985 resultados para Armstrong, Sir Thomas (ca 1633-1684) -- Portraits


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Die kirchliche Verfassungsgeschichte des Mittelalters war von einer analogen Entwicklung scheinbar konträrer monarchischer und kollegialer Prinzipien geprägt. Dem Leitungsanspruch von Äbten, Bischöfen und Päpsten standen Beratungsrechte und Mitbestimmungsanliegen ihrer Mönche, Domkapitulare und Kardinäle gegenüber. Die Abhandlung zeigt auf, wie sich letztere im Verlauf der mittelalterlichen Geschichte als mehr oder weniger unabhängige Wahl- und Ratskollegien formierten und um eine Transformation eher unverbindlicher Beratungsfunktionen zu quasi parlamentarischen Rechten bemühten. Einschlägige verfassungsgeschichtliche Dokumente von der Benediktsregel aus dem 6. Jahrhundert bis hin zu bischöflichen und päpstlichen Wahlkapitulationen aus dem 15. Jahrhundert werden hinsichtlich ihrer kulturgeschichtlichen Zusammenhänge und Wirkungen analysiert.

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Catalogue for an exhibition with works selected exclusively by Brendan Neiland. Neiland, who attended the Birmingham College of Art and the Royal College of Art, London during the 1960s, has selected works from a range of artists including: Val Archer, Sarah Armstrong-Jones, Sir Peter Blake, Simon Burton, Grace Erskine Crum, Brad Faine, James Fisher, Martin Fuller, Christian Furr, Annabel Gault, Jason Gibilaro, Hugh Gilbert, Michael Harrison, David Hepher, Patrick Hughes, Andrzej Jackowski, David Mach, Danny Markey, Terry New, William Packer, Tom Phillips (RA), Donald Smith, Justine Smith, Steve Thomas, John Wilkins

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Sammelrezension von: 1. Edward W. Taylor / Patricia Cranton, and Associates (Hrsg.): The Handbook of Transformative Learning, Theory, Research, and Practice, San Francisco, CA: Jossey-Bass 2012 (598 S.; ISBN 978-1-111-21891-4) 2. Jack Mezirow / Edward W. Taylor, and Associates (Hrsg.): Transformative Learning in Practice, Insights from Community, Workplace, and Higher Education, San Francisco, CA: Jossey-Bass 2009 (303 S.; ISBN 978-0-470-25790-6)

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Autant dans la Somme Théologique que dans le De Veritate, Thomas d’Aquin développe une théorie de la foi religieuse au sein de laquelle la volonté occupe un rôle central. Ceci soulève la question exégétique de savoir si Thomas d’Aquin va jusqu’à endosser un volontarisme doxastique, c’est-à-dire la thèse selon laquelle il est possible de former certaines croyances volontairement. Dans cet article, je soulève quelques difficultés propres aux lectures de l’Aquinate qui ne lui attribuent pas un volontarisme doxastique. J’explique ensuite la forme spécifique que prend ce volontarisme chez Thomas d’Aquin, ainsi que la raison pour laquelle cette thèse est essentielle à sa conception de la foi religieuse.

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Autant dans la Somme Théologique que dans le De Veritate, Thomas d’Aquin développe une théorie de la foi religieuse au sein de laquelle la volonté occupe un rôle central. Ceci soulève la question exégétique de savoir si Thomas d’Aquin va jusqu’à endosser un volontarisme doxastique, c’est-à-dire la thèse selon laquelle il est possible de former certaines croyances volontairement. Dans cet article, je soulève quelques difficultés propres aux lectures de l’Aquinate qui ne lui attribuent pas un volontarisme doxastique. J’explique ensuite la forme spécifique que prend ce volontarisme chez Thomas d’Aquin, ainsi que la raison pour laquelle cette thèse est essentielle à sa conception de la foi religieuse.

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five:fashion musings is an upcoming 2009 publicaton to celebrate the fashion discipline's five-year milestone at the Queensland Unviesity of Technology. it represents a body of work by fashion practitioners, aceademic and educators commissioned to explore their research in fashion theory, practice and pedogogy through five key themes.

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The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.

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Raman spectra of natrouranospinite complemented with infrared spectra were studied and related to the structure of the mineral. Observed bands were assigned to the stretching and bending vibrations of (UO2)2+ and (AsO4)3- units and of water molecules. U-O bond lengths in uranyl and O-H…O hydrogen bond lengths were calculated from the Raman and infrared spectra.

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Raman spectra of metauranospinite Ca[(UO2)(AsO4)]2.8H2O complemented with infrared spectra were studied. Observed bands were assigned to the stretching and bending vibrations of (UO2)2+ and (AsO4)3- units and of water molecules. U-O bond lengths in uranyl and O-H…O hydrogen bond lengths were calculated from the Raman and infrared spectra.

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The mineral lewisite, (Ca,Fe,Na)2(Sb,Ti)2O6(O,OH)7 an antimony bearing mineral has been studied by Raman spectroscopy. A comparison is made with the Raman spectra of other minerals including bindheimite, stibiconite and roméite. The mineral lewisite is characterised by an intense sharp band at 517 cm-1 with a shoulder at 507 cm-1 assigned to SbO stretching modes. Raman bands of medium intensity for lewisite are observed at 300, 356 and 400 cm-1. These bands are attributed to OSbO bending vibrations. Raman bands in the OH stretching region are observed at 3200, 3328, 3471 cm-1 with a distinct shoulder at 3542 cm-1. The latter is assigned to the stretching vibration of OH units. The first three bands are attributed to water stretching vibrations. The observation of bands in the 3200 to 3500 cm-1 region suggests that water is involved in the lewisite structure. If this is the case then the formula may be better written as Ca, Fe2+, Na)2(Sb, Ti)2(O,OH)7 •xH2O.