902 resultados para Journalistic genres


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O interesse pela área de investigação de tradução em jornalismo aumentou após o projeto Translation in Global News da Universidade de Warwick em 2006. No entanto, esta é uma área ainda pouco explorada pelos Estudos de Tradução, tal como afirma van Doorslaer (2010), e como se pode comprovar no contexto português, pelo número escasso de trabalhos publicados. O presente estudo pretende analisar o processo de tradução em contexto jornalístico recorrendo, para tal, a uma metodologia com base nas abordagens cognitivas em Estudos de Tradução. Através da gravação de ecrã, foi possível observar, em tempo real, o processo de criação do texto jornalístico de jornalistas da redação do jornal online Observador. Desta maneira, procura-se enquadrar o conceito de transedição, proposto por Stetting (1989). Além disso, espera-se compreender a pertinência das abordagens cognitivas enquanto ferramentas que permitem melhor compreender os processos mentais tradutórios e a aplicabilidade das estratégias propostas por Hursti (2001) na tradução em jornalismo.

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A modinha é um gênero musical que se encontra nas raízes musicais tanto de Portugal quanto do Brasil. Em ambos os países a modinha vem a se caracterizar como música nacional, mas as suas origens nos levam ao meio rural português dos séculos XVI e XVII e à chamada moda portuguesa. Após percorrer uma trajetória de cerca de duzentos anos, a modinha vem a desaparecer no século XX, no Brasil (enquanto em Portugal sua prática já havia sido abandonada em meados do século XIX), mas ainda assim deixando extenso legado. A modinha se adaptou a diferentes sociedades e períodos e assimilou diversos gêneros musicais, sendo de igual forma influenciada por diferentes correntes literárias. O gênero foi retratado por viajantes, religiosos, autoridades e esteve presente tanto nos saraus dos palácios da corte e dos salões das elites, quanto nas serenatas noturnas, entoadas por seresteiros. Procuramos aqui, através de grande variedade de fontes e documentos históricos remontar a trajetória da modinha, desde suas origens até sua dissipação, ressaltando ainda possíveis desvios que possa ter tomado, ao que chamamos de veleidades.

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As redes sociais estão a mudar a forma como os leitores acedem a conteúdos noticiosos e interagem com eles, não só recomendando notícias como facilitando conversas. Hoje, o Facebook é parte do quotidiano de um quinto da população mundial. Mas poderá esta rede social ser um canal de distribuição de notícias online? Esta investigação a que nos propomos tem por base o estudo de caso do Correio da Manhã, um dos jornais portugueses com maior circulação em papel e que se tornou líder no digital, em grande parte, graças à sua estratégia nas redes sociais. A análise e a aplicação de conceitos sobre o uso do Facebook, com vista ao aumento das audiências de um site noticioso, permitem tirar conclusões, quantitativas e qualitativas, sobre a problemática em questão. Como podem as publicações jornalísticas tirar melhor partido do Facebook? Deverá o jornalismo digital especializar-se na distribuição de notícias através das redes sociais? Quais as estratégias a aplicar para incrementar as audiências de um website através do Facebook como canal de distribuição? Neste contexto, pretendeu-se fazer uma análise sobre a forma como os meios de comunicação social estão a usar o Facebook para uma abordagem das melhores práticas jornalísticas nesta rede social. É nosso propósito examinar o papel das notícias no Facebook e a forma como os jornalistas se devem comportar, numa tentativa de criar regras para se tirar o melhor proveito do Facebook em função das audiências

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Comme d'autres institutions académiques européennes, les universités suisses connaissent des changements importants et « l'excellence académique » est devenu un critère central lors de la sélection des dossiers pour les postes de rang professoral. Dans cet article, nous analyserons les critères d'excellence tels qu'ils apparaissent dans le programme Professeur.e.s boursiers.ières du FNS et les confronterons aux résultats d'une recherche sur les trajectoires de la relève académique que nous avons menée à l'Université de Lausanne. Nous montrerons comment la définition de l'excellence académique obéit à des logiques genrées qui rendent l'accession à un poste professoral plus difficile pour les femmes que pour les hommes. Nous verrons pourquoi les critères d'évaluation des sciences dures, qui sont peu à peu transférés vers les sciences humaines, renforcent les mécanismes d'exclusions des femmes des mondes académiques.

