922 resultados para Pirataria moderna
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Religião e ciência submetidas à Análise do Discurso Crítica. O fundamentalismo protestante a partir da obra Os fundamentos e a ciência moderna sob a perspectiva da obra de Bertrand Russell Religião e ciência, ambas as obras submetidas a uma análise crítica de seus discursos a partir da concepção faircloughiana para assim delinear seus textos, discursos, intenções e práticas sociais. O advento da modernidade, ao influenciar os diversos segmentos da sociedade e alterar a maneira de o indivíduo se relacionar com Deus, com a natureza e com seu semelhante, consequentemente, também alterou algumas percepções religiosas existentes até a Idade Média. A modernidade se destaca ao propiciar à humanidade outras possibilidades para lidar com seus problemas cotidianos e questões existenciais. Recorrer às técnicas científicas para solucionar problemas da natureza, melhorar a produção agrícola, curar doenças, ou até mesmo prever catástrofes naturais abriu precedente para que o homo religiosus ampliasse seus horizontes rumo ao moderno e questionasse a importância da vida religiosa como apresentada até então. O sagrado e o profano entram em debate acirrado. Enquanto a era da razão conquista seu espaço por meio do racionalismo, o mundo religioso se esforça para se reinventar e enfrentar um novo mundo com suas ideologias atraentes. Religião e ciência se aferram a seus espaços para delinearem seus limites, mas sempre contemplando e considerando um magistério em comum: a ciência moderna.
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O trabalho analisa se o jornalismo cultural praticado pelo caderno EU&Fim de Semana do jornal Valor Econômico, ao incorporar certos assuntos e fenômenos decorrentes da modernidade aos conteúdos com abordagem e mentalidade culturais e universalizadas, rompe o paradigma do Jornalismo Cultural tradicional alargando este conceito, até então restrito aos acontecimentos considerados tradicionais da área da cultura, como cinema, pintura, literatura, museu, dança, música, teatro, gastronomia e turismo. O corpus da pesquisa foi composto pelo assunto principal de capa de 32 edições e resultou na análise de 75 matérias. O referencial teórico utilizado é a sociologia da cultura de Pierre Bourdieu por meio da teoria dos campos, espaço social, habitus de classe e o desejo de distinção de uma elite cosmopolita. Contudo, não se constitui uma prática jornalística sem compromisso social. As análises quantitativa e qualitativa compõem a metodologia que identifica a presença de debates, de tensões e de conflitos, o conceito de Jornalismo Cultural, o caráter cosmopolita do jornalismo no início do século XXI, bem como os valores culturais adotados pelo caderno que abastecem o público com visão prismática para ler e reconhecer o mundo.(AU)
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The general objective of this research is to clarify and discuss the original contribution of Martin Heidegger's philosophical reflection on the essence of modern technique. For this purpose, it was structured the interpretative course of this dissertation in two essential moments. At first, we present Heidegger's interpretation of the essence of the modern age which, in turn, will be recognized from the metaphysical foundation that establishes the essence of modern science: the subjectivity that represents, calculates, manages and produces the real. We will see which, in this context, modern science was still thought close to the modern technology, what will change considerably from the writings of the post-war, in which Heidegger thinks modern science from a much broader and essential process in that the essence of the technique has already been unfolding. Thus, in a second moment, we will analyze how, for Heidegger, the modern metaphysics of subjectivity reached its completion at the time of modern art from the principle of control and planning of entities in general (Gestell), revealing the nontechnical sense of the technique (beyond the anthropological, humanistic and instrumental view) as well as the threatening character of modern technique in its conversion project of the entity from the reserve fund (Bestand).
