Review of Julien Gœury: L 'Autopsie et le théorème: poétique des Théorèmes spirituels (1613-1622) de Jean de La Ceppède.

Les lecteurs de La Ceppède seront contents de recevoir le livre de Julien Gœury car son étude représente une addition importante aux ouvrages récents sur le poète aixois. Faisant partie de la redécouverte critique des Théorèmes initiée par les travaux de Jean Rousset dans les années 50, L'Autopsie et le théorème jette un nouveau regard sur l'oeuvre laceppédienne en adoptant ce que l'on peut appeler une perspective néo-structuraliste. L'exposé se divise en quatre parties: 1) Morphologie, 2) Anatomie, 3) Physiologie et 4) Psychologie. Une telle répartition suggere le désir de dégager le caractère organique du texte dans le cadre d'une organisation bien schématisée. Concernant la première categorie, Gœury met en exergue la construction générale du texte, signalant au départ “l'architecture extérieure” (23) ainsi que “l'architecture intérieure” (54) dans la composition des livres et des recueils qui édifient l'ouvrage. Ici, le lecteur note l'accent mis sur la signification du frontispice, des pages de titres, et sur d'autres éléments paratextuels. Toujours dans la première partie, Gœury suit l'exemple de plusieurs critiques en examinant l'emploi du sonnet comme mode de discours. L'auteur met en avant des “lois de composition” (141) qui renforcent “l'engagement formel” (151) du texte ainsi que son “architecture phonetique” (157). S'ajoutent à l'examen morphologique des observations sur les différentes formes “d'enjambement” (168) et de “fragmentation” (174) qui se manifestent dans les sonnets.

Ozone sounding in the Metropolitan Area of Sao Paulo, Brazil: Wet and dry season campaigns of 2006

In the Metropolitan Area of Sao Paulo (MASP), located in southeastern Brazil, surface ozone concentrations are often well above the national air quality standards. In this experimental study, we attempted to characterize the vertical profile of atmospheric ozone and transport of the ozone plume in the boundary layer, using data from the first ozone soundings ever taken in the MASP. In 2006, we launched fifteen ozonesondes: eight from 15 to 18 May (dry season); and seven from 30 October to 1 November (wet season). Vertical ozone mixing ratios in the troposphere were approximately 40 ppb, reaching maximum values of approximately 60 ppb during the dry-season campaign and approximately 100 ppb during the wet-season campaign. In the first and second campaigns, the mean tropospheric ozone column abundance was 28.2 and 41.3 DU, respectively, which can be attributed to the considerable variation in the annual temperature cycle over the region. To determine the effect that biomass burning has on ozone concentrations over the MASP, we analyzed wind trajectories and satellite-derived fire counts. We cannot state unequivocally that biomass burning contributed to higher ozone concentrations above the boundary layer during the experimental campaigns. In the boundary layer, ozone concentrations increase with altitude, peaking at the base of the inversion layer, suggesting that local emissions of volatile organic compounds and nitrogen oxides play a significant role in the lower troposphere over MASP, influencing ozone formation not only at the surface but also vertically in the atmosphere and in distant regions. (C) 2012 Elsevier Ltd. All rights reserved.

High precision astrometry mission for the detection and characterization of nearby habitable planetary systems with the Nearby Earth Astrometric Telescope (NEAT)

A complete census of planetary systems around a volume-limited sample of solar-type stars (FGK dwarfs) in the Solar neighborhood (d a parts per thousand currency signaEuro parts per thousand 15 pc) with uniform sensitivity down to Earth-mass planets within their Habitable Zones out to several AUs would be a major milestone in extrasolar planets astrophysics. This fundamental goal can be achieved with a mission concept such as NEAT-the Nearby Earth Astrometric Telescope. NEAT is designed to carry out space-borne extremely-high-precision astrometric measurements at the 0.05 mu as (1 sigma) accuracy level, sufficient to detect dynamical effects due to orbiting planets of mass even lower than Earth's around the nearest stars. Such a survey mission would provide the actual planetary masses and the full orbital geometry for all the components of the detected planetary systems down to the Earth-mass limit. The NEAT performance limits can be achieved by carrying out differential astrometry between the targets and a set of suitable reference stars in the field. The NEAT instrument design consists of an off-axis parabola single-mirror telescope (D = 1 m), a detector with a large field of view located 40 m away from the telescope and made of 8 small movable CCDs located around a fixed central CCD, and an interferometric calibration system monitoring dynamical Young's fringes originating from metrology fibers located at the primary mirror. The mission profile is driven by the fact that the two main modules of the payload, the telescope and the focal plane, must be located 40 m away leading to the choice of a formation flying option as the reference mission, and of a deployable boom option as an alternative choice. The proposed mission architecture relies on the use of two satellites, of about 700 kg each, operating at L2 for 5 years, flying in formation and offering a capability of more than 20,000 reconfigurations. The two satellites will be launched in a stacked configuration using a Soyuz ST launch vehicle. The NEAT primary science program will encompass an astrometric survey of our 200 closest F-, G- and K-type stellar neighbors, with an average of 50 visits each distributed over the nominal mission duration. The main survey operation will use approximately 70% of the mission lifetime. The remaining 30% of NEAT observing time might be allocated, for example, to improve the characterization of the architecture of selected planetary systems around nearby targets of specific interest (low-mass stars, young stars, etc.) discovered by Gaia, ground-based high-precision radial-velocity surveys, and other programs. With its exquisite, surgical astrometric precision, NEAT holds the promise to provide the first thorough census for Earth-mass planets around stars in the immediate vicinity of our Sun.