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La mort est au centre de toutes les sociétés. Quelles que soient les procédures funéraires suivies - de la crémation du cadavre à l'embaumement le plus sophistiqué -, la mort fait l'objet de traitements obéissant aux conceptions que les sociétés se font de la mort elle-même, du devenir du défunt et des relations que les vivants entretiennent avec ce dernier. Si la mort donne lieu à des rites funéraires fort variés, ceux-ci partagent cependant des fonctions communes: prendre acte d'une rupture tout en la dissolvant dans le temps long d'une transition, créer un espace dans le temps ordinaire continu, recomposer du lien social là où la mort a imposé un vide.... Etudier les rites funéraires, c'est donc s'intéresser aux réponses culturelles développées par les êtres humains face à la mort biologique, s'interroger sur les pratiques mises en place pour accompagner les défunts, mais aussi aborder la question du deuil et de la séparation des vivants d'avec leurs morts. -- Trois dimensions Pour transmettre ces connaissances, une nouvelle forme de communication multimédia a été mise au point au sein d'une équipe interdisciplinaire sciences humaines-informatique : «les eTalks», un nouveau nom que nous nous permettons d'utiliser désormais en français. Cette nouvelle forme est décrite plus bas. Quant à leur contenu, les eTalks proposés sont issus de deux cycles de formation continue organisés par l'Université de Lausanne et la Haute école pédagogique du canton de Vaud en 2010 et 2012. Les conférences, données par des professeurs d'université, de Hautes Ecoles ou par des praticiens, s'adressaient à un public provenant d'horizons professionnels très variés (enseignants, agents funéraires, membres du corps médical, représentants des communautés religieuses, etc.). Il est donc à relever que les genres littéraires de ces e-talks varient, depuis la communication académique standard, jusqu'aux témoignages de professionnels engagés sur le terrain. -- Pour des raisons de clarté, nous avons regroupé les eTalks en trois sous-thèmes: -- 1. A la découverte des cultures funéraires Génératrice de culture depuis la préhistoire, la mort suscite des attitudes et des pratiques diversifiées selon les époque et les sociétés. Les eTalks regroupés ici visent à présenter et à expliquer des pratiques funéraires développées dans trois traditions religieuses distinctes - l'Egypte ancienne, le monde réformé (du XVIe - XIXe siècle) et l'islam - et invitent ainsi à comparer des usages provenant d'horizons culturels très différents. -- 2. Rites funéraires sur le terrain Dans nos sociétés très institutionnalisées, la mort et les demandes de rites funéraires qui en découlent ont aussi un impact au sein des établissements professionnels que l'on fréquente à différentes étapes de nos vies. Les eTalks regroupés ici s'intéressent aux rites funéraires et à la gestion du deuil dans des institutions telles que l'école, les établissements médico-sociaux, le monde du travail et les pompes funèbres. Ils joignent des recherches menées sur le terrain et rendent compte des expériences vécues par les acteurs institutionnels confrontés à la mort. -- 3. Rites funéraires contemporains Certains déplorent la déperdition des rites funéraires dans nos sociétés contemporaines. Mais en est-il vraiment ainsi ? N'assiste-t-on pas aujourd'hui à une revitalisation des formes rituelles que ce soit à travers la reélaboration de pratiques anciennes ou la création de nouveaux rites ? Les eTalks regroupés ici démontrent en tous les cas une grande vitalité rituelle que ce soit par le biais de la réinterprétation et de l'adaptation des traditions religieuses ou de la créativité dont témoignent des non-croyants. Ils indiquent qu'après un temps marqué par l'éloignement de la mort, nous sommes peut-être engagés dans des formes multiples de réappropriation de cette dernière.

