118 resultados para innocence


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The most important French literary movement of the 1950s and 1960s, the nouveau roman, radically questioned the idea of the novel as storytelling, claiming that narratives create a false illusion of the world’s intelligibility. However, in the 1970s storytelling finds its way back into the French novel – a shift that has been characterized as the “return of the narrative”. In my article, I argue that the “narrative turn” in the French novel of the 1970s can be seen as a turn towards a fundamentally hermeneutic view of the narrative mediatedness of our relation to the world. From a hermeneutic perspective, the nouveaux romanciers – insofar as they reject the narrative in order to disclose the discontinuous, fragmentary and chaotic nature of reality – hang onto the positivistic idea that “real” is only that which is independent of human meaning-giving processes. By contrast, the hermeneutists, such as Paul Ricoeur, consider also the human experience of the world to be real, and largely narrative in form. This view is shared by the principal novelists associated with the narrative turn, such as Michel Tournier to whom man is a “mythological animal”. However, after the nouveau roman , narratives have lost their innocence: they no longer appear as “natural” but are conscious of their own narrativity, historicity, and the way they represent only one possible – inevitably ethically and politically charged – perspective into reality. By making storytelling thematic and by telling “counter-stories” that question prevailing models of sense-making, Tournier and other “new storytellers” strive to promote critical reflection on the stories on the basis of which we orient to the world and narrate our lives – both as individuals and as communities.

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Resumen: La prisión preventiva es la medida cautelar más grave e intensa del proceso penal, en tanto importa la coactiva privación de la libertad personal del imputado. Se trata de un instituto problemático, que plantea un contrapunto particularmente dilemático con la presunción de inocencia. Posee un fundamento constitucional, directamente vinculado con la necesidad de asegurar, en la medida de lo posible, la realización del derecho penal material. Aunque la regla general es que durante el desarrollo del proceso penal el imputado debe permanecer en libertad, no puede negarse la existencia de ciertos supuestos legitimadores de la prisión preventiva. La realidad social y la necesidad de respuestas racionales a los fenómenos de la inseguridad y de la delincuencia violenta han revelado serias fisuras en el paradigma según el cual los únicos supuestos legitimadores son los llamados peligros procesales de fuga o entorpecimiento de la investigación. Surgen así como datos que deben ser también necesariamente tenidos en cuenta para la detención cautelar tanto la especial gravedad del delito cometido y su relación con la preservación del orden público, como la existencia de un peligro de reiteración delictiva constatable. Estos dos últimos presupuestos legitimadores de la prisión preventiva cobran independencia conceptual de los primeramente mencionados. Además, cuando la prisión preventiva se funda en la especial gravedad del delito o en el peligro de reiteración delictiva, se transforma, aunque sin mutar su esencia, en un instrumento más en las políticas de seguridad dirigidas a combatir el fenómeno de la delincuencia.

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Esta dissertação tem por objetivo analisar uma perspectiva fundamental no pensamento de Nietzsche: ver a vida sob a perspectiva da inocência, mediante uma crítica da formação dos valores da sociedade ocidental que culminaram com a produção do niilismo. A abordagem parte do pressuposto de que a crítica de Nietzsche ao pensamento de Heráclito e da tragédia grega são verdadeiros pilares para sustentação de um modo de dizer sim à vida, ao mesmo tempo em que revela o pensamento de Anaximandro e grande parte da corrente filosófica derivada do platonismo como um modo de dizer não à existência. O confronto entre essas duas posturas, de afirmação e de negação da vida, constitui uma potente reflexão para o entendimento do projeto de mudança de todos os valores e para a compreensão da vida como um fenômeno estético.

