990 resultados para Saul, King of Israel.


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A pesquisa tem por objetivo trabalhar o evento da Revolta de Jeú, em conjunto com a Estela de Dã, tendo como ponto de partida para tal, a exegese da perícope de 2 Reis 10-28,36. A história Deuteronomista apresenta o ato da Revolta de Jeú como sendo um feito demasiadamente importante, na restauração do culto a Javé em Israel, a partir de um contexto onde o culto a outras divindades, em Israel Norte, estava em pleno curso. No entanto, a partir da análise conjunta da Estela de Dã, que tem como provável autor o rei Hazael de Damasco, somos desafiados a ler esta história pelas entrelinhas não contempladas pelo texto, que apontam para uma participação ativa de Hazael, nos desfechos referentes a Revolta de Jeú, como sendo o responsável direto que proporcionou a subida de Jeú ao trono em Israel, clarificando desta forma este importante período na história Bíblica. Para tal análise, observar-se-á três distintos tópicos, ligados diretamente ao tema proposto: (1) A Revolta de Jeú e a Redação Deuteronomista, a partir do estudo exegético da perícope de 2 Reis 10,28-36, onde estão descritas informações pontuais sobre período em que Jeú reinou em Israel; (2) Jeú e a Estela de Dã, a partir da apresentação e análise do conteúdo da Estela de Dã, tratando diretamente dos desdobramentos da guerra em Ramote de Gileade, de onde se dá o ponto de partida à Revolta de Jeú; e por fim (3) O Império da Síria, onde a partir da continuidade da análise do conteúdo da Estela de Dã, demonstraremos a significância deste reino, além de apontamentos diretamente ligados ao reinado de Hazael, personagem mui relevante no evento da Revolta de Jeú.

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Mathematics Subject Classification: 47A56, 47A57,47A63

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This thesis discusses socio-political issues worldwide through philosophical approaches to performance, politics and composition. My research also discuss sound decisions which I regard to be simultaneously an outlet for personal expression, as well as a practical tool to inspire a socio-political change in society. Although the latter is paramount to the methodology of the project, the sound cannot be regarded in isolation as a “political composition”. It can only become truly functional in a political sense through interaction with other art forms, within the context of a specific place and time. My portfolio for this project is of two socio-political projects which are my chief concern. The first project concerns the Israeli-Palestinian conflict. I named this project PATH. PATH aims to foster and expand peaceful thought between Jewish and Palestinian civilians in Israel-Palestine. Through performance art, PATH spreads a message of acceptance, unity and brotherhood between our peoples. Above all, PATH demands and end to intolerance, hatred and violence among all the inhabitants of the State of Israel. The second project concerns women’s rights globally. I have realised that although we have come a long way in our struggle for rights for women, great challenges remain. There is a need to unite women and men against a form of oppression that discriminates against 50% of the world’s population. I called this project, For Utopia.

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El concurso de transformación mágica, esquema narrativo difundido en la tradición popular, se presenta en dos variantes principales: los hechiceros que compiten pueden metamorfosearse en varios seres o crear esos seres por medios mágicos. En cualquier caso el concursante ganador da a luz criaturas más fuertes que superan las de su oponente. La segunda variante fue preferida en el antiguo Cercano Oriente (Sumeria, Egipto, Israel). La primera se puede encontrar en algunos mitos griegos sobre cambiadores de forma (por ejemplo, Zeus y Némesis). El mismo esquema narrativo puede haber influido en un episodio de la Novela de Alejandro (1.36-38), en el que Darío envía regalos simbólicos a Alejandro y los dos monarcas enemigos ofrecen contrastantes explicaciones de ellos. Esta historia griega racionaliza el concurso de cuento de hadas, transfiriendo las fantásticas hazañas de creaciones milagrosas a un plano secundario pero realista de metáfora lingüística.

