A cultura brasileira de Darcy Ribeiro em língua inglesa: um estudo da tradução de termos e expressões de antropologia da civilização

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A periodização literária: uma análise dos materiais didáticos em dois momentos do século XX

Pós-graduação em Letras - FCLAS

O canto sem casaca: propriedades pedagógicas da canção brasileira e seleção de repertório para o ensino de canto no Brasil

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O estado da arte das vocalizações de anfíbios anuros da Mata Atlântica

The vocals are the most conspicuous means of communication between frogs and can express evolutionary relationships among species. Call descriptions of frogs, in general, not standard acoustic parameters which are greatly diversified and usually restricted to comparisons between closely related taxa. The Atlantic Forest is considered one of the biodiversity hotspots of the world, however, it appears that the number of species to be known is still very large. To anurans from this Brazilian Domain, vocalizations are complex and can vary intra and interpopulations. Thus, we presented a quantitative and qualitative analysis of the work descriptions of anuran advertisement call from the Atlantic Forest, available in the literature so far. The frog species from this Domain and their descriptions of the advertisement call have been raised in the literature, organized into families and threat category IUCN Red List Threatened Species. The analysis of the descriptions were made based on the presence of preset parameters. It was observed that the species which the advertisement call is described within the standard are expected within the Brazilian Atlantic Domain, but efforts to describe the advertisement call of frogs of the Atlantic are concentrated in non-threatened species. Among the descriptions works, there is a large discrepancy between the information presented, giving preference to the use of abiotic data in this kind of work, to the detriment of biotic data about choir where the songs were recorded. The results point to the need for advancements in the descriptions of the advertisement of endangered species or to those with deficient information on their conservation status in the Atlantic Forest, and also for greater communication between works that describe vocalizations of frogs. It will be important to know about the state of the art of descriptions works of frogs in other Brazilian Domains, and relate this information with knowledge...

O processo de integração de novos colaboradores nas organizações

This monograph ha as objective to study the process of integrating new employees in organizations. As the individual becomes inserted into a new professional reality, he is subject to some adjustment variables that can directly affect your income. Identifying this, companies started to worry about how to get these new members, since the way it is conducted is directly related to the success of your performance and productivity in the organization. The central focus of this study is to identify the characteristics of an integration program, as well as the grounds on which it is based. Thus, it is developed a literature review into three parts: the first discusses the importance of people in an organizational context, people management, organizational culture and socialization; the second part discusses organizational communication, and how it is an essential factor for the integrating process is finalized; the third part is allocated to programs of integration and report author's experience in organization Colégio Interativo. The integration process also brings benefits for new employees, once they start to feel like part of the team, is also advantageous for the organization, because the employee who knows what the company hopes it has more possibilities to meet the their needs

As canções de Camargo Guarnieri e Suzanna de Campos: um estudo para a interpretação

Pós-graduação em Música - IA

Elementos constitutivos do humor em sitcoms: uma análise à luz dos estudos da tradução baseados em corpus

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

"Portugal Vale A Pena" Un ritratto senza tempo del portogallo attraverso il prisma dei giornalisti

This dissertation aims at enhancing the cultural and linguistic skills in Portuguese of the author of this work, as it is a third language. This activity is carried out starting from the analysis and research of topics mentioned in a number of texts within a particular literary work, “Portugal Vale A Pena”. In this work, many Portuguese personalities express their vision on their country and state why Portugal matters. Since these texts have many cultural references, it can be assumed that such work of analysis and research can lead to better linguistic skills as well as a greater knowledge of the Portuguese culture. All of the chosen texts were originally written by journalists. This choice originates from the important service these professionals provide to the public as well as from the special role their work has played in my interpreting studies over the last couple of years. Chapter 1 explains why I chose this dissertation and who are the target users of these texts. Chapter 2 focuses on the role of journalists. A brief history of modern journalism is presented and its functions are analysed. This chapter also includes a section that examines which values make an event newsworthy. Attention is then paid to the evolution of Portuguese journalism, from Salazar's dictatorship until today. Teaching of journalism in Portuguese academia is also presented. Then, a selection of Portuguese-language media is offered. Chapter 3 focuses on some aspects of Portugal, with particular attention to its history. Finally, Chapter 4 presents a selection of texts from the original book. This part provides a biography of the authors, a translation with a comment and a presentation of some of the topics from the texts. To conclude, a glossary with words and expressions from the original text is included and their translations into Italian, Spanish and English are provided.