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Esta pesquisa teve por objetivo compreender como vêm sendo desempenhadas as práticas dos psicólogos que atuam em instituições de referência para atendimentos em casos de alegação de abuso sexual contra a criança. Para este fim, foram analisadas as declarações de dez pais acusados de abusar sexualmente dos filhos, por meio de questionário enviado e recebido por correio eletrônico. Este material permitiu apreender como os pais acusados compreendem a alegação de abuso sexual imputada contra eles e como operam no sentido de provar a inocência. Também foi possível registrar-lhes as impressões, dúvidas e sentimentos eliciados pelas acusações, o que deu subsídio à realização de entrevistas presenciais com psicólogos em etapa posterior. Foram realizadas entrevistas individuais semiestruturadas com cinco psicólogas de cinco instituições diferentes. As informações prestadas permitiram analisar aspectos como a abordagem teórica e os métodos de avaliação psicológica em casos de alegações de abuso sexual contra criança, incluindo uma discussão acerca da ocorrência de falsas denúncias de abuso sexual. A partir dessas informações, foi possível concluir que tais práticas tendem a privilegiar a palavra da criança, esta última, vista, por muitos, como aquela que deverá anunciar e qualificar a denúncia. Nesses termos, os pais são silenciados, enquanto as crianças são colocadas no lugar de responsáveis por decidir questões jurídicas em nome de seus direitos.

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A filosofia viveu um tempo de luminosidade crua em que havia contentamento (pelo menos entre os filósofos dignos de serem estudados) com a postulação das condições de possibilidade que cabiam no horizonte que essa luz podia, então, iluminar. Tudo que escapasse desse horizonte era obscuridade, irracionalidade, mera especulação e, pior de todas as ofensas: metafísica. Mas, alguma filosofia do séc. XX encontrou uma outra distribuição de luminosidade que permitiu um pensamento em claro-escuro, em tonalidades nuançadas em que a nitidez absoluta dos contornos se viu fluidificar, em que as figuras puras e sólidas se mostraram como híbridas, nebulosas derramadas, em que os objetos entraram na história e os homens se misturaram com a natureza, em que os movimentos do mundo e as imagens na consciência saíram da dualidade das qualidades primárias e secundárias e se aventuraram em novas perspectivas (aventuras que ainda atravessam desde a fenomenologia até o cinema). É neste cenário de novas distribuições que reaparece a questão da individuação apontando para uma outra concepção do indivíduo, não mais substancial e suporte de qualidades, não mais ancorado nos pares matéria e forma, atual e potencial. Tais pares se revelam insuficientes por não darem conta das impurezas que vêm à tona e das surpreendentes possibilidades inventadas (simbioses, alianças, infecções) e não somente atualizadas a partir de um potencial (filiação, reprodução). Nesse novo modo de compor, o atributo não mais se remete a um predicado qualidade, mas ao acontecimento, não mais às possibilidades latentes, mas à potência a ser inventada nas composições, nas relações constituintes dos diferentes modos de existência. Simondon foi o primeiro filósofo a levar em conta, de modo específico, o indivíduo se inventando em composição, daí ter renovado a questão da individuação e transformado o estatuto da relação. O ser é relação, tal é, com Simondon, a proposição que passa a figurar no centro do pensamento da individuação. Mas se, por um lado, havia essa promoção da relação, por outro lado, parecia não haver a liberação dos modos que, enfim, remetiam a uma natureza dos possíveis. Mesmo não funcionando como princípio, essa natureza parecia capturar os modos num potencial, de tal maneira que um novo humanismo, tão sufocante quanto qualquer outro, acompanhava toda a produção de Simondon. Não à toa, sua narrativa dos diferentes modos se fecha no encontro de uma unidade capaz de suportar o multirealismo dos híbridos que surgiam por toda parte. As metas, os sentidos do devir que povoam a obra de Simondon não seriam os ecos de uma velha moral da pureza, da luminosidade branca?Para escapar desse rebatimento da aventura dos modos em tipos privilegiados de relação que levavam a restaurar a unidade perdida, era preciso se lançar na inocência do processo das inumeráveis atividades de um tecido sem base, jogo de linhas impuras em cruzamentos inventados a cada momento. Nesse sentido: era o pensamento especulativo, expresso em sua própria escrita em zig-zag, de Whitehead já um antídoto aos possíveis rebatimentos da nova filosofia da individuação num mundo por demais reconhecido? É esse o espírito da composição nesse trabalho: a individuação simondoneana com a insistência em se entregar à aventura inocente dos processos se fazendo que se encontra em Whitehead (e nos muitos aliados que foram convocados para que outras músicas se façam ouvir).

