997 resultados para Flensburg Outer Fjord, Breitgrund W


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The aim of the article is to outline the key issues surrounding legal notions of film authorship. For scholars interested in studying the process of production it is extremely important to analyze the status and scope of power of its participants as well as their position in the hierarchy – one of the main sources of priveleges is the fact of being recognized by the law as the author of the work produced. The article depicts the benefits of such situation, but its main aim is to descibe the legal rules of granting the status of the author. Outlined are the issues emerged from the two radically different legal system – european droit d`auteur tradition and american copyright. The first one honours the artists while the other focuses mostly on providing the certainty of the economics, so the actual authors of the work are not that important. The paper points to the fact that – especially in the case of american copyright – the actual (determined by law) situation of a creator may differ significantly from the character of their contribution to the process of producing a film. Analysis of the rules and principles of the law is essential to the understanding of the structural determinants of film production and deserves no less attention than social, political and economic factors.

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Wydział Nauk Społecznych: Instytut Filozofii

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Wydział Historyczny

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Wydział Nauk Politycznych i Dziennikarstwa

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Wydział Biologii: Instytut Biologii Molekularnej i Biotechnologii Zakład Genetyki Molekularnej Człowieka

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Wydział Historyczny

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"Principle of sufficient reason in the context of the realism-antirealism semantic controversy". The topic of this article is the cognitive and semantic status of Michael Dummett’s principle C. According to the principle, if a statement is true, there must be something in virtue of which it is true. The author suggests the interpretation of principle C in terms of the sufficient reason principle as a contemporary, weaker and semantic counterpart of the classical version of the principle. Considerations include such problems as: the distinction between the reason-consequence relationship and cause-effect relationship; the reductionism and justificationism in the context of the realism-antirealism semantic controversy; the reversibility of reason-consequence relationship and the question of a search for ultimate reasons. The author also distinguishes three forms of the sufficient reason principle: metaphysical, ontological and propositional.

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O konflikcie jako zjawisku i procesie społecznym nigdy za wiele, zwłaszcza gdy w jednym tomie można znaleźć analizy teoretyczne źródeł i istoty konfliktu, jego konstruktywnego potencjału, jak i dysfunkcjonalności wobec relacji społecznych i społecznego ładu. Zagadnienia te omawiane są przez socjologów, pedagogów, psychologów, teoretyków prawa oraz praktyków zajmujących się ich rozwiązywaniem: pracowników socjalnych, terapeutów, mediatorów, negocjatorów, prokuratorów, sędziów, menedżerów. Oprócz diagnoz dotyczących sfer życia społecznego szczególnie zagrożonych konfliktem (stosunki międzynarodowe, sfera publiczna, edukacja i wychowanie) czytelnik znajdzie w książce opracowania na temat różnych dróg wychodzenia z konfliktu poprzez kompromis do konsensusu, z użyciem różnych narzędzi społecznych, takich jak: negocjacje, arbitraż, a zwłaszcza mediacje.