing the qualitative aspects of the world and adding something new to the existing through experiments and proposals - is characteristic for the field. All research environments, in the science tradition and in the humanities, have their characteristics. On the one hand, they live up to certain common scientific and methodological criteria - originality and transparency – and on the other hand, they have different practices, using different methods. Research is ‘coloured’ by traditions and professions, and research in architecture should be coloured too, taking into consideration that the practice of architects stretches from natural science and sociology to art and that the most important way in which the architect achieves new cognition is through work with form and space – drawings, models and completed works. Probably all good design is informed by some kind of research – research- based design. But can research arise from design?
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The purpose of this work was to establish a taxonomy of hand made model construction as a platform for an approach to project an operative method in architecture. It was therefore studied and catalogued in a systematic approach a broad model production in the work of ARX. A wide range of families and sub-families of models were found, with different purposes according to each phase of development, from searching steps for a new possible configuration to detailed refined decisions. This working method revealed as most relevant characteristics, the grounds for a potential personal reflection and open discussion on project method, its flexibility on space modeling, an accuracy on the representation of real construction situations and its constant and stimulating opening to new suggestions. This research helped on a meta-reflection about this method, having been useful on creating a consciousness of processes that pretend to become an autonomous language, knowledge that might become useful to those who pretend to implement a haptic modus operandi in the work of an architectural project.
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Using this metaphoric framework as a starting point, I would like to focus on the characteristics of the District Six Museum which extend its work beyond being that of representation (of traumatic memory). Representation signifies in some ways distance and separation, a telling of a story depicted for others. The work of the Museum is more akin to what could broadly speaking be described as ‘engagement’. Although this is word is much over-used, it nonetheless indicates more closely an embodied practice which invites personal insertion, empathy and emplacement. It includes a whole range of sense-making practices by those closest to the Museum’s story – the dispossessed ex-residents – who participate in the memorialisation practices of the Museum in both harmonious and dissonant ways. The architectural metaphor of this seminar is key to this approach, indicating a practice which is constructed and layered, fixed yet changeable. It speaks to a spectrum of activities related to the imperatives to develop as well as conserve – elements which are central to the Museum’s work in relation to the process of return and restitution. To signify the unfinished business of representation, the permanent exhibition is called Digging Deeper, a framework which allows for an always further uncovering of facts, meanings and perspectives.