912 resultados para Attis (God)
Resumo:
The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams¿s Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition ¿Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of men¿s and women¿s tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.
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The aim of this article is to show the Western centuries-old misogynist tradition from its origins in Greece by analysing a text by the allegorical interpreter of the Bible Philo of Alexandria, his De opifico mundi, which on many occasions is read by him from a Platonic point of view. The accurate analysis of the chapters devoted to the creation of the woman by God proves to what extent it is not possible to understand this text if one does not take into account a Greek philosophical tradition which was already centuries-old.
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The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition a Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of mens and womens tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.
Resumo:
The aim of this article is to analyze accurately the role played by two classical references, Venus and Oedipus, in Tennessee Williams's Suddenly Last Summer, in accordance with the usual nature of studies on Classical Tradition -Greek and Roman- and focusing in this case on the relationship between literature and mythology. It is thanks to Venus and Oedipus that the playwright succeeds in showing the magnitude of men¿s and women¿s tragedy, which from his point of view is simply that they have failed to see either kindness in the face of God or to feel his loving and fatherly providence.
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In Charon or the Inspectors we find the ferryman of the underworld on earth, talking to the god Hermes about wealth, happiness, and the vain human striving for material goods. The piece has been considered to be an example of Menippean satire inside the corpus of Lucian"s works. Homeric poetry is always in the background. Lucian uses Homeric verses, or rather, verses structured in the Homeric manner, to formulate his critical view of the mortal world; in addition, he puts these verses into the mouth of a character who must temporarily give up his job as a ferryman in order to practise the art of rhapsody. This paper analyses a textual problem: the two variants in Cont. 7 referring to Homer in the manuscript tradition. In a context in which Lucian wants to make fun not just of foolish humans but also of the Greek poet par excellence, the reading of the ueteres seems more appropriate because it illustrates better Lucian"s parodic intention in recalling Homer and in trying to adapt form and content to the Greek tradition.
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[cat] L’objectiu d’aquest breu article és provar i analitzar la influència de la saviesa d’Heràclit en alguns poemes de Miguel de Unamuno com ara ‘La elegía eterna’ i ‘La flor tronchada’. En certes ocasions –‘La elegía eterna’- Heràclit és per a ell una mena de crossa amb l’ajut de la qual reïx a mostrar poèticament les seves angoixes i, en d’altres –‘La flor tronchada’- necessita realment Heràclit per a il•lustrar la seva visió de Déu i de la vida humana com una lluita o guerra permanent.
Resumo:
Beyond the explicit reference to the Greek tragedy and Oedipus, the aim of this article is to show the clear relationship, in the author's opinion, between what the protagonists of the film maintain and the theories of the Greek Sophists about God, the law, etc. An accurate analysis both of their texts and the screenplay of Crimes and Misdemeanors reveals different sophistic roots, which, in this case, cannot be attributed to the constant presence of the Jewish legacy in W. Allen's work.
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From Hesiod on, Gctiywv denotes a passionate figure, useful to ffee divinity from the charge of evil. Plutarch conceives Gaiywv as an active and changeable entity between God and rnatter; he must complete a catharsis that makes him better (more akin to God; Being in a higher degree). The task of Gaiyov is to take care of oracles and to guide human lives. If this task has been done correctly, Gaipov ascends to the sun; if not, he falls down to the earth.
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Un conocido dicho sufí dice que: "El color del agua es el color de su recipiente". Para hablar de la visión teofánica, al-Junayd, Ibn 'Arabi y otros muchos místicos invocaban frecuentemente este símbolo. Según al-Bistami, el color del recipiente -el corazón del contemplador- da "color" al agua que en sí es invisible; según Ibn 'Arabi, no es el corazón quien da su "color" a la Forma que recibe, sino que, a la inversa, el corazón del gnóstico "se colorea" en cada instante con el color, es decir, con la modalidad de la Forma bajo la cual el Ser divino se epifaniza en él. Así es como "l gnóstico,asume las peculiaridades del carácter de Dios, hasta tal punto que parece como si él fuera El". El propósito del presente artículo es analizar la teoría neoplatónica de la manifestación de lo divino expresada por medio de dos parábolas -el color del agua y el color del vidrio- presentes tanto en la tradición islámica como en la judía.
