Valores profissionais família e grupo de pares

Dissertação de Mestrado apresentada ao Instituto Superior de Psicologia Aplicada para obtenção de grau de Mestre na especialidade de Psicologia Educacional.

Centros históricos e desenvolvimento urbano: um estudo comparativo entre os programas Monumenta no Brasil e Polis em Portugal

Both the end of the twentieth century and the beginning of the twenty-first century have been characterized as a period of major political, economic, social and cultural transformations. Two of the major consequences of the political-economical crisis of the end of last century are the restructuring of capitalist production, and the consolidation of neoliberalism as a worldwide phenomenon. This new world political-economical scenario has influenced, in a dialectic way, the contemporary urban development. In that sense, "new" spatial processes and new paradigms in both urban management and urban planning have gained shape. In this context of urban transformations, the central areas of western cities, also known as historic centers, are being increasingly (re)valued. Since the Second World War, the historic centers urban areas which have great infrastructure and symbolic relevance had been undergoing a process of evasion of population and activities, undeniably linked to the neglect of government authorities. However, in recent decades, the question of historic centers rehabilitation has acquired a growing interest, academically and in political agendas. The object of this dissertation is to focus on how the government of each Brazil and Portugal has dealt with the issue of historic center rehabilitation through programs of urban rehabilitation

Ontologia do espaço : critica da critica da entificação social do ser enquanto pressuposto a uma teoria espacial interpenetrada a “ontologia do ser social”, de Gyorgy Lukacs

Tese (doutorado)—Universidade de Brasília, Instituto de Ciências Humanas, Departamento de Geografia, Programa de Pós Graduação em Geografia, 2015.

Pensamento de Remo Bodei sobre a filosofia do século XX : da estagnação ao retorno da responsabilidade

Dissertação (mestrado)—Universidade de Brasília,Instituto de Ciências Humanas, Programa de Pós-Graduação em Filosofia, 2014.

Primeira intervenção da GNR no local do crime

Este trabalho aborda a questão dos atos preparatórios no local do crime, isto é, as medidas cautelares e de polícia que o primeiro interveniente policial que chega ao local deve aplicar. As diligências efetuadas pelo primeiro militar que assume uma ocorrência e que, normalmente, não é especialista na área da Investigação Criminal ou forense, revelam-se de elevada importância para o sucesso da investigação pois repercutem-se ao longo de toda a investigação. Essa abordagem caracteriza-se por não visar uma intervenção investigatória e inspetiva, mas sim de prevenção e proteção do local. O objetivo geral do trabalho consiste numa contribuição para uma exploração mais determinada do local onde foi cometido um crime, através do melhor desempenho possível do primeiro interveniente policial. Os objetivos específicos passam por definir os procedimentos a tomar pelo primeiro interveniente (tendo em conta a sua especialidade, materiais e particularidades da fase da investigação) e definir o que é, para ele, um crime de cenário, identificando as possíveis repercussões de uma má gestão do local do crime para o sucesso da investigação. Utilizamos o método comparativo, estudando os diferentes Manuais de procedimentos (nacionais e internacionais). O quadro de referência é o materialismo histórico pois enfatizamos a dimensão histórica dos processos sociais, a legislação vigente e os problemas atuais para interpretar o nosso estudo. Este trabalho assume contornos exploratório-explicativos. Seguimos um método dedutivo, pois pretende-se chegar a um caso particular da lei geral, ou seja, aos procedimentos específicos do primeiro interveniente policial entre toda a gestão do local do crime. Os resultados mais significativos são a justificação da importância do local do crime para a Investigação Criminal e da complexidade que pode advir para o trabalho do primeiro interveniente. É possível concluir um conjunto padrão de ações que devem ser tomadas (guia prático) e como se pode melhorar a intervenção através de formação e cooperação entre os elementos.

Dialética, linguagem e genealogia : sobre o programa da dialética negativa de Adorno

Gostaria aqui de formular o programa mais geral, contido na Dialética Negativa de Adorno, a partir de algumas perspectivas histórico-filosóficas. Na primeira parte, procuro desenvolver a ideia de que a crítica de Adorno a Hegel, compreendida como um novo enlace entre dialética e ontologia, beneficia-se da interpretação proposta por Adorno de temas da filosofia kantiana (1). Em seguida, procuro mostrar como Adorno conecta sua reformulação da dialética a uma compreensão de linguagem fortemente devedora de estratégias genealógicas de argumentação (2). ______________________________________________________________________________ ABSTRACT

Entre o cartão-postal e a cidade real: um estudo sobre paisagem e produção imobiliária em Natal/RN

