145 resultados para Anthropologists.


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Missions were not simply sites of modernity, they were also the source of key data for the modernist theories of human progress. The idea that so called “primitive peoples” provided a window to the origins of human institutions seemed axiomatic to nineteenth-century theorists of human society who sought evidence for these ideas from settlers, administrators and particularly missionaries. The 1870s and 1880s were the high point of missionary engagement with study-bound anthropologists, as questionnaires and letters were sent from the centres to the edges of empires. Missionary responses, augmented with settler and explorer observations, became the footnotes in early anthropological texts on “primitive” societies. These analyses were then mined for the foundation texts of the other social sciences in the late nineteenth century. Along with many other scholars, Karl Marx and Friedrich Engels read the anthropology of the period and slotted the findings into their analyses of human society.

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This paper discusses issues that arose for me when I interviewed an Odissi dancer about her learning this Indian dance form, travelling as she did from Australia to Orissa to spend several months of each year over an 11-year period to live with her guru, the late Sanjukta Panigrahi. The issues I discuss are the problems associated with making a text from a live encounter, and the choice of perspectives used in analysing that text. Drawing on discussions by ethnographers, anthropologists and others about the role of poetics in intercultural research, and on my own dance experience, I reflect on my ‘positioning’ in the various stages of the research. I go on to propose that the live, the temporal and what is remembered in the body are important, potentially poetic modalities of knowledge, which can easily be elided in academically validated ways of thinking and doing.

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Friendship between nineteenth century missionary anthropologists and their converted cultural mentors was central to the gathering of cultural and linguistic information. This chapter traces the friendship between Anglican missionary/anthropologist, Robert Codrington, and brothers George Sarawia - first Melanesian priest - and Edward Wogale - deacon. Codrington's theological perspective on Melanesians and his close friendships with the pupils of the Melanesian Mission School at Norfolk Island allowed him to resist the increasing racialism of Atlantic science in the late nineteenth century and to challenge the evolutionist anthropology of the 1870s and 1880s. The chapter is based, in part, on a cache of letters from Wogale and Sarawia to Codrington written in Mota, the lingua franca of the Anglican Mission.

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Questioning the distinction between ‘cold’ and ‘hot’ societies, and an implied separation between myth and history, anthropologists have increasingly urged for an understanding of both myth and history as equally valid modes of shared social consciousness. This article takes up this point of view by referring to a written history of Lhagang, a town in Eastern Tibet; a history that appears to have the transformative content and oral circulation of myth. Using Lévi-Strauss’ structural analysis of myth and Santos-Granero's concept of topograms to demonstrate the mythemes that derive from the written history and circulate among Lhagang Tibetans, the article argues that, within the political and cultural context of Lhagang, myth and history shift in and out of indigenous categories even while being categorically distinct.

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 This is the first book in almost two decades to bring together scholars of Indonesia from the Australian academy in a single volume to reflect on and engage in a deep critique of their field. This is a timely contribution. The importance of Indonesia to Australia has never been more acute and it is essential that we have the tools for interpreting and understanding our nearest neighbour. Investigation of debates within the field of Indonesian studies will help us interpret better the perceptions and politics informing our study. As is befitting the multi-disciplinary nature of Indonesian studies, the book brings together leading political scientists, historians and anthropologists to give their unique perspectives and analysis of this field in the Australian academy and elsewhere in the West. This approach results in some divergent views on the fundamental questions of how Indonesia should be studied and the uses of Indonesia knowledge for activism, and presents new ideas about how we might pursue our work in the future.

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VITULLO, Nadia Aurora Vanti. Avaliação do banco de dissertações e teses da Associação Brasileira de Antropologia: uma análise cienciométrica. 2001. 143 f. Dissertaçao (Mestrado) - Curso de Mestrado em Biblioteconomia e Ciência da Informação, Pontifícia Universidade Católica de Campinas, Campinas, 2001.