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State annihilation is a persistent concern in Israel/Palestine. While the specter of Israels destruction increasingly haunts Israeli public political debates, the actual materialization of Palestinian statehood seems to be permanently suspended, caught in an ever-protracted process of state-building. The current paper claims that to understand the unfolding of the discursive formations, as well as the spatial dimensions of conflict and control in Israel/Palestine, we should explicate the workings of the processes of politicide. Politicide, in this regard, denotes the eradication of the political existence of a group and sabotaging the turning of a community of people into a polity. This analysis suggests that the insistence that the State of Israel is under threat of extinction should be understood as a speech act, a performative reiteration, which allows for the securitization of Israeli rule in the occupied Palestinian territory, a securitization which then serves to rationalize the ongoing concrete politicide of the Palestinians. Elaborating on the concept of politicide, and diverging from defining it solely through the use of brute violence, this examination suggests that what is often overlooked in discussions of politicide are the seemingly more benign means of its implementation, the micro-power mechanisms of spatial control, prohibitions and regulations.

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Background Although significant associations of childhood adversities with adult mental disorders are widely documented, most studies focus on single childhood adversities predicting single disorders. Aims To examine joint associations of 12 childhood adversities with first onset of 20 DSM-IV disorders in World Mental Health (WMH) Surveys in 21 countries. Method Nationally or regionally representative surveys of 51 945 adults assessed childhood adversities and lifetime DSM-IV disorders with the WHO Composite International Diagnostic Interview (CIDI). Results Childhood adversities were highly prevalent and interrelated. Childhood adversities associated with maladaptive family functioning (e.g. parental mental illness, child abuse, neglect) were the strongest predictors of disorders. Co-occurring childhood adversities associated with maladaptive family functioning had significant subadditive predictive associations and little specificity across disorders. Childhood adversities account for 29.8% of all disorders across countries. Conclusions Childhood adversities have strong associations with all classes of disorders at all life-course stages in all groups of WMH countries. Long-term associations imply the existence of as-yet undetermined mediators.

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Trabalho de Projeto Apresentado ao Instituto de Contabilidade e Administração do Porto para a obtenção do grau de Mestre em Tradução e Interpretação Especializadas, sob orientação da Mestre Graça Chorão e coorientação da Mestre Paula Almeida

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Relatório de estágio de mestrado em Educação Pré-Escolar e Ensino do 1º Ciclo do Ensino Básico

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Selon la tradition orientale, les représentations de Jésus trouveraient toutes leur origine dans les images acheiropoïètes, c'est-à-dire dans des figurations de la "Sainte Face" du Christ non faites de main d'homme, mais survenues par apparition divine -sur le voile de Véronique, le Saint Suaire, le mandylion d'Edesse, etc. Ces images qui, pour des théologiens de l'icône tels que Léonide Ouspensky, ne sont rien moins que "la manifestation du miracle fondamental : la venue du Créateur dans sa création" (in L'Image du Christ non faite de main d'homme, 1989), ont toujours été le ferment d'expérimentations multiples chez les peintres et les sculpteurs.Mais la réflexion artistique s'est cristallisée au moment où ces images sont devenues l'apanage de médiums issus de "l'ère de la reproductibilité technique" chère à Benjamin. En effet, les images "théographes" auraient pour spécificité d'être engendrées et de se multiplier par empreinte immédiate: une toile quelconque n'aurait qu'à être touchée par le visage du Christ pour devenir instantanément le support du divin portrait, et acquérir dès lors le "pouvoir reconnu aux acheiropoïètes de créer des doubles de même valeur, par simple contact" (François Boespflug, Dieu et ses images. Une histoire de l'Eternel dans l'art, 2008). Comment mieux faire écho aux principes mêmes de l'image (ciné)photographique, générée par indicialité et reproductibilité? André Bazin a eu l'intuition de cette parenté dans le cadre de sa théorisation sur le pouvoir "révélateur" de l'image (ciné)photographique qui selon lui procéderait "par sa genèse" de "l'ontologie du modèle" et "serait" le modèle; il a évoqué le Saint Suaire de Turin comme rejouant, voire emblématisant cette même "ontologie de l'image photographique" (dans l'article homonyme de 1945). Si Bazin ne développe pas plus avant ses considérations, la corrélation des dispositifs (ciné)photographique et acheiropoïète a connu un questionnement « en actes », au sein des films cherchant à représenter Jésus.Valentine Robert s'intéresse à ces expérimentations, à commencer par un projet de film d'Abel Gance de 1947, resté inachevé, où le suaire de Turin devait se transformer en écran de cinéma. Plusieurs autres productions seront abordées, telles que Civilization ou The Robe, qui explorent les effets visuels permis par la pellicule pour montrer le Christ en surimpression, dans une sorte d'"apparition technologique", ou telles que The Jesus Film ou The Passion of the Christ, dont la projection a été reçue par certains publics comme une apparition sacrée réactualisant l'Incarnation. Les modalités de la représentation des images acheiropoïètes et plus généralement de l'apparition de Jésus à l'écran seront enfin évoquées - de la tradition hollywoodiennes qui consistait à refuser l'accès de la "Sainte Face" à la pellicule et de la rejeter hors-champ jusqu'aux séquences d'Ecce Homo de Scorsese et Zeffirelli, en passant par la révélation visuelle inaugurant The King of Kings, qui pousse à son paroxysme la collusion entre apparition divine et apparition cinématographique.

