Mujeres en situaci?n de desplazamiento forzado por la violencia frente al ejercicio de sus derechos sector Charco Azul Comuna 13 Santiago de Cali

En este trabajo se evidencia que comenzando el siglo XXI, el desplazamiento forzado por la violencia a ra?z del conflicto armado interno sigue siendo el fen?meno que evidencia una tragedia humanitaria y que se manifiesta en ?xodo continuo de poblaciones enteras desarraigadas de sus lugares de origen, familias enteras se ven forzadas a establecerse en nuevos lugares de refugio para salvar sus vidas. Tratan de construir sus vidas lejos de los enfrentamientos, masacres y amenazas propias del conflicto armado interno. Los motivos principales que causan el desplazamiento masivo en el pa?s son lo econ?mico y la violencia, lo cual tiene como antecedente los a?os cincuenta del siglo XX, sin embargo entre los a?os ochenta y noventa esta tragedia social alcanza proporciones inocultables a ra?z de las violaciones de los derechos humanos. Para las v?ctimas del conflicto armado la violaci?n de sus derechos por parte de algunas instituciones del Estado, o las infracciones de estos por otros actores, es un evento que altera la cotidianidad diaria y el hecho de no poder hacer valer sus derechos por desconocimiento o por su mecanismo de protecci?n lo cual constituye la poblaci?n m?s vulnerable. A ra?z de la magnitud de este fen?meno dentro del territorio nacional el Estado crea la ley 387 de 1987 mediante la que establece medidas para la prevenci?n de desplazamiento forzado. Sin embargo, el problema de vulneraci?n de derechos a la poblaci?n desplazada en Colombia no tiene que ver con la falta de mecanismo de protecci?n en el ordenamiento jur?dico, sino porque este, no ha sido aplicado efectivamente. En este trabajo se escogi? como grupo poblacional a mujeres cabeza de hogar del sector Charco Azul comuna 13 de Santiago de Cali. Porque evidencia la feminizaci?n de la pobreza en cabeza de las jefas de hogar de conformidad con el art?culo 2do de la Ley 82 de 1993 que luego fue modificada por la ley 1232 de 2008, tema que ha generado debate y pol?mica, ya que son ellas las...

GEM Colombia 2009

La realización en Colombia, por cuarta vez consecutiva, del Global Entrepreneurship Monitor permitió observar que Colombia continúa teniendo uno de los niveles mundiales más altos en la tasa total de la nueva actividad empresarial (TEA). Para el año 2009 ésta fue del 22,38%, compuesta por una tasa de empresarios nacientes, del 14,98%, y por una tasa de nuevos empresarios, del 7,98%. Durante el ciclo de los cuatro años estos valores han permanecido relativamente estables, entre el 22,4% y el 22,7%. Sólo en 2008 se logró un valor del 24,52%. Esta estabilidad contrasta con las variaciones que los indicadores de desarrollo económico del país han tenido durante estos cuatro años.

Análisis de la toma de decisiones a nivel del alto gobierno, durante la crisis del Palacio de Justicia en noviembre de 1985.

El objetivo de este estudio, consiste en el análisis de la toma de decisiones del gabinete ministerial del presidente Belisario Betancur, durante la crisis de la toma del Palacio de Justicia por parte del M-19, durante los días 6 y 7 de noviembre de 1985. Para ello, se utilizará un enfoque histórico sociológico e institucional, realizando una revisión documental para describir los hechos previos a la toma del Palacio de Justicia, examinar el escalamiento de la crisis y explicar el proceso de toma de decisiones a nivel del alto gobierno, durante el desarrollo de la toma militar del Palacio. De esta forma se busca comprobar, utilizando principalmente el modelo de políticas gubernamentales de Graham T. Allison, que durante el proceso de toma de decisiones no se realizó un adecuado análisis del contexto, no se tuvo en cuenta los factores psicológicos de cada actor del conflicto, ni hubo claridad sobre el rol que desempeñó cada uno dentro de la mencionada crisis, creando las condiciones para el desenlace violento que generó el conocido Holocausto del Palacio de Justicia.