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Le pentecôtisme a fait du miracle le coeur de sa théologie et l'élément central de ses activités d'évangélisation. Le catholicisme, par contre, a toujours voulu contrôler l'ensemble des déclarations de manifestations divines. Apparitions et guérisons miraculeuses ont donc systématiquement, et de plus en plus, été soumises à de lentes et rigoureuses procédures d'authentification. Les pentecôtistes voient Dieu comme un être extérieur qui surgit sur la terre pour chasser le mal qui l'envahit. Tous les convertis ont donc droit à la libération et personne ne doit accepter sagement la souffrance. Or, les pèlerins catholiques que nous avons étudiés ne partagent pas ces convictions pentecôtistes. Dieu agit de l'intérieur, non pas en les délivrant, mais en les soutenant dans leurs épreuves quotidiennes. Rare et peu recherchée, la guérison physique cède la place à la guérison spirituelle, accessible à tous. Il nous semble que ces deux types de représentations placent les fidèles dans des dispositions d'esprit très divergentes suscitant, dans un cas ou dans l'autre, des espoirs adaptés à la capacité du groupe à produire des miracles. Pentecostalism placed miracles at the centre of its theology as a key element of its evangelization activities. Catholicism, on the other hand, has always tried to control all declarations of divine demonstrations. Miraculous appearances and recoveries have been more and more systematically subjected to slow and rigorous procedures of verification. The Pentecostals see God as an external force which manifests itself on earth to drive out the evil which invades it. All believers have the right to be free from evil, and nobody should have to accept pain meekly. But the Catholic pilgrims we studied do not share these Pentecostal convictions. God acts from inside, not by delivering them but by supporting them in their daily tests. Physical recovery is rare and not very sought after so it takes second place to spiritual recovery which is accessible to everyone. It seems to us that these two types of representation place believers in very divergent frames of mind giving rise, in one group or the other, to hopes that correspond to the group's capacity to produce miracles.
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Collection : French books before 1601 ; 224.3
Resumo:
Lorsqu'il est amené à témoigner de sa conversion, le membre d'une assemblée pentecôtiste insiste avant tout sur la dimension personnelle de son choix de vie et sur les manifestations divines qui l'ont encouragées et qui l'encouragent encore chaque jour dans cette voie. Avoir fait l'expérience personnelle de l'agir divin est un élément constitutif de tout récit de conversion. Cet article, basée sur des recherches doctorales menées auprès de deux assemblées pentecôtistes de l'Est de la France, cherche à mettre en évidence que cette relation personnelle et intime entre le fidèle et son créateur se construit dans le cadre communautaire : à travers l'harmonisation des récits de conversion et la structuration des réunions de prières assurant par les manifestations charismatiques la mise en présence de l'Esprit Saint au sein de la communauté des fidèles. C'est en effet sur une validation communautaire que reposent en partie les convictions individuelles. When he has to testify of his conversion, the member of a Pentecostal assembly insists above all on the personal dimension of his choice of life and on the divine intervention which has encouraged him and which will encourage him in his everyday life in this way. The personal experience of God's action is a constituent element of any narrative of conversion. This article, based on my PhD researches carried on with two Pentecostal assemblies located in the east of France, tries to highlight that this personal and intimate relation between the believer and his creator is built in the community framework : harmonization of the narratives of conversion, structuralization of the meetings of prayers and charismatic interventions of the Holy Spirit within the community of the believers. Individual convictions are partly based and validated by the community.
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The aim of this brief article is to demonstrate and analyze the influence of Heraclitus’s thought on some of the poems written by Miguel de Unamuno, in particular ‘La elegía eterna’ and ‘La flor tronchada’. At times –as in ‘La elegía eterna’– Heraclitus merely serves as a sort of a walking stick, an aid to his efforts to poetically reveal his anxieties. On other occasions –as in ‘La flor tronchada’– he genuinely needs Heraclitus’s philosophy to illustrate his view of human life and its relation to God as unending warfare.
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O objetivo deste trabalho foi obter as estimativas de freqüência de recombinação, por meio de simulação, para diferentes situações do mapeamento genético de famílias de irmãos completos. Foi simulado um genoma constituído de três grupos de ligação, em que cada um apresentava 11 marcas moleculares multialélicas, codominantes, distribuídas a cada 10 cM. A partir desse genoma, foram simulados dois cenários: um com genitores completamente informativos e outro com genitores formados aleatoriamente. Após a obtenção de todas as estimativas das freqüências de recombinação, concluiu-se que, para locos completamente informativos, pode-se calcular a freqüência de recombinação entre pares de locos, a partir da freqüência gamética de cada genitor ou a partir da freqüência genotípica da progênie. Para locos parcialmente informativos, a obtenção da freqüência de recombinação a partir da freqüência genotípica conjunta é mais apropriada.