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El treball presenta un estudi de la Història Antiga d'Israel i Egipte, des d'una perspectiva relativament poc tractada. No proposa estudiar Israel ni Egipte, sinó allò que pensaven els autors bíblics sobre Egipte.

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El propòsit d'aquesta investigació és conèixer, descriure i interpretar el sistema educatiu palestí per saber si una situació de conflicte afecta -i en quina mesura- el funcionament, estructura, resultats i comprensió del concepte educatiu en una regió. Per assolir-ho, s'ha cercat informació bibliogràfica en diferents fonts, a més de la observació in situ de la realitat educativa palestina, fent entrevistes a diferents agents de la regió. Cal esmentar que el treball teòric és general però la descripció pràctica és contextualitzada a Nablus, una ciutat de Cisjordània. Els resultats obtinguts en aquesta investigació educativa de la branca de l'Educació Comparada han estat diversos, concretar-se en diferents conclusions: les conseqüències d'una guerra silenciosa que fa més de 60 anys que es perllonga en el temps implica dificultats econòmiques i administratives que afecten directament al sistema educatiu de la regió; objectius del govern palestí encarats a desenvolupar la població amb una aplicació pràctica real que els acompleix; importància de l'imaginari social de la nació per comprendre la importància del concepte d'Educació i les accions i atacs que rep aquest concepte per part de l'Estat d'Israel i on la comunitat internacional no es posiciona; la necessitat de crear un Estat Independent Palestí

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Cet article porte sur la réflexion politique grecque au sujet du principat et sur les relations entre le sophiste Dion de Pruse (40-50 après J.-C. - après 110 ?) et le pouvoir impérial. Il propose une analyse des discours de Dion qui concernent les modèles de royauté : les quatre discours Sur la royauté (Or. I à IV), l'Agamemnon (Or. LVI), le discours Sur la royauté et la tyrannie (Or. LXII). La première partie examine les circonstances de rédaction ou de prononciation des discours, afin de distinguer différentes étapes dans la pensée politique du sophiste et dans son jugement sur la figure de l'empereur. La deuxième partie étudie les deux images du « bon » roi : le roi imparfait, soumis à reddition de compte ; l'Optimus Princeps. Cette seconde image, beaucoup plus développée, est définie à la fois par un ensemble de vertus et par l'imitation du roi des dieux. La troisième partie analyse les objectifs de Dion, compare sa réflexion avec celles des intellectuels romains du Ier et du IIe siècles, dégage sa position complexe à l'égard du principat et de la figure de Trajan. The paper focuses on Greek political thinking on principate as well as on the relations between the sophist Dio of Prusa (40-50 till 100 A.D. ?) and the imperial power. It analyses Dion's speeches on royal models : the four speeches On Kingship (Or. I to IV), the Agamemnon (Or. LVI) as well as the speech On Kingship and Tyranny (Or. LXII). The first part examines under which circumstances these speeches have been drafted and given, in order to highlight the evolution of the sophist's political thinking and his assessment of the figure of emperor. Secondly, the two images of a good king are examined : the imperfect and accountable king on the one hand, the Optimus Princeps on the other. The latter image, more largely developed, is both defined by a collection of virtues and an imitation of the king of gods. The third and last part analyses Dion's objectives, compares his thoughts with the ones of 1st and 2nd centuries Roman intellectuals and sketches his complex standpoint towards the principate and Trajan.