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Contient : « Cy commence la praticque de faire l'or potable, pour la conservation et santé de la vye humaine » ; « Or ensuit la manière de faire les perles et marguerites » ; « Pour faire fin argent » ; « L'oeuvre de l'Espagnol » ; Autre traité : « Vous devez sçavoir qu'il a trois genres, assavoir animal, minéral et végétal... »

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Contient : I太上感應篇Tai shang gan ying pian.Le Tai shang gan ying pian ; II感應篇讀法纂要Gan ying pian du fa zuan yao.Principes pour la lecture du Gan ying pian ; III太上洞玄靈寶梓潼本願眞經Tai shang dong xuan ling bao zi tong ben yuan zhen jing. Autre titre : 文昌帝君本願眞經Wen chang di jun ben yuan zhen jing.Le vrai livre sacré des vœux du dieu de la Littérature ; IV文昌帝君陰騭文Wen chang di jun yin zhi wen ; V文昌帝君勸孝文Wen chang di jun quan xiao wen.Traité pour conseiller la piété filiale, par le dieu de la Littérature ; VI南無大慈大悲觀世音菩薩救苦經Na mo da ci la bei guan shi yin pu sa jiu ku jing.Sūtra de Guan yin miséricordieuse qui sauve du malheur ; VII南無大慈大悲觀世音菩薩救苦經Na mo la ci da bei guan shi yin pu sa gan ying bao sheng jing.Sūtra de Guan yin miséricordieuse qui répond aux pričres et préserve les êtres vivants ; VIII文昌帝君救劫寶章Wen chang di jun jiu jie bao zhang.Précieux articles du dieu de la Littérature pour le salut du monde ; IX文昌帝君聖訓 。蕉窻十則Wen chang di jun sheng xun. Jiao chuang shi ze ; X文昌帝君勸敬字紙文Wen chang di jun quan jing zi zhi wen. Autre titre : 勸敬惜字文Quan jing xi zi wen.Traité pour conseiller le respect des caractères d'écriture ; XI文昌聖願十戒Wen chang sheng yuan shi jie.Les dix défenses du dieu de la Littérature ; XII東嶽大帝回生寶訓Dong yue da di hui sheng bao xun.Précieuses instructions du dieu du Dong yue sur la transmigration ; XIII圓明斗帝勸世文Yuan ming dou di quan shi wen. Autre titre : 斗姥勸世文Dou mu juan shi wen.Conseils au monde, traité de la déesse Yuan ming dou mu ; XIV玄天上帝金科玉律Xuan tian shang di jin ke yu lü.Lois de l'Empereur céleste.Quan shi ge yan.Conseils au monde, par l'Empereur céleste ; XV關聖帝君眞經Guan sheng di jun zhen jing. Autre titre : 關聖帝君寶訓Guan sheng di jun bao xun.Le vrai livre sacré du réveil du monde, par le dieu de la Guerre ; XVI魏元君勸世文Wei yuan jun quan shi wen.Conseils au monde de Wei Yuan jun ; XVII蓮池大師放生文Lian chi da shi fang sheng wen.Traité conseillant de mettre en liberté les êtres qui ont vie, par Lian chi ; XVIII純陽祖師延壽育子歌Chun yang zu shi yan shou yu zi ge.Chant sur la longévité et l'obtention de fils, par le dieu Fu you ; XIX袁了凡先生立命篇Yuan liao fan xian sheng li ming pian ; XX俞淨意公遇竈神記Yu jing yi gong yu zao shen ji ; XXI文昌帝君功過格Wen chang di jun gong ge ge. Autre titre : 太微仙君功過格Tai wei xian jun gong ge ge.Échelle des mérites et des péchés, par le dieu de la Littérature ; XXII呂叔簡先生居官戒刑八章Lü shu jian xian sheng ju guan jie xing ba zhang.Huit conseils aux fonctionnaires, relativement aux châtiments ; XXIII遏淫說E yin shuo ; XXIV戒賭十條Jie du shi thiao.Dix articles contre le jeu ; XXV勸戒溺女言Quan jie ni nü yan.Paroles pour interdire l'infanticide des filles ; XXVI感應篇致福靈驗Gan ying pian zhi fu ling yan.Exemples miraculeux de bonheur produit par le Gan ying pian ; XXVII文昌帝君陰隲文靈驗Wen chang di jun yin zhi wen ling yan.Miracles du Yin zhi wen ; XXVIII損子墮胎異報Sun zi duo tai yi bao.Châtiment extraordinaire de l'infanticide et de l'avortement ; XXIX救急五絕良方Jiu ji Wu jue liang fang.Recettes contre cinq genres de mort ; XXX安胎催生藥方An tai cui sheng yue fang.Remèdes pour faciliter l'accouchement ; XXXI異傳不出天花經驗奇方Yi chuan bu chu tian hua jing yan qi fang.Recettes merveilleuses pour éviter la petite vérole ; XXXII經驗瘧疾方Jing yan yue ji fang.Recette contre la fièvre intermittente ; XXXIII經驗救急良方Jing yan jiu ji liang fang.Formules pour les cas urgents, avec suppléments ; XXXIV勸世良言Quan shi liang yan.Conseils au monde ; XXXV百忍說Bai ren shuo.Traité des cent résignations ; XXXVI百忍歌Bai ren ge.Chant des cent résignations ; XXXVII文昌帝君救世文Wen chang di jun jiu shi wen.Traité pour sauver le monde, par le dieu de la Littérature ; XXXVIII道德天尊像Dao de tian zun xiang.Portrait de Lao zi ; XXXIX靈通萬應丸Ling tong wan ying huan.Pilules de la pénétration spirituelle et des 10. 000 effets ; XL敬信陰隲文獲報Jing xin yin zhi wen he bao.Effets miraculeux du Yin zhi wen ; XLI牙頤神方Ya yi shen fang.Formules merveilleuses contre le mal de dents et la fluxion ; XLII功過格分類彚編Gong ge ge fen lei hui bian.Liste méthodique des mérites et des péchés

