A Cult Film by Proxy: Space is the Place and the Sun Ra Mythos
Contribuinte(s) |
Department of Theatre, Film & Television Studies Film and Television Research |
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Data(s) |
13/11/2008
13/11/2008
2006
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Resumo |
Sexton, J. (2006). A Cult Film by Proxy: Space is the Place and the Sun Ra Mythos. New Review of Film and Television Studies. 4(3), pp.197-215. RAE2008 This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick Sun Ra. I determine why the film has attained cult status, and demonstrate how an understanding of Sun Ra's particular belief system helps to comprehend this text. Space is the Place has become a cult movie, I argue, due to its reception trajectory, but also because of its particular aesthetic features. In terms of the former, I pay particular attention to changing intellectual attitudes towards African American identities, as well as Sun Ra's increasing cultic status across a range of musical fandoms. It is this status within the musical world that leads to Space is the Place becoming what I call a 'cult film by proxy'. Nevertheless, I also argue that textual features?such as excess, generic hybridity and 'trashiness'?cement and contribute to its continuing cult reputation. Peer reviewed |
Formato |
19 |
Identificador |
Sexton , J 2006 , ' A Cult Film by Proxy: Space is the Place and the Sun Ra Mythos ' New Review of Film and Television Studies , vol 4 , no. 3 , pp. 197-215 . DOI: 10.1080/17400300600981942 1740-0309 PURE: 85066 PURE UUID: 656ffcff-3516-4089-b66c-34319d975332 dspace: 2160/1143 |
Idioma(s) |
eng |
Relação |
New Review of Film and Television Studies |
Tipo |
/dk/atira/pure/researchoutput/researchoutputtypes/contributiontojournal/article Article (Journal) |
Direitos |