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The origins of biblical historiography may be dated to the end of the VIIth c. and linked to those of the deuteronomic school itself. In order to justify Josiah's politics, his scribes elaborated a collection of texts (Deut, Josh, Kings, a vita Mosis in Gen-Nb) which were widely inspired by Assyrian ideology. During the Babylonian exile, this literature underwent a transformation: the new created « Deuteronomistic History, (Deut-2 Kings) converted propaganda into theodicee. The Deuteronomists were still at work in the Persian period as can be seen in numerous texts in Deut-2 Kings, as well as in the edition of the prophetic corpus. From now on, dtr ideology was centered on three points: the restauration by law, the end of prophecy and the need to separate Israel from the « others » (cf. EsdNeh). But the Persian period was also the, time of compromise. The Pentateuch was made by putting together dtr and priestly ideologies, « autochtonous » and « exodic » views about the origins of Israel.

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Le prêt à intérêt était pratiqué par tous les peuples de l'Antiquité préchrétienne, à l'exception du peuple d'Israël. L'auteur examine d'abord l'interdiction du prêt à intérêt dans l'Ancien Testament. Il expose ensuite la pratique du prêt à intérêt en Grèce, avant de détailler les critiques d'Aristote. Enfin, l'auteur retrace l'évolution du prêt (mutuum) et de la réglementation de l'intérêt à Rome, des origines à Constantin. Il met l'accent sur trois grandes controverses parmi les romanistes modernes (XVIe - XXIe s.) : sur le nexum, sur la centesima et, surtout, sur le mystérieux fenus unciarium, le taux d'intérêt fixé par les Douze Tables, pour lequel l'éventail des interprétations va de 1 à 100 % par an ! L'auteur recense les opinions de plus de 400 juristes et historiens, discute les plus importantes et propose sa conclusion. The loan at interest was used by all the peoples of pre-Christian Antiquity, excepting the people of Israel. The author first focuses on the prohibition of lending at interest in the Old Testament. He then explores the use of loans at interest in Greece before examining Aristotle's criticism. Eventually, the author follows the evolution of loan (mutuum) and interest regulation in Rome, from the origins to Constantine. Three great controversies among modern Roman law scholars (16th - 21th) are considered: nexum, centesima and above all, the mysterious fenus unciarium, the interest rate defined by the Twelve Tables, for which the range of interpretations varies between 1 and 100% per year! The author gives an inventory of more than 400 opinions expressed by jurists and historians, discusses the most important ones and suggests a solution.

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The story Numbers of 25 which reports the incident of Baal Peor is one among several texts in the book of Numbers focusing on divine wrath, its cause and its consequences. The present article offers a detailed analysis of the account which is difficult to understand because of certain jumps in the plot and because of its allusive style. Scholars mostly agree with the idea that the story grew in two or three stages. A lot of commentators believe that the original story contains only the apostasy of Peor caused by the Moabites (vv. 1-5). A subsequent story would focus on Pinchas' action against Zimri and Kospi, and a third layer is linked to the story of the war between Israel and Midian (Numbers 31). The problem of this theory however is that it seems impossible to reconstruct an original story about the matter of Peor; one does not find a satisfying end within vv. 1-5. Furthermore, v. 5, which belongs to the first, "Moabite", section, is already linked to the theme of Midian which dominates the second and the third passage. Moreover, the assemblage of different themes and motifs seem having been done with care: Regarding the two abuses of Israel reported in the story--idolatry and intermarriage--, they often go together in late polemical Deuteronomistic and post-Deuteronomistic layers (Ezra-Nehemiah). The double focus on Midian and Moab could both be polemically directed against certain Moses traditions found in the books of Exodus and Deuteronomy (concerning Moses' marriage with a Midianite women on the one hand and his stay and death and burial in Moab - in the vicinity of Beth Peor - on the other hand). As in several ANE traditions also in the Hebrew Bible the motif of "divine wrath" serves to interpret fatal historical events; in Num 25 as in other Biblical stories however it is doubtful whether the alleged incident (the plague) really have taken place and the story's plot is anchored in ancient Israel's history.