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This thesis explores the meaning-making practices of migrant and non-migrant children in relation to identities, race, belonging and childhood itself in their everyday lives and in the context of ‘normalizing’ discourses and spaces in Ireland. The relational, spatial and institutional contexts of children’s worlds are examined in the arenas of school, home, family, peer groups and consumer culture. The research develops a situated account of children’s complex subject positions, belongings and exclusions, as negotiated within discursive constructs, emerging in the ‘in-between’ spaces explored with other children and with adults. As a peripheral EU area both geographically and economically, Ireland has traditionally been a country of net emigration. This situation changed briefly in the late 1990s to early 2000s, sparking broad debate on Ireland’s perceived ‘new’ ethnic, cultural and linguistic diversity arising from the arrival of migrant people both from within and beyond the EU as workers and as asylum seekers, and drawing attention to issues of race, identity, equality and integration in Irish society. Based in a West of Ireland town where migrant children and children of migrants comprise very small minorities in classroom settings, this research engages with a particular demographic of children who have started primary school since these changes have occurred. It seeks to represent the complexities of the processes which constitute children’s subjectivities, and which also produce and reproduce race and childhood itself in this context. The role of local, national and global spaces, relational networks and discursive currents as they are experienced and negotiated by children are explored, and the significance of embodied, sensory and affective processes are integrated into the analysis. Notions of the functions and rhetorics of play and playfulness (Sutton-Smith 1997) form a central thread that runs throughout the thesis, where play is both a feature of children’s cultural worlds and a site of resistance or ‘thinking otherwise’. The study seeks to examine how children actively participate in (re)producing definitions of both childhood and race arising in local, national and global spaces, demonstrating that while contestations of the boundaries of childhood discourses are contingently successful, race tends to be strongly reiterated, clinging to bodies and places and compromising belonging. In addition, it explores how children access belongings through agentic and imaginative practices with regard to peer and family relationships, particularly highlighting constructions of home, while also illustrating practices of excluding children positioned as unintelligible, including the role of silences in such situations. Finally, drawing on teachers’ understandings and on children’s playful micro-level negotiations of race, the study argues that assumptions of childhood innocence contribute to justifying depoliticised discourses of race in the early primary school years, and also tend to silence children’s own dialogues with this issue. Central throughout the thesis is an emphasis on the productive potentials of children’s marginal positioning in processes of transgressing definitional boundaries, including the generation of post-race conceptualisations that revealed the borders of race as performative and fluid. It suggests that interrupting exclusionary raced identities in Irish primary schools requires engagement with children’s world-making practices and the multiple resources that inform their lives.

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Doubt is a single-movement composition of roughly twelve minutes for narrator and orchestra (woodwinds, horns, and trumpets in pairs, timpani, percussion, strings). The piece explores the controversial issue of capital punishment. The text was compiled from resources found on the websites of Death Penalty Information Center (http://www.deathpenaltyinfo.org) and Anti-Death Penalty Information (http://www.antideathpenalty.org), as well as excerpts from the Bible. Doubt was conceived of as a dramatic work in which a narrator recites factual information in a direct and unemotional manner and the orchestra provides a response to the mixed emotions elicited by the text. The list of dates and case summaries presented in the middle section of the piece seemed most powerful and effective when recited in a natural speaking voice, which is why I chose not to set the text as song. Also, I chose the orchestral medium rather than a chamber setting because the nature of the topic demanded a larger range of colors and combinations, as well as a louder, fuller sound. Much of the music was composed while deciding which texts to include. Thus the music influenced the choice of text as much as the text suggested the musical setting. The four formal divisions of the piece are delineated primarily by the text. The first section is an orchestral introduction representing various emotional perspectives suggested by the texts. The narrator begins the second section with a Biblical verse over sparse orchestration. The third and main section of the piece begins with a new melody in the low strings that is closely related to the harmonic organization of the piece. The narrator lists dates of convictions, executions, exonerations and facts related to doubtful cases. The third section and the narration conclude with another brief passage from the Bible. The fourth section is a dramatic orchestral coda, bringing back the opening harmonies of juxtaposed perfect fifths. The final chord is full of tension and discord, reflecting the oppositions inherent in the topic of capital punishment: life vs. death, sympathy vs. reproach, pain vs. hope, but above all, doubt about guilt vs. innocence.