Associations of Forest Cover, Fragment Area, and Connectivity with Neotropical Understory Bird Species Richness and Abundance

Theoretical and empirical studies demonstrate that the total amount of forest and the size and connectivity of fragments have nonlinear effects on species survival. We tested how habitat amount and configuration affect understory bird species richness and abundance. We used mist nets (almost 34,000 net hours) to sample birds in 53 Atlantic Forest fragments in southeastern Brazil. Fragments were distributed among 3 10,800-ha landscapes. The remaining forest in these landscapes was below (10% forest cover), similar to (30%), and above (50%) the theoretical fragmentation threshold (approximately 30%) below which the effects of fragmentation should be intensified. Species-richness estimates were significantly higher (F = 3715, p = 0.00) where 50% of the forest remained, which suggests a species occurrence threshold of 30-50% forest, which is higher than usually occurs (<30%). Relations between forest cover and species richness differed depending on species sensitivity to forest conversion and fragmentation. For less sensitive species, species richness decreased as forest cover increased, whereas for highly sensitive species the opposite occurred. For sensitive species, species richness and the amount of forest cover were positively related, particularly when forest cover was 30-50%. Fragment size and connectivity were related to species richness and abundance in all landscapes, not just below the 30% threshold. Where 10% of the forest remained, fragment size was more related to species richness and abundance than connectivity. However, the relation between connectivity and species richness and abundance was stronger where 30% of the landscape was forested. Where 50% of the landscape was forested, fragment size and connectivity were both related to species richness and abundance. Our results demonstrated a rapid loss of species at relatively high levels of forest cover (30-50%). Highly sensitive species were 3-4 times more common above the 30-50% threshold than below it; however, our results do not support a unique fragmentation threshold.

Jean Bodin, o Methodus e a Clio tucidideana: as figurações heroicizantes do historiador

Apreciando as representações figuradas na ideia de uma Clio Tucidideana por fins do século XVI, propõe-se refletir sobre a associação entre a concepção antiga de herói e a moderna de gênio como parâmetro epistemológico que catalisa a apreciação da excelência da práxis historiográfica. Aborda-se essa reflexão tomando em particular as proposições elaboradas sobre a escrita da História no Metodus de Jean Bodin que juntamente com La Popelinière e Thomas Hobbes configuram historiograficamente a ideia da Clio Tucidideana conceituada por Cesare Ripa.

La traduzione intralinguistica, interlinguistica e intercodica della trilogia marsigliese di Jean Claude Izzo

Il testo ripercorre le origini del romanzo poliziesco, la sua struttura, le tecniche narrative utilizzate e l’evoluzione del genere che ha condotto alla nascita del Noir francese e del Noir Mediterraneo. Arrivando ad osservare che per le sue caratteristiche, la letteratura noir in generale presenta specificità di tipo culturale, ambientale e linguistico, che risultano molto evidenti nell’opera di Izzo, si giunge a considerare come sia necessario per il traduttore porsi rispetto all’opera come un antropologo o un etnologo, di farsi cioè interprete di una “cultura”. Nella terza parte del lavoro vengono presentati la Trilogia di Izzo, la struttura narrativa e gli elementi socio-culturali presenti nell’opera. La quarta parte propone le teorie relative sia al problema della traduzione interlinguistica, sia a quello della traduzione intralinguistica e successivamente dopo una analisi della traduzione italiana dei testi, presenta, in appendice, una possibile traduzione del prologo di Total Khéops, inteso come sintesi delle caratteristiche narrative e culturali dell’autore. La parte conclusiva di questo lavoro riguarda la traduzione intercodica e, seguendo la linea di pensiero che ha governato l’analisi della Trilogia vengono presi in esame e messi a confronto col testo narrativo alcuni dialoghi significativi dell’adattamento per la televisione.