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Bill Hogan was a student at Brock for two years. Among other things, he was editor in Chief of the Badger, now called The Press, and was involved in all things journalistic. His wife Pauline Hogan graduated from Brock in 1970 as well and both live and work in St Catharines. He is an antique dealer and she is a Theologian and has just earned her doctorate.

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Bill Hogan was a student at Brock for two years. Among other things he was editor in Chief of the Badger, now "The Press", and was involved in all things journalistic. His wife Pauline Hogan graduated from Brock in 1970 as well and both live and work in St Catharines. He is an antique dealer and she is a Theologian and has just earned her doctorate.

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This thesis examines Death of a Ghost (1934), Flowers for the Judge (1935), Dancers in Mourning (1937), and The Fashion in Shrouds (1938), a group of detective novels by Margery Allingham that are differentiated from her other work by their generic hybridity. The thesis argues that the hybrid nature of this group of Campion novels enabled a highly skilled and insightful writer such as Allingham to negotiate the contradictory notions about the place of women that characterized the 1930s, and that in dOing so, she revealed the potential of one of the most popular and accessible genres, the detective novel of manners, to engage its readers in a serious cultural dialogue. The thesis also suggests that there is a connection between Allingham's exploration of modernity and femininity within these four novels and her personal circumstances. This argument is predicated upon the assumption that during the interwar period in England several social and cultural attitudes converged to challenge long-held beliefs about gender roles and class structure; that the real impact of this convergence was felt during the 1930s by the generation that had come of age in the previous decade-Margery Allingham's generation; and that that generation's ambivalence and confusion were reflected in the popular fiction of the decade. These attitudes were those of twentieth-century modernity--contradiction, discontinuity, fragmentation, contingency-and in the context of this study they are incorporated in a literary hybrid. Allingham uses this combination of the classical detective story and the novel of manners to examine the notion of femininity by juxtaposing the narrative of a longstanding patriarchal and hierarchical culture, embodied in the image of the Angel in the House, with that of the relatively recent rights and freedoms represented by the New Woman of the late nineteenth-century. Pierre Bourdieu's theory of social difference forms the theoretical foundation of the thesis's argument that through these conflicting narratives, as well as through the lives of her female characters, Allingham questioned the Hsocial myth" of the time, a prevailing view that, since the First World War, attitudes toward the appropriate role and sphere of women had changed.