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This dissertation is the first full-length study to concentrate on American genre painter Lilly Martin Spencer's images of children, which constituted nearly one half of her saleable production during the height of her artistic career from 1848 to 1869. At this time, many young parents received advice regarding child rearing through books and other publications, having moved away from their families of origin in search of employment. These literatures, which gained in popularity from the 1830s onward, focused on spiritual, emotional, and disciplinary matters. My study considers four major themes from the period's writing on child nurture that changed over time, including depravity and innocence, parent/child bonding, standards of behavior and moral rectitude, and children's influence on adults. It demonstrates how Spencer's paintings, prints, and drawings featuring children supported and challenged these evolving ideologies, helping to shed light not only on the artist's reception of child-rearing advice, but also on its possible impact on her middle-class audience, to whom she closely catered. In four chapters, I investigate Spencer's images of sleeping children as visual equivalents of contemporary consolation literature during a time of high infant and child mortality rates; her paintings of parent/child interaction as promoting separation from mothers and emotional bonding with fathers; her prints of mischievous children as both considering changing ideals about children's behavior and comforting Anglo-American citizens afraid of what they saw as threatening minority groups; and her pictures with Civil War and Reconstruction subject matter as contending with the popular concept of the moral utility of children. By framing my interpretations of Spencer's output around key issues in the period's dynamic child-nurture literature, I advance new comprehensive readings of many of her most well-known paintings, including Domestic Happiness, Fi, Fo, Fum!, and The Pic Nic or the Fourth of July. I also consider work often overlooked by other art historians, but which received acclaim in Spencer's own time, including the lithographs of children made after her designs, and the allegorical painting Truth Unveiling Falsehood. Significantly, I provide the first in-depth analysis of a newly rediscovered Reconstruction-era painting, The Home of the Red, White, and Blue.

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A post-Markovian master equation has been recently proposed as a tool to describe the evolution of a system coupled to a memory-keeping environment [A. Shabani and D. A. Lidar, Phys. Rev. A 71, 020101 ( R) ( 2005)]. For a single qubit affected by appropriately chosen environmental conditions, the corresponding dynamics is always legitimate and physical. Here we extend such a situation to the case of two qubits, only one of which experiences the environmental effects. We show how, despite the innocence of such an extension, the introduction of the second qubit should be done cum grano salis to avoid consequences such as the breaking of the positivity of the associated dynamical map. This hints at the necessity of using care when adopting phenomenologically derived models for evolutions occurring outside the Markovian framework.

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This article explores the construction of victimhood in transitional societies. Drawn from fieldwork in a dozen jurisdictions as well as elements of criminological, feminist, sociological, philosophical and postcolonial literature, the article focuses in particular on how victimhood is interpreted and acted upon in transitional contexts. It explores the ways in which victims’ voice and agency are realised, impeded or in some cases co-opted in transitional justice. It also examines the role of blame in the construction of victimhood. In particular, it focuses upon the ways in which the importance of blame may render victimhood contingent upon ‘blamelessness’, encourage hierarchies between deserving and undeserving victims and require the reification of blameworthy perpetrators. The article concludes by suggesting that the increased voice and agency associated with the deployment of rights discourses by victims comes at a price – a willingness to acknowledge the rights and humanity of the ‘other’ and to be subject to the same respectful critical inquiry as other social and political actors in a post-conflict society.

