772 resultados para Leto, Giulio Pomponio.
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Classen Boulevard as a Zipper. Riqualificazione urbana del quartiere di Classen Boulevard in Oklahoma City, OK
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Il lavoro svolto è stato incentrato sulla traduzione dell’opera Los gatos del papel (2005) dell’autore cubano Enrique Pérez Díaz, una breve raccolta di racconti per bambini con protagonisti i gatti. Il valore e il significato che ha avuto per me questa esperienza di traduzione de Los gatos del papel è incalcolabile e sono veramente felice di avere avuto l’opportunità di tradurlo, di vedere il testo mentre cambiava di lingua ma non di sostanza. La traduzione di un’opera letteraria è un’impresa impegnativa perché il traduttore, il mediatore che permette la comunicazione tra due lingue e culture diverse, deve veicolare il messaggio del testo originale, rendendolo comprensibile a un nuovo destinatario e, al contempo, cercare di rispettare le scelte stilistiche dell’autore
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With its powerful search engines and billions of published pages, the Worldwide Web has become the ultimate tool to explore the human experience. But, despite the advent of the digital revolution, e-books, at their core, have remained remarkably similar to their printed siblings. This has resulted in a clear dichotomy between two ways of reading: on one side, the multi-dimensional world of the Web; on the other, the linearity of books and e-books. My investigation of the literature indicates that the focus of attempts to merge these two modes of production, and hence of reading, has been the insertion of interactivity into fiction. As I will show in the Literature Review, a clear thrust of research since the early 1990s, and in my opinion the most significant, has concentrated on presenting the reader with choices that affect the plot. This has resulted in interactive stories in which the structure of the narrative can be altered by the reader of experimental fiction. The interest in this area of research is not surprising, as the interaction of readers with the fabric of the narrative provides a fertile ground for exploring, analysing, and discussing issues of plot consistency and continuity. I found in the literature several papers concerned with the effects of hyperlinking on literature, but none about how hyperlinked material and narrative could be integrated without compromising the narrative flow as designed by the author. It led me to think that the researchers had accepted hypertextuality and the linear organisation of fiction as being antithetical, thereby ignoring the possibility of exploiting the first while preserving the second. All the works I consulted were focussed on exploring the possibilities provided to authors (and readers) by hypertext or how hypertext literature affects literary criticism. This was true in earlier works by Landow and Harpold and remained true in later works by Bolter and Grusin. To quote another example, in his book Hypertext 3.0, Landow states: “Most who have speculated on the relation between hypertextuality and fiction concentrate [...] on the effects it will have on linear narrative”, and “hypertext opens major questions about story and plot by apparently doing away with linear organization” (Landow, 2006, pp. 220, 221). In other words, the authors have added narrative elements to Web pages, effectively placing their stories in a subordinate role. By focussing on “opening up” the plots, the researchers have missed the opportunity to maintain the integrity of their stories and use hyperlinked information to provide interactive access to backstory and factual bases. This would represent a missing link between the traditional way of reading, in which the readers have no influence on the path the author has laid out for them, and interactive narrative, in which the readers choose their way across alternatives, thereby, at least to a certain extent, creating their own path. It would be, to continue the metaphor, as if the readers could follow the main path created by the author while being able to get “sidetracked” into exploring hyperlinked material. In Hypertext 3.0, Landow refers to an “Axial structure [of hypertext] characteristic of electronic books and scholarly books with foot-and endnotes” versus a “Network structure of hypertext” (Landow, 2006, p. 70). My research aims at generalising the axial structure and extending it to fiction without losing the linearity at its core. In creative nonfiction, the introduction of places, scenes, and settings, together with characterisation, brings to life the facts without altering them; while much fiction draws on facts to provide a foundation, or narrative elements, for the work. But how can the reader distinguish between facts and representations? For example, to what extent do dialogues and perceptions present what was actually said and thought? Some authors of creative nonfiction use end-notes to provide comments and citations while minimising disruption the flow of the main text, but they are limited in scope and constrained in space. Each reader should be able to enjoy the narrative as if it were a novel but also to explore the facts at the level of detail s/he needs. For this to be possible, end-notes should provide a Web-like way of exploring in more detail what the author has already researched. My research aims to develop ways of integrating narrative prose and hyperlinked documents into a Hyperbook. Its goal is to create a new writing paradigm in which a story incorporates a gateway to detailed information. While creative nonfiction uses the techniques of fictional writing to provide reportage of actual events and fact-based fiction illuminates the affectual dimensions of what happened (e.g., Kate Grenville’s The Secret River and Hilary Mantel’s Wolf Hall), Hyperbooks go one step further and link narrative prose to the details of the events on which the narrative is based or, more in general, to information the reader might find of interest. My dissertation introduces and utilises Hyperbooks to engage in two parallel types of investigation Build knowledge about Italian WWII POWs held in Australia and present it as part of a novella in Hyperbook format. Develop a new piece of technology capable of extending the writing and reading process.