Asociaciones público privadas para la infraestructura social en salud: hacia la identificación de pautas para la definición de un modelo colombiano

Las asociaciones público privadas "APP" han sido utilizadas para distribuir riesgos y fomentar el desarrollo de los países a través de la provisión de infraestructura. Así, se implementan para proveer bienes y servicios públicos tanto en los sectores de infraestructura productiva (carreteras, puertos, aeropuertos, trenes), como en el sector de infraestructura social (escuelas, universidades, hospitales, edificaciones públicas, etc.). En Colombia, ante la escasez de recursos públicos y la necesidad de formular posiibles soluciones a la crisis del sector salud, surge como una posible solución el modelo de APP consagrado en la Ley 1508 de 2008.

Gobernanza del espacio público: el comparendo ambiental en la UPZ 97 Chicó Lago 2014 - 2016.

La política del comparendo ambiental como herramienta pedagógica para el adecuado manejo de los residuos sólidos, pretende responsabilizar a la ciudadanía sobre el aseo del espacio público, en tanto la gestión por sí sola del Estado o las empresas privadas no ha logrado alcanzar este objetivo. El presente trabajo busca analizar, en el marco del servicio público domiciliario de aseo, la gestión del comparendo ambiental en el espacio público de la UPZ 97 Chicó Lago del 2014 al 2016, haciendo énfasis en las relaciones de los actores desde una perspectiva de gobernanza. De esa manera nos aproximamos a la noción de la ciudadanía frente al comparendo ambiental, para determinar cómo la política incluye su participación en la gestión del aseo en el espacio público.

Conducting Gestures : Institutional and Educational Construction of Conductorship in Finland, 1973-1993

Anu Konttinen: Conducting Gestures Institutional and Educational Construction of Conductorship in Finland, 1973-1993. This doctoral thesis concentrates on those Finnish conductors who have participated in Professor Jorma Panula s conducting class at the Sibelius Academy during the years 1973 1993. The starting point was conducting as a myth, and the goal has been to find its practical opposite the practical core of the profession. What has been studied is whether one can theorise and analyse this core, and how. The theoretical goal has been to find out what kind of social construction conductorship is as a historical, sociological and practical phenomenon. In practical terms, this means taking the historical and social concept of a great conductor apart to look for the practical core gestural communication. The most important theoretical tool is the concept of gesture. The idea has been to sketch a theoretical model based on gestural communication between a conductor and an orchestra, and to give one example of the many possible ways of studying the gestures of a conductor.

Halun häilyvät rajat : Magnus Enckellin maalausten maskuliinisuuksien ja feminiinisyyksien representaatioista ja itsen luomisesta

My PhD-thesis The uneasy borders of desire Magnus Enckell's representations of masculinities and femininities and the question how to create the self concentrates on the works of Finnish fin-de-siècle artist Magnus Enckell (1870-1925). My thesis deals with representations of masculinities, femininities, sexualities and different identity-positions. My research is about questions concerning representational ways of melancholy, androgyny, narcissism, themes of Golden Age and Double in Enckell s ouvre. These themes are analyzed by contextualizing them with different, but intersecting, discourses of varied scientific, artistic and occult ideas in the fin-de-siècle. The main point is analyze how the subject is constructed in both Foucauldian and Freudian sense and what one has to know about oneself. My approaches are based on ideas expressed in different discourses as queer-theory, Michel Foucault s genealogical epistemology and knowledge-power theory, psychoanalysis, art history and visual culture studies. My starting point lays is Foucault s idea expressed in his The History of Sexuality that the constitution of homosexual or as well as heterosexual subject inaugurates possibilities for transgressive activities e.g. by giving own voice to the sexualized subject. My main thesis is to suggest that Enckell s works in their multiple and ambiguous ways construct a phantasmatic position for viewer who may identify oneself to different desires, may construct or deconstruct a sexual identity for oneself or try to define the truth about oneself. Enckell s works should be considered as a contradictory processes which both seduce person to construct an identity and as well as lure person to pursue for the deconstruction of specific and permanent identity by celebrating the ambiguousness and discontinuity in one s identity. I m suggesting that the gazing subject feels pleasure in finding one s identity but the one must face the exposure of the melancholic structure which forms the basis of sexual desire. The subject may try to resolve one s melancholy by creating a phantasy about the original and unisexual being where desires, sexualities, phantasies and identities haven t been diverged. This can be fantasized in terms of art which forms a double for the melancholic subject who is in this limited and imaginary way able to forget for a while one s existential solitude.