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Through the nineteenth century, it was constant in the discourse of the local norte-rio-grandenses (Natal city, Brazil) administrators, the appeal for subsidy to the central government for the works of the port of Natal upgrade. The port in the capital, the main route of the Rio Grande do Norte communication, because of the limitations attached to it, as the dunes surrounding the city spreading sand in the riverbed, and several reefs located along the coast, did not allow the entry in his berth larger ships. These difficulties brought major problems the province, who could not hold the flow of production coming from the inside, resulting in the north of Rio Grande political scene, questioning the centrality of Christmas position in the province. Only Republican scheme had been approved credit by the federal government for the improvement works of the port. The port became the Republican political discourse Potiguar one of the main promises to bring "progress" the Potiguar land, being placed as a central issue of which depend on the "future" of the state. The objective of this study is to analyse the emergence of a new port concept in speeches and interventions of the local ruling groups in the early twentieth century. We analyse the emergence of a modern notion of port, marked by the organizing effort, rationalization and regulation of port activities by the state, and the new relationship assumed by the harbour front to the city resulting from this new perception. The port has become for local leaders to groups of capital "waiting room", requiring change of the composition of urban space for integrating the port to the city. The Port of Natal became endowed with a pedagogical function, incorporating the urban fabric, codes, values and practices considered by local managers as modern and civilized. This new city space, considered a "waiting room", caused conflicts between the local ruling groups and influential figures in the Potiguar political field, which sought to encourage with the process of organizing the harbour front undesirable regarded figures in the city views as an impediment to the image of progress and modernity that the dominant groups intended to expose the port.
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We seek, through this work, to understand the construction of the pirates’ images from the Golden Age of Piracy (late seventeenth through early eighteenth century) through the observation of the circulation of these images, which are not limited to one field of knowledge. We take into account the importance of the book “A General History of the robberies and murders of the most notorious pirates...” written by Charles Johnson for these constructions, not only literary, but also historiographical provided that the stories of pirates and piracy gained ground in historiography from the twentieth century on. We also seek to show that this historiographical space arises opposed to an apparent historiographical silence about these stories that lasts for about two centuries, related to a new way of writing history in the aesthetic regime, where it arises as a science through a poetics of knowledge, of which the philosopher Jacques Rancière helps us reflect. Lastly, reflecting upon how these images of pirates circulate nowadays, we seek to understand the historicity of the pirates’ images within that aesthetic regime based on some scenes of the film series Pirates of the Caribbean by Disney™.
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This work is intended to investigate the saussurian notion of system. Such a notion is fundamental to Ferdinand de Saussure's theorization, since it composes the definition of "langue", as he thought it. This definition was crucial to the delimitation of linguistics' specific object of study, which granted its place among modern sciences. However, the notion of system was not created by Saussure. Not only in Linguistics, but also in other areas, this notion appeared in very ancient studies, mingling with the establishment of man in society and the development of their economic and organizational activities. Specifically, in the context of language studies, the system consists in a notion that composed the work of the first grammarians in the West, in ancient Greece. Moreover, this notion was also used afterwards, in the synonymy studies and in the comparative analysis of languages, developed by scholars of the nineteenth century. Nevertheless, although Saussure had had his formation in Leipzig and Berlim, amid comparatists studies, his notion of system is an innovation, while is also continuing. In light of this, we aim to highlight the aspects of the saussurian notion of system that allow the establishment of a relationship of continuity and rupture with other conceptions of system. For that, we will investigate four Saussure authored documents: the « Cours de linguistique générale », the « Mémoire sur le système primitif des voyelles dans les langues indo-européennes », and the two sets of manuscripts « De l'essence double du langage » and « Notes pour le cours III ».
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El artículo estudia algunas ideas de importancia de las teorías del conocimiento del siglo XIV que se estima tienen un papel relevante en el origen de la filosofía moderna, particularmente en la filosofía de Descartes. Tales ideas, entre otras, son: a) la noción escotista de notitia abstractiva y su correlato en la noción de conceptus objectivus de procedencia aviceniana; b) la tendencia presente en un buen número de autores franciscanos, que en el proceso del conocimiento otorga más relevancia al sujeto cognoscente que a la cosa conocida; c) la idea teológica de la omnipotencia divina que, de potentia absoluta, aplicada al conocimiento humano, cree posible un concepto sin objeto; d) una difusa tendencia al escepticismo, que se alimenta de dos fuentes: la teoría agustiniana de la iluminación y el giro que en el siglo XIV experimenta la lógica hacia la dialéctica. En torno a estas ideas se descubre una línea de pensamiento común a Ockham, Suárez (y los conimbricenses) y Descartes, en cuyas filosofías la intencionalidad y la certeza del conocimiento quedan comprometidas.
