"It's always been stuck inside me but now it's come out" : children's explorations of their language identities though creative activities

Monogr??fico con el t??tulo: "La investigaci??n sobre la identidad profesional del profesorado en Europa

Vocational students??? intention to drop out in Flanders : the role of teacher beliefs

Monogr??fico con el t??tulo: "??De nuevo con el abandono escolar? : un an??lisis de pol??ticas, pr??cticas y subjetividades"

Les Affiches engagées à l'école primaire: out un décodage!

La publicité est depuis bien longtemps un sujet de débat social sur lequel différents auteurs se sont penchés, l’ont étudiée et ont donné leur avis, ainsi que des pistes d’analyse pour mieux comprendre ce phénomène qui est partout et qui touche toutes les couches de la population. Parmi toutes les formes que la publicité peut revêtir, il y en a une que l’on retrouve partout où l’on va et qui s’impose à notre regard. Il s’agit des affiches publicitaires. Ces dernières peuvent parfois être confondues avec une autre sorte d’affiches: il s’agit des affiches dites engagées. En effet, les élèves retrouvent ce type d’affiches partout ; sur le chemin de l’école, lorsqu’ils marchent dans la rue, que cela soit à la ville comme à la campagne, dans les journaux ou encore sur Internet. Dans ce projet de mémoire, je me suis intéressée à la création d’une séquence d’enseignement aux messages visuels, qu’ils soient scripturaux et/ou iconiques, véhiculés par les affiches engagées pour une classe de 6P de l’école primaire genevoise. Cette séquence se compose de six leçons et a comme finalité la production, par les élèves eux-mêmes, d’une affiche engagée

Museums and quality, from the concept of the museum that carries out functions to the museum that provides services

Quality management Self-evaluation of the organisation Citizens/customers satisfaction Impact on society evaluation Key performance evaluation Good practices comparison (Benchmarking) Continuous improvement In professional environments, when quality assessment of museums is discussed, one immediately thinks of the honourableness of the directors and curators, the erudition and specialisation of knowledge, the diversity of the gathered material and study of the collections, the collections conservation methods and environmental control, the regularity and notoriety of the exhibitions and artists, the building’s architecture and site, the recreation of environments, the museographic equipment design. We admit that the roles and attributes listed above can contribute to the definition of a specificity of museological good practice within a hierarchised functional perspective (the museum functions) and for the classification of museums according to a scale, validated between peers, based on “installed” appreciation criteria, enforced from above downwards, according to the “prestige” of the products and of those who conceive them, but that say nothing about the effective satisfaction of the citizen/customers and the real impact on society. There is a lack of evaluation instruments that would give us a return of all that the museum is and represents in contemporary society, focused on being and on the relation with the other, in detriment of the ostentatious possession and of the doing in order to meet one’s duties. But it is only possible to evaluate something by measurement and comparison, on the basis of well defined criteria, from a common grid, implicating all of the actors in the self-evaluation, in the definition of the aims to fulfil and in the obtaining of results.

Developing language while out in the community

This is an informal study centering on the needs of parents of children who are deaf or hearing impaired. The information analyzed and obtained focused on the role of parents in their children’s lives.