Recent studies concerning the landscape have investigated the most important activities that contribute for its modification and have tried to better understand the society through the marks left by its quotidian. It is understood that singular landscapes constitute the cultural patrimonies of the cities, once they are part of the daily life of the citizens and are present in their social representations. Some contemporary authors defend the preservation of the natural and urban landscape trying, specially, to keep its importance for the local population. Natal is a city where the ambient qualities are well defined and known by the beauty of the area where it is located. Situated just between a river and the sea, the city grew following its geographic characteristics. The Potengi River, the Atlantic Ocean and the vast dunes ecosystem represented natural limits to the urban expansion; at the same time they have favored the development of a landscape pattern marked by the dialectic between the natural elements and the human interventions. However, this relationship changed after the intensification of the high rising development process that took place since the 1960s. The urban legislation tried to preserve the features of the local landscape delimiting Areas for Controlling Building High , destined to protect the scenic value of some parts of the city. On the other hand, the civil construction sector has made constant pressure in sense to abolish or to modify this legal instrument, aiming profits that have increased, in the 1990s, because of the consumption and the qualification of the urban space for tourist activities. It is necessary the raising of new elements to stimulate the quarrel about the landscape preservation, the process of the urban space production and the best way for the legislation implementation. This work tries to raise elements about the subject at local level, in sense to use Natal City experience to contribute for the formulation of indicators to raise the question about the lack of measure for subjective values, for example the cultural and affective value of the landscape. The natural elements inserted in the urban profile, represent strong visual references and supply identity to the town; they are part of the collective imaginary and are detached in the social context of the city. Then, why the preservation of the landscape, that estimates the improvement in the quality of life, is not enough to justify the controlling building high already previewed as part of Natal City Legislation? These questions send us to the approach of the landscape, as a community patrimony, alerting that some of its significant esthetics attributes must be preserved as a legacy for the future generations

A regulação diante da evolução da essencialidade do serviço público : a reclassificação da banda larga como serviço de telecomunicações nos Estados Unidos

Dissertação (mestrado)—Universidade de Brasília, Faculdade de Direito, Programa de Pós-Graduação em Direito, 2016.

Le penser pacifié et l’agir moral de l’après Auschwitz selon T. W. Adorno

Dans Dialectique de la Raison, Adorno et Horkheimer tentent d’esquisser le pourquoi et le comment de ce retour à la barbarie qu’a connu la civilisation européenne, lors du troisième Reich. Quelles sont ces conditions qui ont rendu possibles les massacres administrés sous le régime nazi? La résolution de cette énigme qui se solde sur l’échec de l’Auflkärung nous dévoile une nécessité, celle d’une transformation radicale à la fois de l’éthique et de la métaphysique dans sa conception de la vérité. Celle-ci se présente à nous sous la forme d’une norme morale : « Dans leur état de non-liberté, Hitler a imposé aux hommes un nouvel impératif catégorique; penser et agir en sorte qu’Auschwitz ne se répète pas ». Quelles modalités de penser et d’agir nous exhortent ce nouvel impératif catégorique? La philosophie d’Adorno, critiqué pour n’avoir été que négative dans son entreprise, est-elle en mesure de nous fournir des prescriptions normatives capables de réorienter le penser théorétique et l’éthique?

Une mémoire oublieuse : théorie et pratique de l'énonciation de l'acteur chez Larry Tremblay, Daniel Danis et Christian Lapointe

Prenant appui sur l’occultation de la mémoire verbale par la théorie théâtrale actuelle, le présent mémoire questionne l’exercice mémoriel des acteurs contemporains à partir de la dialectique mémoire/oubli dans les théories et pratiques de l’énonciation de Larry Tremblay, de Daniel Danis et de Christian Lapointe. Le premier chapitre s’intéresse aux fondements de l’énonciation privilégiés par les praticiens dans leurs discours théoriques – Le crâne des théâtres (Tremblay), « La mémoire intime au théâtre » (Danis), « Petit guide de l’apparition à l’usage de ceux qu’on ne voit pas » (Lapointe) –, plus précisément à la valeur accordée à la mémorisation verbale. Le deuxième s’attache à montrer que les textes dramatiques des auteurs-metteurs en scène – The Dragonfly of Chicoutimi (Tremblay), Mille anonymes (Danis), Sepsis (Lapointe) – engagent aussi un rapport oblique à l’apprentissage par cœur. Enfin, le troisième cherche à définir la notion de mémoire oublieuse à la lumière de laquelle les théories et les pratiques de Tremblay, de Danis et de Lapointe peuvent être analysées ainsi qu’à en identifier certaines conséquences dans leurs mises en scène.

