New York versus Tragedy and Oedipus. The Legacy of Sophocles and the Sophists in Woody Allen's "Crimes and Misdemeanors"
| Contribuinte(s) |
Universitat de Barcelona |
|---|---|
| Data(s) |
04/05/2010
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| Resumo |
Beyond the explicit reference to the Greek tragedy and Oedipus, the aim of this article is to show the clear relationship, in the author's opinion, between what the protagonists of the film maintain and the theories of the Greek Sophists about God, the law, etc. An accurate analysis both of their texts and the screenplay of Crimes and Misdemeanors reveals different sophistic roots, which, in this case, cannot be attributed to the constant presence of the Jewish legacy in W. Allen's work. Podeu consultar la versión en català a: http://hdl.handle.net/2445/12191 ; i en castellà a: http://hdl.handle.net/2445/12190 |
| Identificador | |
| Idioma(s) |
eng |
| Direitos |
cc-by-nc-nd, (c) Gilabert, 2008 info:eu-repo/semantics/openAccess <a href="http://creativecommons.org/licenses/by-nc-nd/3.0/es/">http://creativecommons.org/licenses/by-nc-nd/3.0/es/</a> |
| Palavras-Chave | #Filosofia grega #Tradició clàssica #Tragèdia grega #Sofistes (Filosofia) #Cinematografia #Greek philosophy #Crimes and misdemeanors (Pel·lícula cinematogràfica) #Classical tradition #Sòfocles, 496-406 aC #Greek tragedy #Protàgores, ca. 485-ca. 410 aC #Sophists (Greek philosophy) #Diàgores, de Melos #Cinematography #Críties, ca. 460-ca. 403 aC #Antifont, ca. 480-411 aC #Crimes and misdemeanors (Motion picture) #Sophocles #Protagoras #Diagoras, of Melos #Critias, ca. 460-ca. 403 B.C. #Antiphon, ca. 480-411 B.C. |
| Tipo |
info:eu-repo/semantics/workingPaper |