Olen maa johon tahdot : Timo K. Mukan maailmankuvan poetiikkaa

The dissertation deals with the prose texts of the Finnish writer Timo K. Mukka, renowned for his depictions of his native Lapland. This research concerns the creation of world view in Mukka s prose, which is approached by studying what Mikhail Bakhtin calls generic change. Such genre change is the most characteristic feature of Mukka s prose. His prose is permeated with two genres in particular and changes between them: the ballad-like, archaistic and romantic prose-poem style and naturalistic, even grotesque expressions. In addition, these genres are associated with sublime and grotesque styles so that generic change tends to involve also stylistic changes in Mukka s prose. This study probes the tension-filled interrelationships between the ballad and naturalistic prose by examining the discourse of Mukka s characters. It is shown that these characters invariably find themselves in what Bakhtin calls the chronotope of the threshold; that is, the plots of Mukka s novels and short stories depict situations in which the characters are faced with decisions and deeds that will profoundly impact their lives. The discourse of the threshold affects the characters speech by filling it with dialogical dimensions. This makes their communication ethically loaded and polyphonic. This study is based on Mikhail Bakhtin s theory of the novel and international Bakhtin s studies. I also take into consideration the theoretical developments of Bakhtin s work; for example, the concept of ressentiment, adapted from the Bakhtin scholar Michel André Bernstein, plays an important role. In order to explicate on the psychology of Mukka s characters such as melancholy, abjection, sadism, and taboo I use the concepts familiar from Freudian psychoanalysis. The corpus of my research consists of the following texts: the long prose texts Maa on syntinen laulu. Balladi (1964), Tabu (1965), Täältä jostakin. Romaani (1965), Laulu Sipirjan lapsista. Romaani (1966), Ja kesän heinä kuolee. Kertomus sairaudesta (1968) ja Kyyhky ja unikko (1970) and the short story collections Koiran kuolema (1967) ja Lumen pelko (1970), and with Tabu published short story Sankarihymni , the short story Katkelma laajemmasta laulelmasta from the collection Rakastaa: Kaksitoista novellia rakkaudesta (1965) and also the short stories which were published in various Finnish journals: Yöt (1965), Liisa (1967), Tyttö (1967) ja Näin hetki sitten ketun (1970). I pay particular attention to the novel Maa on syntinen laulu, because it expresses the generic change characteristic of Mukka s world view in a specifically clear and lively way. The dissertation is in Finnish. Key words: Timo K. Mukka, world view, genre change, ballad, naturalism, grotesque realism, Mikhail Bakhtin, dialogism, polyphony, chronotope, sublime, grotesque, ressentiment, Sigmund Freud, melancholy, taboo, abject, sadism, reduced laughter, modern parody.

Ruumiinkuvia! : Suomalainen performanssi- ja kehotaide 1980- ja1990-luvulla psykoanalyysin valossa