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Many discussions about the role of the school are on the agenda, in an increasingly complex society. Sociologists, educators, anthropologists, researchers of different areas seek that role. The objective of this dissertation is to contribute what we can consider the central role for the physics teaching, citizenship training. We have elaborated a didactic proposal to increase the interest of high school students on issues of social relevance and, throughout it, to promote the formation of attitudes of social responsibility, enhancing the formation of a more politically and socially active citizen. For the preparation of the proposal, studies were made on education for citizenship and on attitudes change, using as its main theoretical foundation the researches on the Science, Technology and Society curricular emphasis. The teaching of Nuclear Physics was integrated to our proposal, due to its pedagogical potential for the discussion of social, political and economic subjects related to scientific concepts and associated technologies. The educational proposal we have produced was applied on a high school class of a private school at Natal-RN. It was composed from the controversial issue involving the installation of nuclear power plants in Brazilian northeast. The methodology of role playing, in which students assumed social roles and produced specific subsidies for a public hearing and a later referendum, both simulated. In the analysis of the implementation of the proposal, we highlighted the difficulties but also the possibilities and the relevance of exercising skills such as reasoning, finding information, and arguing about of social problems. The results of the research showed the possibility of meaningful learning on Nuclear Physics contents, through this social, political, economic, scientific and technological contextualization using a controversial and real issue together with mechanisms that trigger for greater popular participation, as public hearing. It has also been identified changes in attitude by some students about issues related to Nuclear Physics. We hope, through this dissertation, to contribute to the formation of future citizens as well as to the initiative of teachers-researchers with pedagogical aims similar to those in the present work

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Includes bibliography

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Includes bibliography

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Pós-graduação em Ciências Sociais - FFC

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Pós-graduação em Ciências Sociais - FFC

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Pós-graduação em Letras - FCLAS

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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A presente dissertação trata da atuação de intelectuais (poetas, jornalistas, militantes, estudantes, folcloristas, antropólogos) e artistas populares na formação da chamada “MPB”, Música Popular Brasileira, no Pará. Entre meados da década de 1960 e de 1970, setores intelectualizados da classe média paraense iniciaram uma grande mobilização no sentido de atualizarem a música popular produzida em Belém aos debates políticos e estéticos que a MPB realizava no restante do país. Festivais foram realizados, grupos de poesia e música surgiram, atuações políticas se misturavam com posturas boemias e grande atividade artística. A nova intelectualidade buscava ao mesmo tempo fazer uma música moderna, mas pautada em elementos da cultura popular paraense ou amazônida. Em meio a novos artistas advindos destes setores da sociedade uma revisão da memória da música popular se fazia e antigos nomes eram incorporados a uma tradição. Concomitantemente a isso, o carimbó, que até então estava restrito às cidades e comunidades interioranas, surge em Belém como uma explosão musical e torna-se música consumida pelas rádios, TVs e indústria do disco. A urbanização deste gênero do folclore regional leva a um amplo debate sobre autenticidade, mercado e identidade cultural da região amazônica e do Pará em particular. Neste processo, artistas de extratos populares entram em cena dando sua contribuição à música popular do Norte. O amplo debate nos jornais sobre o carimbó (sua autenticidade ou sua degeneração frente ao mercado) se soma as atuações da jovem intelectualidade. Neste complexo contexto de múltiplas atuações surge uma MPB de feições regionais.

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Baseado na pesquisa desenvolvida junto ao rap gospel/cristão evangélico em Belém do Pará, pude reunir dados que me levaram a refletir sobre questões gerais da antropologia. Desta forma, estruturei a dissertação na perpectiva de uma compilação de ensaios que tratam da questão de como é possivel a utilização da subjetividade, na construção do texto etnográfico. Esta subjetividade (minha e de meus manos do hip hop) emerge do que chamei de experiências, ou, os encontros no campo entre pesquisador, intermediários, interlocutores e informantes. Para a exposição da análise em si, sobre este sistema cultural (rap gospel), em forma de compreensão e interpretação, me vali da analogia com a composição, produção e gravação de um cd, na verdade, é como se cada ensaio contido aqui, constituísse uma faixa do disco Palavras Sagradas, rimas e experiências: Uma tentativa de compreensão sobre cristianismo pentecostal, rap e antropologia, do mc e antropólogo Bruno “B.O.” Borda, com uma faixa bônus inclusive. O rap rap gospel/cristão evangélico proporcionou-me reflexões sobre religião, juventude e relações raciais por um lado, e epistemologia, metodologia e arte por outro, fazendo com que eu apresentasse este trabalho com vistas muito mais de incitação ao questionamento e a dúvida, no melhor estilo filosófico, mantendo o rítimo e a poesia, para propiciar uma leitura mista, que atinja parceiros antropólogos e aliados hip hoppers, no mínimo.