Sein, Identität und Kultur: Versuch einer strukturhermeneutischen Anthropologie im Anschluss an Martin Heidegger und Jean-Paul Sartre

Mit dem vorliegenden Buch verfolgt der Autor vor allem drei Ziele: Das erste besteht darin, die anthropologischen Überlegungen, die sich in konzentrierter Form vor allem in den frühen Hauptwerken von Martin Heidegger und Jean-Paul Sartre finden, herauszulösen, zu systematisieren und zu einem einheitlichen anthropologischen Gedankengefüge zu vernetzen. In einem zweiten Schritt soll dieses Gefüge durch eigene Überlegungen ergänzt und in Auseinandersetzung mit Helmuth Plessner und Karl Jaspers weiterentwickelt werden. Drittens schließlich sollen vor diesem Hintergrund Grundlagen einer »strukturhermeneutischen Anthropologie« ausgearbeitet werden, die ein hermeneutisches Instrumentarium für die Aufklärung der unbedingten persönlichen Geltung kultureller Bindung bereitstellen können und von eigenen identitätstheoretischen Grundüberlegungen getragen werden. Da im fokussierten Zusammenhang kultureller Bindung und interkultureller Auseinandersetzung die Fragen nach dem menschlichen Selbstverhältnis und den Möglichkeiten sowie Bedingungen des Fremdverstehens eine wichtige Rolle spielen, sollen dabei nicht nur die hermeneutischen Aspekte der erörterten anthropologischen Positionen in den Blick genommen werden, sondern auch die damit unmittelbar verknüpften Fragen der Sinn- und Identitätsbildung. In kulturphilosophischer Hinsicht soll ein zentrales Ergebnis der Arbeit sein, anthropologische Eckpunkte menschlichen Entwerfens und Mechanismen der kulturellen Sinn- und Identitätsstiftung herauszuarbeiten, um der Analyse kultureller Bindung sowohl ein anthropologisches als auch ein hermeneutisches Fundament zu geben.

Salomé et Jean Baptiste. Réinvestissements symboliques et récritures d'un mythe dans la littérature et dans l'art (1870-1914)

La publication de nombreuses œuvres, à la fois littéraires et picturales, entre 1870 et 1914, inspirées par l’épisode biblique du meurtre de Jean Baptiste par Salomé, s’inscrit dans une crise qui touche à cette époque, en Europe, aussi bien le sujet que la notion de représentation. Le mythe de Salomé permet de poursuivre une réflexion de nature littéraire, historique et esthétique concernant le processus d’autonomisation de l’art. À partir des sources bibliques et antiques, dans lesquelles Salomé et Jean Baptiste incarnent respectivement le monde païen en conflit avec le monde chrétien, ces deux personnages font graduellement leur entrée dans l’univers de la fiction. Ils sont au cœur de la transition d’une lecture transcendante — reliée particulièrement à la tradition catholique — de l’épisode tragique qui les unit, à une lecture immanente qui en fait deux instances purement esthétiques. La danseuse et le dernier des prophètes émergent dans la littérature et dans l’art occidentaux comme deux pôles symboliques, liés l’un à l’autre par différents types de relation, susceptibles d’être librement réinvestis par de nouvelles significations et à l’écart des conventions. Si, dans la première partie du XIXe siècle, Salomé et Jean Baptiste sont encore liés à leur sens orthodoxe, au tournant du siècle ils finissent par s’autonomiser de l’Écriture et donnent lieu à de multiples récritures et à des adaptations inattendues. Celles-ci ressortissent alors moins du blasphème à proprement parler que d’un témoignage emblématique d’une transformation du rapport que l’artiste entretient avec son œuvre. Celui-ci, en s’identifiant avec le prophète décollé, se mesure à l’œuvre d’art, qui est incarnée par Salomé. La relation entre Salomé et Jean Baptiste, dans ces diverses représentations, exprime et reflète le moment où art et littérature se reconnaissent comme fictions.

Problematiche di traduzione della letteratura per l'infanzia: il caso di Omelette au sucre di Jean-Philippe Arrou-Vignod

La traduzione è un’arte e in quanto tale necessita di moltissime ore di ricerca e riflessione. Non esiste una tecnica traduttiva a cui fare riferimento: ve ne sono diverse e ognuno è libero di seguirle o di creare la propria. L’elaborato si sofferma, in particolare, sulla letteratura per l’infanzia, un mondo che presenta diversi aspetti problematici rimasti ad oggi irrisolti, quali il rapporto con la letteratura in generale, la figura dell’autore di opere per bambini, la questione delle fasce di età, la doppia appartenenza al sistema letterario ed educativo e la dipendenza dal ruolo di mediazione svolto dagli adulti. Segue poi la traduzione di due capitoli dell’opera "Omelette au sucre" di Jean-Philippe Arrou-Vignod e una riflessione sulle problematiche traduttive che caratterizzano la letteratura per l’infanzia, mettendo in luce tutti gli elementi fonti di dubbio e riflessione incontrati durante la traduzione dell’opera. Scopo dell’elaborato non è quindi quello di proporre una nuova teoria della traduzione, bensì quello di effettuare un’analisi approfondita delle principali e più frequenti problematiche traduttive della letteratura per l’infanzia, ambito in continua evoluzione che sta acquisendo, anno dopo anno, sempre più importanza nel panorama letterario italiano e internazionale.