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Contemporary social and political constructions of victimhood and offending behaviour lie at the heart of regulatory policies on child sexual abuse. Legislation is named after specific child victims of high profile cases, and a burgeoning range of pre-emptive measures are enacted to protect an amorphous class of ‘all potential victims’ from the risk sex offenders are seen as posing. Such policies are also heavily premised on the omnipresent predatory stranger. These constructed identities, however, are at odds with the actual identities of victims and offenders of such crimes. Drawing on a range of literatures, the core task of this article is to confront some of the complexities and tensions surrounding constructions of the victim/offender dyad within the specific context of sexual offending against children. In particular, the article argues that discourses on ‘blame’ – and the polarised notions of ‘innocence’ and ‘guilt’ – inform respective hierarchies of victimhood and offending concerning ‘legitimate’ victim and offender status. Based on these insights, the article argues for the need to move beyond such monochromatic understandings of victims and offenders of sexual crime and to reframe the politics of risk accordingly.

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This monograph demonstrates that aesthetic and ontological anxieties continue to find diverse expression within the contrived textual artifice of the bucolic space. Drawing upon expansive definitions of the Hispanic literary Baroque, (Beverley, 1980, 2008, Echevarría 1993, Ross 1993, Chemris 2008 , Egido 2009 ) the study analyses the pastoral verse of representative poets of the period to demonstrate that they re-enter an Arcadia that has been defamiliarized but is nonetheless inexorably connected to the classical origins of the mode. Pastoral, in common with other literary forms, is subject to a process of re-evaluation which was latent in its classical legacy. Within the intricacies of this literary construct, surface artistry sustains an effect of artless innocence that is vibrantly contested across the secular, sacred, parodic and colonial text.

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Currently, Portugal assumes itself as a democratic rule of substantive law State, sustained by a legal system seeking the right balance between the guarantee of fundamental rights and freedoms constitutional foreseen in Portugal’s Fundamental Law and criminal persecution. The architecture of the penal code lies with, roughly speaking, a accusatory basic structure, “deliberately attached to one of the most remarkable achievements of the civilizational democratic progress, and by obedience to the constitutional commandment”, in balance with the official investigation principle, valid both for the purpose of prosecution and trial. Regarding the principle of non self-incrimination - nemo tenetur se ipsum accusare, briefly defined as the defendant’s right of not being obliged to contribute to the self-incrimination, it should be stressed that there isn’t an explicit consecration in the Portuguese Constitution, being commonly accepted in an implicit constitutional prediction and deriving from other constitutional rights and principles, first and foremost, the meaning and scope of the concept of democratic rule of Law State, embedded in the Fundamental Law, and in the guidelines of the constitutional principles of human person dignity, freedom of action and the presumption of innocence. In any case, about the (in) applicability of the principle of the prohibition of self-incrimination to the Criminal Police Bodies in the trial hearing in Court, and sharing an idea of Guedes Valente, the truth is that the exercise of criminal action must tread a transparent path and non-compliant with methods to obtain evidence that violate the law, the public order or in violation of democratic principles and loyalty (Guedes Valente, 2013, p. 484). Within the framework of the penal process relating to the trial, which is assumed as the true phase of the process, the witness represents a relevant figure for the administration of criminal justice, for the testimonial proof is, in the idea of Othmar Jauernig, the worst proof of evidence, but also being the most frequent (Jauernig, 1998, p. 289). As coadjutant of the Public Prosecutor and, in specific cases, the investigating judge, the Criminal Police Bodies are invested with high responsibility, being "the arms and eyes of Judicial Authorities in pursuing the criminal investigation..." which has as ultimate goal the fulfillment of the Law pursuing the defense of society" (Guedes Valente, 2013, p. 485). It is in this context and as a witness that, throughout operational career, the Criminal Police Bodies are required to be at the trial hearing and clarify the Court with its view about the facts relating to occurrences of criminal context, thus contributing very significantly and, in some cases, decisively for the proper administration of the portuguese criminal justice. With regards to the intervention of Criminal Police Bodies in the trial hearing in Court, it’s important that they pay attention to a set of standards concerning the preparation of the testimony, the very provision of the testimony and, also, to its conclusion. Be emphasized that these guidelines may become crucial for the quality of the police testimony at the trial hearing, thus leading to an improvement of the enforcement of justice system. In this vein, while preparing the testimony, the Criminal Police Bodies must present itself in court with proper clothing, to read before and carefully the case files, to debate the facts being judged with other Criminal Police Bodies and prepare potential questions. Later, while giving his testimony during the trial, the Criminal Police Bodies must, summing up, to take the oath in a convincing manner, to feel comfortable, to start well by convincingly answering the first question, keep an attitude of serenity, to adopt an attitude of collaboration, to avoid the reading of documents, to demonstrate deference and seriousness before the judicial operators, to use simple and objective language, to adopt a fluent speech, to use nonverbal language correctly, to avoid spontaneity responding only to what is asked, to report only the truth, to avoid hesitations and contradictions, to be impartial and to maintain eye contact with the judge. Finally, at the conclusion of the testimony, the Criminal Police Bodies should rise in a smooth manner, avoiding to show relief, resentment or satisfaction, leaving a credible and professional image and, without much formality, requesting the judge permission to leave the courtroom. As final note, it’s important to stress that "The intervention of the Police Criminal Bodies in the trial hearing in Court” encloses itself on a theme of crucial importance not only for members of the Police and Security Forces, who must welcome this subject with the utmost seriousness and professionalism, but also for the proper administration of the criminal justice system in Portugal.