Da tradução ou não de pronomes e partículas pronominais do Italiano ao Português: algumas escolhas feitas por dois tradutores

Este estudo é movido pela curiosidade quanto a como se resolvem, nas traduções do italiano para o português, questões de colocação pronominal. Encontramos, normal e frequentemente, na língua italiana, principalmente na língua falada, pronomes cujos equivalentes em português existem em gramáticas normativas da língua portuguesa, mas que, na prática, não são utilizados pelos falantes e escritores brasileiros. Encontramos, também, na língua italiana, um significativo número de verbos pronominais (como esserci, volerci, averne etc.) e um considerável número de verbos pronominais múltiplos (como andarsene, farcela, fregarsene etc.) que, juntamente com esses pronomes, constituem, para os professores brasileiros de italiano língua estrangeira (LE), elementos difíceis de trabalhar na sala de aula. Além disso, tais elementos também podem dificultar o trabalho dos tradutores, que devem fazer determinadas escolhas ao traduzi-los para o português. Como são traduzidos os pronomes combinados do italiano nas versões brasileiras? Será que os portugueses, que possuem, por exemplo, tais pronomes utilizam-nos em todos os casos em que os encontramos nos textos de partida? E as partículas pronominais são simplesmente eliminadas no texto de chegada ou são substituídas? Tais aspectos, se observados e organizados, podem levar a uma melhor compreensão das duas línguas em contato e dar subsídios a estudantes, professores e tradutores. Pensando nessa dificuldade, esta pesquisa buscou e listou alguns autores e obras disponíveis para consulta e analisou um corpus com cento e sessenta e três ocorrências de pronomes no italiano, mais sete acréscimos de pronomes no português brasileiro (PB) e/ou português europeu (PE), partindo do romance Uno, nessuno e centomila de Luigi Pirandello e suas respectivas traduções em PB e PE. Nosso objetivo consiste em encontrar respostas úteis à diminuição do estranhamento, por parte de um italiano, que escuta, de um brasileiro, frases sem pronomes (ainda que o italiano as entenda) e/ou a sensação de inadequação e, até mesmo, de desconforto, por parte de um brasileiro, ao produzir frases com todos os pronomes. No corpus analisado, temos uma amostra das escolhas e respectivas traduções propostas pelos tradutores para casos de pronomes reflexivos, de pronomes pessoais do caso reto, de pronomes pessoais do caso oblíquo, de pronomes combinados e de partículas pronominais ne, ci e vi, com manutenções, omissões, trocas por outros pronomes (possessivos, retos, oblíquos, demonstrativos) e, até mesmo, uma espécie de compensação numérica com a inclusão de palavra inexistente no texto de partida.

Word-formation and the translation of Marvel comic book charactonyms

This article analyzes the solutions given in Spanish translations to the morphological creativity shown in the names of Marvel comic book characters. The English versions almost invariably provide a full description of the hero (or villain) by means of a wide variety of word-formation mechanisms leading to highly expressive charactonyms. Indeed, examples shall be listed of names of comic book heroes created through compounding, derivation, including prefixation or suffixation (both classical and Anglo-Saxon but also from other origins), lexical blending, abbreviation, clipping, onomatopoeia, and borrowings from Spanish or from other languages. Early translations into Spanish seemed to be slightly less expressive than the original, even when the same word-formation mechanism was used, usually due to either problems of transparency mainly in some of the word parts or to translation constraints. In later periods, a number of factors, including the influence from other media featuring the same characters and the general trend towards globalization through English, have led translators to choose repetition as the most frequent strategy, which has almost eliminated the creative power of wordformation mechanisms in Spanish and their ability to convey the stylistic effects found in the English versions.

Significación de los relatos de ‘ağā’ib dentro de la riḥla de Ibn al-Ṣabbāḥ

La obra de Ibn al-Ṣabbāḥ concita en su interior diversos géneros, y en especial el género riḫla. Sin embargo, como toda obra árabe medieval, posee características de otros géneros, como el geográfico, el autobiográfico y, en el caso del presente estudio, reúne relatos de ‘ağā’ib o ‘maravillas”. El artículo muestra ejemplos de cómo el unicum titulado Niṣāb al-ajbār wa-taḏkirat al-ajyār recoge la tradición de la literatura de maravillas o de ‘ağā’ib de la literatura árabe clásica.

Kitāb Umnīyat al-almaʻī wa-manīyat al-muddaʻī: wa-huwa sharḥ al-Maqāmah al-Ḥuṣaybīyah lil-muʼallif nafsih

taṣnīf Rashīd al-Dīn Abī al-Ḥusayn Aḥmad ibn ʻAlī ibn al-Zubayr al-Aswānī.

ʻIqd al-ajyād fī al-ṣāfināt al-jiyād

taʼlīf Muḥammad najl al-Amīr ʻAbd al-Qādir al-Jazāʼirī al-Ḥasanī.