963 resultados para hypertext fiction
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A presente dissertação procura examinar o fenômeno do subgênero steampunk na literatura de ficção científica contemporânea, rastreando suas origens e analisando suas definições. O steampunk, em sua forma mais comum, trabalha com projeções contrafactuais do passado vitoriano, criando ambientações retrofuturistas para narrar suas histórias. A partir de indícios levantados por pesquisadores sobre a marcante influência cinematográfica sobre esta vertente, em especial das releituras feitas por Hollywood dos scientific romances britânicos e das voyages extraordinaires de Júlio Verne, procurou-se fazer uma espécie de arqueologia do subgênero a partir do projeto editorial original de Júlio Verne e seu editor Pierre-Jules Hetzel, projeto que, desde o seu início, possuía um caráter interdisciplinar e intertextual e que vai permanecer influenciando a ficção científica desde o seu estabelecimento como gênero literário autônomo. Em seguida, tentou-se demonstrar a afinidade da arte cinematográfica, desde seus primórdios, com esse projeto e abordar suas experiências de tradução visual deste universo como um desdobramento natural do corpo textual. Por último, analisou-se os componentes do steampunk (viagens no tempo, história contrafactual, mundos paralelos, ucronias ficcionais) e contextualizamos a vertente brasileira do subgênero no advento do novo romance histórico e no aumento da demanda por livros de divulgação histórica em virtude da efeméride dos 500 anos do Descobrimento do Brasil.
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将基于时序逻辑的多媒体脚本描述模型从线性顺序时空关系描述推广到非线性时空关系的超文本描述,提出了一种新的超文本模型.通过该模型可将超文本的结点、链和超文本结构的逐步求精过程在一个统一的框架内描述.使用该模型设计的一个超文本标注语言已经实现,并基于该语言开发了一个交互式超文本编著环境.
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Deep level transient spectroscopy (DLTS) technique was used to investigate deep electron states in n-type Al-doped ZnS1-xTex epilayers grown by molecular fiction epitaxy (MBE), Deep level transient Fourier spectroscopy (DLTFS) spectra of the Al-doped ZnS1-xTex (x = 0. 0.017, 0.04 and 0.046. respectively) epilayers reveal that At doping leads to the formation of two electron traps at 0.21 and 0.39 eV below the conduction hand. 1)DLTFS results suggest that in addition to the rules of Te as a component of [lie alloy as well as isoelectronic centers, Te is also involved in the formation of all electron trip, whose energy level relative to the conduction hand decreases a, Te composition increases.
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William Hope Hodgson has generally been understood as the author of several atmospheric sea-horror stories and two powerful but flawed horror science fiction novels. There has been no substantial study analysing the historical and cultural context of his fiction or its place in the Gothic, horror, and science fiction literary traditions. Through analysing the theme of borderlands, this thesis contextualises Hodgson’s novels and short stories within these traditions and within late Victorian cultural discourse. Liminal other world realms, boundaries of corporeal monstrosity, and the imagined future of the world form key elements of Hodgson’s fiction, reflecting the currents of anxiety and optimism characterising fin-de-siècle British society. Hodgson’s early career as a sailor and his interest in body-building and physical culture colour his fiction. Fin-de-siècle discourses of evolution, entropy, spiritualism, psychical research, and the occult also influence his ideas. In The House on the Borderland (1908) and The Night Land (1912), the known world brushes against other forms of reality, exposing humanity to incomprehensible horrors. In The Ghost Pirates (1909), the sea forms a liminal region on the borderland of materiality and immateriality in which other world encounters can take place. In The Night Land and The Boats of the ‘Glen Carrig’ (1907), evolution gives rise to strange monstrous forms existing on the borderlines of species and identity. In Hodgson’s science fiction—The House on the Borderland and The Night Land—the future of the earth forms a temporal borderland of human existence shaped by fin-de-siècle fears of entropy and the heat-death of the sun. Alongside the work of other writers such as H. G. Wells and Arthur Machen, Hodgson’s four novels respond to the borderland discourses of the fin de siècle, better enabling us to understand the Gothic literature of the period as well as Hodgson’s position as a writer who offers a unique imaginative perspective on his contemporary culture.
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Poster, Jeremy, 'I Cannot Tell: Edward Thomas's Uncertainties', In: 'Branch-Lines: Edward Thomas and Contemporary Poetry', Guy Cuthbertson & Lucy Newlyn (eds), (London: Enitharmon Press), pp.264, 2007 RAE2008
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Alden, N. L. (2007). Introduction. Critical Quarterly, 49 (2), pp.34-38 RAE2008
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Slocombe, William, '?This is not for you?: Nihilism and the House that Jacques Built', Modern Fiction Studies (2005) 51 (1) pp.88-109 RAE2008
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Prescott, S. (2003). Women, Authorship and Literary Culture, 1690 - 1740. Basingstoke: Palgrave Macmillan. RAE2008
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Pykett, L. (2005). Wilkie Collins. Authors in Context Series. Oxford: Oxford University Press. RAE2008
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Padget, M. (2004). Indian Country: Travels in the American Southwest. Albuquerque: University of New Mexico Press. RAE2008
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Woods, T. (2007). African Pasts: Memory and History in African Literatures. Manchetser: Manchester University Press. RAE2008
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Sexton, J. (2006). A Cult Film by Proxy: Space is the Place and the Sun Ra Mythos. New Review of Film and Television Studies. 4(3), pp.197-215. RAE2008
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The subject of the article are autobiographical threads present in Swedish stories about childhood and adolescence published after 1986 that form part of the narrative pertaining to the origins, evolution and decline of the Swedish welfare state (folkhemmet). With reference to such concepts as autobiographical pact, autobiographical novel and auto-fiction, the author discusses the various ways six contemporary Swedish writers (PC Jersild, Kjell Johansson, Susanna Alakoski, Jonas Gardell and Lena Andersson) use their biographies. Special focus is given to the notion of how a cogitation upon individual fate becomes universal when placed in a social context. Another problem analysed by the author is the significance of autobiographical threads for building relationships between the writer and the reader and for the reception of a literary text.
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Wydział Neofilologii Instytut Filologii Romańskiej
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Wydział Nauk Społecznych