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Importance A key factor in assessing the effectiveness and cost-effectiveness of antiretroviral therapy (ART) as a prevention strategy is the absolute risk of HIV transmission through condomless sex with suppressed HIV-1 RNA viral load for both anal and vaginal sex. Objective To evaluate the rate of within-couple HIV transmission (heterosexual and men who have sex with men [MSM]) during periods of sex without condoms and when the HIV-positive partner had HIV-1 RNA load less than 200 copies/mL. Design, Setting, and Participants The prospective, observational PARTNER (Partners of People on ART-A New Evaluation of the Risks) study was conducted at 75 clinical sites in 14 European countries and enrolled 1166 HIV serodifferent couples (HIV-positive partner taking suppressive ART) who reported condomless sex (September 2010 to May 2014). Eligibility criteria for inclusion of couple-years of follow-up were condomless sex and HIV-1 RNA load less than 200 copies/mL. Anonymized phylogenetic analysis compared couples' HIV-1 polymerase and envelope sequences if an HIV-negative partner became infected to determine phylogenetically linked transmissions. Exposures Condomless sexual activity with an HIV-positive partner taking virally suppressive ART. Main Outcomes and Measures Risk of within-couple HIV transmission to the HIV-negative partner. Results Among 1166 enrolled couples, 888 (mean age, 42 years [IQR, 35-48]; 548 heterosexual [61.7%] and 340 MSM [38.3%]) provided 1238 eligible couple-years of follow-up (median follow-up, 1.3 years [IQR, 0.8-2.0]). At baseline, couples reported condomless sex for a median of 2 years (IQR, 0.5-6.3). Condomless sex with other partners was reported by 108 HIV-negative MSM (33%) and 21 heterosexuals (4%). During follow-up, couples reported condomless sex a median of 37 times per year (IQR, 15-71), with MSM couples reporting approximately 22 000 condomless sex acts and heterosexuals approximately 36 000. Although 11 HIV-negative partners became HIV-positive (10 MSM; 1 heterosexual; 8 reported condomless sex with other partners), no phylogenetically linked transmissions occurred over eligible couple-years of follow-up, giving a rate of within-couple HIV transmission of zero, with an upper 95% confidence limit of 0.30/100 couple-years of follow-up. The upper 95% confidence limit for condomless anal sex was 0.71 per 100 couple-years of follow-up. Conclusions and Relevance Among serodifferent heterosexual and MSM couples in which the HIV-positive partner was using suppressive ART and who reported condomless sex, during median follow-up of 1.3 years per couple, there were no documented cases of within-couple HIV transmission (upper 95% confidence limit, 0.30/100 couple-years of follow-up). Additional longer-term follow-up is necessary to provide more precise estimates of risk.
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La geolocalizzazione è l’insieme di metodi e tecniche che permette di mettere in relazione una certa informazione con un punto specifico della superficie terrestre. Il punto è generalmente indicato in maniera assoluta tramite coordinate latitudinali e longitudinali, oppure in maniera relativa ad altri punti noti. Nello specifico il concetto di geolocalizzazione enfatizza l’aspetto dinamico, riferendosi ad informazioni in tempo reale relative alla posizione, direzione e velocità del soggetto analizzato, e la conseguente analisi di percorso e comportamento. Tutto questo rende possibile la realizzazione di un sistema di localizzazione efficiente. La geolocalizzazione è considerata tra i più rivoluzionari campi di sviluppo in ambito sociale ed economico, pur avendo potenziali problemi legati alla privacy e libertà individuale di non semplice soluzione. In particolare è di interesse di ricerca e in ambito di commercio trovare un sistema di localizzazione adeguato non solo per l’esterno ma anche per situazioni indoor. In questa tesi verranno analizzati i vari metodi di posizionamento fino ad oggi studiati, sia indoor che outdoor per arrivare a proporre un sistema di localizzazione indoor basato su geomagnetismo dell’ambiente. Nel primo capitolo il documento presenta una riflessione storica sull’evoluzione del concetto di localizzazione, partendo dai primi tentativi di navigazione, fino ad arrivare ai più moderni sistemi tecnologici. Vedremo quindi nello specifico quali sono gli ultimi studi e tecnologie per un sistema di localizzazione indoor, concentrandosi sull’analisi dei vantaggi offerti da nuovi dispositivi con gli smartphones. Infine verrà descritto nel dettaglio il lavoro effettuato per la realizzazione di un prototipo di sistema di localizzazione indoor basato su geomagnetismo in sede aziendale GetConnected, dove si è svolta l’attività di tesi, e presso un grosso centro commerciale come caso d’uso pratico.