967 resultados para Cave paintings.


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Essay in a monograph associated with the exhibition Julian Opie: Sculptures, Paintings, Films at the Museum of Contemporary Art in Krakow, Poland, 18 October 2014 to 25 January 2015. Slyce attempts to re-examine the lineaments of Opie's practice for a new and broader audience. During which, he calls attention in the writing to the processes of its commissioning and early request to do so for a 'Polish audience'. He attempts to bring to light some of these often invisible moves in the commissioning of catalogue essays, while also re-examining Julian Opie's practice in light of its established reception in Britain.

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A new scheme for painterly rendering (NPR) has been developed. This scheme is based on visual perception, in particular themulti-scale line/edge representation in the visual cortex. The Amateur Painter (TAP) is the user interface on top of the rendering scheme. It allows to (semi)automatically create paintings from photographs, with different types of brush strokes and colour manipulations. In contrast to similar painting tools, TAP has a set of menus that reflects the procedure followed by a normal painter. In addition, menus and options have been designed such that they are very intuitive, avoiding a jungle of sub-menus with options from image processing that children and laymen do not understand. Our goal is to create a tool that is extremely easy to use, with the possibility that the user becomes interested in painting techniques, styles, and fine arts in general.

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Painterly rendering (non-photorealistic rendering or NPR) aims at translating photographs into paintings with discrete brush strokes, simulating certain techniques (im- or expressionism) and media (oil or watercolour). Recently, our research into visual perception and models of processes in the visual cortex resulted in a new rendering scheme, in which detected lines and edges at different scales are translated into brush strokes of different sizes. In order to prepare a version which is suitable for many users, including children, the design of the interface in terms of window and menu system is very important. Discussions with artists and non-artists led to three design criteria: (1) the interface must reflect the procedures and possibilities that real painters follow and use, (2) it must be based on only one window, and (3) the menu system must be very simple, avoiding a jungle of menus and sub-menus. This paper explains the interface that has been developed.

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Dissertação mest., História da Arte Portuguesa, Universidade do Algarve, 2007

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Dissertação mest., Agricultura sustentável, Universidade do Algarve, 2007

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Dissertação mest., Psicologia da Educação, Universidade do Algarve, 2009

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Dissertação mest., Ciências Biomédicas, Universidade do Algarve, 2010

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Dissertação mest., Psicologia da Saúde, Universidade do Algarve, 2009

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Dissertação mest., Gestão Sustentável de Espaços Rurais, Universidade do Algarve, 2009

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Dissertação mest., Ciências da Educação, Universidade do Algarve, 2009

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Tese dout., História da Arte Modera, Universidade do Algarve, 2006

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Dissertação mest., Psicologia da saúde, Universidade do Algarve, 2008

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Dissertação mest., Aquacultura e Pescas, Universidade do Algarve, 2006

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Tese dout., Aquacultura, Universidade do Algarve, 2008