Miguel de Unamuno and Heraclitus: from ‘The Eternal Elegy’ (‘La elegía eterna’) to ‘The Cut Flower’(‘La flor tronchada’)
Contribuinte(s) |
Universitat de Barcelona |
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Data(s) |
08/01/2013
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Resumo |
The aim of this brief article is to demonstrate and analyze the influence of Heraclitus’s thought on some of the poems written by Miguel de Unamuno, in particular ‘La elegía eterna’ and ‘La flor tronchada’. At times –as in ‘La elegía eterna’– Heraclitus merely serves as a sort of a walking stick, an aid to his efforts to poetically reveal his anxieties. On other occasions –as in ‘La flor tronchada’– he genuinely needs Heraclitus’s philosophy to illustrate his view of human life and its relation to God as unending warfare. Podeu consultar la versió en castellà del document a: http://hdl.handle.net/2445/33131 |
Identificador | |
Idioma(s) |
eng |
Direitos |
cc-by-nc-nd (c) Gilabert, 2012 info:eu-repo/semantics/openAccess <a href="http://creativecommons.org/licenses/by-nc-nd/3.0/es/">http://creativecommons.org/licenses/by-nc-nd/3.0/es/</a> |
Palavras-Chave | #Poesia #Filosofia grega #Tradició clàssica #Poetry #Greek philosophy #Classical tradition #Heràclit, ca. 544-ca. 483 aC #Unamuno, Miguel de, 1864-1936 |
Tipo |
info:eu-repo/semantics/workingPaper |