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This study analyses the principle of presumption of innocence in the preliminary stages of the Portuguese criminal process, its procedural aspect related with the principle of in dubio pro reo and its material aspect concerning the treatment of the defendant during the proceedings. The consequences and manifestations of the principle of presumption of innocence are analysed in the decisions of the closing stages of the preliminary criminal procedure and the application of the principle of in dubio pro reo is analysed in the judgement of sufficiency of evidence for the procedure to continue. It addresses the question of circumstantial evidence, its particular relevance in economic and financial crime, highly organized crime, the grounds for the indictment in general and when the sufficiency of evidence criteria is based on that evidence. It analyses the scope of the principle of presumption of innocence in the application of coercive measures, with reference to the arrest, first interrogation of the accused under detention and reasons for the subsequent dispatch about the measures. The asset assurance measures of preventive seizure and the preventive seizure to ensure confiscation are analysed and principle of presumption of innocence is considered non applicable to those measures.

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Contient : 1 « Pouvoir [donné par FRANÇOIS II] à messieurs de Sipierre et de Carnavalet, de gouverneurs generaux des personnes de messeigneurs les ducs d'Orleans, d'Engoulesme et d'Anjou, freres du roy et superintendans de leur maison... Donné à Moustiers sur Saulx, le quatriesme jour d'octobre mille cinq cents cinquante neuf » ; 2 « Epistola VIDI FABRI PIBRACII ad Carolum, Lotharingium cardinalem, 1559 ». En latin ; 3 « Vita Caroli noni, Galliae regis » ; 4 « Lettre du roy [CHARLES IX] au parlement, pour deputer deux presidens pour se trouver en l'hostel episcopal de Paris pour assister en une assemblée qui s'y debvoit tenir, et lever la contention entre le prevost de Paris et le prevost des marchands... 1561 » ; 5 « Memoires de monsieur l'evesque de Limoges... SEBASTIEN DE LAUBESPINE,... ambassadeur pour le roy en Espagne. 1 octobre 1561 » ; 6 « Lettre de LOUYS DE BOURBON, prince DE CONDE, au roy de Navarre... D'Orleans, ce XIIIe jour de juin 1562 » ; 7 « Lettre de... LOUYS DE BOURBON,... à la royne... Escrit à Orleans, ce XIIIe jour de juin 1562 » ; 8 « Advertissement sur l'execution de l'edict par lequel l'année doit commencer le 1 janvier 1563 » ; 9 « Remonstrance au roy par les Estats de France », pour s'« opposer à la tyrannie de ceux de Guise » ; 10 « Vente du temporel des ecclesiastiques, edict du roy CHARLES [IX], donné à Sainct Germain en Laye, ou moys de may, l'an de grace mille cinq cents soixante trois » ; 11 « Lettre de RENEE DE FRANCE à Jean Calvin. Escrite à Montargis, le 21 mars 1563 » ; 12 « Partage que le connestable de Montmorency entend estre gardé par ses enfans en la succession de ses terres et seigneuries, et autres biens. A Paris, 21 janvier 1563 ». Suivi de la ratification dudit partage, donnée par les