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An interdisciplinary approach is used to identify a new graphic novel genre, 'comics camet', and its key features. The study situates comics camet in a historical context and shows it to be the result of a cross-pollination between the American and French comics traditions. Comics camet incorporates features from other literary genres: journalism, autobiography, ethnography and travel writing. Its creators, primarily European rriales, document their experiences visiting countries that Europe has traditionally defined as belonging to the 'East'. A visual and narrative analysis, using theoretical perspectives derived from cultural and postcolonial studies, examines how comics camet represents the non-European other and identifies the genre's ideological assumptions. Four representative texts are examined: Joe Sacco's Palestine (2001), Craig Thompson's, Camet de Voyage (2004), Guy Delisle's Pyongyang (2005) and Mrujane Satrpi's Persespolis 2 (2004). The study concludes that the comics camet genre simultaneously reinforces and challenges stereotypical assumptions about non-European people and places.

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This thesis examines the independent alternative music scene in the city of Hamilton, Ontario, also known, with reference to its industrial heritage, as "Steeltown." Drawing on the growing literature on the relationship between place and popular music, on my own experience as a local musician, direct observation of performances and of venues and other sites of interaction, as well as ethnographic interviews with scene participants, I focus on the role of space, genre and performance within the scene, and their contribution to a sense of local identity. In particular, I argue that the live performance event is essential to the success of the local music scene, as it represents an immediate process, a connection between performers and audience, one which is temporally rooted in the present. My research suggests that the Hamilton alternative music scene has become postmodern, embracing forms of "indie" music that lie outside of mainstream taste, and particularly those which engage in the exploration and deconstruction of pre-existing genres. Eventually, however, the creative successes of an "indiescene" permeate mass culture and often become co-opted into the popular music mainstream, a process which, in turn, promotes new experimentation and innovation at the local level.

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The Intelligencer was an American newspaper that was established, in 1800, in Washington by Samuel Harrison Smith, a young Jeffersonian- Republican from Philadelphia. The paper was a supporter of the Jefferson and Madison administrations until 1810 when it was sold to Joseph Gales Jr. from North Carolina. In 1812 William Seaton joined Gales as a publishing partner. This paper made significant contributions to the nation and wielded considerable influence in political circles during its publication. It has been praised for its "high standard of journalistic excellence and high intellectual level of its contents". (William E. Ames , National Intelligencer: Washington's Leading Political Newspaper) The Intelligencer was, until 1810, named the National Intelligencer, and Washington Advertiser. It was a tri-weekly paper and had a peak circulation of 6, 000. Publication was suspended in 1869.

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The Intelligencer was an American newspaper that was established, in 1800, in Washington by Samuel Harrison Smith, a young Jeffersonian- Republican from Philadelphia. The paper was a supporter of the Jefferson and Madison administrations until 1810 when it was sold to Joseph Gales Jr. from North Carolina. In 1812 William Seaton joined Gales as a publishing partner. This paper made significant contributions to the nation and wielded considerable influence in political circles during its publication. It has been praised for its "high standard of journalistic excellence and high intellectual level of its contents". (William E. Ames , National Intelligencer: Washington's Leading Political Newspaper) The Intelligencer was, until 1810, named the National Intelligencer, and Washington Advertiser. It was a tri-weekly paper and had a peak circulation of 6, 000. Publication was suspended in 1869.

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The Intelligencer was an American newspaper that was established, in 1800, in Washington by Samuel Harrison Smith, a young Jeffersonian- Republican from Philadelphia. The paper was a supporter of the Jefferson and Madison administrations until 1810 when it was sold to Joseph Gales Jr. from North Carolina. In 1812 William Seaton joined Gales as a publishing partner. This paper made significant contributions to the nation and wielded considerable influence in political circles during its publication. It has been praised for its "high standard of journalistic excellence and high intellectual level of its contents". (William E. Ames , National Intelligencer: Washington's Leading Political Newspaper) The Intelligencer was, until 1810, named the National Intelligencer, and Washington Advertiser. It was a tri-weekly paper and had a peak circulation of 6, 000. Publication was suspended in 1869.