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Este artículo reconstruye la evolución del debate político alemán durante la primera edad moderna, poniendo atención en particular en la manera en la que tal debate se fue elaborando y transmitiendo dentro de la comunidad de discurso universitaria que lo produjo. El análisis de las características formales y de las modalidades en las que se desarrolló este debate permite demonstrar que el aristotelismo político no fue sólo una doctrina política, sino también, y sobre todo, un código común que más allá de diferencias específicas, caracterizó todas las experiencias universitarias del Sacro Imperio Romano Germánico desde finales del siglo xvi y durante todo el siglo xvii. Las características esenciales de este código se pondrán de relieve en particular a través del caso de los escritos políticos de Iohannes Althusius, en los que la forma y el contenido de su doctrina política terminan coincidiendo.
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Il presente lavoro di tesi affronta diverse tematiche riguardanti la valutazione della vulnerabilità sismica del centro storico di Sansepolcro, con particolare riferimento all’analisi di fonti storiche perlopiù inedite e a indagini morfologiche sui tessuti edilizi. La zona della Valtiberina toscana è stata interessata da numerosi eventi sismici che spesso hanno raggiunto intensità elevate e che hanno provocato molti danni. Il susseguirsi di tali eventi ha fatto si che si sviluppasse una certa esperienza nell’affrontare le conseguenze dell’evento sismico. Ne sono testimonianza i documenti conservati presso l’Archivio Storico Comunale di Sansepolcro che riguardano gli eventi sismici del 1781 e del1789. Dalla corrispondenza tra le autorità di Firenze e di Sansepolcro è stato possibile ricostruire la cronologia delle azioni principali compiute nella gestione dell’emergenza. Tra le lavorazioni eseguite, molti furono i presidi antisismici utilizzati. Nell’ambito dell’analisi delle fonti di archivio si sono analizzati anche documenti più recenti, in particolare gli elaborati del Genio Civile conservati presso l’Archivio di Stato di Arezzo riguardanti gli eventi sismici del 1917 e 1919. Parallelamente alle ricerche archivistiche si è cercato di stabilire una correlazione tra la morfologia dei tessuti e la vulnerabilità sismica degli aggregati edilizi in relazione al loro processo evolutivo e al loro periodo storico di formazione. Una volta stabilita, per ogni aggregato, la fase di impianto, ci si è avvalsi del metodo di calcolo speditivo dell’indice di vulnerabilità in pianta (TPS). Lo scopo è quello di elaborare delle considerazioni generali per singoli aggregati campione, per poi estenderle agli aggregati omogenei. A conclusione del lavoro si è preso in considerazione il caso del Palazzo Aloigi-Luzzi e se ne sono calcolati gli indici analitici globali di vulnerabilità sismica, per avere un riscontro concreto di un singolo caso.
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El análisis se realiza en el marco del modelo desarrollado por Markowitz en 1952, Modern Portfolio Theory(MPT), el cual en esencia muestra la manera de lograr el máximo rendimiento posible de un portafolio, dadoun nivel determinado de riesgo, e indica las ventajas de una apropiada diversificación del portafolio. El período analizado corresponde a la última década del siglo XX, la cual estuvo marcada en Colombia con variaciones importantes en el desempeño económico del país, y al mismo tiempo, con cambios notables en la importancia e institucionalidad del mercado de valores. No obstante lo anterior, el mercado de valores colombiano continúa caracterizándose por su precariedad. En efecto, la capitalización global del mercado representa únicamente el 13 porciento del PIB, muy por debajo del nivel de otros países latinoamericanos.iPor otro lado, la economía norteamericana mostró ininterrumpidamente en el mismo período un nivel de crecimiento sin precedentes, al mismo tiempo que los desarrollos tecnológicos en las áreas de comunicación y computación permitieron masificar e internacionalizar aún más el mercado de valores.La aplicación del modelo de Markowitz debe brindar herramientas para el análisis del riesgo y toma de decisiones de inversión condicionada al grado de aversión al riesgo del inversor. El documento finaliza con una comparación real, partiendo de una inversión supuesta en carteras nacionales e internacionales.
