970 resultados para Oswald, James, 1710-1769
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Pós-graduação em História - FCLAS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The James-Stein estimator is a biased shrinkage estimator with uniformly smaller risk than the risk of the sample mean estimator for the mean of multivariate normal distribution, except in the one-dimensional or two-dimensional cases. In this work we have used more heuristic arguments and intensified the geometric treatment of the theory of James-Stein estimator. New type James-Stein shrinking estimators are proposed and the Mahalanobis metric used to address the James-Stein estimator. . To evaluate the performance of the estimator proposed, in relation to the sample mean estimator, we used the computer simulation by the Monte Carlo method by calculating the mean square error. The result indicates that the new estimator has better performance relative to the sample mean estimator.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Este artigo pretende apresentar, de modo preliminar, uma exposição da teoria de James Buchanan sobre os temas relacionados a ação coletiva e as regras do processo decisorio no âmbito do Estado.
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Este trabalho tem como objetivo traçar um panorama artístico literário presente na produção do escritor modernista Oswald de Andrade, identificando a evolução estética ideológica do autor por meio do manifesto Pau-Brasil (1925) e o Antropófago (1928); de teses e artigos como “Meu Testamento” (1944) e “A crise da filosofia Messiânica” (1945); de entrevistas presentes no livro Telefonema, parte integrante da coleção: Obras Completas de Oswald de Andrade (Rio de janeiro, 1974); e de sua produção teatral. Toma como ponto de partida a antropofagia como um operador cultural, de modo que a característica mais marcante do escritor, a irreverência, é fomentada e trabalhada por meio da ironia, ferramenta de discurso que Oswald de Andrade utiliza com uma função social, uma arma revolucionária e política. Para tal, traçou-se uma linha entre a produção modernista e a produção teatral de Oswald e desse levantamento bibliográfico, a peça que mais chamou a atenção foi O rei da vela, primeira peça escrita na fase adulta, em 1933, e publicada em 1937 e que somente teve sua primeira encenação 30 anos depois, em 1967, pelo grupo de Teatro Oficina com a direção de José Celso Martinez Corrêa. O grupo realizou um levantamento literário e documental sobre o Oswald de Andrade, através de depoimentos dos atores que receberam a proposta de encenação (em 1934), aos Manifestos, até encontrar a Antropofagia oswaldiana, e dela se utilizarem para concretizar O rei da vela, retomando e usando a antropofagia, essencialmente, como um operador cultural
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This work is part of a research project on the role of translations of African-American literature in Brazil and their relation to issues of identity, discourse and aesthetics. It analyzes the translation, by Affonso Blacheyre, of Giovanni's room (1956), by James Baldwin, which was published in 1967 in Brazil. Baldwin is revered for his role in the Civil Rights Movement, having produced works that portray the contradictions of a democratic, but, at the same time, racist society. Giovanni's room was first rejected by his publisher for addressing homosexuality. The text displayed on the book flaps of the translation praises Baldwin's "work with language", in contrast to his anti-racism in other works. The praise of aesthetics of Giovanni's room is noteworthy, in contrast with the absence of any remarks on its critique of the marginalization of homosexuality. The focus on the aesthetics of the work corresponded to characters speaking a more formal register in the translation. Discourses on identity strengthening were less apparent in the 60s in Brazil in comparison to nowadays. The emphasis on aesthetics represented a seemingly "non-political" gesture that made it less shocking in the context of military dictatorship prevalent in the country at the time.
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The objective of the present text is to establish connections between literature and painting through the comparison between Oswald de Andrade’s poem “Longo da Linha” and Tarsila do Amaral’s painting “Palmeiras”, both belonging to the Brazilian Modernist movement Pau-Brasil. To emphasize also the step taken by the two artists, in Modernism, against the previous academicism, C. S. Peirce’s semiotics theory will be used as analytic basis to demonstrate, in Tarsila’s painting, a path towards planarity and stylization to produce quality effects, closer to the shape and the adventure of senses than to symbolization, whilst for Oswald, this same path leads to the presence of visualization as composition factor.
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This paper aims an epistemologically analysis of the attempt of James Prescott Joule to replace the steam engine by the electric one. In this historical analysis, we use the epistemological categories: style of thinking, collective thinking, intercollective circulation of ideas and practices,Joule and other technicians in Machester received in that time financial incentives from governments and industry to replace the steam engine by the electric one, since it was in Manchester a culture of the technique of the accuracy and precision in which Joule was immersed, which allowed us to initially identify the styles of techniques thinking and experimental efficiency. However, Joule could not replace the steam engine by the electric; and the awareness of the problems faced by him, in the attempt to make such a substitution, led him to seek, through an intercollective circulation of ideas and practices, such as the studies of Faraday and Jacobi, a change of direction in his researches. According to our analysis, what happened was a change of style from a technical to a scientific thinking. In this sense, Joule began to investigate issues of a scientific nature, as the Joule’s effect and the mechanical equivalent of heat, which contributed significantly to the establishment of the principle of conservation of energy. We present here the contributions of this epistemological analysis to the discussion of questions of the nature of science in the basic education and for the training of physics teachers.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The James Sisters Papers consist of personal correspondence between the sisters and their parents while they attended Winthrop and other papers, memorabilia, and photographs relating to their college and professional lives.
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The James Pinckney Kinard Papers consist of family history charts of the Kinard family and related Kuhn and Summer families, and a Kinard family history, personal correspondence including letters to and from his wife Lee Wicker Kinard (1873-1963), their daughter Nelle Kinard, and other family members, business correspondence, financial papers, literary manuscripts, scrapbooks, and photographs pertaining to Kinard’s student days at the Citadel, his personal and family affairs, his teaching career, his presidency of Winthrop, and his efforts to get his literary manuscripts published. This collection consists primarily of correspondence and offers an informative insight into the personal lives and family affairs of Dr. Kinard and his wife, Mrs. Lee Wicker Kinard. The correspondence generally deals with Dr. Kinard’s struggle against the South Carolina legislature’s cuts in educational appropriations for Winthrop during the Depression; and his varied activities on behalf of Winthrop as President Emeritus. The collection also includes several unpublished manuscripts ranging from his student days at the Citadel to his later life. Areas of research would perhaps include, among others, biographical information on Dr. Kinard and social history during the Depression.