héritiers du connétable « au chastel de Chantilly, le huictieme jour de juin mille cinq cents soixante huict » ; 13 « Bulla sanctissimi domini PII???, divina providentia papae IV, super forma juramenti professionis fidei... Datum Romae, apud Sanctum Petrum, anno Incarnationis dominicae millesimo quingentesimo sexagesimo quarto, idibus novembris » ; 14 « Fausseté de deux gentilshommes normands??? contre un conseiller du parlement de Rouen. Mars??? 1564 » ; 15 « Deputez de par le roy [Charles IX] pour la conference de Calais avec la royne d'Angleterre, l'an 1565 » ; 16 « L'Histoire du diable de Laon. De Laon, ce 8 febvrier 1565 » ; 17 « Arrest d'innocence de monsieur l'admiral de Chastillon de la mort de monsieur de Guise. 29 janvier 1566 » ; 18 « Serment faict par le roy, la royne, messieurs les ducs d'Anjou et d'Alençon, et autres princes, seigneurs et mareschaux de France, d'observer et faire observer les articles de la paix, l'an 1570, 5 aoust » ; 19 « Passeport du roy pour madame l'admirale... 1571, 24 septembre » ; 20 « Conclusion du procureur general BOURDIN contre monsieur le cardinal de Chastillon, environ l'an 1566 » ; 21 « Remonstrance au roy et à son conseil, par monsieur le cardinal DE LORRAINE, l'an 1566, 12 janvier » ; 22 « Propos fascheux tenus au conseil, entre le cardinal de Lorraine et le chancelier de L'Hospital, l'an 1566 » ; 23 « Narré??? de ce qui se passa au conseil du roy tenu à Moulins, entre le cardinal de Lorraine et le chancelier de L'Hospital, l'an 1566, mars » ; 24 « Lettre du sieur DE FORQUEVAUX, ambassadeur du roy en Espagne, l'an 1566, 4 aoust » ; 25 « Lettres patentes du roy... CHARLES [IX]... touchant le procureur general de la royne, sa mere, et ses droicts et prerogatives, et que tous les officiers des terres de l'assignat de ladicte dame s'intituleront officiers du roy et de ladicte dame. A S. Germain, 25 may 1566 » ; 26 « Arrest de la cour de parlement, touchant les prerogatives du procureur general de la royne, mere du roy. Du mercredy 24 juillet 1566 » ; 27 « Autre Arrest de ladicte cour touchant ledict procureur general de la royne. Du vendredy XVI aoust 1566 » ; 28 « Traicté faict par le roy CHARLES IX avec Jean des Galans, Sr de Pezeroles, qui promettoit audit seigneur roy de transmuer tous metaux imparfaicts en fin or et argent. 5 novembre 1567 » ; 29 Octroi au roi Charles IX par la cour de parlement des « deniers des consignations... Du mardy 30 et dernier septembre 1567 » ; 30 Lettres patentes du roi « CHARLES » IX, ordonnant remise au commis à la trésorerie de l'Épargne, « maistre Pierre Defite », de tous les « deniers consignez en tous et chase???uns les greffes de la ville de Paris et autres jurisdictions quelsconques, tant royales que subalternes... Donné à Paris, le vingt neufe jour de septembre, l'an de grace mille cinq cents soixante sept » ; 31 « Lettres patentes par lesquelles le roy CHARLES IX institue son frere, le duc d'Anjou, son lieutenant general representant sa personne par tout son royaume. 