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Relatório Final de Estágio apresentado à Escola Superior de Dança, com vista à obtenção do grau de Mestre em Ensino da Dança.
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Relatório Final de Estágio apresentado à Escola Superior de Dança, com vista à obtenção do grau de Mestre em Ensino de Dança.
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Brazilian architecture was recognized because of the consecration of the icons of the Carioca and Paulista schools which are represented nationally and internationally by names like Niemeyer, Lucio Costa and Vilanova Artigas, among others. Because of this, classic studies dedicated to the Brazilian case look to present the Southeastern region with the title of father of modern Brazil, at the cost of subjugating various other modern movements and peripheral sayings, whether their values are known or forgotten. On the other hand, there has been an effort, in the sense of registering and analyzing these regional productions of modern Brazilian architecture, an assignment that DOCOMOMO Brasil participates firmly through initiatives like the creation of a Library to aid in the documentation and registration of modernity in Brazil. Inside this context of insertions of the National-Modern scheme, this work has as its objective to present modern potiguar (northern Brazil) architecture through its contemporary residential examples, investigating specifically its constructive, formal aspects, that together that together demonstrate one more architectural emphasis of modern Brazilian architecture: the potiguar. This way, by contributing to the work of the register and the documentation of the Modern Movement and attributing to the modern architecture of Natal it s real worth, we can say: Yes, we have modern architecture
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Resumen: Se estudian los principales problemas que presenta la concepción moderna de libertad frente a la naturaleza. Primero, surge el problema de la liberación respecto del mundo objetivo, la cual trae aparejado la destrucción del entorno y el cuestionamiento de la viabilidad de la especie. Segundo, se presenta el problema de la complejizacion de lo social, frente al que sucumbe, en gran medida, el tema de la liberación política. Se concluye con la búsqueda de algunas alternativas ante estos dilemas. Abstract The article analyzes the problems posed by the modern conception of freedom before nature. The first to arise is the problem posed by the modern conception of freedom before nature. The first to arise is the problem of the emancipation from the objective world which brings along the destruction of the environment and the questioning about the viability of the species. The second problem is the complex character of the social life before whom succumbs, largely the issue of political emancipation. The article concludes which the search of some alternatives to these dilemmas.
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In the mid-1980s, the magazine Projeto published the Actual Brazilian Architecture catalogue presenting texts by Hugo Segawa and Ruth Verde Zein with a corpus of works and engaged architects of the 1960s and 1970s. To comprehend the Brazilian architectural production post-1964, in those years of the 1980s, became a significant mission to reactivate the Brazilian architectural debate weakened by the military dictatorship. In his doctoral thesis Spadoni (2003) deals with the different ways which characterizes the Brazilian architectural production of the 1970s. Marked by inventiveness, this production was in tune with the modern thinking and in the transition period between the 1970s and the 1980s it synchronized with the international debate about post-modern architecture. Considering Spadoni s doctoral thesis, this work deals with the modern experience observed in the one-family-houses built in the seventies in João Pessoa. Some modern experiences were not clear outside, to observe it, it was necessary to search for the type of experience into the spatial disposition and of the know-how constructive, because into the appearance some houses not make explicit the use of the modern language. Other observed experiences allude to the repertoire of the Brazilian period in the years 1940s-1960s, to the experience of the modern architecture in São Paulo of the 1960s, to the experiences in which the climate of the Northeastern region strongly influenced the architectural conception. We can also find in a reduced number of houses a particular experience: it refers to experiences that expose the constructive doing, which leave the material apparent and apply to the residential type the experience of the industrial pre-fabricated buildings