Le penser pacifié et l’agir moral de l’après Auschwitz selon T. W. Adorno

Dans Dialectique de la Raison, Adorno et Horkheimer tentent d’esquisser le pourquoi et le comment de ce retour à la barbarie qu’a connu la civilisation européenne, lors du troisième Reich. Quelles sont ces conditions qui ont rendu possibles les massacres administrés sous le régime nazi? La résolution de cette énigme qui se solde sur l’échec de l’Auflkärung nous dévoile une nécessité, celle d’une transformation radicale à la fois de l’éthique et de la métaphysique dans sa conception de la vérité. Celle-ci se présente à nous sous la forme d’une norme morale : « Dans leur état de non-liberté, Hitler a imposé aux hommes un nouvel impératif catégorique; penser et agir en sorte qu’Auschwitz ne se répète pas ». Quelles modalités de penser et d’agir nous exhortent ce nouvel impératif catégorique? La philosophie d’Adorno, critiqué pour n’avoir été que négative dans son entreprise, est-elle en mesure de nous fournir des prescriptions normatives capables de réorienter le penser théorétique et l’éthique?

Une mémoire oublieuse : théorie et pratique de l'énonciation de l'acteur chez Larry Tremblay, Daniel Danis et Christian Lapointe

Prenant appui sur l’occultation de la mémoire verbale par la théorie théâtrale actuelle, le présent mémoire questionne l’exercice mémoriel des acteurs contemporains à partir de la dialectique mémoire/oubli dans les théories et pratiques de l’énonciation de Larry Tremblay, de Daniel Danis et de Christian Lapointe. Le premier chapitre s’intéresse aux fondements de l’énonciation privilégiés par les praticiens dans leurs discours théoriques – Le crâne des théâtres (Tremblay), « La mémoire intime au théâtre » (Danis), « Petit guide de l’apparition à l’usage de ceux qu’on ne voit pas » (Lapointe) –, plus précisément à la valeur accordée à la mémorisation verbale. Le deuxième s’attache à montrer que les textes dramatiques des auteurs-metteurs en scène – The Dragonfly of Chicoutimi (Tremblay), Mille anonymes (Danis), Sepsis (Lapointe) – engagent aussi un rapport oblique à l’apprentissage par cœur. Enfin, le troisième cherche à définir la notion de mémoire oublieuse à la lumière de laquelle les théories et les pratiques de Tremblay, de Danis et de Lapointe peuvent être analysées ainsi qu’à en identifier certaines conséquences dans leurs mises en scène.

Loop openness: a video reflection on the open work of art

The objective of this article is to reflect on the video art work in its loop production to perceive the possibility of it being received as an open work. In order to contextualize this reflection the text is anchored in the concept of image-crystal from Gilles Deleuze. For the purpose of empirically explore theoretical concepts such as video art, open work and image-crystal it was produced a practical project of video art that intends to reflect on the notion of time in a context of a loop exhibition. Therefore this project aims to motivate the reflection on the loop as a mechanism to contour the ephemeral character of video art and, at the same time, it seeks to emphasize questions about the element of multiplicity and plurality in art. It is a scientific and artistic project in which the practical component supports the dialectic between theory and practice, action and reflection. In this sense, based on the video entitled "The Walk" this article demonstrates how the theoretical concepts were used to support the artistic creation. Finally the conclusions sustain that the work of video art, when presented in loop, is a creative and expository strategy which encourages multiple interpretations that vary according to the narrative, the context in which it takes place and the attitude and the background of the spectator.

Rural change south of the river Bride in counties Cork and Waterford: the surveyors' evidence 1716–1851

Estate studies in Irish historical geography have been often designed to confirm or contrast local trends of development with those previously identified at the regional or sub-regional level. To date, little attention has been awarded to estate maps in studies of rural landscape change. It is a theme of this paper that the results yielded from a careful study of such estate maps can throw light on the results of the activities of the majority of estate residents. In this regard, it is fortunate that at Lismore surveys of the estate in 1716–17 and 1773–4 have survived, and a nineteenth century dimension is added by an analysis of the Valuation Office maps for 1851. This work is focused on a study of critical indicators of change, notably leasing arrangements, farm size, rate and type of enclosure, infrastructural development and settlement growth. These changes are reviewed within the framework of the dialectic that developed between landlord or landlord-inspired management policies and the forces released locally by the vast bulk of the population. Broadly this analysis indicates some of the potential rewards which may be secured by detailed scrutiny of estate maps in conjunction with other estate records.