12 novembre 1567 » ; 32 « Serment des associez de la ligue chrestienne et royale, l'an 1568, le 25 juin » ; 33 « Arrest de la cour du jeudy XVI novembre 1570 », en suite des lettres par lesquelles « le roy descharge les villages d'autour [la] ville » de « Paris pour autant qu'il se verra qu'ils auront esté rançonnez par les soldats de sa garde qui ont logé auxdicts villages, l'an 1570 » ; 34 « Harangue du roy CHARLES IX, faicte à sa cour de parlement, [le] 12 mars 1571 », touchant « la reformation des abus qui se commettent » dans l'administration de la justice ; 35 « Brevet du roy CHARLES IX pour le rang de monsieur le duc de Longueville ». 5 avril 1571 ; 36 « Confirmation dudict brevet du roy, par monsieur le duc d'Anjou, frere dudict seigneur roy. 16 octobre 1575 » ; 37 « Lettres patentes du roy CHARLES IX, pour le rang de duc de Longueville,... Duretal, decembre 1571 » ; 38 « Lettre du roy à Mr de Ferrals, son ambassadeur pres le pape, du 19 janvier 1572 » ; 39 « Extraict d'une lettre du roy [CHARLES IX] au sieur de Ferrals, du 7 febvrier 1572 » ; 40 « Memoire baillé à monsieur le legat Alexandrin, retournant à Rome », touchant principalement « le droict de nomination » du roi « sur les benefices consistoriaux estans es provinces de son royaume, que l'on pretend estre en obedience et non specifiés dans les concordats d'entre le St siege apostolique et Sadicte Majesté... Febvrier 1572 » ; 41 « Lettre du roy [CHARLES IX] à monsieur de Ferrals, du dernier juillet 1572 » ; 42 « Lettre du roy [CHARLES IX] à monseigneur le cardinal de Lorraine. Dernier juillet 1572 » ; 43 « Lettre du roy [CHARLES IX] à monseigneur de Ferrals. Du 24 aoust 1572 » ; 44 « Instruction pour le Sr de Beauvillé, allant vers Sa Sainteté. Du 24 aoust 1572 » ; 45 « Lettre de la royne JEANNE D'ALBRET, escrite au feu roy Henry IVe, son fils. A Blois, le 8 mars 1572 » ; 46 « Lettre du roy [CHARLES IX] à monsieur de Schombert, son ambassadeur pres des princes Alemans, touchant la mort de l'admiral de Chastillon, l'an 1572 » ; 47 « Lettre au roy, touchant le refus de l'electeur de Saxe d'entrer en ligue avec Sa Majesté, à cause de la journée de Saint Barthelemy. Ratenaw, 9 octobre 1572 » ; 48 « Lettre à monsieur Brulart sur le mesme subjet de la precedente. Dudict lieu de Ratenaw, le 10 octobre 1572 » ; 49 « Lettre à monsieur de Limoges. Du mesme lieu de Ratenaw, 1572 » ; 50 « Arrest rendu par la cour de parlement de Dole, au comté de Bourgongne, contre Gilles Garnier, natif de Lion, attaint et convaincu d'avoir, soubs la forme de loup garou, estranglé plusieurs enfans... 18 janvier 1573 » ; 51 « Lettre du roy [CHARLES IX] à monsieur de Schomberg, en Alemagne, touchant l'eslection de son frere, le duc d'Anjou,??? pour roy de Polongne, 17 mars 1573 » ; 52 « Autre Lettre du roy [CHARLES IX] audict sieur de Schomberg, son ambassadeur pres les princes d'Alemagne. Du 21 apvril 1573 » ; 53 « Extraict de la lettre que la roine mere a escrit audict sieur de Schomberg. Dudict jour, XXIe apvril 1573 » ; 54 « Lettres patentes du roy CHARLES IX, en faveur du roy de Polongne, son frere, pour succeder à la couronne de France, quoyqu'absent, lors du decez dudict roy Charles sans enfans masles, le 10 septembre 1573 » ; 55 « Coppie du brevet dudict roy CHARLES, en faveur d'iceluy roy de Polongne. A Paris, le 22 d'aoust 1573 »