My PhD-thesis Body Images! Psychoanalytical Analysis of Finnish Performance and Body Art in the 1980s and 1990s considers Finnish performance and body art performed mainly by visual artists. In Part I, I chart the historical construction of performance art and its extension since the beginning of the 21st century. There are several wievs of the historical background of performance art. I introduce three different genealogies of performance art. One is Rose-Lee Goldberg s view. She connects performance art with the European avant-garde already at the beginning of the 20th century from futurists and dadaists to Russian avant-garde and the Bauhaus. I prefer to present performance art as contemporary art, which began to take shape in connection with visual arts in the 1950s and 1960s. The focus on the body is apparent in nearly all performance art. Nevertheless, throug the concept of body art I want to empasize the artist s body as the place of art. Body art (as part of performance art) functions as thematic and interpretive concept, which allows me to focus on performances where the questions of body image, narcissism, desire, language and pleasure are incorporated in particular intensive ways. In Part II, I explore the arrival of performance art in Finnish visual arts in the 1980s. I study the new generation s relation to earlier Finnish happenings (1960s) and performative actions in 1970 s. I briefly introduce performance groups of the 1980s art scene and consider their reception in media. The main focus is on the group Jack Helen Brut, in which I see many similarities to the so- called Theatre of Images. The goal of this part II is to provide historical context for the performance analysis that follows. In Part III, I develop the concept of body image which is my main theoretical term. The concept of body image is used according to Lacanian psychoanalytical theory, especially his considerations of mirror stages. My first mapping of body image, which I call imaginary body image, is based on Lacan s famous mirror stage article (1949). According to my reading, body image is narcistic and aggressive. The important concepts here are ego, imaginary, méconnaisance and alienation. In 1953 Lacan began to develop different version on mirror stage, in which he emphasized the primacy of symbolic dimension. It is not image, but language which constructs the foundations of body image. Central concepts in this chater are Other as language, ego-ideal, demand and desire. In the last chapter I connect the third version of the mirror stage to concepts of gaze, phantasy, real, jouissance and object a. In previous chapters I had considered body image in relation to ego. Now I explore it in relation to subject. In my reading the body image is fragile phenomen, which oscillates between yearning for coherence and phantasies of fragmented images. Part IV of the thesis begins with an introduction to the central concepts and debates in performace studies over the last few decades. Important concepts are presence, performativity and theatricality. The main substance of my thesis, however, is the performance analysis, which focuses on works by three Finnish artists and one Finnish group. The first analysis concerns the performance (1992) of Kimmo Schroderus. I discuss the relationship between narcissism and body art and the changes in demands projected on body images of men in recent decades in a Euro-American context. I also explore this performance in relation to the myth of Narcissus, which I reinterpret through Narcissus s aggression against his own body. The group Homo S is the main subject of the next analysis. I discuss the relationship between feminist art and performance art, especially in the United States in the 1960s and 1970s. Homo S is different from this early performance art because of its anarchism, humor and rejection of all ideals. Homo S characterizes its performance Body Body (1983) as liberating vulgar feminism . Sociality and performance of erotic relations between women are central in Body Body. Pia Lindman s performances are the subjects of my third analysis. I study three of her performances: Olen muoto (1993), 17 and in love (1994) and Arranged views (1995). I interpret these performances as efforts to disperse the imaginary and symbolic structures of the body image. She constructs the peculiar object a and phantasy space of her own. In the last analysis I move from questions of image and gaze to a study of language, sound and jouissance. I discuss at a general level the performance of orality and helplesness (Hilflosigkeit) in body art. The central elements in Pentti Otto Koskinen s performances are the ear, listening and receptive gestures and postions. Perseveraatio (1998) can be understood representing as submission to the super-ego s power, which compels one to enjoy. I examine particularly closely the performance Maissi on hyvää ei missään nimessä maissia (1995), which I interpret as the return of a baby s body image to the liminal site of choice: language or jouissance?

Evolución de la eficiencia reproductiva en la finca piloto San José del municipio de Santo Tomás, Chontales. Area modelo del proyecto de mejoramiento de la productividad ganadera para los productores de pequeña y mediana escala

El presente estudio se realizo con el objetivo de determinar la evolución de la eficiencia reproductiva en la finca piloto San José del municipio de Santo tomas, del departamento de Chontales. Evolución de la Eficiencia Reproductiva en la Finca Piloto San José, en el Municipio de Santo Tomas Chontales. Area modelo del proyecto de Mejoramiento de la Productividad Ganadera para los Productores de Pequeña y Mediana Escala. La finca se sitúa entre las coordenadas 13º28’51’’ latitud norte y 70º77’02’’ longitud este, con altura de 420 msnm, con una precipitación promedio anual de 1600 a 2000 mm, con temperatura media anual de 25º a 27ºC. El presente estudio se evaluaron los diferentes índices reproductivos de la finca piloto San José, haciendo uso de los registros que se levantaron durante la etapa de ejecución del proyecto, realizando monitoreos periódicos como: pesajes de ganado y diagnósticos reproductivos, también se realizaba pesaje de leche y prueba de mastitis, estas actividades se realizan una vez al mes, pero con diferencias de 15 días por actividades. La producción total de leche obtenida en la finca fue de 49.500kg de leche durante un año, cuando el IPP fue de 12 meses. Cuando el IPP llego a los 24 meses la producción de leche fue de 27,000Kg. Se obtuvo que entre menor fueron los IPP y los ingresos de las finca fueron mayores. Cuando se alargaron los dias de ordeño también se alargaron los dias de secado. En el año 2005 el promedio del IPC era de 8.5 meses y en el año 2008 se redujo a 4.7 meses. En el año 2005 el IPP era de 18 meses y para el año 2008 se redujo a 14 meses. Para el invierno del 2005 se tenía promedios de 9 partos en invierno con relación al de verano que fue de 3 partos, luego en el verano del 2008 los partos se redujeron a 4 partos, pero en invierno aumentaron a 15 partos por época. El IPC para el 2005 correspondía a un 22 %, para el año 2008 se logro reducir a un 7.5 %. El IPP en el año 2005 fue del 45.7 % y para el 2008 se redujo a un22.4 %, prácticamente se redujo a un 50 %. En la finca piloto en el 2005 se contaba con 12 animales en ordeño y al año 2008 se incremento su número de animales productivos a 19 animales. La producción promedio por vaca siempre se mantuvo estable entre los 4 y 5 litros de leche por vaca, aumentado solamente la producción total de leche por día.

Crimes contra a flora : análise sucinta

Consultora Legislativa - Área XI - Meio Ambiente e Direito Ambiental, Organização Territorial, Desenvolvimento Urbano e Regional. Apresenta Quadro comparativo entre os dispositivos do Decreto 6.514/2008 e da Lei de Crimes Ambientais (LCA) que têm a flora como bem tutelado.

Evolução da estrutura urbana de Viana do Castelo

Dissertação de Mestrado apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Mestre em Arquitectura e Urbanismo.

Giovanni Battista Montano as Architectural Draughtsman: Recording the Past and Designing the Future

Giovanni Battista Montano (1534-1621), who was born in Milan and trained as a woodcarver, relocated permanently to Rome in the early 1570s where his interest in sculpting was replaced by intense study of the city’s antique monuments and ruins. Although Montano carried out several sculptural and architectural projects during his time in Rome, it is his surviving corpus of drawings that testifies to his passion of exploring ancient architecture through the medium of drawing. While Montano was not famous during his lifetime, a large body of his intriguing designs became celebrated and widely circulated after his death thanks to the 1624 publication of Montano’s designs by his loyal pupil, Giovanni Battista Soria. Montano’s lifelong work differs from virtually all of his predecessors and contemporaries in its “fantastical” and ornamental nature. This thesis explores Montano’s artistic training as it relates to his later interest in imaginatively reconstructing antique buildings, along with his disregard for archaeological or historical accuracy. The subject matter upon which Montano focused is discussed, along with his objective in creating a large corpus of half-historical, half-invented drawings. His drawing techniques are explored with specific reference to the largest group of extant Montano drawings, today housed in Sir John Soane’s Museum, London, England, and also in reference to three original Montano drawings in the Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal. Also explored is the legacy and impact of Montano’s drawings and the later publications of his designs on the works of Roman Baroque architects, specifically Borromini and Bernini. This thesis ultimately attempts to understand the impact of the intellectual and artistic environment surrounding Montano in late sixteenth and early seventeenth century Rome, his drawing techniques, his choice of subject matter, and the reception that his unique works received from contemporary artists and intellectuals, along with those of the following generation.

Delamination of oil paints from acrylic grounds

Many modern artists paint in oil or oil-modified alkyd paints over acrylic grounds. In some cases the oil based paints do not remain adhered to the ground. In a set of composite samples of oil or alkyd paints, over acrylic grounds, naturally aged for nine years, some of the samples delaminated. Samples were analyzed with X-ray fluorescence (XRF), inductively coupled plasma (ICP), Fourier transform infrared - attenuated total reflectance (FTIR-ATR), scanning electron microscopy (SEM), pyrolysis gas-chromatography mass-spectrometry (PY-GC/MS), laser desorption/ionization mass-spectrometry (LDI-MS), atomic force microscopy (AFM) and other methods, in order to find what the delaminating ones have in common. In addition, two examples of severely delaminating paintings were examined, to confirm the results from the laboratory-prepared samples. Results indicate the main cause of delamination is metal soaps in the oil paint and particularly zinc soaps. There is some evidence that metal soaps were more concentrated at the interface between the layers and this disrupted the adhesion. The ground is a minor consideration as well, rougher grounds providing better adhesion than smooth ones.